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Arts

TV Review | Season two of 'House of Cards' triumphs, excites audiences

As the first episode of the "House of Cards" second season ends, Frank Underwood (Kevin Spacey) looks directly into camera and says, "Did you think I'd forgotten you? Perhaps you hoped I had ... Welcome back." If the hype surrounding this season's release is any indication, audiences certainly have not forgotten about Frank. The second iteration of this political thriller is a leap forward -- albeit with some boring moments -- as the show explores power hungry characters willing to do the unthinkable to expand their clout in Washington, D.C.


The Setonian
Arts

Suzanne Vega returns after seven year hiatus

After making her listeners wait for seven years, Suzanne Vega has finally released her new album "Tales From the Realm of the Queen of Pentacles." Some big names in music - like bassist Tony Levin (of Peter Gabriel and King Crimson fame) - contributed to Vega's new effort, and their own individual styles are audible in Vega's new sound. Vega hasn't been resting over the last few years; she proves that she has been experimenting with different styles and genres. Fans of her older work will still find traces of her unique timbre and literary lyrics in "Tales From the Realm of the Queen of Pentacles." But her audience can also clearly hear that she has stepped out of her comfort zone and added new layers of sound to her pop-folk style. Vega surprises in this album, inviting listeners of other genres to try her music.


Feature-Image_Place-HolderPRESLAWN
Arts

CONCERT REVIEW | BSO's 'West Side Story' captures emotion of original film

The Boston Symphony Orchestra's (BSO) performance of "West Side Story" (1957) music, set in time to a screening of the newly re-mastered film, was a treat last weekend. Though the live music and the film's singing seemed disjointed at times, the overall energy of conductor David Newman and the BSO musicians overshadowed this minor flaw.


Feature-Image_Place-Holder
Arts

MOVIE REVIEW | ‘The Wind Rises’ is visual masterpiece, offers insightful social commentary

After years of threats that the next film — and then the next — would be his last, acclaimed writer and director Hayao Miyazaki has truly delivered his final masterpiece, “The Wind Rises,” which is loosely based loosely on real life events.The new film, nominated for Best Animated Feature at next month’s Academy Awards, is sure to delight audiences both with its incredible visual aesthetic and philosophical perspective on war and industry.The animated movie, dubbed into English for release in the United States, tells the (fictionalized) story of Jiro Horikoshi (voiced by Joseph Gordon-Levitt), a Japanese plane engineer during World War II. Nearsighted and unable to become a pilot, young Jiro dreams of designing “beautiful airplanes” — a goal that is realized when he joins an engineering company and is instantly recognized for his passion and talent in the field. The narrative switches often between Jiro’s real life experiences and the world of his dreams where he is able to speak with his mentor and inspiration, famous Italian plane designer Gianni Caproni (Stanley Tucci). While working to turn his designs into real machines, Jiro meets and falls in love with Nahoko (Emily Blunt). From there, the story simultaneously develops into a captivating biography of an enigmatic young man and an epic love story set in an era of war and economic depression.Miyazaki, owner of the now-prominent Studio Ghibli, is famous for his beautiful pastoral scenes and meticulous animation style, as seen in “Howl’s Moving Castle” (2004) and “Spirited Away” (2001). This most recent film maintains Miyazaki’s high standard — it is visually stunning. Everything from the changing shadows cast on Jiro’s face to the majestic shots of Japan’s countryside speaks to the filmmaker’s devotion to creating a beautiful work.At certain moments, especially during a scene depicting the Great Kanto Earthquake of 1923, shots of frantic crowds may seem a little choppier and more simplified than viewers are used to seeing in Studio Ghibli films. This, however, is no real fault of the movie itself but rather a result of the translation to the big screen, where small, precise details are less defined.The screenplay, too, benefits from Miyazaki’s mastery, proving to be both streamlined and profound. The touching love story between Jiro and Nahoko is the emotional core of the film. Though the tale is sentimental, round characters keep the dramatic relationship from souring into schmaltziness. The film simultaneously retains a more serious perspective by constantly tying the character’s political and economic environment into the otherwise personal story of one man.Indeed, in many ways the film functions as a critique of industrialization in Japan during a time when more of the nation’s resources were devoted to catching up with leading industries than feeding the poor masses. The hard transition from the agricultural to the industrial age seems to be embodied in the planes themselves. While his engineering firm strives to catch up with other nations by building metal instead of wooden planes, Jiro resists the pressure to create these “full-metal ducklings,” relying instead on nature (namely, fish bones) to inspire his designs. As the title suggests, it is often forces of nature — not war and industry — that drive the characters to their greatest heights.“The Wind Rises” also boasts an evocative auditory experience. This not only includes Joe Hisaishi’s beautiful score or the film’s bittersweet theme song, “Hikoki Gumo,” but also has creative sound effects, especially during the earthquake scene. The groans of the earth as Tokyo comes apart powerfully demonstrate the horror of the natural disaster.Moreover, with stars such as Elijah Wood and Darren Criss voicing minor characters, the viewer is never disappointed with the talent (even if the dubbing inevitably is a little bit off at times). Martin Short, who provides the voice of Jiro’s tough-love boss, and Gordon-Levitt do an exceptional job of delivering the script, with Gordon-Levitt utilizing a subdued but expressive tone that very much recalls Christian Bale’s performance in “Howl’s Moving Castle.”12


