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Arts

Tufts music scene displays variety, talent

As the birthplace of successful musical acts like Guster and Timeflies, Tufts has for years maintained a competitive and burgeoning music scene among its student body. In fact, the university draws musical students from all disciplines — as countless YouTube application supplement videos can attest to. With engineers who can shred any Jimi Hendrix lick to social justice advocates who share a love for Bob Dylan and slapping the bass, the current music scene on the Hill reflects a wide-array of backgrounds, styles and aspirations.At Battle of the Bands, an annual event for serious on-campus music groups, Shark Saddle, Not So Gentlemen, Waldo and Thoroughfare and Telly, rocked the stage. Each band brings a unique flavor to Tufts' musical landscape. Indeed, for many of these groups — some of which were formed during orientation events or in residence halls — their identities are intimately tied to the Tufts experience. This connection is what makes these groups feel homegrown and universal. The Daily had the opportunity to sit down with a few of these bands and discuss who they are and what they hope for the future. Not So GentelmenIn the misty mountains of New Hampshire during Tufts Wilderness Orientation in 2012, sophomores Max Leonhardt and Avram Ellner bonded over their love of music. After heading back to the Hill for orientation, Leonhardt met talented drummer junior Henry Butler. Observing that Ellner and Butler had similar styles and were both eager for a new pal to jam with, Leonhardt decided to introduce the two musicians. Ironically, Leonhardt — who brought the band together and is now its bassist — didn't play an instrument in the early days of this trio's friendship."I didn't pick up a bass until Not So Gentlemen [formed]," Leonhardt said. "We started hanging out more, and I decided to go out and buy a bass guitar to join in on the fun."Frequent hangouts transformed into informal jam sessions, which then moved to practice rooms in the Granoff Music Center and thus, Not So Gentlemen was formed. The band's style, however, is much more elusive than its history. Leonhardt, Ellner and Butler each have unique musical influences and intuitions. Though they do share a few favorites, including Jimi Hendrix and Parliament Funkadelic, the three band members have different preferences and musical heroes."Henry loves the Red Hot Chili Peppers and [funk in general]," Leonhardt said. "Avram is a straight up metal-head — he loves Metallica and Black Sabbath. I have a thing for the more psychedelic jams, but also Johnny Cash and, of course, [Dylan]."This fusion has made for an interesting sound. Playing what the band has dubbed "blunken" — a fusion of blues and funk — Not So Gentlemen has a decidedly vintage and laid-back tone."We're just rocking and rolling with it," said Leonhardt. "We're having so much fun playing and jamming with other bands."Not So Gentlemen, a relatively young band on campus, has garnered a fairly substantial following. Placing second at Battle of the Bands, Not So Gentlemen will be performing at the upcoming Tuftonia's Day. However, even with its success and growing fan base, the end of this year means an indefinite hiatus for the group, as Leonhardt will be taking a year off to pursue a teaching position in Wisconsin. Ellner and Butler plan to continue making music together and collaborate with Leonhardt remotely."We don't like to look ahead," said Leonhardt. "We love playing here. We want to play as many shows as we can before the year [is] out, and we plan to keep playing and jamming next year." Shark SaddlePerhaps the most temporally impressive band on the list, Shark Saddle, a seven-piece ska-reggae and soul fusion group, is comprised of all freshmen. The band's members — Aidan Scrimgeour and Jackson Clawson on keyboards, Greg Warns on guitar, Michael Seltzer on saxophone, Ben Averill on trumpet, Dan Callahan on drums and Rohan Joshi on bass — all met through their freshman-year housing."Five of us lived on the same side on the same floor of Houston," said Warns. "The group kind of organically grew from there."Many of the band members came to Tufts looking to play music, but didn't want to join a class or club to do so. And like Not So Gentleman, the members of Shark Saddle come from diverse musical backgrounds. While some of the Shark Saddle musicians boast jazz chops and more classical repertoires, the band's sound remains vibrant and energetic.Despite their unique sound, it is a bit of a mystery how seven freshmen could so successfully gain a following in such a short period of time. During Battle of the Bands, many in the crowd were donning Shark Saddle tanks and dancing animatedly to their tunes."It's all about reckless and shameless self-promotion," Scrimgeour said. "As a band, your goal is to play as much as you can and get the word out that you're here."Utilizing social media platforms and word of mouth recommendations, Shark Saddle has certainly made a name for themselves. However, with success come challenges. With so many members, including five engineers, even organizing practices can pose logistical difficulties. They hope that their housing arrangements for sophomore year — with five members living together in a suite — will help facilitate more practice, song-writing and musical growth. 12


