News
September 3
This show is not your usual wonderful day in the neighborhood - though, in the fractured world of Avenue Q, an imaginative, goofy, and spectacular new musical, the sun is still shining on its residents, humans and puppets alike. Yes, puppets.
But these puppets are not the likes of Elmo, Cookie Monster, or even Big Bird. Instead, Avenue Q, which recently opened in the Golden Theater on Broadway in New York City, is a fantastic look at what Sesame Street would be if it were drunk. Crass, unabashedly offensive at times, yet consistently hilarious, tickets to this show should go faster than a Tickle-Me Elmo at Christmas.
The cast of puppets includes Princeton (John Tartaglia), an eager college graduate, with a degree in English who is endlessly searching for his purpose; Kate Monster (Stephanie D'Abruzzo), a lonely monster stuck in a substitute teaching job; and Trekkie Monster (Rick Lyon), a porn addict.
The tone of Avenue Q is essentially defined by the opening number, "It Sucks to Be Me," in which each cast member declares why his or her life sucks more than any other. Along with Princeton, Kate, and Trekkie, the audience meets Christmas Eve (Ann Harada), her husband and failed stand-up comic Brian (Jordan Gelber), and in a fit of randomness, the loveable Gary Coleman (Natalie Venetia Belcon), who is the landlord of Avenue Q. Yes, Gary Coleman, of "What you talkin' about Willis?" and California recall fame, who is played by a woman and is not a puppet. It's weird.
Created out of holiday skits at Sesame Street employee parties, the show is written by Robert Lyon and Jeff Marx, with the book by Jeff Whitty. Many of the cast members -- mostly the puppeteers -- are graduates of either Sesame Street or other Jim Henson productions. For this reason mostly, the message of love and friendliness still remains, but is hidden behind songs like "Schadenfreude," an homage to our favorite word to describe how we all love laughing at other people's misfortunes.
The show revolves around Princeton's search for his purpose, during which he finds a romantic partner in Kate and a one-night stand with Lucy T. Slut, the puppet version of Anna Nicole Smith. Avenue Q makes musical theater history by presenting the first ever sex scene between two puppets, including full puppet nudity. It is as ridiculous and bizarre as it sounds, but is fall-on-the-floor silly as well.
Princeton also runs into "The Bad Idea Bears," a clever take off on the altruistic CareBears, Bernstein Bears, Gummi Bears, and most other children's ursine role models, who convince him to go binge drinking, use drugs, and be promiscuous. He lives next door to two very familiar-looking characters, Rod, a closeted homosexual Republican, and Nicky, who claims "It's Okay if You're Gay/But I'm not Gay." The two sleep side by side in two beds -- Bert and Ernie have nothing on these two puppets.
While PBS shows may deal with being a good neighbor, or how to respect your fellow man, the cast of Avenue Q lets us all know that "Everyone's a Little Bit Racist," and everyone should just accept that fact and move on. This bawdy musical is probably not for the prude tastes of the easily offended.
Perhaps the only detractor from an otherwise wonderful Broadway experience was the inclusion of Gary Coleman. Yes, he is short, black, and his parents took all his money, but is there really any reason to include him (even when he's played by a female) in a parody of Sesame Street? The jokes made at his expense were repetitive and at times just not funny. Then again, in the wake of the real Gary Coleman's recent endeavors, maybe the writers have snuck in some good barbs about being governor of California.
The central characters of Avenue Q may be puppets, but the actors/puppeteers provide the excellent voices and fill their fabric appendages with heart. Unlike The Muppet Show or other puppet-centric shows, the live actors stand on the stage in full view of the audience. Their facial expressions provide an extra level of texture to the otherwise immobile and inanimate puppets. Tartaglia especially is wonderful as both Princeton and Rod, and Rick Lyon -- the creator of all the puppets -- is equally superb as Trekkie Monster.
In a trend that seems to have started with Mel Brooks' The Producers, musical theater has now taken on a self-deprecating quality evident in hits like Urinetown. Emphasis is now placed on witty and goofy lyrics and scripts, as opposed to the soaring melodies of Andrew Lloyd Weber or the flashy dances of Bob Fosse. Never taking itself too seriously, and always poking fun at itself and its public television counterparts, Avenue Q is lighthearted, lewd, yet at the same time heartwarming, in a unique and inspired musical. It may not easy being green, but it's very easy to fall in love with Avenue Q.