Skip to Content, Navigation, or Footer.

Arts

The Setonian
Arts

Phantogram’s latest album repeats past successes, builds new strengths

To avoid falling into a repetitive trap, while still maintaining elements of their old style, artists must take risks that straddle a very thin line. Phantogram, an indie rock and electronic duo from upstate New York, manages to walk this line in “Voices.” Building on the successes of their previous record and EPs, Phantogram assembled an album that repeats its characteristic flying synths and urgent vocals, but also moves away from the spacious feel, creating something more assured and precise.


The Setonian
Arts

‘Pompeii’ marred by cheesy plot, flat characters

Films featuring sensationalized historical and mythological stories have fared relatively well in the past few years. Many, like this year’s “Hercules” and 2011’s “The Immortals,” are doomed to flop. However, a new production in this vein — one about gladiators, love and a volcano — might end up destroying itself.


The Setonian
Arts

Phantogram's latest album repeats past successes, builds new strengths

To avoid falling into a repetitive trap, while still maintaining elements of their old style, artists must take risks that straddle a very thin line. Phantogram, an indie rock and electronic duo from upstate New York, manages to walk this line in "Voices." Building on the successes of their previous record and EPs, Phantogram assembled an album that repeats its characteristic flying synths and urgent vocals, but also moves away from the spacious feel, creating something more assured and precise.


The Setonian
Arts

TV Review | NBC adapts Hugh Grant film into new series

It may be unfair to judge an adaptation by its source material, but it is also inevitable. NBC’s new sitcom “About a Boy” tries — and, so far, fails — to live up to the high expectations set by the beloved 2002 film of the same name, itself an adaptation of Nick Hornby’s 1998 novel. NBC’s version has been remodeled for television by Jason Katims, who has also worked on “Parenthood” (2010-present) and “Friday Night Lights” (2006-2011) — both of which, incidentally, are themselves adapted from movies. Unfortunately, Katims’ latest endeavor struggles to find a balance between honoring the original film and venturing out on its own, ultimately failing to do either.


The Setonian
Arts

TV Review | NBC adapts Hugh Grant film into new series

It may be unfair to judge an adaptation by its source material, but it is also inevitable. NBC's new sitcom "About a Boy" tries - and, so far, fails - to live up to the high expectations set by the beloved 2002 film of the same name, itself an adaptation of Nick Hornby's 1998 novel. NBC's version has been remodeled for television by Jason Katims, who has also worked on "Parenthood" (2010-present) and "Friday Night Lights" (2006-2011) - both of which, incidentally, are themselves adapted from movies. Unfortunately, Katims' latest endeavor struggles to find a balance between honoring the original film and venturing out on its own, ultimately failing to do either.


Feature-Image_Place-HolderPRESLAWN2
Arts

TV Review | ‘Star-Crossed’ fails to uncover new territory

In recent years, television’s repertoire of supernatural teen dramas has grown so robust that a new (or, rather, updated) genre, the forbidden cross-species romance, seems to have taken over. The modern illicit love story, between a paranormal outsider and an innocent human, is so present in current pop-culture that it has practically become a parody of itself. That didn’t stop the CW from developing “Star-Crossed,” which premiered last Monday and is next in line for a shot at formulaic success, this time with a sci-fi twist.



Feature-Image_Place-HolderPRESLAWN2
Arts

Restaurant Review | Sapporo Ramen reigns as local favorite

There is a small restaurant tucked away among the various eateries of University Hall, a mini-mall now also home to Lesley University. Squeezed between the other Korean and Japanese restaurants, it would be easy to miss - it would be easy to miss, that is, if it not for the line of people wrapped around the corner of the food court waiting to be seated. This is Sapporo Ramen, the jewel of Lesley University's ground floor.


Feature-Image_Place-HolderWINTER
Arts

TV Review | 'Star-Crossed' fails to uncover new territory

In recent years, television's repertoire of supernatural teen dramas has grown so robust that a new (or, rather, updated) genre, the forbidden cross-species romance, seems to have taken over. The modern illicit love story, between a paranormal outsider and an innocent human, is so present in current pop-culture that it has practically become a parody of itself. That didn't stop the CW from developing "Star-Crossed," which premiered last Monday and is next in line for a shot at formulaic success, this time with a sci-fi twist.


