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The Setonian
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Blood drive moves to Lincoln-Filene to attract faculty

The Leonard Carmichael Society (LCS) will move one day of this week's three-day blood drive to the Lincoln-Filene Center in an attempt to attract more faculty, staff, and administrators. Following poor turnout at last April's drive, the decision was made to expand the drives by making them more accessible to staff, faculty, and administrators, coordinator Dan Keesing said. The Lincoln-Filene Center, located on the Academic Quad near many classrooms and offices, "seemed like the best location," he said. The drive began yesterday in Hodgdon Hall lounge, and will continue today in the Lincoln-Filene Center and tomorrow in Carmichael Hall lounge. The three-day blood drives, of which there are three per year, have typically taken place in residence halls, isolated from much of the campus community. Although nearly 300 appointments had been registered as of Sunday _ an increase of approximately 50 percent from past drives _ only about ten faculty and staff members had signed up, Keesing said. "It is difficult to tell why this is, but we expect this number will increase at future blood drives," he said. More people are expected to donate as walk-ins. Volunteers are pleased with this drive's high participation numbers, according to LCS Vice-President Kate Donohue-Rolfe. Fewer donors were expected due to the drive's distance from Sept. 11, 2001. After Sept. 11, patriotic feelings fueled an increase in donations, and last fall's drive ran at full capacity. Low faculty turnout may also result from the fact that most blood drive promotion efforts focus on students and are less visible to other members of the University community, Donohue-Rolfe said. LCS has been tabling in the dining halls, postering in the residence halls, and has offered an online registration form at www.tuftslife.com. In addition, many faculty and administrators are not eligible to donate because they have recently traveled abroad, Donohue-Rolfe said. The American Red Cross restricts donations from persons who have traveled to countries where malaria, "mad cow disease," and other diseases are found. Students who have studied abroad are also often ineligible, another factor limiting the donor population. Although many eligible donors are wary of participating, "It's just more an issue of someone getting past it for the first time" and realizing that donating is not difficult or painful, LCS volunteer Andrea Shatzman said. Even so, most college students easily meet eligibility requirements, Keesing said. According to the Red Cross, less than five percent of eligible donors nationwide give blood. LCS volunteers emphasized the importance of donating as a way to help others. "If you're ever in the opposite position, in need of blood, you'd like people to donate," freshman Tanya Paz said. The two other blood drives this year will take place at the ends of January and March. This is done "to encourage students to make a commitment to donate regularly," Keesing said.


The Setonian
News

Baker key to Giants, Mets

After watching the San Francisco Giants win the first game of the World Series, I couldn't help but think that they are a crappier version of the New York Mets. Yes, the Giants do have Barry Bonds, but outside of Bonds they do not have a single positional player (okay, maybe one) that is better than the player that plays the same position for the Mets. And, their pitching staffs are remarkably similar as well. So what is the difference between the two teams? The answer is Dusty Baker and the Mets had better hire him when he becomes a free agent after he wins the World Series. Look at the Mets starting lineup: 1B Mo Vaughn, 2B Roberto Alomar, SS Rey Ordonez, 3B Edgardo Alfonzo, RF Jeromy Burnitz, CF/LF Roger Cedeno, LF/CF Timo Perez, C Mike Piazza. Now look at the Giants starting lineup: 1B JT Snow, 2B Jeff Kent, SS Rich Aurilla, 3B David Bell, RF Reggie Sanders, CF Kenny Lofton, LF Barry Bonds, C Benito Santiago. If you examine both teams with the possible exception of Rich Aurilla at shortstop and the obvious Bonds exemption, not a single Giants player at a given position should have had a better season than the equivalent Mets player. Simply, at the beginning of the season, with the exceptions of Bonds and Aurilla, I would not have picked a single Giants player to have a better season than the equivalent Mets player. This has to do both with the age of the Giants players and more importantly their talent level. The youngest player in the Giants starting lineup is the 30 year-old David Bell, who was ostensibly released by the Seattle Mariners last year. The average age of the Giants' starters is 34.125. The Mets' starters, in comparison are a relatively youthful 31.125. Despite my preseason feelings, every Giant player played better than the equivalent Met player with the exception of Mike Piazza who will be going to the Hall of Fame one day. One could argue that Mo Vaughn had a better season than JT Snow, and he did _ offensively. However, Vaughn committed ridiculous 16 errors at first base, while Snow is a perennial gold glove candidate. Vaughn's bat, which was a far cry from what it was when he played for the Red Sox in the mid-90s and was not worth the embarrassment of having him play defense. The Giants pitching staff is no better than the Mets' either. Take the team's top four starters at the end of the season: Al Leiter, Pedro Astacio, John Thompson and Steve Trachel for the Mets and Jason Schmidt, Kirk Rueter, Russ Ortiz and Livan Hernandez. In a worse case scenario for the Mets, the starting pitching between the two teams could be deemed a draw. Likewise, closers Armando Benitez and Rob Nen are basically identical as well. During the regular season, Nen saved 43 games in 51 opportunities and Benitez saved 33 in 37 opportunities with ERAs of 2.20 and 2.27 respectively. Making the situation even more difficult to fathom is simple economics. The Mets had an Opening Day payroll of 94,633,593, sixth highest in MLB. On the other hand, the Giants payroll of 78,299,835 was tenth in the league _ nearly 20 million lower than the Mets'. Yet somehow the Giants won 95 games and are on the way to winning the World Series for the first time since the team moved to San Francisco in 1958, while the Mets lost 86 games and suffered their first losing season since 1996. Thus, the question becomes, why are the Giants playing in the World Series when most of their starters will be collecting social security in a few years, while the Mets players are undoubtedly spending October the same way the spent the regular season _ smoking weed? But, the Mets have the opportunity to become the 2002 Giants (or to at least win more games than they lose) with just one move _ stealing Dusty Baker from San Francisco. Yes, this tooth-pick twirling, wristband wearing, former Dodgers slugger is the National League's answer to Joe Torre and he is a free agent after the World Series. In fact, Baker is probably a better manager than Torre. Hell, the Yankees have the highest payroll in the Major's every year ($125,928,583 in 2002) and paid almost $50 million more in salaries this year than did the Giants, yet the Yanks lost in the first round of the playoffs. And despite a payroll that is consistently in the middle of the pack, Baker has managed to guide the Giants to the playoffs three times in the past ten years and has a won-loss record of 835 and 715. During this time, the Giants have signed exactly one big-name free agent _ Barry Bonds, after the 1992 season. Not to mention the fact that Baker has also won three Manager of the Year awards. Remember, that Torre, considered by many to be the games best manager had a losing record as a manger before he joined the Yankees and became a "genius" in 1996. In 1995, the year before Torre took over, Buck Showalter guided the Yankees to the playoffs where they lost the ALDS to Seattle in five games. In other words, Torre took over a team that already had all the pieces to the championship puzzle in place. And, it's not like Torre managed low budget teams before joining the Yankees in 1996. He previously managed the Mets, the Braves and the St. Louis Cardinals _ teams which consistently have among the higher payrolls in MLB. To make things simple for the New York Mets, in the past ten years there have been exactly two free agents who could have impacted the Mets the way Dusty Baker can. Their names are Barry Bonds and Alex Rodriguez. Bonds had no interest in playing in New York and the Mets were too cheap to sign A-Rod. But, Baker will come to the Mets for the right price, and with a proven record of getting the most out of limited talent Baker is just what the Mets need. So, Fred Wilpon, if you are listening, take out that fat check book of yours and sign Baker. Give him whatever he wants: $10 million per season, a lifetime supply of toothpicks and wristbands, the Statue of Liberty. For the love of God, rename Shea Stadium Baker's Field if that's what it takes. But, whatever you do Mr. Wilpon, don't let this big fish get away.


The Setonian
News

Two senators step down

Tufts Community Union (TCU) Senators Pranav ("PK") Kapoor and Larry Mahl resigned from their positions Sunday after announcing that they were not able to meet their responsibilities. Elections will be held within 15 days to fill their seats, as per the TCU Constitution. The loss of senators mid-year is not abnormal, TCU President Melissa Carson said. "It's not something we look forward to, but in every organization, people sometimes need to drop out," she said. "PK and Larry did not resign out of protest," but because they were no longer able to commit enough time and wanted to open up their seats up to someone who could. Kapoor and Mahl's resignations should not affect the image of the senate, Carson said. Mahl, a sophomore, left because he felt he could not "fulfill the job to the best of [his] ability." Though he expressed enthusiasm for the Senate, Mahl said that "someone else with my same enthusiasm but a lot more time will do much better." Mahl refused to comment on how his absence might affect the sophomore representation, however, and ended the interview. Kapoor, who had to resign due to sudden personal reasons, reflected upon "great memories" with the Senate, and added that he was sad to be leaving. The resignation letters from Mahl and Kapoor were the "nicest I've ever seen," Carson said. "It makes people sad to see those you worked closely with have to go," Carson said. "But we will work hard to help the new ones fit in," she said. Many influential senators, like the current TCU Treasurer Ben Lee, originally joined the Senate in special elections to fill resigned seats, she said. According to Elections Board (ELBO) Chair Joe Coletti, the elections will be conducted like regular elections, wherein each candidate must petition signatures to run. Sometime next week, ELBO will hold a meeting for candidates where election procedure will be explained. Though three members of ELBO were just elected on Oct. 10, Coletti expects the election to be smooth. Rather than being concerned about their inexperience, Coletti expects their added presence to be helpful. Due to a fall-off in interest, ELBO has only had two to three members the past few years, although it is supposed to have five members. This year, all seats are full, which will lighten each member's workload.