Feature-Image_Place-HolderOLIN
Arts

MOVIE REVIEW | 'The Wind Rises' is visual masterpiece, offers insightful social commentary

After years of threats that the next film - and then the next - would be his last, acclaimed writer and director Hayao Miyazaki has truly delivered his final masterpiece, "The Wind Rises," which is loosely based loosely on real life events.The new film, nominated for Best Animated Feature at next month's Academy Awards, is sure to delight audiences both with its incredible visual aesthetic and philosophical perspective on war and industry.The animated movie, dubbed into English for release in the United States, tells the (fictionalized) story of Jiro Horikoshi (voiced by Joseph Gordon-Levitt), a Japanese plane engineer during World War II. Nearsighted and unable to become a pilot, young Jiro dreams of designing "beautiful airplanes" - a goal that is realized when he joins an engineering company and is instantly recognized for his passion and talent in the field. The narrative switches often between Jiro's real life experiences and the world of his dreams where he is able to speak with his mentor and inspiration, famous Italian plane designer Gianni Caproni (Stanley Tucci). While working to turn his designs into real machines, Jiro meets and falls in love with Nahoko (Emily Blunt). From there, the story simultaneously develops into a captivating biography of an enigmatic young man and an epic love story set in an era of war and economic depression.Miyazaki, owner of the now-prominent Studio Ghibli, is famous for his beautiful pastoral scenes and meticulous animation style, as seen in "Howl's Moving Castle" (2004) and "Spirited Away" (2001). This most recent film maintains Miyazaki's high standard - it is visually stunning. Everything from the changing shadows cast on Jiro's face to the majestic shots of Japan's countryside speaks to the filmmaker's devotion to creating a beautiful work.At certain moments, especially during a scene depicting the Great Kanto Earthquake of 1923, shots of frantic crowds may seem a little choppier and more simplified than viewers are used to seeing in Studio Ghibli films. This, however, is no real fault of the movie itself but rather a result of the translation to the big screen, where small, precise details are less defined.The screenplay, too, benefits from Miyazaki's mastery, proving to be both streamlined and profound. The touching love story between Jiro and Nahoko is the emotional core of the film. Though the tale is sentimental, round characters keep the dramatic relationship from souring into schmaltziness. The film simultaneously retains a more serious perspective by constantly tying the character's political and economic environment into the otherwise personal story of one man.Indeed, in many ways the film functions as a critique of industrialization in Japan during a time when more of the nation's resources were devoted to catching up with leading industries than feeding the poor masses. The hard transition from the agricultural to the industrial age seems to be embodied in the planes themselves. While his engineering firm strives to catch up with other nations by building metal instead of wooden planes, Jiro resists the pressure to create these "full-metal ducklings," relying instead on nature (namely, fish bones) to inspire his designs. As the title suggests, it is often forces of nature - not war and industry - that drive the characters to their greatest heights."The Wind Rises" also boasts an evocative auditory experience. This not only includes Joe Hisaishi's beautiful score or the film's bittersweet theme song, "Hikoki Gumo," but also has creative sound effects, especially during the earthquake scene. The groans of the earth as Tokyo comes apart powerfully demonstrate the horror of the natural disaster.Moreover, with stars such as Elijah Wood and Darren Criss voicing minor characters, the viewer is never disappointed with the talent (even if the dubbing inevitably is a little bit off at times). Martin Short, who provides the voice of Jiro's tough-love boss, and Gordon-Levitt do an exceptional job of delivering the script, with Gordon-Levitt utilizing a subdued but expressive tone that very much recalls Christian Bale's performance in "Howl's Moving Castle."12


Feature-Image_Place-HolderPRESLAWN
Arts

CONCERT REVIEW | BSO’s ‘West Side Story’ captures emotion of original film

The Boston Symphony Orchestra’s (BSO) performance of “West Side Story” (1957) music, set in time to a screening of the newly re-mastered film, was a treat last weekend. Though the live music and the film’s singing seemed disjointed at times, the overall energy of conductor David Newman and the BSO musicians overshadowed this minor flaw.