Feature-Image_Place-HolderPRESLAWN
Arts

Restaurant Review | Sapporo Ramen reigns as local favorite

There is a small restaurant tucked away among the various eateries of University Hall, a mini-mall now also home to Lesley University. Squeezed between the other Korean and Japanese restaurants, it would be easy to miss — it would be easy to miss, that is, if it not for the line of people wrapped around the corner of the food court waiting to be seated. This is Sapporo Ramen, the jewel of Lesley University’s ground floor.


The Setonian
Arts

Band of Horses delivers acoustic hits, fails to show development

Band of Horses’ new, live album “Acoustic at the Ryman” should sound like a branching off from the band’s usual sound. It should sound like a progressive step forward, or an engaging inside look at the members’ concert personalities and stage presences. It should present a new angle towards the band’s music and unique voice. It should do a lot of these things, and yet it falls short on every single one of them.


2014-02-23-Katabasis-Dress-Rehearsal-2
Arts

Original student work on display tonight in Balch Arena

Tufts students bring to life a peer’s work tonight. One of two minor productions produced by Pen, Paint and Pencils (3Ps) this semester, “Katabasis” is sophomore Kellyn Henthorn’s original work. Five short scenes compose Henthorn’s play, each of which tells a different story about death, loss or ...


Feature-Image_Place-HolderPRESLAWN
Arts

Tinariwen beautifully weaves American influences into Malian sound

Tinariwen’s new album, titled “Emmaar,” begins with a spacey guitar playing a twanging defiant note. Then come lyrics growled in English instead of Tuareg, and instrumentation that would be at home in any American rock band. Tinariwen’s sound has evolved from its Malian roots, thanks to the band’s relocation from the Sahara Desert to another -- the Mojave. But that evolution has not come just because of a shift in scenery. Rather, Tinariwen has not only developed with a changing landscape but has also matured in its own right.


Feature-Image_Place-HolderTISCH
Arts

TV Review | Season two of ‘House of Cards’ triumphs, excites audiences

As the first episode of the “House of Cards” second season ends, Frank Underwood (Kevin Spacey) looks directly into camera and says, “Did you think I’d forgotten you? Perhaps you hoped I had ... Welcome back.” If the hype surrounding this season’s release is any indication, audiences certainly have not forgotten about Frank. The second iteration of this political thriller is a leap forward -- albeit with some boring moments -- as the show explores power hungry characters willing to do the unthinkable to expand their clout in Washington, D.C.


Feature-Image_Place-HolderTISCH
Arts

TV Review | Season two of 'House of Cards' triumphs, excites audiences

As the first episode of the "House of Cards" second season ends, Frank Underwood (Kevin Spacey) looks directly into camera and says, "Did you think I'd forgotten you? Perhaps you hoped I had ... Welcome back." If the hype surrounding this season's release is any indication, audiences certainly have not forgotten about Frank. The second iteration of this political thriller is a leap forward -- albeit with some boring moments -- as the show explores power hungry characters willing to do the unthinkable to expand their clout in Washington, D.C.


The Setonian
Arts

Suzanne Vega returns after seven year hiatus

After making her listeners wait for seven years, Suzanne Vega has finally released her new album "Tales From the Realm of the Queen of Pentacles." Some big names in music - like bassist Tony Levin (of Peter Gabriel and King Crimson fame) - contributed to Vega's new effort, and their own individual styles are audible in Vega's new sound. Vega hasn't been resting over the last few years; she proves that she has been experimenting with different styles and genres. Fans of her older work will still find traces of her unique timbre and literary lyrics in "Tales From the Realm of the Queen of Pentacles." But her audience can also clearly hear that she has stepped out of her comfort zone and added new layers of sound to her pop-folk style. Vega surprises in this album, inviting listeners of other genres to try her music.


Feature-Image_Place-HolderPRESLAWN
Arts

CONCERT REVIEW | BSO's 'West Side Story' captures emotion of original film

The Boston Symphony Orchestra's (BSO) performance of "West Side Story" (1957) music, set in time to a screening of the newly re-mastered film, was a treat last weekend. Though the live music and the film's singing seemed disjointed at times, the overall energy of conductor David Newman and the BSO musicians overshadowed this minor flaw.