The Setonian
News

Do the time warp

Think you love college? Think you love your life? Think that this is the best you're going to get? Liar. You don't know it, but you love your past, not your present. You probably love the year that you were in fifth grade the most. What's that? You don't remember that very well? Trust me. Our country gets a big kick out of its past _ not the dead past, not the history, but the living past: your past, your parents' past. Memories of your childhood. Somewhere inside of you, there's a fifth-grader who still likes that music and those clothes and misses them terribly. Want proof? Look around you. No, really, look anywhere. Austin Powers. That '70s Show. Retro-theme parties, especially '80s parties. People like to see and hear the things that they knew when they were young. As for the young (hello, college students), we seem to like to be reminded of what we knew when we were even younger. Watch for Transformers t-shirts around campus, or see how excited people get when you put on "She Drives Me Crazy" by Fine Young Cannibals (until the post-mortem George Harrison revival, "Got My Mind Set On You" often had an even more potent effect). You love these things even if you don't remember them consciously. It's nothing new. Ask your parents: in college in the '60s, they had '50s parties, too, a concept which I find both unsurprising and hilarious. How far back does this trend go? Did people throw Depression parties in the late '40s? That'd be amazing. Everyone could dress in rags and every five people would get a potato to share. Personally, I can't wait until we're all willing to embrace a grunge revival. I have some denim shorts and flannel button-downs that are just dying to get up and rock out to a little Soundgarden and Pearl Jam. And it chills my soul to think that today's kids _ lovers of Pok?©mon and toaster pastries and aloof arrogance _ will someday put on Britney Spears and Eminem and Creed for a nostalgic kick. Just as smell is one of our strongest links to our memories, recreating the environment of the '80s through music and clothes can really take you back. A little Peter Gabriel and I'm right back in my sister's car on the way to elementary school... and for some reason, I like it. Like first love, your first exposure to pop music can be a real kick in the head; the impact never goes away even though you move on to bigger and better things. I'm sure my sister doesn't even listen to her old Peter Gabriel tapes anymore, but "Shock the Monkey" makes me all of eight years old again. That's why samples work so well in making new pop hits. No one would have paid any attention to Jessica Simpson and "I Think I'm In Love With You" without the transplanted hook from "Jack and Diane." You hear something that you already know and love but haven't thought about in a while and bang, emotional reaction. It's not just us. We're a culture in love with our own past. Is it a healthy trend? Something about an entire society _ or all of humanity, even _ reaching forever backwards smacks of stagnation and impracticality and simple unhappiness. You can't get around to living your life if you never stop yearning for your past. This is why it frightens me when older people describe college as the best four years of their lives. If this is as good as it gets, living out the rest of your life seems a little pointless, and I refuse to look at my life that way. Still, I like to think I live for my present and future as much as my past, but I still love '80s music and '80s movies and '80s parties. Why not revel in it a little bit? Looking back on fashion trends with fifteen more years behind you lets you see your life a little more objectively _ and maybe it can help you realize how many parts of today's culture that we'll laugh at in 2020. It's also a chance to live out your childhood as you might have if you hadn't been a child. I was seven years old in 1989 _ and that only for the last couple months of it _ and there's no way that I was going to get down on the dance floor to "Like A Prayer." I don't know if I had ever seen a dance floor. Sure, I know the music of the era, but I didn't experience it the way a teenager or young adult or (gasp!) actual adult would. Partying like it's 1989 is a way of doing it all over again. It's a second chance, a rewind button for your life, and we all think sometimes about how nice it would be to have one of those. Admit it. Don't we all wish that we could go back and try it again sometimes? I know ninth-grade Drew could take a lot of lessons from his modern-day counterpart. Much as I enjoyed high school (most of it), it would be a completely different trip for me today. So the verdict on retro fun: universal pleasure or a decadent waste? As always, life is a little from column A, a little from column B. Don't sit around wishing for days gone by; what's done can't be undone, and what's been lived can't be lived again. But if you just want to throw an amazing '80s party, you'd better invite me. I'll show you how it's done.


The Setonian
News

Female engineers defy stereotypes, build solar car

A group of girls, among them an artist, a ballroom dancer, an athlete, and a ballerina walk across campus on a Thursday night with friends, sharing stories and laughing over Denise's ice cream. Where would you expect to find them on Friday morning? It's very likely that these same girls will be bent over the shell of their self-built solar car, tools in hand and grease on their clothing. Karen Panetta, Professor of Electrical Engineering, organized the Nerd Girls, a coalition of nine female students dedicated to challenging the stereotype of female engineers. The mission of the Nerd Girls is to demonstrate that women can be both attractive and intelligent. To that end, the girls have decided to do a documentary that will not only record their construction of a solar powered car, but that will also follow them around in their daily activities. Filming for the documentary, to be entitled Nerd Girls: Breaking the Stigmas and Stereotypes of Women in Engineering, began in April. The documentary shows the girls working on the car, going out to eat, clubbing, and just hanging out with friends to illustrate that real girls can be engineers. Though solid plans have not been made about the future of the documentary, the Nerd Girls are confident that it will be greeted with enthusiasm. A video clip is currently posted at http://nerdgirls.eecs.tufts.edu. The video shows the girls' progress thus far. To spread the word about their group, the Nerd Girls will be doing a number of things. For example, they will race the solar car this May in the Tour de Sol and a trip to Maine where the "Girls" will speak at public schools is also in the works. Additionally, during spring break, the girls will go to Disney World. Their mode of transportation? The solar car, of course. The car, named the Anne E.B. in memory of former Tufts student Anne Borghesami who was murdered a year after she graduated, was constructed as a blueprint for a second car that will be built for racing. Since this was the girls' first experience with building a solar car, they decided that it would be wise to create a preliminary "learning vehicle." Panetta said that the recent wave of reality TV shows triggered her idea for the formation of the Nerd Girls. She says that these shows imply that a woman must be beautiful to compete successfully. "I want everyone to know that if you pursue an education in engineering, you will be successful," Panetta said. The point the Nerd Girls are trying to get across is that these "talented and beautiful girls are going to be engineers." The documentary will follow the team through graduation, and will culminate in the World Solar Challenge in Australia in November of 2003. Until then, the girls are taking it one day at a time. They have entered the design phase of the second car and are busy planning outreach programs designed to reach young girls, particularly those in elementary school. Jenny Witkin, a senior computer engineer major, describes how excited she was to be approached to join the project. "Building [the car] is such a huge task, especially considering none of us knew how to do it beforehand," she said. "But it's the outreach aspect of it that's the true challenge; getting through to young girls... letting them know they can achieve goals." Whereas the Nerd Girls did not necessarily have female engineer role models, the future generation of women engineers will. "Just the fact that [the Nerd Girls] are there will pull [the younger girls] in," Witkin said. The outreach meetings, which will be geared towards young girls, will mainly consist of presentations of the solar car. Senior Megan Schwartz, who works with children every week for the Tufts Literacy Corps, says that the outreach dimension of the program will give the Nerd Girls the extra "oomph" they need during the week, and that the excitement they glean from the kids will help carry them through the project. Even after these Nerd Girls graduate, Panetta has no intention of phasing out the group and she is always looking for new members. "We're here for anyone willing to get their hands dirty," Panetta said.


The Setonian
News

Series heading north tied at 1

Home runs, home runs and more home runs. After two games and 11 home runs, the World Series stands tied at one game apiece. The San Francisco Giants scored all four runs in Game 1 off of home runs to beat the Anaheim Angels 4-3. Home runs are apparently going to be the story of the series as both Anaheim's Troy Glaus' and Tim Salmon were the heroes in game 2, blasting three home runs between them to give the Angels an 11-10 victory. The Giants also had four Game 2 home runs, including a somewhat meaningless monster-shot from Barry Bonds in the top of the ninth. Even with this abundance of offensive firepower, each team has relied on its relief pitching to win. Both teams have great bullpens, and after the Giants' relief corps closed out Saturday night's Game 1 win, Anaheim's bullpen (read: Francisco Rodriguez) proved to be stronger on Sunday night, as it enabled the Angels to even the series at two. The 20-year-old phenom, Rodriguez, picked up his first win of the World Series and fifth win of the postseason by pitching three shut out innings. With the victory, Rodriquez has been the winnings pitcher in five of the Angels eight postseason victories. With the closeness of the games, relief pitching will inevitably play a crucial role in determining the outcome of the Series. Game 1 of the Series pitted staff "aces" Jason Schmidt of the Giants against Jarrod Washburn of the Angels in a match-up of two good, but not great, pitchers. Each can be dominating at times, but they are both prone to bouts of wildness. Outside of winning or losing, the big question going into Game 1 was whether the Angels' pitchers would challenge Barry Bonds or pitch around him. Washburn answered that in Bonds' first at bat, when he grooved a pitch right into Barry's wheelhouse and then watched it sail over the outfield fence. Following the homer, the undaunted Washburn seemed to shrug and grin a little. Two batters after Bonds, the previously struggling Reggie Sanders also homered off of Washburn in the second giving the Giants a 2-0 lead. But the hero of the Game was first baseman J.T. Snow, who smacked a two-run homerun off of Washburn in the sixth inning to give the Giants a four run lead at the time. He also made a nice catch in foul territory after slipping on the dirt by the home dugout on a popup by Tim Salmon. It was a key out with Angels at first and third. In the end, both starting pitchers pitched mediocre games in which they both lasted 5 and 2/3 innings. The bullpens preserved the 4-3 San Francisco lead that they were given, each pitching 3 and 1/3 scoreless innings in Game 1. And while, Rob Nen and the rest of the Giants' relievers were not necessarily better than Angels' relief staff in Game 1, they were as good as they had to be to preserve the lead that Schmidt left for them. Troy Glaus hit two home runs in defeat for the Angels. It seemed as if each team realized after Game 1 that it was imperative to score runs in the first few innings of the World Series, because the relievers on both teams will not give an inch. In Game 2, Anaheim was the first to break through with some runs in the bottom of the first inning off of Giants' starter Russ Ortiz. Its five run, six hit barrage got the Rally Monkey working early as the Angels looked to be on their way to a rout before the Giants even got warmed up. Luckily for the Giants, however, Angels' starter Kevin Appier was just as bad, as he gave three runs right back to the Giants in the top of the second on Reggie Sanders' second home run of the World Series. Jeff Kent and David Bell also homered for the Giants in the next few innings as the two teams traded leads. Despite all of the San Francisco big guns stepping up, the Angels' Tim Salmon dominated this game. With Salmon's second inning home run, the Angels set the Major League record for team home runs in a single postseason with 20; surprising consider that they didn't use the long ball much during the regular season. For the game, With Salmon, who broke a 9-9 tie with his second two-run homer of the night, went 4 for 4, with 2 HRs, 4 RBIs, and three runs scored. Outside of Salmon and the poor starting pitching, the story of Game 2 was the bullpens. Anaheim's relievers (read: Francisco Rodriquez) proved to be ultimately superior and Troy Percival came on to close the game in the top of the ninth. After Percival recorded the first two outs, Barry Bonds approached the plate in a scene that seemed fit for Hollywood. Because there was no one on base and the Angels had a two run lead, Percival was free to pitch to Bonds. Bonds punished him on the first pitch, launching a monster shot to right center, after which Salmon was seen mouthing, "I've never seen a ball hit farther than that." Unfortunately, there was no one on base, and Barry's efforts were futile as Percival retired the Giants' next better. The series now heads north to San Francisco.



