Disclaimer: This article contains spoilers for “Tomorrow, and Tomorrow, and Tomorrow” (2022).Welcome back to “The Bookmark,” your go-to column for book reviews! Last week, I featured the famous science-fiction masterpiece “Dune” (1965). This week, we’ll be returning to contemporary ...
As Tufts’ artist-in-residence, professor of the practice and activist Dee-1 has poignantly noted, the promotion of violence in hip-hop is overwhelmingly common. According to Billboard, at the end of 2023, at least four of the five top rap artists incorporated violent lyrics in their discography. Recently ...
“Becoming a Man,” now playing in its world premiere at the American Repertory Theater in Cambridge, is a deeply personal coming-out story written by P. Carl, based on his 2020 memoir of the same name. Chronicling Carl’s experience embracing his identity as a transgender man, “Becoming a Man” asks the question: “When we change, can the people we love come with us?” The play’s non-linear narrative gives audiences a glimpse into Carl’s life both pre- and post-transition, as he struggles to preserve his relationship with his wife, Lynette, and find his place in the world.
My journey with substitutions began when I was a senior in high school. I was planning to visit one of my dearest friends in college and decided to bring her a batch of dairy-free chocolate chip cookies, made with coconut oil. Then one of my closest friends in college didn’t eat eggs, so the chocolate chip cookie recipe evolved to include a flax egg.
It’s Friday night, and you find yourself at a party in a dimly lit basement with countless bodies pressed together. The temperature rises so much that it becomes unbearable to stay in the room until you hear the word “DAMNNNNNNN” start to play over the speakers. Everyone starts to jump around and push each other as the Lil Uzi Vert song “Just Wanna Rock” continues to echo. One or two people emerge from the crowd and start dancing in the circle, incorporating the iconic “buh buh buh” into their moves as the whole room cheers. Vert’s song is an example of Jersey club music, a fast-growing genre that combines EDM and hip-hop. Jersey club remixes have taken social media by storm, particularly on TikTok, where they have become a viral sensation.
“Every day, 14 to 15 million Indians go to the movies. India produces between 1,500 and 2,000 films a year — more than any country in the world.” The first section of Fatima Bhutto’s book, “New Kings of the World: Dispatches from Bollywood, Dizi, and K-Pop” (2019), dives right into an astute analysis of Bollywood, one of its three subjects. The fact that the Hindi film industry brought in a whopping $1.3 billion in 2023 only affirms the global scope and influence Bhutto examines in her book.
Taylor Swift is one of the most iconic pop stars of the past 15 years. With a career spanning 10 original albums and four re-recorded albums, it is difficult to imagine a more successful musical artist. According to a Forbes article, 53% of the U.S. population are Swift fans and 44% of avid fans self-identify as “Swifties.”
American reality television in the 2000s was infamous. Strange concepts abounded, such as“My Strange Addiction” (2010–15), where subjects would confess to anything from eating half a roll of toilet paper a day to being in love with a car and “Bridalplasty” (2010–11), where brides competed in challenges to win a wedding and desired plastic surgeries.
In the bustling world of poetry, where emotions cascade like rivers and words dance like leaves in the wind, every poet has a unique journey to share. The Daily recently sat down with Tufts alumna Leticia Priebe Rocha (A’20), a talented poet whose debut chapbook, “In Lieu of Heartbreak, This is Like,” explores themes of love, hurt and resilience.
“Walking Backwards” is an original play written and directed by Tufts sophomore Rowan Cunningham. The two-act show ran as a staged reading in Paige Hall on Feb. 15 and 16 and tells the story of found family, growth and all that comes with being a queer and transgender person moving through life. (Note: Cunningham read as Rose for the performance of this review).
“Drive-Away Dolls”, directed by Ethan Coen, is reminiscent of many classic Coen brothers movies. But, in many ways, it’s something new for the filmmaker. A departure from Coen’s catalog of Westerns and crime comedies, “Drive Away Dolls” is a crime flick, a road trip comedy and a sexploitation film rolled into one. Coen co-produced the film with his wife Tricia Cooke, who wrote the film with him in the early 2000s — it sat in development for nearly 20 years before making it to the big screen. Raunchy, zippy and unabashedly queer, “Drive Away Dolls” doesn’t have a lot to say, but it’s an undeniably entertaining comedy that will have you eager to go along for the ride.
The Boston Lyric Opera’s charming production of Chevalier de Saint-Georges’ only surviving opera, “The Anonymous Lover,” ran at the Huntington Theatre from Feb. 16 to 18. “The Anonymous Lover” continued the BLO’s exploration of love through four operas in their 2023-24 season ...
“John Proctor is the Villain,” currently running at the Huntington's Calderwood Pavilion in Boston, tells a story that feels timely and timeless all at once. Set in a one-stoplight Georgia town in 2018, Kimberly Belflower’s play tells a story for the present moment that draws inspiration from Arthur Miller’s classic drama “The Crucible” (1953). A coming-of-age story for a new generation, “John Proctor is the Villain” explores the ins and outs of friendship, power dynamics and the patriarchy in a hilarious and moving production.
Frank Ocean has not dropped an album in nearly eight years, Kendrick Lamar took five years to release his fifth studio album and A$AP Rocky fans continue waiting for his next project after six years.
Welcome back to “The Bookmark,” your go-to column for book reviews! Last week, we started off with a review of a relatable coming-of-age novel. This week, we’re shifting to a very different genre: science fiction. We’re talking about “Dune” (1965) by Frank Herbert.
Mitski’s discography is known for its emotional depth, exploring intimate themes of yearning, isolation and heartache. Her lyrical complexity and soft melodies have earned her the label of a “sad girl indie” artist. After contemplating retiring from music in 2019, she released“The Land is Inhospitable and So Are We” in September 2023, marking a resurgence of her sentimental lyrics, only this time, they exuded more warmth and sincerity.