I’m not going to talk more about the golden age of SNL. I wasn’t born until 2002, so it’s not my area of knowledge. What I can do is talk about SNL's "silver age," led by people like Bill Hader, Fred Armisen, Rachel Dratch, Kristen Wiig, Jason Sudeikis and Andy Samberg in the late 2000s and early 2010s.
I like nervous music, music that’s unsettled and unsettling, even when it’s in a major key, and this seems somewhere between pablum and dread. Over the last 12 months, I’ve found myself falling into repetitive music and listening loops. Maybe read this as my way of rocking back and forth, my sonic self-care at best or anesthetic at worst.
I can't remember the exact time I got to know about the term"white cube," a style of contemporary gallery with a rectangular space, unadorned white walls and neutral lighting. “White cube” would automatically jump in my mind whenever I walked into a white cube gallery. There were plenty.
It always impresses me when a writer can find a novel concept in long-running series with decades of lore and a tried and true premise like “Fantastic Four” (1961–). I chuckle even harder when that novel idea is both literal and figurative. The secret behind that riddle is the subject of today’s story arc, “Solve Everything” (2009).
OK, hear me out — I don’t think "Twilight" (2008) is that bad. No, I mean it. Is it a good movie? No. Does it have Oscar-level acting? Absolutely not. But does it deserve to be pop culture’s cinematic punching bag? I don’t think so.
Sometimes acid music literally sounds like acid — boiling and popping bubbles of music notes. It can be artistically concrete in the imitation of liquid but also abstract and malleable to create other audio environments.
Ed is dumb but lovable, Double D is intelligent and anxious and Eddy sports a short temper and acts as the de facto leader of the group. These eclectic personalities lead to fighting within the group that’s both humiliating and hilarious.
What I enjoyed the most about this movie was that it explored these imaginary scenarios in a very light, yet existentialist manner. I honestly don’t know how I’d classify its genre. Rom-com? Maybe. Sci-fi? Definitely. Nihilistic and existentialist, forcing you to look at your own life differently? Hell yeah!
Fortunately, and unfortunately, this street is one of the very few places where graffiti is completely allowed and legal. People obviously love it. The punchy colors and bold lines could invigorate the disciplined city even though the rareness of their appearance couldn’t do much as a whole.
In this column “Comfort Cartoons,” my goal is to revisit some of the most formative and re-watchable animated shows. We’ll be discussing their nostalgia, their merits, how they’ve held up and what it’s like to watch them again as a (relative) adult.
I’m writing this column to hold myself accountable. I’m writing this column to prove something to myself. I’d be really happy if you joined me on this 10-week journey and, perhaps, be a part of a dialogue.
The film's story is universal. Remy represents a small part of us that strives to be something we’ve been told we can’t be. He represents a dream we’ve been longing for. Linguini represents our insecurities, the side of us holding us back. The two together create this power, this ability to create and do the impossible, to prove others wrong.
By trading for Matthew Stafford, the Los Angeles Rams have made a major statement to the rest of the NFL: they are in it to win it. To acquire the former No. 1 pick, the Rams sent their 2022 first-round pick, 2023 first-round pick, 2021 third round pick and starting quarterback Jared Goff to the Detroit Lions. This season revealed that the Rams have a Super Bowl-caliber defense that is held back by their offense, reinforcing the widely held belief that the Rams win in spite of Goff — and not because of him.
If you were to have the Oscars today, it would be a pretty underwhelming year indeed. But by virtue of a growing number of streaming services, you can watch much of 2020's prestige cinema from the comfort of your own home. Here’s a few you can expect to see released over the next few weeks.
As the pandemic has progressed, I constantly find myself listening to live versions of my favorite songs on YouTube and Spotify. The ultimate test of a musical artist, for me, is how they sound without the autotune and the sophisticated editing.
My brief stint as a K-Pop fan was often characterized by an overwhelming sense of awkwardness. But as I’ve gotten older, I’ve overcome those early insecurities and embraced the versatile, often stunning, style of K-Pop.
Whether I’m writing a paper at the Sink on a Monday morning or Ubering downtown on a Friday night, somehow Yaeji’s music manages to be both energizing and relaxing at the same time, melding to whatever mood I find myself in.
2019 was such a good year for movies. This makes it all the more disappointing that 2020 has been almost completely barren. The more interesting result has been the slew of movies released on streaming services or for direct purchase on demand.
Against all odds, 2020 has forced The Academy to, what I assume to be begrudgingly, remove their theatrical release requirement for the first time in history. For possibly the first time in history, releasing direct-to-video is being viewed as an alternative rather than necessarily a downgrade for the studio releasing it.
Dear J: “I started talking to this guy, but it’s hard to spend time together due to the new COVID-19 policies. How do I pursue a relationship right now?