The Setonian
News

Take me off the list

I went to public school in an inner city until seventh grade. I was not all that conscious of race, being the 11-year old that I was. My best friends were Yasser, a tall, lanky, Brazilian, with a knack for soccer; Cecil, a short, four-eyed, African American who liked to draw comics; Mauricio, a Puerto Rican who lived above a corner bar that he worked at; and Murat, a Russian eighth-grader who was really good at baseball and math. Then there was me, Louis, a dorky, chess-playing, Colombian-Peruvian-Syrian-French-African (Latino for short), with a subscription to Nintendo Power. Like Cecil, I too wore glasses, but I took them off for school pictures because I didn't like them. The only real racial issue that registered in my pre-teen mind was when our classmate Nick, a White student, called Cecil a "dirty nigger." I remember my teacher, Mrs. Miller, made Nick type a one-page history of the word and read it in front of everyone in class. When I finished seventh grade there, my parents moved into a suburb and enrolled me in a Catholic school. I was terrified on my first day. Not only was I the new kid and a complete dork, but I was also one of four students of color in my class. I had never experienced such alienation. My year there was difficult, and I still did not really have a clue about racial issues. Then I went to high school _ an all-boys Catholic Prep School. I was somewhat more comfortable there because I had already been fairly acclimated to the homogenous culture and knew how to act. Because I was politically impotent and naive, I generally liked high school and put up with all the bigotry that went on. When my religion teacher made jokes about "Gay Day" parades or how the reason you cannot park your car near street corners was because Hispanics would hit your car, I just laughed along with everyone else. He even picked on individuals, calling one student "Twinkle Toes" because he thought he was too feminine. This sort of behavior set a tone at the school that was dangerous for all outcasts. Because I did not know any better and there were no support mechanisms in place, I began to internalize the racism and the culture, as did other students of color. One of my African-American classmates, Jordan, was often called "Oreo"_ Black on the outside, White on the inside_ for acting "too White" and not acting "Black enough." I really had not made sense of any of this yet. I knew something wasn't right, but I didn't quite know what it was. It was not until I found out that I had been accepted to Tufts that I seriously began to think about what was going on. My classmate Peter, a White student, who had also applied to Tufts but was not accepted, said that I got in because of my race. This really bothered me. Had I really gotten in because I checked a different box than he? I didn't know. I asked my math teacher, who was a great mentor to me, and he didn't know either. Surely, if I asked the Tufts admissions office they would deny such a charge, I thought. I was very confused about the politics of race when I arrived at Tufts. As I moved into my Wren Hall dorm room, I found a piece of candy and a note attached to my door from my Latino peer advisor. When I checked my email for the first time, there was an email message from Ruben Salinas Stern, the director of the Latino Center, welcoming me to the Latino community at Tufts. When I checked my mailbox, I found a copy of the Latino Center newsletter. Tufts was certainly a different kind of place. I continued to get these e-mail messages, newsletters, and even voicemail messages on a regular basis. It was overwhelming and ironically, made me feel very uncomfortable. I felt insecure about myself. After all, why did I have to be different from everyone else? No one else I knew was getting these notices, why should I? How did they find out I was Latino anyway? Does everyone who checks that box on the application get their name, address, and phone number released to the Latino Center so that they can send you stuff? What right do they have to do that without even asking me, I thought. Finally, one day I decided I didn't want to receive these notices anymore. I wrote back to one of Ruben's emails. I requested that my name be taken off of his list. I said that sending me this stuff was a waste of time and paper because I just put the newsletters and flyers in the recycling bin. I told Ruben that he had no right to put me on any list based on the box that I checked on my application to the University and that if he continued to send me notices, I would make sure that this practice of putting people on lists without consent would not continue. I had lost it. But it obviously was not the fact that I was receiving junk mail that made me mad. After all, TUPD was sending me "Crime Prevention Month" propaganda and I never complained about that. It was simply the fact that accepting the newsletters meant that I had to accept myself. I could not do it. But I also cannot sell myself short. Within the first two months, the identity politics of Tufts University had gotten to me. I probably would not have had a problem with it if there was an equal opportunity for everyone to be sent these newsletters, but the fact that I was singled out made me upset. Places like the Latino Center _ where people can gather in a safe space _ are invaluable, but until we fully expand the safe space circle of influence, we should be mindful of the compartmentalization it can create. I never got another notice from the Latino Center that year. I stopped thinking about the politics of identity and ignored my own. Since then, Ruben and I have talked about that experience and have made amends. I am back on the list. But because (or perhaps despite the fact that) I have chosen the path that I am on, I feel as though I do not fully belong in the Latino community or the White community. On the one hand, I speak English without a Spanish accent, I do not talk about my race or nationality often, I am completely immersed in the White culture, and I am only peripherally involved in the Latino community. In other words, I don't make Whites uncomfortable by flashing my Latinoness in their face. But on the other hand, I have an olive skin tone, I speak Spanish when I call home, and I have a Colombian flag in my room. Where is the place for me? Where is that place between Bruce Springsteen and Julio Iglesias? That is the riddle I have been trying to solve. That is the place that I have been trying to find. I am still struggling and will probably always struggle with my identity. Being able to talk about it gives me a new power that I've never had before. I only wish that others might discover this power earlier than I did. This Latino Heritage Month should be an opportunity to both celebrate our identity and think about the politics of identity.


The Setonian
News

Increased focus on biology in new CE dept

After more than a century of training students for the chemical industry, the Chemical Engineering department will infuse biology courses into its undergraduate program in response to the industry's changing nature. The department has changed its name to Chemical and Biological Engineering (CBE), the first at any US university to do so, according to its website. The changes are to "meet the demands" of the pharmaceutical and biotechnology industries, which need chemical engineers who are familiar with biology, department chair Professor Gregory Botsaris said. Engineers with knowledge of biological systems would be indispensable in the large-scale production of chemicals via biological systems, a burgeoning field, he said. These changes were in the works long before the formal renaming of the department. Past changes to the undergraduate curriculum have allowed chemical engineering students to pursue an interest in biology. For example, the natural science distribution requirement has allowed many students to take a course in introductory biology. Recently, the University introduced a second major in biotechnology, which added biology courses to the repertoire of many chemical engineers. Just under one third of this year's graduating chemical engineers _ of which there are twenty-seven _ plan to graduate with a second major in biotechnology. Additionally, many chemical engineers have chosen to work on senior projects that relate to biology. This initiative on the part of students may indicate their appreciation for the corporate demand for chemical engineers with an understanding of biology, Director of the Biotechnology Center Professor David Kaplan said. In the future, the chemical engineering program will modify its curriculum by adding a mandatory introductory biology course, eliminating one elective course requirement. The department also plans to require a course in biochemistry. Future junior-year lab work may also reflect the push to include biological processes in the engineering experience. Proposed laboratory investigations include performing polymerization reactions using biological enzymes as catalysts, as well as traditional chemical methods. These labs would compare the characteristics of the traditional reactions to those in which biological systems and enzymes are employed. In another lab, students would compare the chemical production of alcohol to the fermentation reaction, in which bacteria produces the same substance. Students might also compare the solar energy-harvesting capacity of photovoltaic cells, a traditional chemical apparatus, to plant photosynthesis. "Remember, the same things happen on the cell membrane that happen in the large-scale [chemical] plant," Professor Maria Flytzani-Stephanopoulos said. The CBE department is also effecting faculty changes in a further attempt to "seamlessly integrate" the disciplines of biology and chemical engineering, Botsaris said. The recent hiring of Professor Kuong Bum Lee, whose research interests include metabolic process engineering, will offer chemical engineering students interested in biology-oriented research a new option. Professor Lee has quantitatively studied the response of the liver to burn injury. A search for a permanent department chair is also underway. Since CBE is seeking both an experienced senior-faculty member and the expansion of the department, it will search outside Tufts for a new "faculty member who will also act as department chair," according to Flytzani-Stephanopoulos. Interviews have not yet begun for this position. Chemical engineering as a discipline dates back to the turn of the century, when new systems were introduced that converted chemical energy into mechanical energy, Botsaris said. Tufts was among the first institutions to offer a separate chemical engineering degree, following the example of MIT. Chemical engineers have been described as "universal engineers," responsible for everything from agricultural improvements to the refining of petroleum. Many colleges and universities are beginning to see the need to combine biology with the "powerful paradigm" of chemical engineering, Botsaris said. Cornell University and the universities of Pennsylvania, Illinois, and Houston plan to follow suit and change the names of their chemical engineering degrees to reflect the influence of biology.


