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Arts

Concert Review | Kanye West delivers stellar live show

Kanye West’s “Yeezus” was, to say the least, one of the year’s most disputed experiments in minimalist industrial hip-hop. The supremely bizarre record was purposefully designed to be divisive, much as its potent predecessor, “My Beautiful Dark Twisted Fantasy” (2010), was designed to please West’s followers after the 2009 MTV Video Music Awards Taylor Swift incident that threatened his reputation.


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Arts

Weekender | Boston International Antiquarian Book Fair in 37th year

It's better than a trip to any esteemed museum, ancient library, antique store or flea market - combined. The Boston International Antiquarian Book Fair returned this past weekend to the Hynes Convention Center, bringing with it over 120 dealers of rare books and artifacts from around the world. Unlike the volumes typically housed in a museum or library, these publications aren't merely on display under thick panels of glass. Here, attendees can actually touch the covers and leaf through their pages. Many will even opt to purchase these precious pieces of history for their own personal collections. And, unlike objects from a local antique shop or secondhand bazaar, every item for sale at the fair is authenticated, so consumers can be sure what they're getting is the real deal.  History  Last weekend marked the fair's 37th year in Boston. Originally hosted at the Copley Plaza Hotel, it later moved to the Park Plaza Castle before eventually relocating to the Hynes Convention Center in Back Bay. According to Betty Fulton, the fair's producer, this is one of the oldest and largest book fairs in the country."There's a New York fair every spring and there's a fair in California every February ... that alternates between San Francisco and Los Angeles," Fulton said.These three events are the only ones officially sanctioned by the Antiquarian Booksellers Association of America , a national organization dedicated to helping people preserve and collect old, valuable books.Chairman of the Boston Book Fair Committee and Brattle Book Shop dealer Ken Gloss explained that the fair was established by ABAA members for a variety of reasons, but especially to provide sellers with a physical space where they can display their stock."A lot of dealers do not have open shops," he said. "They deal out of offices, out of their homes - a number of different locations ... so they don't have a way to actually get out [and] see the public. A show like this offers a lot of opportunities to meet new customers ... to promote the business. It's a way to present yourself to the public for many of the places that don't have that ability."Not only does it provide visibility for vendors who would otherwise remain relatively obscure, but it also brings sellers from around the world together under one roof - something that is positive both for the collector, who may have limited access to foreign trade, and for the actual dealers, who often exchange items among themselves. This year, dealers flocked to Boston from countries across the globe - including the Netherlands, Australia, France and Germany - making this year's book fair a truly international event. CommPromo An event that attracts so many international participants seems like it would require a huge number of behind-the-scenes coordinators. But for the past 26 years, the Antiquarian Book Fair has been largely produced by a one-woman team. Since 1987, Fulton - the president of the strategic marketing and event promotion company, CommPromo - has been in charge of organizing the entire weekend. Though she has singlehandedly orchestrated the event for more than half of its history, Fulton recently brought Julie Roper on board to manage social media. In her five or six years at CommPromo, Roper has become increasingly involved in the fair, taking on additional production responsibilities.Together, Fulton and Roper handle almost all of the planning for the book fair. Occasionally, they will outsource one part of the work and hire independent contractors to help at the actual event. Other than that, though, they manage the rest of the operation on their own."[We] basically act as general contractors for the event," Fulton said. "All elements that need to be addressed like catering, [booking the] hall, tickets, any equipment rentals, all publicity and promotion, running the box office, supervising the load-in and load-out ... audiovisual [and] putting together all the programming."In addition to the weekend itself, CommPromo also helps arrange extra events that occur in conjunction with the fair. This year, for example, there was an exhibit featuring Isabella Stewart Gardner's little-known book collection, as well as various other lectures and panels on specific niches within book collecting."We're the 600-pound gorilla, and because all the dealers are in town that might patronize these other events, certain satellite events also spring up around the ABAA," Fulton said.Fare at the fair So, what exactly are these dealers peddling? Ironically, Gloss notes that there are no qualifications for any of the items sold at the fair."I don't think there's any one description [of an antiquarian book]," Gloss said. "It's more a general term. ... If you get down to an exact definition, there probably isn't one. It's probably not new books ... although there are some exceptions to that rule, too. But the book that you think of when you walk into a Barnes and Noble probably isn't going to be here - at least [not] for a few years."And he's right. Most of the items are old and valuable, but besides that, the titles run the gamut. Books range from leather-bound masterpieces crafted in the 1400s to literary classics of the 20th century, from autographed children's stories to first editions of relatively recent bestsellers like "Life of Pi" by Yann Martel. Various authors from different epochs, genres and nationalities are all represented in one room - writers like Mark Twain and Oscar Wilde see just as much shelf space as Dr. Seuss and Roald Dahl. And books are only half the equation. Among the racks upon racks of yellowing pages, visitors will also find pamphlets, manuscripts, letters, vintage issues of magazines and newspapers, fine art, photographs, maps and atlases and even various types of ephemera and memorabilia.12


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Arts

‘Charlie Countryman’ marred by poor, frivolous characters

“Charlie Countryman” feels a lot like an elaborate music video. The movie’s soundtrack — sonic and sparse, like an easy-listening electronica album — fills every emotional moment. This is nothing new — after all, movie soundtracks have been cuing viewers on how to feel for a while. In “Charlie Countryman,” however, so many of the scenes are transformed into slow motion epiphanies set to ethereal compositions that it often feels like the movie is showcasing the music.


