Arts

From stage to screen: The play, ‘Kim’s Convenience,’ that inspired the Netflix hit

By Fiona Hinrichsen | November 25

For fans of the TV sitcom “Kim’s Convenience,” the play delivers a sense of deja vu — it’s laugh-out-loud funny, brimming with witty banter and sharp humor. This play, which inspired the Netflix series, premiered in 2011 at the Toronto Fringe Festival. Playwright Ins Choi drew from his own experiences growing up in an immigrant Korean family in Canada. Adam Blanshay Productions presents the Soulpepper Theatre Company production in association with American Conservatory Theater, which runs at The Calderwood Pavilion from Nov. 6 to this Sunday.

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Arts

‘Hamnet’ breathes new life into Shakespeare

By Spring LaRose | November 24

William Shakespeare is, arguably, the most influential writer in history, with lines that have been parroted both in and out of the context of his plays for centuries. “Hamnet” is a testament to the timeless power of Shakespeare — for the long-cliched words “To be, or not to be,” somehow feel as fresh onscreen in 2025 as they must have onstage at the start of the 17th century. “Hamnet” is the newest film from director Chloé Zhao, based on the novel of the same name by Maggie O’Farrell. It is a work of historical fiction about the life of Shakespeare, focusing on his wife and children rather than his work.

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Arts

An everyday art tour: The art of keeping time

By Sophie Herron | November 24

Clockmaking runs in the family of Richard Hills, an antique horologist and owner of Hills Antique Clocks in Holliston. Throughout high school and college, he worked in his brother’s repair shop in Wellesley and, after graduating, continued clockmaking on the side while working as a bioanalytical chemist.

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Arts

Through the Looking Glass: What ‘The Wizard of Oz’ tells us about our current economic landscape

By Olivia Bye | November 21

Last week, “Wicked: For Good,” the sequel to last year’s box-office-shattering film based on the hit Broadway musical, made its highly-anticipated premiere in theatres. The film was officially released in theaters in the United States on Friday. Once again, the wonderfully weird world of Oz has been brought to our cultural forefront, with the film already projected to earn a record $200 million its opening weekend.

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Arts

Colleen Hoover’s ‘Regretting You’ delivers the drama, leaves the rest behind

By Annika Pillai | November 21

Colleen Hoover’s stories aren’t designed for subtlety, and “Regretting You” is no exception. The film unfolds with the same relentless pace as her novels — emotions spelled out in painful detail and absurd twists that land before the audience can catch its breath. It’s the kind of story that pushes for immediate reaction, even if it comes at the cost of overall quality. On screen, however, that approach feels uneven. The movie is so busy moving from one moment to the next that it rarely gives its story or characters time to land.

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Theater

What ‘The Great Comet’ reveals about human connection

By Sarin Chaimattayompol | November 20

To sit in the dark of Tufts’ Balch Arena Theater for 2 1/2 hours, watching a musical spun from Leo Tolstoy’s “War and Peace,” might sound like an exercise in masochism. Yet the experience turns out to be something far more delightful: a Russophilic, surprisingly tender and wonderfully inventive piece of theatrical adaptation.

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Arts

Arundhati Roy speaks her words of wisdom

By Ishaan Rajiv Rajabali | November 20

“Perhaps even more than a daughter mourning the passing of her mother, I mourn her as a writer who has just lost her most enthralling subject.” Arundhati Roy strikingly muses, cigarette in hand, on the cover of her latest memoir, “Mother Mary Comes to Me.” Her contemplative gaze masks emotional turmoil, audacious pluck and good ole’ mischief. Across 352 pages, she takes us through a life spent navigating uncharted waters with little trepidation. The unpredictable undercurrent of this stream is the eponymous character she describes as her “shelter and her storm:” Mary Roy.

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Arts

How protein became commodified

By Annika Pillai | November 20

Protein is everywhere now — or at least, the word is. When you walk into a grocery store, it almost feels like half the aisle is trying to convince you that you’re one scoop away from collapsing from malnutrition. There’s protein cereal, protein pasta, protein donuts, protein Pop-Tarts, protein chips, protein soda and even protein water, which sounds like a product that shouldn’t exist. The implication is constant: without added effort, you’re probably falling short. Yet many doctors and nutritionists say the average American already consumes more than enough protein. So why is it suddenly everywhere?