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Jumbos speed to first place

The men's cross country team got a preview of the course where the NCAA New England Championships will be held on in November last when it competed at Westfield State,. If the way that the squad ran there this weekend is any preview of how it will perform, Coach Putnam has every right to be excited. Trying to establish itself as a contender for one of the four spots that New England has to send teams to Nationals, the team finished first out of 27 teams at the seventh annual James Early Invite at Westfield. Tufts (72 points) acquired first place by displaying its usual consistency from the top of the pack, as the team's top five finishers all were among the first 25 to cross the finish line, a feat only the Jumbos achieved. MIT (85), US Coast Guard Academy (108), Trinity (149), and Colby (162) rounded out the top five behind Tufts. Nate Brigham, now entrenched as the number one runner for the team with three straight finishes in the top spot, finished sixth overall with a time of 25:29.90 on the 5 mile course. Junior co-captain Peter Bromka (11th place) ran impressively for the second consecutive week with a time of 25:46, with freshman Matt Lacey (13th place) finishing just 11 seconds behind him at 25:57.20. "My plan from the start was to run with Peter as long as I could" Lacey said. "I lasted for about three and a half miles and then I held on for dear life until the end." Junior Ian Joseph, who has been coming on strong with top five finishes on the squad in the last four meets, sped to a 26:09.70 time and 17th place, while Neil Orfield finished at 26:36.90, good for 25th overall. Mike Don continuing to improve during his rehabilitation from injury, finished sixth, and junior Peter Jurczynski completed the team's top seven. "I don't like to brag, but we ran a superb race," Putnam said. "We've come just about as far as I've wanted us to up to this point." As an added bonus, the team got the opportunity to find its footing on the course where they'll run to qualify for the NCCA Division III Nationals. The team overcame a tricky turn about 350 meters into the race and didn't flinch at the brisk early pace encouraged by the course's layout. "We definitely picked up some confidence scoping out the course" Jurczynski said. Keene St., Williams, Bowdoin, and Bates, whom Putnam considers the four strongest Division III teams in the region, did not compete, but Tufts demonstrated that it could have a legitimate chance at hanging with the top echelon of schools. By defeating virtually all other major New England challengers, the team proved that it is the leader of the rest of the pack of contenders. This pack includes Coast Guard and MIT, both of which have been ranked higher than Tufts in the polls, and both of which fell to the Jumbos on Saturday. "If something goes wrong [for one of the top four teams], and we run a perfect race, we could be right there with them" Putnam said. "We need to be like a good snake, coiled and ready, so we need to focus and improve with practice." Despite the fact that the Jumbos occupied seven of the race's top 33 spots, the squad still needs to close the gap between them to be more successful. On Saturday, the team ran the first through seventh runners across the finish line in a span of about 1:14, compared to their season average of about 1:03. Putnam wants to see that number drop to about 40 seconds. "But Nate can't slow down for that to happen," Putnam cautioned. "The other guys have to speed up." The team has a bye week before hosting the NESCAC championships on Nov. 2.


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Kurt Vonnegut to speak at Tufts

Famed author Kurt Vonnegut Jr. will speak at Tufts on Nov. 5 as a part of the continuing Tufts Lecture Series. The topic of his speech has yet to be announced. Vonnegut has written 13 full-length novels, in addition to numerous short stories, essays, plays and works for television. His style is marked by its blending of science fiction, black comedy, and social commentary. Some commentators theorize that Vonnegut's bleak outlook stems from his mother's suicide on Mother's Day in 1942, when he was home on leave from the Army. Though details of the event have not been revealed, students have expressed interest in the speech. "He's an awesome writer and political satirist," sophomore Leah Madsen said. "I'm excited to hear him speak." Last week, when historian Howard Zinn spoke at Tufts, he mentioned his friendship with Vonnegut. The audience broke out into a round of applause for the author. Before he became a full time writer, Vonnegut was a police reporter for the Chicago City News Bureau, a worker in a General Electric research laboratory, a car dealer for Saab, and the entire English department of a school for disturbed children. One of his most famous novels, Slaughterhouse Five, was made into a film and is a standard on high-school reading lists. The novel is based on Vonnegut's service in the Army during World War II. He survived the bombing of Dresden, which the book describes extensively. More recently, Vonnegut was rumored to have written the "It's Good to Wear Sunscreen" commencement address at MIT in 1997. The speech, however, was actually a column written by journalist Mary Schmich in The Chicago Tribune and Vonnegut read it as part of MIT's commencement. The column was turned into a hit pop single, further perpetuating the myth that it was written by Vonnegut. Previously, Vonnegut has spoken at Rice University, among other universities. According to the Rice Thresher, Vonnegut enjoys speaking to young people because they do not "resist ideas." He likes to catch them "before they become generals and senators and presidents and poison their minds with humanity," the Thresher reported. Representatives from Lecture Series refused to comment until the contract is confirmed.


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A great 'Do Over' for Tufts alumnus

From East Hall to Hollywood, Tufts class of 1989 alumnus Kenny Schwartz has made a name for himself as a prolific television producer. After operating as the creator and co-producer of Two Guys, a Girl, and a Pizza Place, Schwartz is currently acting in the same capacities for the WB network's new show, Do Over. Schwartz spoke candidly in an exclusive interview with the Daily, and discussed his new comedy, the future of network television, and his experiences at Tufts. Do Over tells the story of the rare opportunity given to 34-year old Joel Larsen; the chance to go back to high school and redo his life. His 2002 mind is placed into his 1980 body as he starts his freshmen year of high school in Newton, Mass. The show places an emphasis on Joel's attempts to fix his family, such as preventing his parents' imminent divorce, and stopping his sister from becoming a drug addict. "The show is about wish fulfillment and second chances" Schwartz said. Schwartz, and co-creator Rick Weiner, thought up the idea in meetings with television producers, and ran with it. This is in spite of the fact that he is constantly running between the set, the editing rooms, and meetings with WB network heads. Schwartz explains "Unlike the normal multi-camera sitcom, where the entire episode is shot in one night in front of a studio audience, Do Over is a single camera comedy. Shooting goes on every day with a director, much like how a feature film is produced." In order to keep Do Over true to the 80's, Schwartz keeps a keen eye on the wardrobe of the times. Characters wear all the styles of the time, like Members Only jackets, Izod shirts with the collars up, and parachute pants. He found that there is some difficulty, however, as much of the cast is younger even than the 'x-generation', and weren't even born when the show is based. The writers use events like the premiere of Empire Strikes Back and the "Miracle on Ice" (US Olympic hockey team beats the Soviets).to keep Do Over's 80's style real. Do Over has been a modest success; the WB recently renewed the show for nine more episodes. The similarly themed program, That was Then, was cancelled by ABC soon after its release, raising doubts about Do Over's future. Yet The WB has great confidence in shows that they believe in," Schwartz said, a quality that Schwartz says he loves about the network, will guarantee that the show is given a good chance to succeed. For those Jumbos uninitiated into the history of Tufts on television, Schwartz's previous show, Two Guys, a Girl, and a Pizza Place, was based on three Tufts graduates and their hilarious experiences. Set in a pizzeria similar to Theo's Pizzeria in Teele Square, Two Guys had a specific episode solely about Homecoming at Tufts. Schwartz looks forward to infusing Tufts into Do Over as well. Some ideas he has to accomplish this include having characters wear Tufts sweatshirts, or placing the sister of Do Over's star on a Tufts college tour. The sole problem with the latter option would be somehow avoiding any modern buildings, like Olin or the Mayer Campus Center. In addition, if the show becomes a bonafide hit, Schwartz hopes that they could shoot on location at Tufts or in Newton. There is current a dichotomy in commercial television, as cable networks like HBO and FX produce hit shows and taking away viewers from the free network stations. Schwartz says that the best way for networks to combat this impeding problem is to continue to produce great shows. "The reason people watch HBO is because shows like The Sopranos or Curb Your Enthusiasm is because the shows are so great. If the networks also produce great shows, they will win back viewers." Said Schwartz. While an English major at Tufts, Schwartz was also a brother of Sigma Phi Epsilon. "I met my best friends and experienced some of my greatest memories there." Schwartz said. He also played on the Tufts soccer team and delivered pizza for the Somerville House of Pizza, now known as the aforementioned Theo's. After graduation, he immediately moved out to Los Angeles and started as a production assistant (PA). The PA's are essentially the gofers of the business; they deliver packages, fetch coffee, etc. He then found a job as a writer's assistant for Mad About You, what Schwartz calls "the hardest job in Hollywood." "They are the first ones there and the last ones to leave each and every night." Later, he became head writer for Mad About You, and eventually took his own path with Two Guys. Schwartz offered advice that he would give to any Jumbo looking to break into the show business. "Move out to the West Coast. Get a job anywhere, as a writing assistant if you can, but it has to be out on the West Coast." Despite his great success as a television producer on the other side of the country, Schwartz is making sure that Do Over keeps East Coast roots in tact _ just in a TV studio a few thousand miles away from Tufts.