The Setonian
Arts

Top Ten | Hosts to replace David Letterman

With news that David Letterman will step down from his post as the host of "Late Show With David Letterman" (1993-present), rumors about potential successors have been flying around. We in the Daily Arts Department have our own opinions on who could best fill the long-time host's shoes.


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Arts

Concert Review | Lake Street Dive encapsulates longstanding sound at recent concert

Anyone who has had the slightest taste of Lake Street Dive's music, even if it is just a few seconds of their famous cover of The Jackson 5's "I Want You Back" (1969), would probably acknowledge that the group has talent. And, indeed, the decade-old band, which originated in Boston, has certainly climbed their way up the music scene, booking spots this past year with stints on the likes of "Late Show with David Letterman" (1993-present) and "The Colbert Report" (2005-present). Known for their indie jazz sound, skilled upright bassist, gratuitous trumpet solos and, finally, for lead singer Rachel Price's powerfully smooth and miraculously controlled voice, the band's recent media attention is certainly merited.


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Arts

Concert Review | Lake Street Dive encapsulates longstanding sound at recent concert

Anyone who has had the slightest taste of Lake Street Dive's music, even if it is just a few seconds of their famous cover of The Jackson 5's "I Want You Back" (1969), would probably acknowledge that the group has talent. And, indeed, the decade-old band, which originated in Boston, has certainly climbed their way up the music scene, booking spots this past year with stints on the likes of "Late Show with David Letterman" (1993-present) and "The Colbert Report" (2005-present). Known for their indie jazz sound, skilled upright bassist, gratuitous trumpet solos and, finally, for lead singer Rachel Price's powerfully smooth and miraculously controlled voice, the band's recent media attention is certainly merited.


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Arts

Resurrection' drowns potential in feel-good emotion

It's a novel television premise: there are no ghosts, no spells, no eerie fingerprints of the paranormal. Instead, "Resurrection," ABC's new mystery-drama, forgoes conventional back-from-the-dead options, to center on an innocent little boy. Whether this decision is the right one, though, will depend on the length of time it takes for audiences to tire of pulled heartstrings and teary eyes over raw suspense.


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Arts

Davis Square's Snappy Ramen finds its groove

Originally known as Snappy Sushi, one of Davis Square's claims to Japanese cuisine revamped their menu and blossomed into a new restaurant: Snappy Ramen. Located on 420 Highland Street, Snappy Ramen is practically unavoidable for anybody who has either walked farther than the Joey stop in Davis Square or frequented the Bank of America not twenty yards away from the establishment.



The Setonian
Arts

Mac DeMarco finds successful formula

Somewhere between fun-loving prankster and tortured artist, between class clown and rock star, is Mac DeMarco. The young multi-instrumentalist released "Salad Days" last week, and this impressive sophomore effort is certain to be played on repeat on both bright beaches and in dark, smoky bars in the coming months.


The Setonian
Arts

Theater Preview | Department of Drama's spring show brings comedy to campus

Like temperatures above 50 degrees, the spring production from the Department of Drama and Dance has finally arrived. This show is one of several Tufts traditions, signaling the approaching end of the semester and the lighthearted fun of warmer months that are nearly upon us. A cure to midterm and finals gloom, "Or," a play by Liz Duffy Adams that first premiered in 2009, promises to be a breath of fresh air - with some foul language thrown in for good measure.


The Setonian
Arts

TV Review | 'How I Met Your Mother' finale stirs up controversy

It has been a week since the series finale of "How I Met Your Mother" (2005-2014) aired, but the contentious episode is still sparking debate among fans, many of whom are angry with the way the comedy concluded its lengthy run. While the CBS sitcom, affectionately dubbed "HIMYM," may have seen a decline in both viewership and quality the past several years, hopes were high for the show's final installment in which Ted (Josh Radnor) would finally meet the titular Mother (Cristin Milioti).


