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The Tufts Daily
Where you read it first | Sunday, October 6, 2024

Arts

adventuresofanAlister
Arts

A-List Adventures: Going to the movies by myself

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The problem with being a film lover and having five movies hitting theaters every week is that sometimes I have to put on my big girl boots, head to the T and watch a movie by myself. Most of my film friends love doing this, especially at midnight ...


Miranda Lawson
Arts

Miranda Lawson showcases solo work at Tufts’ Dances at Noon Series

Boston-based movement artist Miranda Lawson performed in the Jackson Dance Lab for Tufts Dance Program’s Dances at Noon series on Friday. The series is put on by the Tufts Dance Program, a part of the Department of Theater, Dance, and Performance Studies. In 2013, Senior Lecturer Daniel McCusker founded Dances at Noon as a way to connect the dance program to the larger Boston area dance scene. 




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Arts

Femininity as profanity: A review of Mannequin Pussy’s 2024 album ‘I Got Heaven’

“What if Jesus himself ate my f------ snatch?” This is just one of the many lines from punk rock act Mannequin Pussy’s most recent album “I Got Heaven” and is by no means alone in its raw vulgarity. This type of bold and unwavering confrontation is part of what defines Mannequin Pussy. Take the name, for starters. While the title of the band originated from an inside joke, it also accomplishes what lead singer Marice Dabice believes punk rock is meant to do: subvert and challenge the audience.



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Arts

BSO’s Concert for the City invites Mayor Wu to the stage

The crowd was a bit raucous at this Saturday afternoon’s Concert for the City at Symphony Hall. The many cliches about the transformative power of art from those who introduced the acts and the interjections in the middle of songs veered towards being annoying. But let’s not dwell on these things. They are not particularly important. Much more important is that several hundred members of our city got to share in the experience of a truly lovely afternoon of music.


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Arts

‘Laughs in Spanish’ explores the ties that bind us at Speakeasy Stage

When the lights go up on Speakeasy Stage Company’s “Laughs in Spanish,” the story begins in medias res. Mari (Rebekah Rae Robles), the young Latina director of a Miami art gallery, has just discovered that her paintings have been stolen, just hours before the gallery is set to open for the prestigious Art Basel festival. In the chaos, Mari’s intern Caro (Luz Lopez) arrives with her boyfriend Juan (Daniel Rios, Jr.), a local police officer investigating the theft. However, the art heist quickly fades into the background as two more faces arrive at Mari’s gallery, transforming a comical opening scene into a big-hearted, telenovela-style story that explores the complexities of familial and romantic relationships.


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Arts

Summer Salt puts the paradise in Paradise Rock Club

Boston’s Paradise Rock Club hosted “trop-pop” band Summer Salt for their “Driving Back to Hawaii” tour on Sept. 20. Celebrating the 10-year anniversary of their debut EP “Driving to Hawaii” (2014), the band played the album in its entirety for the first time ever for a live audience.


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Columns

Adventures of an A-Lister: How it all started

When I first mentioned to my fellow film peers that I do not catch enough new releases because of the outrageous prices of movie tickets these days (not to mention the sheer number of movies that come out every week), they quickly bullied me into joining the AMC Stubs A-List. 


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Arts

The many faults of Reagan and ‘Reagan’

When I walked into an empty theater to watch “Reagan” last weekend, my expectations were low for two reasons. First, I’d only learned of its existence the day before, and nobody I talked to seemed to have heard of it either. Second, I hate former President Ronald Reagan. Any director trying to make a film about him will need to take his very real and numerous shortcomings seriously. The film’s poster, one of the few pieces of promotional materials I had seen, depicted Reagan in a cowboy hat in front of the American flag. It did not inspire me with hope. I was ready to be angry.


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Arts

‘MaXXXine’ is not quite the ‘Star’ it should be

It’s been nearly two years since my review of “Pearl” (2022) was published, in which I explored the intricacies of Ti West’s second installment of his horror trilogy. Two years later, I am once again drawn to the keyboard to discuss West’s third installment, “MaXXXine.”




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Arts

The Secret Life of Bookworkers

Since August, the School of the Museum of Fine Arts has been home to “Ulises: Assembly” — an exciting residency and exhibition that puts the spotlight on the often-overlooked labor of bookworkers. The Philadelphia-based Ulises collective, formed in 2016 by Nerissa Cooney, Lauren Downing, Kayla Romberger, Gee Wesley and Ricky Yanas, takes center stage at the Grossman & Anderson Galleries with its first institutional residency and solo exhibition. Running through Nov. 10, this exhibition is more than just a display of art — it’s an invitation for Tufts students and the Boston community to engage in an immersive exploration of art publishing and collective practice.


Read, Write, & Be Merry
Columns

Read, Write and Be Merry: 'The Women'

Welcome! I’m glad you’re here spending a bit of your day with me! This is the first edition of what will prove to be the absolute best, most Earth-shattering book column ever. Because, obviously, it’s being written by the coolest, funniest, most nonchalant managing editor turned study abroad liaison the world has ever seen.


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Arts

“Star Wars: The Force Awakens in Concert” is a triumph at Symphony Hall

On Sep. 6, thousands of fans poured into Boston’s Symphony Hall for a performance that was far from your typical night at the orchestra. While some audience members dressed business casual, others opted for outfits and paraphernalia from a galaxy far, far away, as the Boston Pops delivered an immersive performance of “Star Wars: The Force Awakens” (2015).


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Arts

The legacy of ‘The West Wing’ 25 years later

Sept. 22 will mark the 25th anniversary of the premiere of “The West Wing,” an iconic political drama from the mind of Aaron Sorkin that earned 98 Emmy nominations and 27 wins in its seven-season run, Even after 25 years, the show continues to have a lasting impact on the world of entertainment and politics. The show’s legacy can perhaps be best summarized by Janel Moloney, who played Donna Moss, who said, “The show has not stopped but seemingly gotten more popular, remaining in the Zeitgeist, surging when people need political comfort — which these days is always — and amassing new devotees every day.”