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Conversations with fish: Part II

After the show the Daily was able to talk to Matt Wong on the group's new tour bus. One cannot help but think of the Hotel California when looking at the black and white tiled floor, the pink shades and the mirrored ceiling. Though the bus is home to band members on the road, its not always what you'd think it would be. TD: Would you to talk about your harrowing near-death experience a few weeks ago? MW: Yeah, it was just kind of scary. We were sleeping and all of a sudden we got up to get off the bus because it was on fire. So we all got up and ran outside. We had a couple small incidents with buses before, like little small smoky things or whatever but we got outside and it was smoking and the flames came up. So it was pretty crazy. TD: You've guys have stuck with ska longer than other bands that came out at the same time in the mid-nineties. How do you feel about the genre and where its going? MW: I think it's headed in a pretty good direction. I mean there a lot of bands that are still out there playing ska, even though they might not get as much attention as they did when we got a lot of attention like in the late nineties and stuff. They're still ska bands out they're still playing around. People still come to our show, that's a good sign too. TD: Which ska bands have influences you and which do you like now? MW: Madness, the Specials, English Beat. TD: That's it for influences? MW: Yeah, me personally for ska bands, but I've been influenced by a number of musicians and musical styles. TD: Any ska groups that you like now? MW: I don't really know, I haven't really heard anything. We've all been getting into the older stuff, like Trojan. Trojan was a label out of Jamaica and there were these box sets of different ska albums and different old stuff like Lee Scratch Perry and Toots and the Maytals. TD:Do you remember how you guys got together? MW: Yeah Aaron and I met in high school and decided we wanted to start a band so we just got together a band and started playing music. TD: Do you have a favorite performance? MW: I don't think I really have a favorite. I've been playing in this band for ten years, ten or eleven years actually, and we've played o many different places in front of so many different people I couldn't say I had a favorite. TD: What is your favorite city or venue to play in? MW: I think we all like the bigger cities. We've always been treated pretty well in Boston. New York is really fun to play, it gets pretty hectic. Anywhere in overseas: London is great, Japan is awesome. Hawaii is pretty cool. Sorry I can't name just one. TD: What is in your CD player right now? MW: Well the last thing I listened to was Doggystyle by Snoop Dogg but I just bought the new Chavelle record so I'm going to listen to that. TD: This is the part where I rip off Inside the Actors the Studio MW: OK TD: What is your favorite sound? MW: My favorite sound is my girlfriend's voice or anyone that I love, their voice. TD: What's your favorite proper noun? MW: Wow that's hard, I don't know. TD: Well you guys have known each other for ten years; do you have the brotherly relationship going? MW: Definately. That's how we deal with each other. When we need space we give each other space and so on. TD: Any road stories you'd like to share, anything entertaining? MW: We're actually very, very boring. So if you come after the show expecting the big party, well we really don't have the big party. Come see us though, onstage we're pretty entertaining,. I hope. TD: What's the deal with all the facial hair? Was that a planned thing (With the exception of the drummer all members of the band have adopted the " Kaczynski look.") MW: I think we all have pretty weak jaw lines; facial hair is the easiest way to hide that. TD: Any final thoughts? MW: Come see us.


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Preserving Tufts' history

There are times when Tufts uses its history to connect with alumni, students, and the community. It is an institution proud of its past, a trait especially evident in the last year, as we celebrated 150 years of Tufts. Under the auspices of the University, we created time capsules, held reunions, recorded oral histories, exhibited images of college life, and began to author a new volume of Tufts history. We now also intend to tear down the closest thing we have to a "Tufts home." Charles Tufts never lived here, but Hosea Ballou II did. He was the first Tufts president and played an invaluable role in the founding of the college. Even a century ago, administrators and students considered his home to be part of the historic landscape of Tufts. When the construction of Packard Ave called for its demolition, the house was moved to 20 Professors Row, and currently is the location of the Tufts Music Department. Its relocation cleared the way for the best interests of the university, but also maintained an important connection with its past identity. Why not move this house again? I do not object to the construction of a new dormitory or music building. In fact having had classes in Aidekman, and been shut out of on-campus housing, I fully support new construction. I'm not advocating for a different location for either building, as I have a full understanding that Tufts needs to look to the future and continue its growth. Expansion, I realize, will make it necessary to part with much of our past, but not all of it. The house at 20 Professors Row is on the cusp of its own 150th birthday. The house, like Ballou Hall, is a physical embodiment of this university. It harkens back to the days of a young, struggling college and an earlier New England. Ballou's home has stood proudly by as other buildings were built, torn down, burned, and replaced. Numerous Tufts people have lived and worked in the structure, adding to its historical importance. Birthday party plans to mark this notable occasion currently include tearing it down and hauling it away from Tufts. I am deeply saddened that we are all invited to witness this "celebration." Many alumni have taken on the task of preserving Tufts history. Some have even made professional commitments to Tufts as well. Unfortunately, we have no Tufts Museum to showcase our collective memory. There is no place to experience this educational community's extensive history that is not hindered by boxes and locked doors. Alumni Relations, the Digital Collections and Archives, and the Tufts Art Gallery have made several efforts to bring Tufts history out of storage and into the hands, minds, and hearts of the Tufts community. However, the easiest way to experience Tufts' past is by walking around the Medford campus. Students, faculty and administrators live, work, and study in buildings named for, and often built by men and women who once lived on this hill. We've already lost many of their homes. Out of necessity, we will probably lose many more in the near future. Let's not lose this one. It is Tufts first home, and it deserves something better than a dumpster. Jessica Branco graduated from Tufts in 2000. She now works as the project coordinator for the Digital Collections and Archives.


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Conversations with fish

The Tufts Daily was able to talk to Reel big Fish's newest member Tyler Jones (trumpet) and after several occurrences including a game of "Lemon" the group's bassist Matt Wong. We were fortunate to talk to the group as they recently escaped a bus fire which caused 15,000 dollars in damages. TD: Would you to talk about harrowing near death experience a few weeks ago? TJ: You mean Saturday? [Laughs.] We all, the Reel Big Fish were asleep on our comfy lovely tour bus and our drive was coming back from breakfast and noticed that his bus was on fire and he said "Hey the bus is on fire. You guys should all get out" so we all got out and watched it burn and burn and burn _ and it burned a lot of our [expletive]. >TD: Anything you missed? Anything of sentimental value? TJ: Well, I had to go and buy a new CD player. I lot a whole [expletive] of clothes but oh well, I stink anyway. TD: What is your favorite song and cover to play? TJ: Umm, it usually changes nigh by night. During the interview and for the past half hour the fire alarm has been going off in Avalon. As it sounds again Jones exclaims "I'm going to kill someone. Probably my tour manager" the lasts is said intentionally within earshot of said tour manager Tom Amos. "It depends on how good the set's going," he concludes. TD: What is in your CD player right now? TJ: The new Thurston Howe III CD will be my CD player real soon, followed by the new Jurassic 5 album, but I've already heard that. I'm just happy I got it for cheap, yeah. Let's see what did I fall asleep to last night? I think I fell asleep to the new Slum Village record. TD: Can you describe what a typical touring day is like for you guys? TJ: A typical day: wake up, figure where the bathroom is, and figure out what city we're in. Find out if there's anything to drink or eat around. Find out when soundcheck is. Do soundcheck. Sit around and wait and wait and wait. Wait some more, wait little bit longer than play a show. The mass partying, sex with anonymous women, drinking to all hours and the passing out again. [pause] A lot of waiting. TD: Gathered. What is your favorite city or venue to play in? TJ: I don't know, I like a lot of places. For the shear reliability I like the Houses of Blues. There's also this great place in Knoxville, TN called the Knoxville Theater. He begins growling into the tape recorder. >TD: Are there any current ska bands that you guys like now? TJ: I don't maybe you've heard of them, nah probably not they're kind of underground, the Skatalites? TD: Of Course. TJ: Oh ok .Are they dead yet? TD: [Laughs] not to our knowledge. TJ: Well, I hope not, they're good. I like more traditional style ska but I do have friends that are in third wave ska bands. TD: You've guys have stuck with ska longer than other bands that came out at the same time in the mid nineties. Any thoughts on where the genre is going? TJ: Straight to hell in a hand basket, oh no that's now. I don't know, apparently it so underground that it can only get more mainstream. Again. Come on fourth wave, come-on fourth wave. TD: Now I'm going to rip off Inside the Actor's studio, what is your favorite sound? TJ: James Lipton, jackass. A woman moaning in pleasure. TD: Your favorite proper noun? TJ: Tyler TD: Any road stories you just want to share? TJ: Yeah on Saturday our [expletive] bus burned down and we almost died! How's that for a road story? >TD: Pleasant. TJ: shouting we almost died! You're lucky to be talking to me! God has big plans for me! And I don't even believe in him. TD: Any final thoughts? TJ: Help! Get me off the road! I need sanity again. He sniffs, mommy? Mommy?