Feature-Image_Place-HolderWINTER31
Arts

Theater Preview | Department of Drama's spring show brings comedy to campus

Like temperatures above 50 degrees, the spring production from the Department of Drama and Dance has finally arrived. This show is one of several Tufts traditions, signaling the approaching end of the semester and the lighthearted fun of warmer months that are nearly upon us. A cure to midterm and finals gloom, "Or," a play by Liz Duffy Adams that first premiered in 2009, promises to be a breath of fresh air — with some foul language thrown in for good measure.


The Setonian
Arts

TV Review | 'How I Met Your Mother' finale stirs up controversy

It has been a week since the series finale of "How I Met Your Mother" (2005-2014) aired, but the contentious episode is still sparking debate among fans, many of whom are angry with the way the comedy concluded its lengthy run. While the CBS sitcom, affectionately dubbed "HIMYM," may have seen a decline in both viewership and quality the past several years, hopes were high for the show's final installment in which Ted (Josh Radnor) would finally meet the titular Mother (Cristin Milioti).


Feature-Image_Place-HolderWINTER31
Arts

Cloud Nothings delights with fourth album

 To those of us who listen to the radio and not much else, it can seem like there hasn't been anything resembling lo-fi indie rock on the top charts in years. With a slew of hip-hop, R&B and electronic tracks monopolizing airtime, it's easy to forget that there are rock bands out there. Indeed, bubbling just below the surface of pop stardom are countless bands producing exciting work and garnering huge followings. Cloud Nothings is perfect example. The brainchild of singer-songwriter Dylan Baldi, Cloud Nothings began as one of his various solo projects. After realizing the potential in his music, Baldi dropped out of college, put a live band together and devoted himself fully to the group. Now releasing their fourth studio album, Cloud Nothings' musicians have proven themselves to be exciting self-starters, making music that's peppered with bold sounds and powerful melodies.


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Arts

'Quilts and Color' delivers vibrant experience

"Quilts and Color: The Pilgrim/Roy Collection," which opened on Tuesday in the Gund Gallery in the Museum of Fine Arts, Boston , is not what you might expect from a show on historical textiles. This exhibition of 58 bright patterned quilts is informed by color theory and the rich expertise of its collectors to offer an exhilarating new way to engage with quilts as an art form.


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Arts

‘Quilts and Color’ delivers vibrant experience

“Quilts and Color: The Pilgrim/Roy Collection,” which opened on Tuesday in the Gund Gallery in the Museum of Fine Arts, Boston , is not what you might expect from a show on historical textiles. This exhibition of 58 bright patterned quilts is informed by color theory and the rich expertise of its collectors to offer an exhilarating new way to engage with quilts as an art form.


Feature-Image_Place-HolderWINTER3
Arts

Avicii falls short on latest remix album

Swedish musician Tim Bergling, better known as Avicii, has (so far) had a short but remarkable career. Five years ago, he was just a small-time house producer who was creating club records. Now, with huge hits like “Levels” (2011), “Wake Me Up” (2013) and “Hey Brother” (2013), he’s almost a household name and stands at the forefront of the electronic music industry.