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Columns

High Fidelity: Geese takes on Boston

By Kasra Salehi | November 20

Something is happening here. The crowd knows it too. Many of them paid exorbitant ticket prices to be at the venue of just over 900 people, packed wall to wall. It seemed everyone felt as if they were early to the party for something special. Take the guy next to me, who turned to his friend and said “this must be what it was like to see the Pixies in the ’80s.”

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Arts

The return of the girl-group

By Lea Epstein | November 19

For the first time in nearly a decade, girl groups are returning to the Western mainstream with a velocity that feels long overdue. Watching FLO revive R&B’s legacy of stacked harmonies and technical vocal runs feels strangely comforting, almost like witnessing a tradition being carried forward rather than revived. Katseye’s rapid rise, along with two Grammy nominations, suggests that genuine pop excitement still exists outside the churn of algorithmic hype. From a distance, it looks like a Renaissance. Up close, it feels like something deeper — a cultural correction that many of us have been waiting for without realizing it.

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Columns

Evanescence and the Beautiful Foolishness of Things: ‘The Great Wave’ beyond the print

By Bella Jin | November 18

In the last column, we explored how Hokusai’s “The Great Wave” incorporated Western techniques and came to symbolize artistic exchange between East and West. In this article, we will examine how the print evolved into a global phenomenon, becoming the foremost cultural motif of Japan and East Asia.

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Arts

Top recruiter: How the military uses entertainment as a recruiting tool

By Claire LeCates | November 17

Many of those who settled into the red-cushioned seats at their go-to movie theaters in 2022, armed with buttered popcorn or slushies, would have been met with an ad for the U.S. Air Force between movie trailers for upcoming blockbusters. In came the droning of a fighter jet and a cinematic shot of it swooping around mountaintops and through arid plains spotted with cacti. The advertisement barely shows any faces under the helmets, possibly to encourage viewers to imagine themselves in the cockpit. The command to “aim high” lingers on the screen at the end of the ad, followed by the URL of the Air Force website.

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Arts

Splitting up seasons is destroying television

By Lauren Arnold | November 14

There have been many eras in the world of television. In the 2000s, weekly releases reigned supreme. On specific weeknights, shows would air their new episodes live. These weren’t just any shows; the most popular series often adhered to this schedule — think “Lost,” “The Big Bang Theory” and “Gilmore Girls.” Amid real-life pressures from school and work, these new episodes were a constant every week — something to look forward to.

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Arts

In ‘George’s Yard Sale,’ Somerville becomes a portrait of change

By Noah Goldstein | November 13

Sometime in the spring of 2025, Ray Feinleib found himself in a tough situation. Needing only one more course to complete a bachelor’s degree in film and media studies at Tufts in the twilight of his academic career, Feinleib had chosen to take “Advanced Documentary.” Yet, on the weekend before spring break, with the class’ final project’s due date set for the first week back, he found himself with nothing.

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Arts

Indigo De Souza stands still in the noise

By Jake Ren | November 13

Before singing her fifth song, “Be Like the Water,” given it was a week before Halloween, Indigo De Souza recounted a recent visit to a haunted house. She realized that the good thing about a haunted house is that you can always just close your eyes; the ghosts and demons aren’t allowed to touch you, and if you stand real still, you won’t touch them either. So, in the haunted house, she stood very still and closed her eyes. This song is about that, she said, slightly unsure about how much sense the story made.

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Arts

What Reddit’s ‘snark’ pages can tell us about the fate of journalism

By Annika Pillai | November 13

In May, The New York Times ran a story about a young influencer with Stage 4 cancer who’d become the fixation of a Reddit ‘snark’ community. The subreddit’s members didn’t believe she was sick. They combed through her Instagram posts and created timelines tracking her hospital visits and medical details. They called it research. When the Times confirmed her diagnosis with her doctor and reached out to Reddit for a comment on its inaction, the platform banned the forum. By then, though, its members had already produced something that looked unsettlingly like journalism.

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Arts

‘Springsteen: Deliver Me From Nowhere’ delivers next to nothing, nowhere

By Jaden Gardiola | November 12

The most unfortunate thing about “Springsteen: Deliver Me From Nowhere” is that the film, fundamentally, does everything right. The plot is trackable, director Scott Cooper doesn’t make any jaw-dropping choices and stars Jeremy Allen White and Jeremy Strong turn in strong performances as the titular rock star and his manager, respectively. What results is a product that is thoroughly predictable, unimaginative and set firmly in simplicity.

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