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New hope for curriculum reform

Though hopes for wide-spread requirement changes was destroyed three years ago, faculty and students now express optimism that small-scale curricular reform my be possible. The administrative restructuring process and the creation of the Task Force on the Undergraduate Experience _ both initiatives that were implemented by University President Larry Bacow last fall have given The difficulty in changing requirements at Tufts was illustrated three years ago.The EPC made a proposal to the Committee on Curricula (CoC) in the spring of 2000 after spending six years studying the stringency of Tufts' liberal arts curriculum. The EPC presented three scenarios to the CoC: maintaining the status quo, making a few minor adjustments, and having a major curriculum overhaul. The CoC, comprised of a select group of faculty and students, met with faculty about the issue and later rejected all proposals for change. The EPC has since dissolved. In the past, the major stumbling block for change has been the University's desire to maintain a sense of uniformity in the education Tufts provides. As faculty, "part of our responsibility is to provide some shape to education," said Professor Steven Hirsch, who served on the EPC for five years and is a current member of the Academic Review Board (ARB). "There has been a persistent call from the student body for fewer requirements," Hirsch said. Student proposals frequently neglected fundamental educational values, however, and "we did not pay a whole lot of attention," Hirsch said. Institutional inertia is also a major factor in preventing significant curriculum changes. The last major change occurred with the addition of the World Civilizations requirement, which was instituted in the early 1990s. "Departments are built around curricular structures," said Charles Inouye, Dean of the Colleges for Undergraduate Education. "Just because the students want something doesn't mean it's going to happen." Professors also have a vested interest in maintaining the status quo, since altering the curriculum would void certain positions. This was seen in 2000, when faculty expressed contentment at with the requirements at the meeting with the CoC. Now, the only hope for any curricular change is "starting from scratch" or guaranteeing that "everybody is willing to make concessions," Hirsch said. The advent of the ARB may allow for such conditions to be met. The new committee reviews student petitions and works with the CoC _ which handles faculty suggestions _ in order to produce an adaptable curriculum for each department, Inouye said. The Task Force could also be involved in such changes, since it allows a large group of faculty and students to openly discuss University policy. The new optimism for curricular reform is partly a result of this expanded student-faculty collaboration. Now, it is "not a small group" making decisions, Inouye said. "We'll be able to decide together." The Task Force has given us a "clearer, more comprehensive view of change," Inouye added, and it has brought out a "shared vision." Because the Task Force has support from the administration its weight is greater than that of previous committees without administrative mandate, Hirsch said. Concrete proposals from the Task Force will not be presented to Bacow until the Task Force releases its final report in the spring. One of the things it has been asked to evaluate is curriculum. The Experimental College has also been an avenue for curriculum change, since it offers courses that are sometimes later approved as Liberal Arts College courses. Faculty members and administrators view the current Ex-College courses Hindi-Urdu 1 and 2 as prime candidates for success in the Liberal Arts College. "We have the example of Chinese," which began in the Ex-College and became a popular Liberal Arts course, Inouye said. Arabic language classes have also followed this path. The key is "whether or not the students are going to be in support of it" by enrolling in the courses, not by merely signing petitions to add them, Inouye said. The decline of faculty resistance may also facilitate change. The "faculty will be in on the change from the beginning," Inouye said. "We poll the faculty _ we know there's interest." Inouye said the likelihood for curriculum development is "huge," and is "very excited about the year ahead of us." The ARB also offers a place for student voices in curricular reform. "There are various [student] proposals happening," Tufts Community Union (TCU) Senate Vice President Andrew Potts said. "There is definitely a very vocal and active group of students." The Asian American Curriculum Transformation (AACT) is one example of student initiative for curricular change. The AACT, which was started just over two years ago, aims to add an Asian American Studies minor. Students have been involved in the search for the new tenure-track Asian American professor and in gaining approval for the Asian American Studies courses as fulfilling the culture requirement, according to Kelly Condit, TCU Senate Asian/Asian American Culture Representative. Though there have been failures in curricular reform in the past, they do not affect the odds of future success, Potts said. "Projects have failed one year, and a new senator has tried it a different way the next year," he said. "Each year is very different." When more students are involved, "it automatically becomes a larger issue," Potts said. Everything depends on "how much press it might get" and "how much student interest there is," he said.


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Williams' Ephs blank Jumbos

In a tight game that featured two nationally ranked women's soccer teams, Tufts came away with the short end of the stick. The Jumbos lost a hard-fought battle to Williams 2-0 at home on Saturday. After a scoreless first half, the Ephs took a 1-0 lead in the 57th minute, and added a second goal on a breakaway with 3:15 left to ice it. "Two really good teams played against each other," coach Martha Whiting said. "And even the best teams lose games sometimes. But it's one of those games where it's a great match-up, and only one team can win." The Jumbos drop to 8-3 overall with the loss, but remain in first place in the NESCAC, knotted in a three-way tie with Williams and Amherst at 5-2. Williams had the edge early on Saturday, as the Jumbos seemed to be playing a little tentatively in the opening minutes. "With Williams, we always work them up to be a bigger team than they are," senior co-captain Alle Sharlip said. "So I think we started the game nervous. They're good, but they're not unbeatable, and I think we were putting them up higher than they really are." Both teams had their chances in the first half, and even though Tufts held a 14-3 advantage in shots taken in the period, the Ephs had the more dangerous looks. "They came out ready to play, and we didn't," senior co-captain Cara Glassanos said. "We waited until the last ten minutes of the first half to really play hard. But we had plenty of chances, and it could have gone either way." Williams looked determined to put one away as the first half wound down, picking up four corner kicks in a three-minute stretch, including three on successive plays. But the Tufts defense held, and finally cleared the ball with just under nine minutes remaining in the period. From there, it was all Tufts, as the Jumbos carried the play through the end of the half. The team had some of its best scoring chances in that stretch, including three shots by sophomore Becky Greenstein _ one of which hit off the bottom of the crossbar but somehow managed to bounce out. "Parts of the game we played really well," Sharlip said. "There were some parts of the game that I thought we did a great job, but other parts we just lost it." The Ephs were a tough team to handle throughout the game, but Tufts proved their ability to carry the play, according to Whiting. "It's very hard to sustain lots and lots of consistent pressure against a team like that," Whiting said. "We had a lot of dangerous chances, and we did carry the play a lot, but we were making them look better than they were in the first half." The second half saw more tough play on both sides. Although Tufts looked stronger, it was Williams that finally broke through, scoring the game's first goal in the 57th minute, as sophomore Hannah Stauffer netted her third score of the year. Stauffer got control of a deflected ball near the top of the box, and sent a low shot across to the far corner, just beyond the reach of a diving Meg McCourt. "We had our ups and downs throughout the game, and it basically came down to who capitalized on opportunities," senior Elizabeth Tooley said. "We both had some opportunities throughout the game, and they capitalized. But we played well and it was a pretty even match." The Jumbos stepped it up again after the goal, and had a number of good chances to tie the game. But the Eph defense refused to give in, doing a good job keeping Tufts off the board. Sophomore goalkeeper Lindsey Starner was impressive in the net, making 10 saves to earn her fifth shutout of the year. "At the end, we were pressuring a lot," Whiting said. "Our second half was a lot better than our first. We sustained a lot more pressure. We made some adjustments, and we started to settle the ball down and play it quickly, and that's when we played well." With ten minutes to play, Whiting put junior striker Jess Trombly back into the game, bringing out defensive back Abby Herzberg to give the Jumbos an extra forward in hopes of netting the equalizer. While the move was the right one, it ended up backfiring for Tufts, as Williams was able to score on a breakaway against just three defenders. Senior Stacey Starner, Williams' all-time leading scorer, added to her total with the insurance goal in the 87th minute. After a Tufts corner kick, Eph sophomore defender Julie O'Donnell got possession of the ball and made a long run up the right side. She fed it to Starner, who finished off the play to give her team a 2-0 lead and put the game out of reach. "We're both really good teams, and they just got the better of us today," Sharlip said. "Just like we could have done it to them on a different day. It was like they had two chances and got two goals, and we had a bunch of chances and no goals." In a very physical game on both sides, junior defender Jess Lovitz was given a yellow card in the 79th minute after bumping heads with Stauffer while jumping up for a ball. On the day, Tufts was whistled for eight fouls, while Williams had seven. Despite the loss, the Jumbos are in a good position in the NESCAC, having already clinched a spot in the postseason tournament. Tufts will be rooting for Amherst to knock off the Ephs next weekend, as a Lady Jeff's win would give the Jumbos the inside track to the number-one seed. The Jumbos beat Amherst 1-0 earlier this year, and would get the nod if the two teams ended up in a tie. "We're definitely in good position," Whiting said. "We want to finish in the top three in NESCAC. We still have a shot at first, and that would be amazing, but finishing second or third would still be great." Tufts will travel to Middlebury next weekend to take on the 8-3-1 Panthers. Tufts beat them 3-1 at home last year, but lost twice on the road in 2000. "Middlebury will be a very tough game," Glassanos said. "It's going to be a long week of preparation, and we're going to have to come out just as fired up as we have for every other game, if not more. It's just a matter of pulling the little things together, and not letting this game get to us."


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Campus deters the physically disabled