The Setonian
Arts

Top Ten | Things found in every Wes Anderson movie

Wes Anderson’s most recent release, “The Grand Budapest Hotel” has been lauded as his masterpiece, so, naturally, he is more topical and hip than ever. But what makes a Wes Anderson movie so great? With this question in mind, the Daily Arts Department proudly presents: “One Gazette’s Quintessential Bulletin of Wesley Wales Anderson,” narrated by Alec Baldwin. 10) A vaguely ethnic unknown: Preferably under 17, with interesting teeth and a bizarre and compelling backstory. Oh, and they should probably be able to act, too. 9) Meticulous fonts: You’ll never be able to look at Futura without seeing it plastered on the side of a rose colored two-story school bus or projected, perfectly centered, on a grimy but charming apartment building. 8) Jokes that aren’t jokes: It’s okay if you don’t get them. No one does, really. Just look over at the kid with the handlebar mustache or the girl rocking serious bangs in the theater and laugh when they do. 7) A precocious adolescent with an unrequited love: They say heady things that adults don’t understand, make tiny lists, have bizarre after-school business ventures, make unlikely friendships with crotchety and wounded adults and, ultimately, lust after somebody they will never get. 6) Timeless fashion: We don’t mean figuratively. Like, literally, it’s impossible to tell whether that coat is from 1920 or if it was featured in Prada’s 2014 spring collection. 5) Book within a book within a movie within a song within a cross-stitch embroidery: Christopher Nolan totally stole the idea for “Inception” (2010) from “The Life Aquatic with Steve Zissou” (2004). 4) Corduroy record player: You know, so you can play your Rolling Stones records on it to impress your immortal beloved: your boyfriend’s boyfriend’s dad’s biographer. 3) Thinly veiled real-world settings: Listen, Wes, we all know that “The Royal Tenenbaums” (2001) is set in Manhattan! You can’t just change all the names of the buildings and streets and expect us to be impressed. 2) Apathetic toddler: This little tike will secretly smoke off-brand cigarettes and contemplate oblivion all while being changed by Angelica Houston. 1) Bill Murray: In Pabst Blue Ribbon shorts. Playing golf. Humming a French pop song. Drinking whiskey. Smoking a hand-rolled cigarette.


The Setonian
Arts

Bare Bodkin opens spring show 'Twelfth Night' Friday

If you hear singing from the top of Nathan Tufts Park near the Powder House this weekend, do not be alarmed. If you climb to the top of the hill, you will find a group of Tufts students performing Shakespeare. Bare Bodkin's production of "Twelfth Night" will be opening Friday at 2 p.m. off campus. For those who are unfamiliar with "Twelfth Night," which was written at the turn of the 17th century by William Shakespeare, it is a comedy full of the hilarious misunderstanding and love triangles that arise when two siblings are shipwrecked on the mysterious shore of Illyria. While the piece is undoubtedly fun and whimsical on the surface, director Allison Benko, a junior, says she was also drawn to a more serious side of the piece while studying theater in London. "I saw that there was all this imagery of decay in ["Twelfth Night"] and that it wasn't just this comedy - it [also] has this big, strong bite," Benko said. Thus, in directing the Tufts production, Benko hopes to strike a balance between the lighter and darker sides of the play, which, under her interpretation, conveys a split message: seize the day, because we're all going to die. "It's a tremendously funny play, [so] I've tried to put in a ton of humor, too," she said. "But there is also this element of darkness." Musical elements help to weave together both sides of "Twelfth Night." In fact, one of Benko's goals for the production has been to use music as a way to explore some of the deeper themes that initially caught her interest. Yet though she always intended to experiment sonically, the musical aspects of the show have taken off beyond her expectations. Cast member Adele McAllister, who plays Feste, the jester or clown of "Twelfth Night," brought her music writing talents to the production with transformative results. The music included in the Bare Bodkin production will feature McAllister's original work. With a bit of experience already under her belt - she has adapted the works of J.R.R.Tolkien and Robert Burns to music - McAllister, a junior, was inspired by the songs given to Feste in "Twelfth Night" and started composing after receiving the part. "I really like setting poetry texts to music," she said. "I started writing stuff and [said], 'Oh, we can use this!' Beiko has given me a really wonderful opportunity to set Shakespeare to music. How could you ask for better words?" Benko said she could not be more pleased with McAllister's work and the abilities of her "absurdly musically talented" cast. "I really hit the jackpot," she said. The feeling is mutual. Tufts seniors Adam Bangser and Julia Lyons, who play lovers Sebastian and Olivia, are also excited about the musical side of "Twelfth Night." According to Bangser, the music "instills a sense of togetherness that you don't normally get in a straight play because ... we're in all the group numbers together." To Lyons, the songs are an integral part of the show's character. "The music also puts ['Twelfth Night'] in a specific time and place," she said. "Twelfth Night" will be performed three times at the top of the hill in Nathan Tufts Park. The performance times are Friday, Saturday and Sunday at 2 p.m., and audiences are encouraged to bring their own seating. In the case of one performance being cancelled due to rain, an extra show will be performed on April 12 at 2 p.m. in the park. If a second performance is rained out, an indoor performance will be given in Sophia Gordon Hall on the April 12 at 8 p.m. All shows will be free, non-ticketed events open to the public.


