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Arts

Weekender | 25th Annual Boston Jewish Film Festival offers something for everyone

The 25th Annual Boston Jewish Film Festival (BJFF) kicked off this Wednesday with an impressive and diverse lineup of entries. The festival, founded by filmmaker Michal Goldman in 1989, has since grown from 10 screenings to more than 50 at various Boston and Brookline venues, including the Museum of Fine Arts, Boston and the Coolidge Corner Theater . According to Executive Director Jaymie Saks’s comments on the BJFF website, the festival expects “thousands of passionate film-goers” to attend the screenings. The core mission of the festival, according to the website, is to celebrate the richness of the Jewish experience through film and media and “invite the community to explore the full spectrum of Jewish life, values, and culture.” Origins This year, the program will honor festival founder and Boston native Michal Goldman. Goldman, an award-winning filmmaker, decided in the ’80s to move back to Boston from Northern California and start the festival. MFA film curator Bo Smith saw potential for a larger festival and offered the museum’s Remis Auditorium for screenings. With financial support from philanthropist Norton Sherman, Goldman selected her first few Yiddish films from the National Center for Jewish Film archive. Even in its first year, the festival achieved significant success.Since its inaugural run, the festival has shown over 1,000 films and hosted over 250,000 audience members. Many of the featured films have been nominated for and won Academy Awards, including “The Pianist” (2002), winner of Best Director and Best Adapted Screenplay in 2002, “Nowhere in Africa” (2001), winner of Best Foreign Film in 2002 and “The Personals” (1998), winner of Best Short-Subject Documentary in 1998. Directors come from around the world to introduce their films and conduct panel discussions, and showings are often complemented by music — scores for silent films, full concerts and dance performances are some of the highlights of the event. Making the cut The selection process for films is competitive. Contenders are reviewed by a team comprised of an Arts Director and other film professionals. One key requirement is that the films cannot have been previously been shown in Boston — the BJFF prefers to be the first in the area to screen selected films. This year, Arts Director Amy Geller viewed between 300 and 400 films with her team, narrowing that number down to just 48 for the festival. Audience members are also allowed to cast ballots and vote for the best film among a series of short films — a practice that began in 2002. Today at 7 p.m. at the Somerville Theater in Davis Square, audience members are invited to view six short films. After, they can vote via text for their favorites, and the winners will receive $1,500 and $1,000, respectively. Following the competition, there will be a 21-and-over event at Orleans for those who attended the showing. Connecting with younger audiences Geller, a graduate of Bates College, started as Artistic Director for the BJFF almost two years ago, after years of experience in filmmaking and production. Recently, Geller enrolled in a few directing courses at Suffolk University and was struck by the “fearless creativity” of her fellow students. She hopes the festival will help recreate the same dynamic, educational experience she had at Suffolk and convey it to viewers.“Short films are an increasingly popular art form, but a really good short film is rare,” Geller told the Daily. “At the festival, I try to create a similar environment where our team can push the boundaries of creativity and where everyone can learn about issues that affect people at home and abroad. Where else can you see amazing films from 13 countries including Algeria, Egypt, Morocco, Israel and the Netherlands?”One of Geller’s main goals for this year’s festival was to reach a more diverse audience.“Typically our audience tends to skew a little bit older. ? We’ve programmed this [event] to cater to the 20 to 40-[year-old] professional crowd,” Geller said. “[Now] we’re reaching out to a younger group of people and hoping that they will be just as excited about our films as the older crowd is.” The 2013 festival will feature the Israeli thriller, “Big Bad Wolves.” With this film — which Quentin Tarantino called the best of 2013 — the BJFF hopes to attract a younger audience, particularly by screening it at midnight on Saturday, Nov. 9 at the CCT — a first for the BJFF. “Big Bad Wolves” marks a return by Israel’s first-ever horror filmmakers, Aharon Keshales and Navot Papushado, who are best known for “Rabies” (2010). Their film tells the tale of a cautious police detective and a revenge-seeking father who, after a series of violent murders, set out together to capture the accused serial killer. The film was nominated for 11 Ophir Awards — the Israeli equivalent of the Oscars — and was the winner of five: Best Cinematography, Best Production Design, Best Makeup, Best Original Music and Best Original Soundtrack.Festival milestones 2013 marks the inaugural presentation of the BJFF Community Leadership Award, which has been given to Lisa Simmons, the founder the Color of Film Collaborative and co-producer of the Roxbury International Film Festival.“She’s just a real force in the community for creating opportunities for filmmakers of color to exhibit their movies,” Geller said. “And we just felt like we should expand and honor someone who is doing such great work in the Boston community.” Additionally, the BJFF is not only celebrating its 25-year anniversary this year, but also its strong, successful relationship with the MFA. 12