Feature-Image_Place-HolderWINTER2
Arts

Theater Review | Poe is brought to life on stage

“Red-Eye to Havre de Grace” (2012), an action-opera brought to Boston as part of ArtsEmerson’s “Pioneers” series, details the last days of Edgar Allan Poe’s life. More shocking than conventional, the show contains a little history -- as told through Poe’s letters to his mother -- and a lot of artistic interpretation, especially of the author’s deteriorating mental health. Before the curtain rises, a man walks on stage and introduces himself as Ranger Steve (Jeremy Wilhelm), a representative from the Edgar Allan Poe House in Philadelphia. He takes the audience through a short -- if unexpectedly casual -- description of the historical context of the play. As he concludes, Ranger Steve pulls out a crumpled sheet of paper to recite one of his favorite poems by Poe while the lights dim and a piano builds slowly in the background. A few lines into his reading, Ranger Steve goes from open-mic-night-at-the-local-library mode to a full-blown operatic rendering of Poe’s “Ligeia” (1838).


Feature-Image_Place-HolderPRESLAWN2
Arts

Film Review | Raunchy humor elevates ‘About Last Night’

Throughout the past year, amidst serious dramas and intense con movies, the romantic comedy has slightly fallen by the wayside. Perhaps this is due to one of the inescapable trademarks of the genre: clich?s. It seems that some audience members are becoming amateur critics -- their eyes are hungry for new images, their brains thirsty for novel plotlines. Yet there is still much value in the rom-com. While you may not be fond of platitudes about love and predictable stories, the genre -- when it features solid chemistry and cleverly bold jokes -- is often worth watching.


The Setonian
Arts

Artsy Jumbo | Alice McDonald Games takes her drawing skills to market

Alice McDonald Games, a junior, recently designed the website art, logo and brand labeling for Earnest Farms. Cased in Bolton, Mass., the company sells pasture-raised, soy-free and organically-fed chicken eggs and pork. Started just two years ago, Earnest Farms is still new to the local farming scene and relatively small -- guaranteeing that McDonald Games would have creative freedom and a prominent role in developing the image and reputation of the brand.


The Setonian
Arts

Artsy Nugget | Following plagiarism scandal, Shia LaBeouf acts out

This past week, Shia LaBeouf continued his series of apologetic and attention-grabbing antics following a plagiarism scandal by starring in his own solo interactive art exhibit, called "#IAMSORRY." Running from Tuesday, Feb. 11 until this past Sunday in L.A., the exhibit allowed visitors to sit across LaBeouf, who wore a paper bag with eyeholes cutout. On it read the message, "I AM NOT FAMOUS ANYMORE."


The Setonian
Arts

Artsy Nugget | Following plagiarism scandal, Shia LaBeouf acts out

This past week, Shia LaBeouf continued his series of apologetic and attention-grabbing antics following a plagiarism scandal by starring in his own solo interactive art exhibit, called “#IAMSORRY.” Running from Tuesday, Feb. 11 until this past Sunday in L.A., the exhibit allowed visitors to sit across LaBeouf, who wore a paper bag with eyeholes cutout. On it read the message, “I AM NOT FAMOUS ANYMORE.”


Feature-Image_Place-HolderWINTER2
Arts

Theater Review | Poe is brought to life on stage

"Red-Eye to Havre de Grace" (2012), an action-opera brought to Boston as part of ArtsEmerson's "Pioneers" series, details the last days of Edgar Allan Poe's life. More shocking than conventional, the show contains a little history -- as told through Poe's letters to his mother -- and a lot of artistic interpretation, especially of the author's deteriorating mental health. Before the curtain rises, a man walks on stage and introduces himself as Ranger Steve (Jeremy Wilhelm), a representative from the Edgar Allan Poe House in Philadelphia. He takes the audience through a short -- if unexpectedly casual -- description of the historical context of the play. As he concludes, Ranger Steve pulls out a crumpled sheet of paper to recite one of his favorite poems by Poe while the lights dim and a piano builds slowly in the background. A few lines into his reading, Ranger Steve goes from open-mic-night-at-the-local-library mode to a full-blown operatic rendering of Poe's "Ligeia" (1838).