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Arts

TV Review | ‘Rick and Morty’ characterized by postmodernism

Once upon a time in the 1980s, there existed two well-loved characters — a wacky scientist and his heartthrob teenage sidekick — who starred in a trilogy of blockbuster movies involving time travel, high-school drama and hover boards. Almost 30 years have passed since then, but “Back to The Future” (1985) still remains a nostalgic trip. In recent decades, the stock characters of Marty McFly (Michael J. Fox) and Doc Brown (Christopher Lloyd) have been parodied to various ends, the most recent of which is animated Adult Swim series “Rick and Morty” (2013-present). This newest project from “Community” (2009-present) creator Dan Harmon features two characters oddly familiar to the duo from the original Robert Zemeckis movie. It goes without saying that “Rick and Morty” is a parody of “Back to the Future” at its most basic level, yet the show is so much more than that. Although it utilizes the stock profiles of the mad scientist and his sidekick, the tropes are reduced to their very core and then transformed into their own individual personalities. Rick (Justin Roiland), the mad scientist, is an alcoholic with a cold exterior — though perhaps somewhere deep on the inside he feels love. Morty (also Roiland) is an awkward 14-year-old that is probably as distant from Fox’s character as can be, even if they look similar. What “Rick and Morty” manages to do best is to take these two absurd characters into even wackier adventures: You’re never really quite sure what is going to happen next. This unpredictability can, at times, make “Rick and Morty” a rip-roaringly funny show, as the show seems to take an almost a no-holds barred approach. Serious topics such as feminism, alcoholism and divorce are lampooned alongside more conventional sources of comedy, such as toilet humor and references to sexual acts. Some of the show’s best moments come from a bizarre combination of lowbrow and highbrow humor; parodies of both “Inception” (2010) and “Nightmare on Elm Street” (1984) have been particular highlights. The show even pokes fun at television itself, like in a recent episode, “Rixty Minutes” — an excellent and entirely self-referential installment. Whenever “Rick and Morty” becomes meta — a concept that is starting to lose its originality in this postmodern era — it manages to do so in a way that, for the most part, avoids groan-inducing moments. Rather, “Rick and Morty” accomplishes self-reference more indirectly. In “Rixty Minutes,” Rick gets bored of conventional Earth TV, so he invents a machine that allows the family to tune into the channels of every possible universe. When the channel surfing commences, Rick notes that television from other dimensions seems to have a much looser feel to it. The episode becomes more and more ridiculous, and we get a sense of the absurd, improvised nature of the short television bits. However, not all of “Rick and Morty” reaches the same high notes. Throughout much of the season, the show endeavors to maintain a status quo: It seems that no matter what happens in the episode — much like other conventional cartoons — everything will be fine when the credits roll. This is a mechanism that detracts from the overall quality, especially when you consider how unconventional the rest of the series is. This grievance, though, is being addressed more frequently, as actions from earlier episodes are starting to have real consequences. “Rick and Morty” is poised to leap headfirst into bold new territory, with two episodes remaining in the first season, and a second one in the works. It still hasn’t hit perfection, but if it is able to make certain adjustments, it might be on the right road — though where they’re going, they might not need roads.