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Arts

‘Ender’s Game’ succeeds as compelling sci-fi film

Classic novels have a long tradition of resisting successful film adaptations, and science-fiction stories are all the more challenging to remodel for the screen. In particular, Orson Scott Card’s 1985 bestselling novel “Ender’s Game” has a history of being called “unfilmable” due to its violence, heavy plot and author, whose bigoted politics have often overshadowed his stories. With all of these disadvantages, it’s even more surprising that this year’s adaptation of “Ender’s Game” succeeds as a lean, compelling and meaningful science-fiction film.


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Arts

Rapper M.I.A. takes artistic risks with new album

After releasing her first studio album in three years on Nov. 5, M.I.A appears to be back and better than ever. Her latest record, “Matangi,” showcases some of the same themes and styles that originally endeared listeners to the English-Sri Lankan rapper. Featuring compelling hooks and probing lyrics, “Matangi” is an exciting addition to M.I.A’s already stellar repertoire. With music that is irreverent and dripping with disdain for authority, M.I.A is clearly not trying to make friends or reach mass audiences with “Matangi.” Instead, the album is an exercise of pronounced resistance to the status quo through musical experimentation.


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Arts

Newbury Street gallery impresses

The International Poster Gallery — located across the street from Zara and French Connection on Newbury Street — provides visitors with breathtaking visuals and food for thought. The gallery was founded nearly 20 years ago by Jim Lapides, a businessman whose search for decorations for his home and office turned him into a collector of rare works of art — vintage posters.


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Arts

‘Prism’ fails to show musical maturity

If there is one thing that Katy Perry is known for, it’s certainly not delicacy. Her latest release, “Prism,” is a colossal disappointment that can only be seen as a blemish in Perry’s career and otherwise stellar discography. Skyrocketing to stardom with her 2008 single “I Kissed a Girl,” Perry branded herself as the peppy bad-girl with whimsical fashion sensibilities and an affection for the ’80s. Coming off of a failed career in the Christian music world, Perry jettisoned innocence for raunchy hooks and verses dripping with double entendre and innuendo — a tactic that worked spectacularly for the singer. Her debut “One of the Boys” (2008) was a strong, smart pop album that generated hit after hit, including “Waking Up in Vegas” and — arguably the best pop song of 2008 — “Hot & Cold.” At their core, these songs were simple and easy to love.


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Arts

‘Kill Your Darlings’ shines with captivating performances

The lives of the Beat Generation have been visited time and time again — not least by the Beats themselves — but “Kill Your Darlings” sets itself apart as a lively look at the Beats’ collegiate days and the violence and romance that defined their earlier years together. Propelled by captivating performances, director John Krokidas’ first feature captures the depth and darkness of these characters, but unfortunately falls prey to the very conventionality that the Beats fought so fervently against.



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Arts

Theater Preview | Comedy ‘Lend Me a Tenor’ showcases freshmen talent

Going to the opera is always an event, but never quite like in Ken Ludwig’s “Lend Me a Tenor” (1986), Pen, Paint and Pretzel’s (3Ps) first-year show. “Lend Me a Tenor” is a story of much ado about what ultimately amounts to nothing, but the distance between the beginning and the end is not so much the basis of the show as is the journey from point A to point (again) A.