Feature-Image_Place-Holder
Arts

MOVIE REVIEW | ‘The Wind Rises’ is visual masterpiece, offers insightful social commentary

After years of threats that the next film — and then the next — would be his last, acclaimed writer and director Hayao Miyazaki has truly delivered his final masterpiece, “The Wind Rises,” which is loosely based loosely on real life events.The new film, nominated for Best Animated Feature at next month’s Academy Awards, is sure to delight audiences both with its incredible visual aesthetic and philosophical perspective on war and industry.The animated movie, dubbed into English for release in the United States, tells the (fictionalized) story of Jiro Horikoshi (voiced by Joseph Gordon-Levitt), a Japanese plane engineer during World War II. Nearsighted and unable to become a pilot, young Jiro dreams of designing “beautiful airplanes” — a goal that is realized when he joins an engineering company and is instantly recognized for his passion and talent in the field. The narrative switches often between Jiro’s real life experiences and the world of his dreams where he is able to speak with his mentor and inspiration, famous Italian plane designer Gianni Caproni (Stanley Tucci). While working to turn his designs into real machines, Jiro meets and falls in love with Nahoko (Emily Blunt). From there, the story simultaneously develops into a captivating biography of an enigmatic young man and an epic love story set in an era of war and economic depression.Miyazaki, owner of the now-prominent Studio Ghibli, is famous for his beautiful pastoral scenes and meticulous animation style, as seen in “Howl’s Moving Castle” (2004) and “Spirited Away” (2001). This most recent film maintains Miyazaki’s high standard — it is visually stunning. Everything from the changing shadows cast on Jiro’s face to the majestic shots of Japan’s countryside speaks to the filmmaker’s devotion to creating a beautiful work.At certain moments, especially during a scene depicting the Great Kanto Earthquake of 1923, shots of frantic crowds may seem a little choppier and more simplified than viewers are used to seeing in Studio Ghibli films. This, however, is no real fault of the movie itself but rather a result of the translation to the big screen, where small, precise details are less defined.The screenplay, too, benefits from Miyazaki’s mastery, proving to be both streamlined and profound. The touching love story between Jiro and Nahoko is the emotional core of the film. Though the tale is sentimental, round characters keep the dramatic relationship from souring into schmaltziness. The film simultaneously retains a more serious perspective by constantly tying the character’s political and economic environment into the otherwise personal story of one man.Indeed, in many ways the film functions as a critique of industrialization in Japan during a time when more of the nation’s resources were devoted to catching up with leading industries than feeding the poor masses. The hard transition from the agricultural to the industrial age seems to be embodied in the planes themselves. While his engineering firm strives to catch up with other nations by building metal instead of wooden planes, Jiro resists the pressure to create these “full-metal ducklings,” relying instead on nature (namely, fish bones) to inspire his designs. As the title suggests, it is often forces of nature — not war and industry — that drive the characters to their greatest heights.“The Wind Rises” also boasts an evocative auditory experience. This not only includes Joe Hisaishi’s beautiful score or the film’s bittersweet theme song, “Hikoki Gumo,” but also has creative sound effects, especially during the earthquake scene. The groans of the earth as Tokyo comes apart powerfully demonstrate the horror of the natural disaster.Moreover, with stars such as Elijah Wood and Darren Criss voicing minor characters, the viewer is never disappointed with the talent (even if the dubbing inevitably is a little bit off at times). Martin Short, who provides the voice of Jiro’s tough-love boss, and Gordon-Levitt do an exceptional job of delivering the script, with Gordon-Levitt utilizing a subdued but expressive tone that very much recalls Christian Bale’s performance in “Howl’s Moving Castle.”12


Feature-Image_Place-HolderOLIN
Arts

MOVIE REVIEW | 'The Wind Rises' is visual masterpiece, offers insightful social commentary