The Setonian
Arts

Artsy Jumbo | Alice McDonald Games takes her drawing skills to market

Alice McDonald Games, a junior, recently designed the website art, logo and brand labeling for Earnest Farms. Cased in Bolton, Mass., the company sells pasture-raised, soy-free and organically-fed chicken eggs and pork. Started just two years ago, Earnest Farms is still new to the local farming scene and relatively small -- guaranteeing that McDonald Games would have creative freedom and a prominent role in developing the image and reputation of the brand.


Feature-Image_Place-HolderWINTER2
Arts

Film Review | Raunchy humor elevates 'About Last Night'

Throughout the past year, amidst serious dramas and intense con movies, the romantic comedy has slightly fallen by the wayside. Perhaps this is due to one of the inescapable trademarks of the genre: clich?s. It seems that some audience members are becoming amateur critics -- their eyes are hungry for new images, their brains thirsty for novel plotlines. Yet there is still much value in the rom-com. While you may not be fond of platitudes about love and predictable stories, the genre -- when it features solid chemistry and cleverly bold jokes -- is often worth watching.


Feature-Image_Place-HolderWINTER
Arts

Theater Review | A.R.T. show explores, critiques aid work in Uganda

The crowd cheered as the lights came up and Griffin Matthews, the co-creator, lead actor and inspiration behind the main character of “Witness Uganda,” walked out on stage. Matthews seemed to swell — proudly, not egotistically — with the applause. After months of preparation, “Witness Uganda” had finally been brought to life at the American Repertory Theater (A.R.T), and everyone in the packed Loeb Drama Center was there to see him and to hear his story.


Feature-Image_Place-HolderOLIN
Arts

‘RoboCop’ reboot disappoints

“RoboCop” is the latest Hollywood reboot to grace theaters in the off-season of cinema. It’s difficult to address the level of irony surrounding the idea of a “RoboCop” reboot, seeing as the “RoboCop” franchise has already suffered two disappointing sequels after the 1987 debut film — a movie which openly mocked American consumerism by interrupting its narrative with zany, eerily-to-the-point commercials. But there’s hope: maybe remaking “RoboCop” and perpetuating an endless cycle of re-hashed cultural capital is a highly ironic, sophisticated nod to its original anti-capitalist sentiments?


Feature-Image_Place-HolderPRESLAWN
Arts

TV Review | 'Black Sails' opens as a shallow swashbuckling series

As the opening lines of Starz's new series "Black Sails" remind us, "most of the world is run how a pirate ship is run - the strong will lead and the weak will follow." Unfortunately, it only took a few episodes for the drama to prove itself one of the weak - making it among the shallowest new offerings of this winter's television season. With a confusing plot too feeble to justify its gratuitous sex and violence, "Black Sails" is likely to run aground before it reaches any kind of meaningful territory.


Feature-Image_Place-HolderOLIN
Arts

TV Review | ‘Black Sails’ opens as a shallow swashbuckling series

As the opening lines of Starz’s new series “Black Sails” remind us, “most of the world is run how a pirate ship is run — the strong will lead and the weak will follow.” Unfortunately, it only took a few episodes for the drama to prove itself one of the weak — making it among the shallowest new offerings of this winter’s television season. With a confusing plot too feeble to justify its gratuitous sex and violence, “Black Sails” is likely to run aground before it reaches any kind of meaningful territory.


Feature-Image_Place-HolderWINTER
Arts

'RoboCop' reboot disappoints

"RoboCop" is the latest Hollywood reboot to grace theaters in the off-season of cinema. It's difficult to address the level of irony surrounding the idea of a "RoboCop" reboot, seeing as the "RoboCop" franchise has already suffered two disappointing sequels after the 1987 debut film - a movie which openly mocked American consumerism by interrupting its narrative with zany, eerily-to-the-point commercials. But there's hope: maybe remaking "RoboCop" and perpetuating an endless cycle of re-hashed cultural capital is a highly ironic, sophisticated nod to its original anti-capitalist sentiments?


The Setonian
Arts

Sun Kil Moon's 'Benji' expertly handles heavy topics

"Benji," the latest release from Sun Kil Moon, isn't exactly revolutionary from a musical perspective. Yet, because of frontman Mark Kozelek's superb songwriting abilities, the album allows listeners to peek into a different universe, revealing the intimate details of Kozelek's personal life without feeling overly sentimental or melodramatic. "Benji," is a portrait of an artist at his rawest, as Kozelek sings of his fears, hopes, loves, lusts and family. And he does this all with minimal aplomb, ensuring that he always sounds real and sincere.