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The Setonian
Arts

Theater Review | Boston Ballet showcases five new dances

Fresh from the successful “Night of Stars” event which took place Sept. 21 on the Boston Common, the Boston Ballet returned to an indoor stage last Thursday and Friday with “BB@Home.” This special performance celebrated the choreography of one of its own dancers in a smaller venue designed to seat just 150. “BB@home” showcased the world premiere of a piece with original choreography from Dusty Button, a Boston Ballet soloist, alongside excerpts from other ballets.


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Arts

‘Enough Said’ brings relatable warmth

Although many successful movies are characterized by heavy drama, sometimes showcasing life’s simple, everyday interactions can make a film even more emotionally effective. “Enough Said,” written and directed by Nicole Holofcener, depicts the romantic and personal travails of a middle-aged woman in suburban California. While the plot initially may not appeal to the college-aged crowd, the movie perfectly captures the triumphs and difficulties of average relationships — a theme that viewers of all ages can enjoy.


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Arts

TV Review | ‘Nashville’ picks up after tragedy in season one

In an ad for the second season of ABC’s “Nashville,” the program’s leading ladies, Juliette Barnes (Hayden Panettiere) and Rayna Jaymes (Connie Britton), lounge in the middle of what looks to be field of grain. Rayna, the show’s principal heroine, sits on the keys of a sleek, obsidian piano as Juliette perches on a platinum throne adorned with shining guitar necks. Both don sparkly, formfitting outfits and wear stilettos. How they are able to walk in a field of grain wearing these outfits, one can only guess.


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Arts

TV Review | New series ‘Agents of S.H.I.E.L.D.’ shows promise

Marvel’s “Agents of S.H.I.E.L.D.” is a very audacious television venture for numerous reasons. The primary one is that the show attempts to mesh the universe depicted in the superhero epic “The Avengers” (2012) with a weekly procedural format. In this case, however, the central focus of the show is not the heroes themselves, but rather the bureaucratic force behind them: the Strategic Homeland Intervention, Enforcement and Logistic Division. One obstacle facing this new show is its title, a problem of which the show is hilariously self-aware. When asked why the agency has such a long name, one character quips that someone really wanted it to spell out “shield.”


The Setonian
Arts

Theater Review | Boston Theatre’s ‘Burning’ tackles difficult issues

When Kate Snodgrass first encountered Ginger Lazarus’ work “Burning” — in an earlier form, it was part of a series of one-act performances — she recognized that it was powerful. The complete production, currently showing at the Boston Playwrights’ Theatre (BPT), is no less. Since her first impression, Snodgrass, the artistic director of BPT, and Lazarus have continued to develop “Burning” over the past few years, taking it through several drafts to create the fully realized piece. The result of their collaboration is a magnificent production that intertwines brilliant acting with modern-day issues and compelling themes.


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Arts

Lorde’s ‘Pure Heroine’ lives up to hype

The recent release of singer Lorde’s debut album “Pure Heroine” follows months of stateside hype and unprecedented success. In August, Lorde became the first woman to top the Billboard Alternative Songs chart in over 17 years. When Lorde (her real name is Ella Yelich-O’Connor) burst onto the music scene in her native New Zealand last November, it was impossible to predict how quickly she would rise to fame.



The Setonian
Arts

Other exhibits overshadow ‘Holland on Paper’

With its exemplary but small collection of Art Nouveau pieces, the exhibit “Holland on Paper: The Age of Art Nouveau” has the challenge of living up to other impressive and similar showcases at the Museum of Fine Arts . The exhibition, which opened on Aug. 10, is currently on view in the Frances Vrachos Gallery, the same space that was just occupied by “Art in the Street,” a collection of 20th century European posters, earlier this summer. The MFA also hosted another compilation of Art Nouveau pieces in “The Postcard Age,” which was on view through this past April. Though the new installation’s expressive and decadent illustrations are engaging, it ultimately pales in the aftermath of these two predecessors.