The Setonian
Arts

‘Rembrandt the Etcher’ showcases impressive prints

The Museum of Fine Art’s exhibit, “Rembrandt the Etcher,” displays the intricate prints of 17th century Dutch artist Rembrandt van Rijn. Rembrandt is known for personally revolutionizing the art of etching with his development of different techniques and styles, allowing him to elegantly depict even the tiniest of details.


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Arts

'Charlie Countryman' marred by poor, frivolous characters

"Charlie Countryman" feels a lot like an elaborate music video. The movie's soundtrack - sonic and sparse, like an easy-listening electronica album - fills every emotional moment. This is nothing new - after all, movie soundtracks have been cuing viewers on how to feel for a while. In "Charlie Countryman," however, so many of the scenes are transformed into slow motion epiphanies set to ethereal compositions that it often feels like the movie is showcasing the music.


The Setonian
Arts

'Rembrandt the Etcher' showcases impressive prints

The Museum of Fine Art's exhibit, "Rembrandt the Etcher," displays the intricate prints of 17th century Dutch artist Rembrandt van Rijn. Rembrandt is known for personally revolutionizing the art of etching with his development of different techniques and styles, allowing him to elegantly depict even the tiniest of details.



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Arts

‘ARTPOP’ offers just enough entertainment

A solid half-decade has passed since producer RedOne and songwriter Akon laced the vocals of an unassuming NYU-dropout named Stefani Germanotta onto one of the most infectious synth-pop beats ever crafted. The result was an inescapable party jam that confidently assured us all, “[It’s] gonna be okay, da-doo-doo-mmm / Just dance.”


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Arts

'ARTPOP' offers just enough entertainment

A solid half-decade has passed since producer RedOne and songwriter Akon laced the vocals of an unassuming NYU-dropout named Stefani Germanotta onto one of the most infectious synth-pop beats ever crafted. The result was an inescapable party jam that confidently assured us all, "[It's] gonna be okay, da-doo-doo-mmm / Just dance."


The Setonian
Arts

Restaurant Review | Dirty Water Dough Co. a proven hit

Dirty Water Dough Company - a new, innovative pizza joint - has opened its doors at 222 Newbury Street. At its grand opening on Saturday, the restaurant debuted a menu of unexpected, locally inspired pies, handing out free slices to Bostonians and tourists alike. Dirty Water Dough Co. also offers a small selection of Italian deli fare - think meaty sandwiches and fresh, mozzarella-laden salads.


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Arts

Mat Zo experiments on innovative ‘Damage Control’

Originally a drum and bass artist, English producer Mat Zo has been a significant presence in trance and progressive house music for the past few years. First discovered in 2007, he was soon taken under the wing of Anjunabeats, the record label of famous U.K. trance trio Above & Beyond. After several years of producing strong records, he finally broke out onto the main stage in 2011 with “Rebound” and “Mozart,” his collaborations with Russian artist Arty. Carrying this momentum into 2012, he released his acclaimed “The Bipolar EP” and later that year, the first two singles from his new album “Damage Control.” Until now, he has had a quiet 2013.


The Setonian
Arts

Restaurant Review | Dirty Water Dough Co. a proven hit

Dirty Water Dough Company — a new, innovative pizza joint — has opened its doors at 222 Newbury Street. At its grand opening on Saturday, the restaurant debuted a menu of unexpected, locally inspired pies, handing out free slices to Bostonians and tourists alike. Dirty Water Dough Co. also offers a small selection of Italian deli fare — think meaty sandwiches and fresh, mozzarella-laden salads.


The Setonian
Arts

Book Review | ‘Violent Death’ is modern, emotive

Although it falls into Amazon’s “Love Poems” category, Heiko Julien’s “I Am Ready To Die a Violent Death” seems to deserve a more general classification — something along the lines of “Books That Make You Feel Things.” The new work blends Internet poetry with short stories, both believable and ridiculous, in a poignant, moving way.


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Arts

Restaurant Review | Regal Beagle wins with innovative menu

The red sign on the awning reads, “The Regal Beagle: A Neighborhood Joint” — an ironic phrase, unless you stop to consider where the restaurant is actually located. Indeed, The Regal Beagle — situated in the upscale town of Brookline, Mass., right near The Coolidge Corner Theater — is not just another colorless fast food eatery, as its awning might suggest, but rather an impressive dining establishment that boasts a chic, elegant ambience and a wide range of traditional American options with a refined twist.


The Setonian
Arts

'Dallas Buyers Club' succeeds despite minor issues

Amid an Oscar season already full of memorable performances, Matthew McConaughey's role in "Dallas Buyers Club" is definitely attracting its fair share of attention. While some of the chatter may be about the nearly 50 pounds he lost for the film, much of the buzz is focused on how this film is just the latest step in the actor's path toward playing more "serious" characters - a switch that began in 2011 with his portrayal of quick-talking defense attorney Mick Haller in "The Lincoln Lawyer."


