Beyond the Underneath: Starting from an empty dance floor
You should never arrive at a party on time. But do try once.
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You should never arrive at a party on time. But do try once.
I don't have a turntable, but I do have a few vinyl records in my packed bedroom. I only listened to bits of them on turntables when I first bought them. Sometimes it makes me impatient seeing the records just lying there in my room. All the songs are meticulously carved on the disc, but they are sealed in silence. I like to run my fingers around the circular lines to imagine how they would sound, even though I could easily search them up on the internet.
The slogan "Save Uptown" has been around for a while — on the internet and on a flyer that a staff member handed to me when I was visiting a vinyl market last weekend.
My only experience of almost becoming a VJ, or video jockey, was for an art installation event, which both started and ended very abruptly. It started abruptly because I had slightly more experience in motion graphics than others and we were pressed for time. It ended abruptly because they realized my "slightly more" experience was not at all equivalent to "sufficient" experience.
It was a few months ago when I asked the manager of an underground club about the "signing up" process to DJ at the club. She told me people could start off by DJing at a bar. She said the bar's name under the music. I couldn't really catch the name — it was something like "Sis," "Synth" or "Sees."
First hidden rule in graffiti: If you paint over someone’s work, your work should be better than the one you covered.
The 11th edition of the music production software "Ableton" was officially launched on Feb. 23rd. The next day, the Shanghai Ableton User Group had a jam session with the newest version of Ableton implemented, as well as a range of electronic music instruments.
I can't remember the exact time I got to know about the term"white cube," a style of contemporary gallery with a rectangular space, unadorned white walls and neutral lighting. “White cube” would automatically jump in my mind whenever I walked into a white cube gallery. There were plenty.
When the image of verdant and tender burgeons fuses with a minimalistic composition of clean-cut metal edges, a clash of two objects that are almost on the opposite spectrum of characteristics, they compromise into an artwork with a sense of neutralization and mutual acceptance. It blurs reality, raises the awareness of coexistence and assigns abstraction with meaning.
"In a world of sameness, craft illuminates difference."