The Setonian
Arts

Artsy Nugget | Colbert addresses #CancelColbert with trademark satire

Earlier this week, Stephen Colbert responded to the outrage that erupted after an out-of-context quote from his program was tweeted from Viacom’s promotional Twitter account for “The Colbert Report” (2005-present). Using his trademark irony to mock his critics and distance himself from the tweet, which Colbert asserted was not approved by him, the host presented himself as in control of an issue blown out of proportion by blogs and broadcast news. The topic surfaced when the hashtag #CancelColbert gained momentum on Twitter last Thursday. A so-called hashtag activist named Suey Park attempted to frame Colbert as a racist following the tweet, which mocked the owner of the Washington Redskins and the football team’s racist moniker. In a segment called “Who’s Attacking Me Now?” Colbert responded to critics by sharing various news clips and listing all of the websites and magazines that helped #CancelColbert gain traction. Lampooning the idea of trying to cancel a television show for just a few out of context words, Colbert, identifying himself as an Irish-American, sarcastically urged his viewers to #CancelSwift — a reference to author Jonathon Swift’s satirical essay “A Modest Proposal” (1729), which suggested that the poor in Ireland might ease their economic woes by selling their babies as food. “The dark forces trying to silence my message of core conservative principles mixed with youth-friendly product placement have been thwarted,” Colbert declared to cheers from the audience as he sipped a Bud Lite Lime. Despite the uproar, it certainly looks like Colbert has, once again, silenced his detractors with his characteristic good humor and irony.


Feature-Image_Place-HolderWINTER31
Arts

Bare Bodkin opens spring show ‘Twelfth Night’ Friday

If you hear singing from the top of Nathan Tufts Park near the Powder House this weekend, do not be alarmed. If you climb to the top of the hill, you will find a group of Tufts students performing Shakespeare. Bare Bodkin’s production of “Twelfth Night” will be opening Friday at 2 p.m. off campus. For those who are unfamiliar with “Twelfth Night,” which was written at the turn of the 17th century by William Shakespeare, it is a comedy full of the hilarious misunderstanding and love triangles that arise when two siblings are shipwrecked on the mysterious shore of Illyria. While the piece is undoubtedly fun and whimsical on the surface, director Allison Benko, a junior, says she was also drawn to a more serious side of the piece while studying theater in London. “I saw that there was all this imagery of decay in [“Twelfth Night”] and that it wasn’t just this comedy — it [also] has this big, strong bite,” Benko said. Thus, in directing the Tufts production, Benko hopes to strike a balance between the lighter and darker sides of the play, which, under her interpretation, conveys a split message: seize the day, because we’re all going to die. “It’s a tremendously funny play, [so] I’ve tried to put in a ton of humor, too,” she said. “But there is also this element of darkness.” Musical elements help to weave together both sides of “Twelfth Night.” In fact, one of Benko’s goals for the production has been to use music as a way to explore some of the deeper themes that initially caught her interest. Yet though she always intended to experiment sonically, the musical aspects of the show have taken off beyond her expectations. Cast member Adele McAllister, who plays Feste, the jester or clown of “Twelfth Night,” brought her music writing talents to the production with transformative results. The music included in the Bare Bodkin production will feature McAllister’s original work. With a bit of experience already under her belt — she has adapted the works of J.R.R.Tolkien and Robert Burns to music — McAllister, a junior, was inspired by the songs given to Feste in “Twelfth Night” and started composing after receiving the part. “I really like setting poetry texts to music,” she said. “I started writing stuff and [said], ‘Oh, we can use this!’ Beiko has given me a really wonderful opportunity to set Shakespeare to music. How could you ask for better words?” Benko said she could not be more pleased with McAllister’s work and the abilities of her “absurdly musically talented” cast. “I really hit the jackpot,” she said. The feeling is mutual. Tufts seniors Adam Bangser and Julia Lyons, who play lovers Sebastian and Olivia, are also excited about the musical side of “Twelfth Night.” According to Bangser, the music “instills a sense of togetherness that you don’t normally get in a straight play because ... we’re in all the group numbers together.” To Lyons, the songs are an integral part of the show’s character. “The music also puts [‘Twelfth Night’] in a specific time and place,” she said. “Twelfth Night” will be performed three times at the top of the hill in Nathan Tufts Park. The performance times are Friday, Saturday and Sunday at 2 p.m., and audiences are encouraged to bring their own seating. In the case of one performance being cancelled due to rain, an extra show will be performed on April 12 at 2 p.m. in the park. If a second performance is rained out, an indoor performance will be given in Sophia Gordon Hall on the April 12 at 8 p.m. All shows will be free, non-ticketed events open to the public.