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Arts

Death Grips challenge, excite with new album

If there is one word that can capture the Sacramento-based experimental rap outfit Death Grips’ third and latest album, “Government Plates,” it would be “brutal.” This word is not indicative of the quality of the record. Instead, it encapsulates the aural assault “Government Plates” delivers to listeners. Death Grips has always been unconcerned with musical conventions and, consequently, its albums have been quite removed from the more mainstream style of other rap groups — if one can even call Death Grips a rap group.


The Setonian
Arts

‘Dallas Buyers Club’ succeeds despite minor issues

Amid an Oscar season already full of memorable performances, Matthew McConaughey’s role in “Dallas Buyers Club” is definitely attracting its fair share of attention. While some of the chatter may be about the nearly 50 pounds he lost for the film, much of the buzz is focused on how this film is just the latest step in the actor’s path toward playing more “serious” characters — a switch that began in 2011 with his portrayal of quick-talking defense attorney Mick Haller in “The Lincoln Lawyer.”





The Setonian
Arts

Weekender | Alumnus discusses making career out of performance

For big-name musicians, making a music video tends to be a glamorous affair. Sets bustle with hair and makeup teams, craft services tables, well-stocked trailers and world-class choreographers and dancers. For Gregg Kallor (LA '00), however, the making of his music video, "Broken Sentences," was decidedly different - and much less plush.Instead of a buzzing set and endless production assistants, Kallor, a New York-based pianist and composer, simply had himself, his filmmaker friend Alan McIntyre Smith, 88 pianos and the five boroughs. The idea for the video was to film Kallor playing "Broken Sentences" at the nearly nine-dozen hand-decorated pianos placed around New York for public use by the non-profit organization Sing For Hope, which Kallor describes as "the Peace Corps for artists." The catch: The pianos were only available for approximately two weeks in June - and after that they would be gone.In order to make the video in just two weeks, Kallor said that the pair had to plan extensively and work quickly."It was tough because we didn't want to monopolize the pianos," he said. "So it would be quick and dirty. I would play through the piece once, maybe twice if we had time." Despite the rushed filming schedule, Kallor and Smith were committed to making sure the video's creative core was not lost in their haste."Alan tried out a bunch of different film techniques and shots," Kallor said. "We brought a steady cam and also filmed a bunch of still shots that we later pieced together in the video."Kallor, for his part, said the location of the pianos - in busy, public places around New York - did not affect the emotional effort that goes into performing, though the experience was assuredly not conventional."It was a strange feeling, I was pouring my heart into this thing, but it takes a lot to grab the attention of New Yorkers, so for the most part people ignored me," he said. Nevertheless, he would occasionally find a small crowd gathered around him, which he attributes to the "otherness" of the project."I think there's something about seeing this crazy looking piano and trying to understand the context of it," Kallor said. "People got a special experience in not going to a concert hall."Kallor was not alone in thinking he and Smith had made something special. "Broken Sentences" made it onto this year's Grammy ballot for Best Music Video. Starting out at TuftsAlthough Kallor appreciates the recognition, he does not take it for granted - getting to this place in his career has been a long and challenging journey. Kallor came to Tufts as a transfer student and enrolled in the university's dual degree program with the New England Conservatory of Music. However, he ultimately withdrew from the program to work solely toward a bachelor's degree in American studies from Tufts, citing the intensity of the program as a reason for leaving."It looks pretty sexy on paper to say you went to music school and to Tufts, but there was so much going on I felt I didn't have time to delve in at either place," he said.Kallor also acknowledged that his time at conservatory did not allow him the freedom he wanted with his music."I had grown up with classical music and jazz and a bit of musical theater, but I left [the] conservatory because I didn't want to give up either classical or jazz," he said. "They wanted me to pick one. It turned out not to be for me." Kallor's path, as it happens, has balanced the two genres - and even as his career has progressed, he remains hesitant to put himself in categories.Despite his passion for music, it was not the focus of his time at Tufts. "I either minored in music or double majored - I can't quite remember," he said. "Tufts didn't have a direct impact on my career, but it was a really special time. I made great friends, took classes with incredible teachers and really learned to think for myself." Kallor even went to Talloires with Tufts - a program that continues to be a hallmark experience for many students today. Humble beginningsAs college wrapped up, Kallor looked to pursue a career in music."I'd always known it was what I wanted to do, but a part of me was a little unsure senior year. All my friends had applied to grad school or were going off on some major career path," he said. "I wasn't really sure until right after I graduated and thought, 'What the hell?' and I moved to New York."It certainly wasn't smooth sailing."There was a lot of hair pulling, teeth grinding and nail biting," he said of the beginning of his post-college life. "I really had no idea what I was doing. I came here not knowing anybody. I knocked on doors of clubs and restaurants looking for gigs." Kallor was also torn creatively. Pursuing jazz more than composition or classical when he arrived in New York, he eventually turned back to classical after working with a piano teacher who "reignited [his] passion" for the genre.12