Attack of the B-Movies: The allure of the ‘Crash’
By Ethan Essner | October 25In 1996, David Cronenberg released “Crash,” a film which transcended the characteristics of any preceding B-movie through its depiction of violence and sex. Inherently, every character in the film is an overstimulated, hypersexualized being coexisting in a crazy world of voyeurism and loneliness. In this vein, the film traces arousal and getting off through the sight of car collisions. Cronenberg's conscience functions here as a horny man looking to make a movie about sex, not romance. In this way, it truly is love at first crash.



