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Arts

An empire crumbles, but a legacy remains

Warning: This article discusses major plot points and contains spoilers from the series finale of “Breaking Bad.”“Breaking Bad” came to an end a week ago, and since then the world has been chattering in its wake. Unfortunately, there is very little left to say.Truthfully, what can you add to a conversation about a television series that has already managed to express itself in the deftest of manners, again and again? Well, considering there is only one Vince Gilligan, the showrunner and source of genius behind AMC’s “Breaking Bad” (2008-2013), probably nothing.Nonetheless, there are currently about a thousand blogs, Variety articles and BuzzFeed top 20 lists attempting to celebrate one of the best shows in television history. “Breaking Bad” gave its viewers hour after hour of brilliant, compulsive and intelligent entertainment, and for that, it only seems fitting that fans try to pay it reverence.Just on the heels of its first, albeit long-deserved, Emmy victory for Outstanding Drama Series, Gilligan brought viewers a series finale that boasted record-breaking ratings. To put things into perspective, the finale’s viewership nearly doubled from the penultimate episode and had ratings almost five times higher than that of the prior season closer.Gilligan himself has acknowledged Netflix’s contribution to this massive surge — the streaming service has allowed newcomers to binge-watch the series and gain ground — but really, it comes down to the sheer quality of the show. Through word of mouth, fans and critics alike have been applauding “Breaking Bad” for years now, and as the series drew to a close, murmurs of positive praise escalated to a deafening din. As a result, an unthinkable number of viewers flocked to catch up before the finale aired.Now, whether you jumped on last week, or you have been one of the loyal few who watched from the start, the ending of “Breaking Bad” is sure to have stirred up a number of powerful sentiments in everyone. But, there is one theme that surely remains universal at the end of it all.Change.An innocent, 50-year-old Walter White (Bryan Cranston) summed it up in the series’ pilot: “[You] see, technically, chemistry is the study of matter, but I prefer to see it as the study of change ... But that’s all of life right? It’s the constant, it’s the cycle. It’s solution, dissolution. Just over and over and over. It is growth, then decay, then transformation!”When it comes to “Breaking Bad,” nothing could be more accurate. The series has continually focused on this idea of transformation, over time turning heroes into villains and misguided criminals into sources of empathy. What’s more, the writers have never been afraid to reverse such changes.Yet, three weeks ago, this trend looked as if it had come to a halt. Most fans were familiar with Gilligan’s desire to transform his main character from a skittish and polite chemistry teacher into a devious and cunning meth drug lord, but the concept of “change” seemed to stop there. Walt, or rather, his alter ego Heisenberg, venomously spat in the face of his former partner, Jesse (Aaron Paul), before proceeding to tell him that he watched the boy’s girlfriend die. In that moment, no one could have believed White would transform back again. At that moment, it appeared as if his journey had ended in decay.Things are never simple in the world of “Breaking Bad,” however. It takes giant magnets to destroy evidence-ridden computers and the purchase of grubby car washes to launder any real amount of drug money. Thus, in a mere two episodes, everything viewers believed was turned on its head.First, Walt was torn down, humbled and made to be a feeble, cancer-afflicted man, willing to pay $10,000 just to converse with someone for an hour. Despite the countless murders he committed, both just and unjust, at that instant, one couldn’t help but empathize with the man withered by the fireside.But breaking Walt was not enough. After everything he had been through, for better or worse, he ultimately did not deserve to die on a note of pity, nor would he allow himself to. And so, he changes yet again. Finding his courage wrapped up somewhere within his enormous pride, Walt leaves his snowy prison and heads home to set things straight for good.In the pilot, Walt states that he is “awake,” and in the beginning, he really was. His intentions were good and everything he did, he did for his family. But a slow decline into villainy sullied his clear vision, and it was only in the finale, upon his return to Albuquerque, that White seems to awaken once more. For the first time in two years, he is honest with himself — and, most importantly, with his wife, Skyler (Anna Gunn).“I did it for me,” he explains. “I liked it. I was good at it. And I was really ... I was alive.” With this slight bit of untainted truth, White subtly admits his failures and is miraculously humanized again. The audience is able not only to support him in his final plot for revenge, but even manages to root for him.As Badfinger’s “Baby Blue” (1971) plays softly in the background of the final scene, Walt grins as he lies down in the belly of the meth lab. At long last, Heisenberg is at peace — and so are we.12


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Arts

‘Gravity’ stuns with visceral yet unsettling experience

Ever since his highly acclaimed “Children of Men” (2006), audiences have eagerly waited for another Alfonso Cuar?n film. His most recent release, “Gravity” — complete with a spectacular unbroken 17-minute opening shot — will elate viewers, taking them through an adventure in space.


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Arts

Event Review | Berklee BeanTown Jazz Festival marked by success

What has been referred to as “Boston’s biggest block party,” the Berklee BeanTown Jazz Festival certainly did not fail to disappoint last Saturday in Boston’s South End, marking its 13th year of bringing jazz, blues and groove acts to music fans. And with not one, but three stages, the event offered attendees a little taste of everything — the festival also featured an endless amount of activities and vendors.


