The fashion industry plays a key role in recent violence toward the Asian American and Pacific Islander community, but it goes far beyond the latest controversy over Alexi McCammond, who was set to be the next Teen Vogue editor in chief. Asians have faced an onslaught of racism and violence over the past year of the pandemic.
A good way to ease yourself into this portion of the Fantastic Four saga would be to accept the following: It’s going to get even weirder real quick, so best prepare yourself for the wackiest and strap in tight. In a total departure from last week’s entry, we begin with Johnny Storm and Ben Grimm going on vacation to the bizarre Marvel fixture, “Nu-World,” built as a backup Earth by the mad genius Ted Castle.
Hedda Harari-Spencer, senior lecturer in the Department of International Literary and Cultural Studies, and the Tufts Judaic Studies Program hosted a conversation with Israeli novelist Meir Shalev on March 17. The self-proclaimed “unreliable storyteller” spoke about his literary career and his experience blending “fact and imagination.” Shalev is the winner of several Israeli literary awards and uses his lively stories to plot his way through history and into the present.
Books are able to connect people and their stories from cultures to cultures. Student authors Saherish Surani and Sebastian Fernandez both utilized language and their books to speak to larger societal ideas and give voice to those issues.
In essence, this movie is not just an allegory for what happened to the Lost Generation. It’s about what happens to human beings, in general, when the world surrounding us seems hollow and meaningless. It’s about our inherent urge to create or experience art made by others to find comfort — comfort in knowing that we’re not alone.
Inspired by The Beatles, Jethro Tull formed in the U.K. to write music and cashed in on sounds that progressive rock bands like Cream, Led Zeppelin and King Crimson were pioneering in the mid-to-late 1960s. As lead singer Ian Anderson explained in a 2018 interview with Decades TV, “It was the beginning of that improvised music slipping into the popular format. It came via blues, it came via Black American blues and it had impacted a whole generation of young, middle-class, white British boys, most of whom went to art colleges.”
Dick Grayson is my favorite member of DC’s Bat Family. A young, genuine and caring man with abilities and resources others don’t have and the presence of mind to use them well. Unfortunately, Nightwing has been tossed aside recently in comics and other mediums for the edgier Batman characters (or just turned into them a la "Titans" (2018–)). Tom Taylor and Bruno Redondo are here to fix that, and "Nightwing #78" (2021) oozes with the obvious care and love this team has for Mr. Grayson and company.
When asked about my music taste, whether during an awkward first date or during pre-orientation duck, duck, goose, my answer was always the same — “Anything but country, really.” But through the haze of the last year (carrying my clothes in trash bags and dozens of pies out of Latin Way), I found my music taste through much trial and error, not understanding what I liked, and chasing the goosebumps. So now, when asked what music I like listening to, I answer, “weird … psychedelic … funky.” I like my music to not sound normal, to put you on edge as much as it soothes you.
Jaffe is the artist behind the solo project Del Water Gap. He’s an alternative/indie singer and songwriter who’s been producing music since he released his first project during his senior year of high school. Hailing from northern Connecticut, Jaffe started playing the drums in elementary school. As a kid, he was in a Phish cover band.
The place is also much bigger than I imagined. It's not just a single room but almost a maze. The hallway connects several rooms together. From roaming in and out of rooms, looking at the style of the arches and the bricks on the wall, I was drawn to its structure. It's like a part of a bigger picture.
“Lilo & Stitch” has always been focused on family, whether it be broken or whole, and how we can find connections and purposes that matter. The franchise’s earnestness has made it both famous and a generational touchstone. For people who grew up with the film (and its subsequent show), Stitch is just about the cutest plush animal you can get at The Walt Disney World Resort.
The New York Times Magazine created their own “Decameron,” with short stories detailing COVID-19. On July 7, the magazine issue was published. Then, on Nov. 10, The New York Times Magazine released “The Decameron Project” (2020) as a print book, explaining the project and presenting the 29 stories.
With the isolation of 2020, many turned to music for solace. Fortunately, listeners were gifted with album releases from pop singers like Taylor Swift and The Weeknd and rock legends AC/DC. Wrapping up the year was the Christmas Day release of "Whole Lotta Red," Playboi Carti's long-awaited album. It received some disappointing reviews (I personally enjoyed it), but its associated vampiric punk aesthetics reflected the 2020 TikTok phenomenon: e-girls (and e-boys).
Welcome back to the column, friends! Last week we had what may be a Tufts Daily first, a story recap and review so massive it requires two parts to do it justice. In light of this, make sure you catch up with last week’s installment so you won't get lost.
It’s been just over a year since COVID-19 shut down Tufts. Amid the initial pandemic panic, educators and students were forced to quickly adapt to a virtual environment — something especially difficult for the university’s arts groups and programs. The Daily spoke with multiple professors and students involved in the arts about the transition to online formats.
While larger artists have stayed afloat, beloved venues have felt the impact of the end of live shows. In Boston, multiple local venues have been forced to close doors due to economic losses following the cancellation and postponement of live music. One such venue is Great Scott, which has hosted shows in the greater Boston area for more than 40 years.
I’m not going to talk more about the golden age of SNL. I wasn’t born until 2002, so it’s not my area of knowledge. What I can do is talk about SNL's "silver age," led by people like Bill Hader, Fred Armisen, Rachel Dratch, Kristen Wiig, Jason Sudeikis and Andy Samberg in the late 2000s and early 2010s.
Will comic books go the way of arcade games and cable TV? In a sense, yes, but much in the way that TV packages have shifted with the demands of their audience, so too must comic books. Higher quality printing, fewer advertisements and free digital copies: these are the three elements that I would suggest to any comic book publisher looking to bring new readers in and draw old readers back.
A criticism often leveled at the Marvel Cinematic Universe is the homogeneity of its lineup. The majority of its films have retained a relatively similar tone and neutral gray color grading. "WandaVision," while quite different from the Marvel films in some respects, settled back into the usual MCU trappings by its finale, resulting in an entertaining, if somewhat unexceptional, conclusion.