As all Tufts students are painfully aware, the daily uphill trek is a tough one, especially when you're already late for that pesky 8:00 a.m. class. The complaints continue throughout the day as students grumble about the distance from classes to dorms or about the trek up Memorial Steps. Imagine those same trips, but in a wheelchair. According to the University's Disability Services, there are approximately ten physically disabled students on campus this semester, including those with neurological, motor, medical, and physical impairments. This number probably will not rise anytime in the near future as the physical layout of the Medford/Sommerville campus is difficult for disabled students to navigate. Changes are not forthcoming either, because of the legal and financial requirements of creating handicapped accessible buildings, elevators, and transportation around campus. The number of offices, classrooms and residence halls that are currently handicapped accessible are limited, but for the most part are adequate for the current handicapped community. Manu Thakral, a graduate of the Class of 2002 who is wheelchair-bound, experienced difficulty in attending lectures that were not held in handicap-friendly classrooms. "I had problems because a lot of the buildings aren't accessible on campus, but people helped me in terms of scheduling my classes in places that were accessible," Thakral said. "The police were very helpful as well, with snow removal and things like that." Thakral explained that she lived uphill until her senior year. "It's a lot harder going up than coming down," Thakral said. "But it's all part of the character of the campus." Should the University administration be providing more services for prospective students with disabilities, making them more comfortable despite the inconvenient hill dividing the Tufts campus? One prospective member of the class of 2006 decided to attend Wellesley College over Tufts because the college offers an orientation for physically disabled students, which acquaints them with the campus. The student reports that Wellesley was the obvious choice for her because of Tufts' lack of handicapped services. Professor Steven Hirsch of the Classics department became physically disabled five years ago and is now in a wheelchair agreed that the campus is a difficult one for handicapped people. "I am only aware of one student in a wheelchair, and there have never been more than a few students on campus with severe disabilities. This is a difficult campus," Hirsch said. "But I'm wondering if we still shouldn't encourage students with disabilities to come here, it is a different kind of diversity and it sensitizes people if those people are around... people have done things without malice that have made life hard for me, but it's only because they have so little experience that people don't think about it." The Tufts campus is in compliance with the Americans with Disabilities Act of 1990 and Section 504 of the Rehabilitation Act of 1973. These statutes require only that buildings constructed after 1988 be handicapped accessible. There has been discussion over the years about installing new elevators in buildings or altering other structural parts of the campus that were constructed prior to 1988 but no action has been taken. For example, about four years ago, the administration considered renovating Eaton Hall so as to install an elevator that would reach the Classics department and an upper floor of the computer lab. This would have made it easier for Hirsch to reach his office in the Classics department. However, a study showed that it would be too expensive. "The overall attitude is that these tasks would be prohibitively expensive, so [the University] does it on an ad hoc basis: when something comes up that is necessary, they take care of it," Hirsch said. Former Vice President Bernstein commissioned a study in recent years on disability and accessibility. The study examined issues of accessibility and physical disabilities at Tufts for one year because Bernstein and others were concerned that Tufts was not doing enough to attract physically disabled students to the University. According to Hirsch, the study was never published, however. The reasons for this are not clear, yet it has been alleged that, due to monetary restrictions, nothing could be done at the time to solve the problems, thus making the publication of the study futile. Although, the campus is not as accessible as other campus, the University is making an effort to reach out to the handicapped community. For example, Tufts has designed a campaign to raise awareness on campus which coincides with the National Disability Awareness Month in October. The projects include collecting old cell phones to benefit people with disabilities, hosting an exhibit featuring athletes who are physically impaired, and displaying information on National Disability Awareness Month in the Mayer Campus Center. "The University's commitment to students with physical disabilities is rising dramatically," Christy Galatis, the University-wide Office of Equal Opportunity Specialist, said. "President Bacow is very committed. He is making [increasing services for students with disabilities] a priority. It's not that we don't have services but we're trying to get the information out there and easily accessible to people, especially to those students who are thinking of attending Tufts." Additionally, the University reaches out to prospective students with disabilities by sending out a letter and a brochure, which talks about accommodations for disabled students. The Veterans and Disabled Persons Act of the University has also been revised and posted on the Internet, making it easier to read and more available. "It's is a step forward to be out in front of the issue and anyone who calls and is thinking of coming to the University will know that there are services for them and that we will do everything we can to accommodate them," Dean of Students Bruce Reitman said. Still, the question remains whether Tufts will truly make the effort to attract students with physical disabilities. The design of the campus leaves only the most resilient disabled students willing to come here. "Landscaping on top of a hill does deter prospective [physically disabled] students from coming to Tufts," Thakral explained. "Even women with baby strollers have come up to me and complained." This problem cannot ever be completely solved as much will always be situated on top of a hill. There seems to be a consensus, however, that Tufts' inability to matriculate many students with physical disabilities can be remedied to some degree. Despite the landscaping, additional programs and a campaign increasing the accessibility of the campus through elevators and ramps would help to attract physically disabled students. This task requires a larger commitment by the administration, however _ a commitment that has not been present in the past. "...As facilities at Tufts are renovated, we are certainly going to make them fully accessible to anyone who needs access due to any physical challenges," Reitman said. There may not be as many physically challenged students as one would expect to see on a college campus because Tufts is a hilly, northern campus with difficult winters. "Those factors could make another setting more attractive," Reitman said, "but we're always working to create easily accessible accommodations for anyone who wants to come here, and I think that the brochure is a step in the right direction in reaching out to physically disabled students who are considering coming to the University." @keywords:disability#handicap


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Dance alumni return to tufts

New York-based modern dancers Art Bridgman (LA'72) and Myrna Packer transformed Jackson Dance Lab into a performance studio Thursday night. Through a sequence of pieces, the pair revealed the true nature of their art form _ one of balance, trust, technique, and creativity. Bridgman and Packer, often publicized as "masters of duet" have been partners for over 20 years. Bridgman, a Tufts graduate, returned to Walnut Hill with Packer _his wife and dance partner _ to give a workshop and informal performance Thursday. Surrounded by dimly lit black curtains the audience was transported into a studio and exposed to the creative energy of modern dance partnering. Jackson was densely packed with even a row of students sitting cross-legged on the floor. Even before their first move the pair challenged the audience to accept an atypical image of the human body, one unencumbered by depth or weight. The first piece, an excerpt from a longer work entitled "Carried Away," was choreographed to experiment with the physical interplay of light, size, and shadow. Their faces to the audience, and their images cast against a bright red screen, Bridgman and Packer began by creating the illusion of two-dimensionality as the light cut sharply around the outlines of their bodies. Quickly disappearing behind the screen, Bridgman and Packer experimented with the size and shape of their shadows. Bridgman and Packer created a set out of a flowing translucent red curtain lit from behind and adjusted their distance between the light and the screen to distort the size and sharpness of their shadows. Wearing unadorned sleeveless shirts and pants of white chiffon, the figures were presented with a feeling of anonymity, simplicity, and innocence. Moving across the screen both together and individually, the pair created a dialogue between faceless figures in a series of physical challenges and responses, their imbalance in size and attitude paralleled by their implicit distance behind the screen. Dim lighting from both the front and back as the piece progressed illuminated the depth of the figure in front of the screen, while maintaining the figure behind as a shadow. Separated by red and unable to see each other, the dancers alternated between moving in unison and opposition, the dancer behind the screen embodying both the shadow of the three-dimensional dancer and taking on a life and energy of its own. The duet concluded their first piece with a series of artistic lifts behind the screen, weaving their bodies together to create one form. Their final unison spoke to the need for balance and equality. Ultimately, the figures were only able to combine their energy after imbalances in size and control were resolved. If "Carried Away" grappled with preliminary issues of achieving equilibrium, the following piece, "Lava Falls," took the challenge of partnering a step further with an exploration of trust. Moments before the music began, Bridgman and Packer engaged in a rapid dialogue outlining the choreography for the piece. Each exchange ended with Packer fearful of a fall and Bridgman quickly resolving to catch her. Silencing their voices, Bridgman and Packer began to act out the interplay of trust between two dancers. They stood on two small steps, carefully exchanging places through a series of lifts or physical entanglements. Bridgman dipped Packer close to the floor, but following his promise, always caught her, and lifted her back into balance on the step. Through the complete surrender of her body to Bridgman, Packer demonstrated how integral trusting her dance partner was to achieving the most graceful and creative choreography. Confident in their possession of the basic tools of balance and trust, Bridgman and Packer presented "Kata" to extol the import of technique and discipline. "Kata" began with a presentation of traditional martial arts performed by the couple's thirteen-year-old son, Davy Bridgman-Packer. A black-belt in karate, Davy moved with clarity and precision he could only have achieved from years of diligent training. Bridgman and Packer emerged from the shadows of their son's demonstration dressed in the black of Davy's uniform but with lighter, free-flowing shirts and pants. The couple responded to the art of karate with the art of modern dance, incorporating elements of the martial arts into their choreography. In "Kata," Bridgman and Packer blurred the line between disciplined technique and creative process. In the dictated routine of their young son the couple found inspiration for further expression. All three performers revealed the beauty of both traditional art forms that have survived thousands of year and dance that has been envisioned in the last two years. Dance is a timeless expression, Bridgman and Packer revealed; dance is a vehicle to reach into the past, to combine history and present. Bridgman and Packer brought the evening full circle with their performance of excerpts from "Rapid Eye Movement," a series of dream sequences expressed in dance and spoken word. In their final selection, the dancers moved from the technical to the conceptual and they experimented with the endless opportunity for creation. By incorporating imagined experience with physical movement, they blurred the line between the appearance and reality and showed the audience that the boundaries for modern dance are constrained only by the limits of the imagination. Art Bridgman and Myrna Packer succeeded not only in exposing the Tufts community to the beauty of dance, but also to the skillful technique of artists and richness of the creative process. Though Bridgman and Packer may have intended to give the audience just a sample of their choreography and performance, the pair danced beautifully and worked together to create a performance that was relaxing yet provocative, and a pleasure to watch. Partial funding of the event was given through the Tufts Toupin-Bolwell fund and by the New England Dance Project of the New England Foundation for the Arts, with support from the National Endowment for the Arts, Doris Duke Charitable Foundation, The Andrew W. Mellon Foundation, and the six state arts agencies of New England.