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Arts

New drama ‘Sleepy Hollow’ delivers twists

“Sleepy Hollow” is a new mystery drama from Fox with dashes of horror, fantasy and comedy all thrown in for good measure. Set in the village of Sleepy Hollow, the show has an intriguing premise: one of the Four Horsemen of the Apocalypse, Death, has risen again, and is terrorizing the present-day town’s population with vicious beheadings. After originally losing his head during the American Revolution to Ichabod Crane (Tom Mison), who was killed only to be resurrected centuries later in modern times, the Headless Horseman returns seeking vengeance and revenge on his would-be killer. It is up to strong female lead Abbie Mills (Nicole Beharie) and Crane to uncover secrets and clues hidden within the town that will help them kill the Headless Horseman once and for all.



The Setonian
Arts

Glee' premiere has high points, fails to produce momentum

There must be some statute of limitations on how many times a television show can be renewed for another season with only the quality of its first to serve as justification for doing so. Unfortunately, "Glee" seems to be immune to that particular brand of logic. In fact, the show seems to be immune to most brands of logic - logical dialogue, logical plot points and logical character development, just to name a few. And despite a few shining moments, last Thursday's season five premiere of "Glee" was no exception to that pattern.


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Arts

‘Bones’ premiere delivers for longtime fans

Over the course of its nine seasons, Fox’s “Bones” has progressively edged towards the extremes, with the silly episodes sillier, the gruesome human remains more graphic and the villains even darker. At the same time, the constant ups and downs of the characters’ personal lives have made “Bones” seem almost soap opera-esque, while the ridiculousness of the cases has sometimes transformed the show into a pseudo-sitcom. Yet there is something endearing about “Bones” that has managed to keep viewers hooked for this long, and the start of season nine — in all its cheesiness — proves just why “Bones” fans have kept watching through thick and thin (or skin and bone).


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Arts

Grouplove delivers high energy show at The Sinclair

“Yeah I’d rather be a hippy than a hipster, what! / Yeah I’d rather leave my spirits for everyone.” These lyrics from “Hippy Hill” off of Grouplove’s new release, “Spreading Rumors” (2013), are fitting words for the L.A.-based indie band. On Sept. 22 at Cambridge’s The Sinclair, lead vocalists Christian Zucconi and Hannah Hooper took to the stage, decked out in a leopard robe and cheetah bodysuit, respectively. Clearly, Grouplove is a free-spirited band. But beyond showing off its eccentric persona, Grouplove knows how to put on a show. Channeling their ironically literal wild sides, the group members screamed, jumped, danced and crawled — all at no cost to their infectious sounds. The way Grouplove manages to make raw vocals catchy through smoother pop synths sets them up to produce the perfect “fun” concert: and that’s just what they delivered.


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Video Game Review | Rockstar releases masterpiece with 'Grand Theft Auto V'

“Grand Theft Auto V” was finally made available to restless and fervent gamers throughout North America on Sept. 17. Releasing the game five years after its predecessor “Grand Theft Auto IV,” video game publisher Rockstar Games has once again revolutionized the definition of a “free roam” game. Building upon the most successful features of its previous titles, “GTA V” has taken another groundbreaking step toward narrowing the gap between simulation and reality. Drenched in satire, “Grand Theft Auto V” remains true to its traditional risque and violent nature, yet now caters to a range of players — from those who want to engage in an adrenaline-pumping police shootout to those who prefer to play a relaxing round of golf in the warm sun.


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Arts

Johnson toys with trademark sound

One thing Jack Johnson is always good for is consistency. Listeners will rarely hear him suddenly changing his sound — Johnson avoids pulling a “Miley Cyrus,” who dramatically evolved over the past five years from her Hannah Montana “The Best of Both Worlds” (2006) days to her new, edgier single “Wrecking Ball” (2013). And although drastic change can sometimes be exciting, Johnson’s steady style is far from boring. On his new album, “From Here to Now to You,” Johnson manages to put the perfect amount of spin on his classic acoustic sound to keep things interesting. Indeed, the listener gets a little taste of everything on his sixth studio release.




The Setonian
Arts

‘Glee’ premiere has high points, fails to produce momentum

There must be some statute of limitations on how many times a television show can be renewed for another season with only the quality of its first to serve as justification for doing so. Unfortunately, “Glee” seems to be immune to that particular brand of logic. In fact, the show seems to be immune to most brands of logic — logical dialogue, logical plot points and logical character development, just to name a few. And despite a few shining moments, last Thursday’s season five premiere of “Glee” was no exception to that pattern.