After years of threats that the next film - and then the next - would be his last, acclaimed writer and director Hayao Miyazaki has truly delivered his final masterpiece, "The Wind Rises," which is loosely based loosely on real life events.The new film, nominated for Best Animated Feature at next month's Academy Awards, is sure to delight audiences both with its incredible visual aesthetic and philosophical perspective on war and industry.The animated movie, dubbed into English for release in the United States, tells the (fictionalized) story of Jiro Horikoshi (voiced by Joseph Gordon-Levitt), a Japanese plane engineer during World War II. Nearsighted and unable to become a pilot, young Jiro dreams of designing "beautiful airplanes" - a goal that is realized when he joins an engineering company and is instantly recognized for his passion and talent in the field. The narrative switches often between Jiro's real life experiences and the world of his dreams where he is able to speak with his mentor and inspiration, famous Italian plane designer Gianni Caproni (Stanley Tucci). While working to turn his designs into real machines, Jiro meets and falls in love with Nahoko (Emily Blunt). From there, the story simultaneously develops into a captivating biography of an enigmatic young man and an epic love story set in an era of war and economic depression.Miyazaki, owner of the now-prominent Studio Ghibli, is famous for his beautiful pastoral scenes and meticulous animation style, as seen in "Howl's Moving Castle" (2004) and "Spirited Away" (2001). This most recent film maintains Miyazaki's high standard - it is visually stunning. Everything from the changing shadows cast on Jiro's face to the majestic shots of Japan's countryside speaks to the filmmaker's devotion to creating a beautiful work.At certain moments, especially during a scene depicting the Great Kanto Earthquake of 1923, shots of frantic crowds may seem a little choppier and more simplified than viewers are used to seeing in Studio Ghibli films. This, however, is no real fault of the movie itself but rather a result of the translation to the big screen, where small, precise details are less defined.The screenplay, too, benefits from Miyazaki's mastery, proving to be both streamlined and profound. The touching love story between Jiro and Nahoko is the emotional core of the film. Though the tale is sentimental, round characters keep the dramatic relationship from souring into schmaltziness. The film simultaneously retains a more serious perspective by constantly tying the character's political and economic environment into the otherwise personal story of one man.Indeed, in many ways the film functions as a critique of industrialization in Japan during a time when more of the nation's resources were devoted to catching up with leading industries than feeding the poor masses. The hard transition from the agricultural to the industrial age seems to be embodied in the planes themselves. While his engineering firm strives to catch up with other nations by building metal instead of wooden planes, Jiro resists the pressure to create these "full-metal ducklings," relying instead on nature (namely, fish bones) to inspire his designs. As the title suggests, it is often forces of nature - not war and industry - that drive the characters to their greatest heights."The Wind Rises" also boasts an evocative auditory experience. This not only includes Joe Hisaishi's beautiful score or the film's bittersweet theme song, "Hikoki Gumo," but also has creative sound effects, especially during the earthquake scene. The groans of the earth as Tokyo comes apart powerfully demonstrate the horror of the natural disaster.Moreover, with stars such as Elijah Wood and Darren Criss voicing minor characters, the viewer is never disappointed with the talent (even if the dubbing inevitably is a little bit off at times). Martin Short, who provides the voice of Jiro's tough-love boss, and Gordon-Levitt do an exceptional job of delivering the script, with Gordon-Levitt utilizing a subdued but expressive tone that very much recalls Christian Bale's performance in "Howl's Moving Castle."12


Feature-Image_Place-HolderPRESLAWN
Arts

CONCERT REVIEW | BSO’s ‘West Side Story’ captures emotion of original film

The Boston Symphony Orchestra’s (BSO) performance of “West Side Story” (1957) music, set in time to a screening of the newly re-mastered film, was a treat last weekend. Though the live music and the film’s singing seemed disjointed at times, the overall energy of conductor David Newman and the BSO musicians overshadowed this minor flaw.


Feature-Image_Place-HolderWINTER2
Arts

Theater Review | Poe is brought to life on stage

“Red-Eye to Havre de Grace” (2012), an action-opera brought to Boston as part of ArtsEmerson’s “Pioneers” series, details the last days of Edgar Allan Poe’s life. More shocking than conventional, the show contains a little history -- as told through Poe’s letters to his mother -- and a lot of artistic interpretation, especially of the author’s deteriorating mental health. Before the curtain rises, a man walks on stage and introduces himself as Ranger Steve (Jeremy Wilhelm), a representative from the Edgar Allan Poe House in Philadelphia. He takes the audience through a short -- if unexpectedly casual -- description of the historical context of the play. As he concludes, Ranger Steve pulls out a crumpled sheet of paper to recite one of his favorite poems by Poe while the lights dim and a piano builds slowly in the background. A few lines into his reading, Ranger Steve goes from open-mic-night-at-the-local-library mode to a full-blown operatic rendering of Poe’s “Ligeia” (1838).