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They might be Beatles

I ask them what their band is really like. Their response? "This interview will be just like Behind the Music. Only without drugs, sex or girls," says Geech, the band-leader, trouble-maker and guitar-player, while Eric updates me on the latest goings-on with Pamela Anderson and Kid Rock. "That's why I subscribe to Entertainment Weekly," he says. Eric, if you can't guess, is the class clown of the band, a natural drummer. Don't let Capital City fool you: they may have a strong Beatle resemblance with their bowl-cut floppy hair (that's Geech and Walt, Eric's the clean-shaven one), but these guys are all-American, 30-year-old boys who play with software for a living and play in a band for the beer and the pool halls. These Beatles look-alikes started playing three years ago when Geech (yet another band leader with a weird name that he won't explain), needing an outlet for life beyond a nameless Internet company, approached his co-worker Eric Herman to play drums in an outside band. Eric was accepted into the band because not only could he drum, he "could integrate software, too!" And the band went from there, somehow ending up with Walt Blazewicz , their current bass player, the true Beatle-look alike (and also a software developer), who has played in more than four bands. This is the band he stayed with, however, after answering one of those signs in Davis Square that no one ever reads. "Ever heard of planets aligning?" asks Eric. "It was supernatural." Today Walt, who's been playing bass in the band for about a year and a half, Eric and Geech say they seem to see their music taking off (though in the past they say they've had their ups-and-downs) with their new CD Am I Invisible, a growing base of music fans in Massachusetts and New York and the inclusion of their single "The Sound" on a Japanese compilation record. And this from people who've never quit their day jobs! Walt likes the freedom of the nine-to-five job while Geech is choosy and would rather skip over the whole "wedding and bar mitzvah gig" experience and values a stable job. It isn't surprising, considering that the members are older_ and are all, at heart, software geeks. They get very excited when they describe the toys that helped create their music, describing all sorts of objects like a matchbox on their loudspeaker, techniques for echoing and how to put nine different things going on at the same time on tape as well as the many, many drums they got to use to make the CD. They tried to make it a bit moodier and add atmosphere and loved that their producer, also a drummer, came in and helped them out. Capital City tries to create a serious image with their music, whose lyrics remains vague with notions like, "Please don't run away" and "Please don't go to heaven without me," backed up by mellow Strokes-like drumbeats and hallucinatory guitar sounds. But don't believe the image: they're a lot funnier. They also don't have a great sense of direction; the band has a little trouble finding the coffee shop, which is surprising considering that they're local boys and their new CD was produced in nearby Somerville. The band categorizes itself as "Wilco Meets the Kinks" and not Kid Rock meets Avril Lavigne. "We're poppy-rock, indie rock, not-quite-radio-ready rock" says Geech. "If the Strokes, Cold Play and Sloane played on the radio, we'd be radio-ready. In a world where Kid Radio and Pink play on the radio, no we're not a radio-group," the guitar-player by-night says. Geech writes the lyrics and the melody, brings them in and hammers it out with the other band members. Although based on real events, Geech tries to make his lyrics a bit more universal. "I contemplate where I am and where I stand in the world. I want [the music] to be placed outside of time," he says. Different people have different reactions to the band's music, ranging from comments like "Geech's vocals are a little strange" (Delusions of Adequacy music website), to "very catchy" (Boston Herald). They do take a bit of getting used to, unless you have a regular habit of dropping acid, since lines seem to move in and out of hearing (the band used echoing techniques on the CD) along with repetitive repeatedly rising minor violin melodies on some tracks, organs and Geech's voice _ more like chanting, since he doesn't seem to like melody. They even throw in a little acoustic guitar for added texture. The guys like getting to know their audience. Geech's ideal (and slightly more realistic than England) venue? Take the amount of people sitting in Brown 'n Brew on a Wednesday night, reduce the size by three-quarters, and get them all sweaty and hot together _ now that's a great crowd. "And lots of girls," adds Eric _ although Eric's ideal venue is a bit different (probably still with lots of girls, though): fly the band in somewhere, play for a bit, and fly back out. Innovative and invisible. Also he would love to return home to Michigan where he hails from and play at the local hockey stadium, "so I can be close to my family." Geech dreams of having the perfect concert at the Reddington Rock Festival in England. "I think they have better taste in England," he said. And why Boston? "In New York it's so competitive. You can see a million bands at a million bars. Here people will actually stick around, even if their friends aren't in it." Geech likes the Boston seen because people will often come up after the show and give him constructive criticism, where Eric offers another positive. "It's such a rush to play for people, especially when you see people dancing during the set," he said. And true to their getting-to-know-you ethos, the band grills me on my musical background _ when I say I've played an instrument, they get on my back about playing more often _ and at the end, offer me a practice session. Electric oboe, anyone? Capital City: Am I Invisible? CD-Release Party: TT The Bear's _ Oct. 24, with Choo Choo La Rouge, Tiger Saw and Ruby Lashes.


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Williams continues streak

As Scott Treacy's final attempt at a miracle disappeared into the arms of a Williams defensive back with 30 seconds remaining in the fourth quarter of Saturday's game, all that was left for the senior quarterback to do was hang his head and walk slowly off the field. The play epitomized the game for the Jumbos, who overcame an early 14-point deficit, only to have their effort ruined by a series of costly miscues in a wild 36-28 loss on a gusty and overcast afternoon. The anticipated matchup of the Williams' offensive juggernaut versus the lockdown Jumbo D did not live up to billing in the first quarter. The Ephs won the opening toss and chose to defend, and they controlled the wind in the first and the fourth quarter. After a quick three and out, the Jumbos were forced to punt into the blistering gust, and Williams took over at the Tufts 34 yard line. Eph quarterback Joe Reardon, last year's NESCAC player of the year, had no problem picking apart Tufts' defense on a businesslike six play drive ending in a touchdown and a 7-0 Williams lead. After another three and out series for the Jumbos, Williams took over at the Tufts 36-yard line and Reardon again quickly led the Ephs into the endzone for a 14-0 lead only six minutes into the contest. "Williams has a good offense and you're asking for trouble anytime you give them a short field to work with," co-captain and cornerback Evan Zupancic said. "The wind was definitely a factor, but on their first couple of possessions, we also had some mental lapses and we let them out to a nice big lead." Tufts finally got on the board after sophomore defensive back Donovan Brown picked a deflected Reardon pass and Tufts took over at the Williams 44. After Treacy threw a 23-yard completion down field to junior wideout Matt Cerne, he found a streaking Tim Mack in the right corner of the endzone to cut the Eph lead to 14-7. "We ran a pick," Mack said. "My defender came down on the other outside guy, so I was just wide open in the corner of the endzone, and it was a pretty easy catch." Williams struck again as the first quarter was winding down. On the second play of the Eph's next drive, Reardon found a receiver wide open in the middle of field who ran for 50 yards before being pulled down inside the Jumbos' ten. On first and goal, Reardon found his favorite target, Ryan Friend, who made a nifty sliding catch in the endzone to stake the Ephs to a 21-7 lead. "We didn't come out hard at the beginning," said junior cornerback Mark Tilki, who finished the day with two interceptions. "We gave them too much of a cushion." Tufts began the second quarter with the ball. Driving downfield on the back of sophomore backup halfback Steve Cincotta, the Jumbos drove to the Eph's 31-yard line before facing a fourth and long. With the wind at his back, kicker Marcellus Rolle hit a 49-yard field goal, the longest in school history, to cut the lead to 21-10. "Basically, the wind was pushing to the left," Rolle said. "I just aimed for the right upright. Everything went perfectly, the snap was perfect, the hold was perfect, and the blocking was perfect. I had all the time I needed. My job was easy. I basically just snapped my leg." After Rolle's field goal, the defense seemed to settle down. The Jumbos stopped the Ephs cold on two consecutive drives, each time giving Tufts solid field position. With under four minutes remaining in the half, Treacy rolled out and hit tight end Ryan Papi in the endzone. The Jumbos, however, failed on a two-point conversion attempt, and Williams' lead going into the half was 21-16. Williams received the ball going into the wind to start the second half. On only the third play of the drive, an errant Reardon pass struck his fullback in the shoulder and bounced high in the air and into the arms of a stumbling Evan Zupancic. With the ball at the Williams 30, Tufts marched right into the Ephs' endzone to take its first lead of the game. The Jumbos, however, missed another two-point conversion and held only a wobbly 22-21 advantage. Tufts held the same single point lead as the fourth quarter commenced. With the wind behind him, Reardon aggressively fired a deep pass downfield, which Tilki calmly stepped in front of and intercepted. Tilki, the Jumbos' fastest man, returned the interception all the way to the Williams seven-yard line, setting up a first and goal with the opportunity for Tufts to extend the lead. Mcgraw was thrown for a loss on first down, and after an incomplete pass, Treacy hit Cerne who was stopped at the four-yard line setting up an eleven-yard field goal attempt. But Rolle, who earlier was the beneficiary of a strong wind, was forced to kick directly into it on this attempt, and could not capitalize, barely missing the chip shot. Williams took over at its own 20-yard line and took little time to respond. On second down, Friend outran backup safety Mike Leist and reeled in a 65-yard gem from Reardon. On a fourth and goal from the 1, Williams ran the ball in for the touchdown, but it too missed a two-point conversion, putting its lead at 27-22. The Jumbos responded, however, on what seemed to be the game's defining drive. Starting at his own 20, Treacy led the Jumbos down the field with one accurate pass after another. The drive deflated the Ephs, as they committed one pass interference penalty and two facemasks, one of which negated an interception. On a second down from inside the Eph's 20, Treacy lobbed a ball into the hands of 6'4" tight end Chris Roy, to give the Jumbos a 28-27 lead. Tufts again attempted a conversion, and again failed, as McGraw was dragged down as he tried to sprint left on a pitchout. Clearly frustrated, Williams failed to ignite any offense on its next drive. An amazing 65-yard punt pinned the Jumbos inside their five-yard line and set up what was the game's most important play. On first down, Treacy handed off to McGraw, who looked to get the Jumbos out of the shadows of their own endzone. Williams' junior linebacker Graham Goldwasser flooded the gap however, bursting into the Jumbo backfield, and laying an immense hit on McGraw in his own endzone, good for two points and the ball. On the first play from scrimmage, Williams running back Tim Crawley galloped 65 yards for a touchdown and a 36-28 lead. Though Tufts gained possession of the ball twice more, it was unable to score, and Treacy's interception, his first of the day, secured the game for the now 5-0 Ephs. The loss dropped the Jumbos to 3-2 and seriously damaged any shot they had of winning the NESCAC title. "Today was an absolutely crazy game," Zupancic said. "The things that happened _ nobody ever would have ever thought some of those things could happen. But as a team you have to be prepared for everything. We made a lot of mistakes and the mental lapses killed our chances to win.