The Setonian
Arts

TV Review | 'The Carrie Diaries' lacks imagination, believability

Those who stayed away from "The Carrie Diaries" for fear that it would merely consist of runways, catwalks, makeup, shoes and accessories were right not to tune in. The second season premiere proved to be just that - only with a lot more parties. But for fans who adored the glamorous components of "Sex in the City" (1998-2004) - the original HBO series upon which "The Carrie Diaries" is based - this opener more than quenched their thirst for a trip into Carrie Bradshaw's fashionable New York City life.


The Setonian
Arts

Romantic comedy ‘About Time’ delights, charms audiences

Since the February release of the zombie love story movie “Warm Bodies,” romantic comedies have been largely missing from theaters in 2013. With “The To Do List” struggling to strike a balance between funny and raunchy and “Austenland” failing to effectively translate Jane Austen’s wit and humor from the page to the screen, the release of “About Time” is most definitely a refreshing and welcome change for the genre.


The Setonian
Arts

TV Review | ‘The Carrie Diaries’ lacks imagination, believability

Those who stayed away from “The Carrie Diaries” for fear that it would merely consist of runways, catwalks, makeup, shoes and accessories were right not to tune in. The second season premiere proved to be just that — only with a lot more parties. But for fans who adored the glamorous components of “Sex in the City” (1998-2004) — the original HBO series upon which “The Carrie Diaries” is based — this opener more than quenched their thirst for a trip into Carrie Bradshaw’s fashionable New York City life.


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Arts

Arcade Fire succeeds in taking musical risks on fourth studio album

Once a band reaches a certain level of fame, it is typically left with two options for its new music — it can either replicate the formula that brought it the initial success or it can try to reinvent itself. “Reflektor,” Arcade Fire’s most recent release, falls into the latter category. This riskier approach can sometimes lead to musical disasters — bands may accidently create turkeys that alienate their original fans and generate disappointing reviews from critics. Yet, when a band manages to move successfully in a new direction, it can create true magic. “Reflektor” is a prime example of just that.


The Setonian
Arts

Romantic comedy 'About Time' delights, charms audiences

Since the February release of the zombie love story movie "Warm Bodies," romantic comedies have been largely missing from theaters in 2013. With "The To Do List" struggling to strike a balance between funny and raunchy and "Austenland" failing to effectively translate Jane Austen's wit and humor from the page to the screen, the release of "About Time" is most definitely a refreshing and welcome change for the genre.


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Arts

Interview | Aziz Ansari discusses growing older, political correctness

Aziz Ansari, an actor and comedian most known for his starring role in NBC’s “Parks and Recreation” (2009-present), recently spoke with the Daily in a press conference call to promote his standup comedy special, “Buried Alive,” which premiered this morning on Netflix. In “Buried Alive,” which was filmed at the Merriam Theatre in Philadelphia this past April, Ansari jokes about his fears of adulthood and parenthood as he turns 30 years old.




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Arts

Theater Review | ‘The Power of Duff’ pushes boundaries, explores socially relevant topics

“Religion is the neglected and deluded stepchild of logic and reason,” character Scott Zoellner, a news director, explains in a critical scene in Stephen Belber’s “The Power of Duff.” A local production of the play — directed by Peter DuBois for Boston’s Huntington Theatre Company — deftly explores the role of religion and spirituality in ostensibly secular America.


The Setonian
Arts

TV Review | ‘American Horror Story’ continues to thrill

Ever since the first season of “American Horror Story” debuted in 2011, creators Ryan Murphy and Brad Falchuk have offered audiences an amalgam of disturbing introductions, music, characters and storylines — all of which occur in equally alarming settings. “American Horror Story: Coven” — the FX show’s third installment — is no exception.



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Arts

TV Review | Season four premiere of ‘The Walking Dead’ thrills

About 16.1 million people tuned in on Oct. 13 to see the fourth season premiere of “The Walking Dead” — and it’s easy to see why. The show’s successful combination of genres has made it incredibly popular, despite setbacks in storytelling during the second and third seasons.