“At least to begin with, I would recommend closing our eyes.” With these opening lines, Brian DeGraw’s debut solo album, “SUM/ONE,” begins. Listeners should take DeGraw’s introductory suggestion to heart. Full of incredibly varied instrumentals and experimental, electronic sounds, the album ...
For an artist whose heyday was in the late 1980s, Neneh Cherry has made quite a comeback with her newest album, Blank Project." One would think that being out of the alternative/electronic/punk music scene for such a long time would put a damper on the brash effectiveness of Cherry's earlier work, but in her latest project she returns with an assertiveness that not only rivals the initial shock value of her 1989 debut, "Raw Like Sushi," but also places her on the forefront of female-driven punk music.
Just when you thought that Chris Daughtry had disappeared from the music scene completely, he's decided to reinsert himself in not-so-spectacular fashion. Attempting to justify the fame that accompanies a stint on reality TV is a predicament unique to the modern age. Indeed, for many of the contestants from the various talent shows that have become so integral to the American television experience, this is an insurmountable challenge. So, it's no surprise that American Idol" (2002-present) fifth season finalist Chris Daughtry has struggled to reach mainstream audiences ever since the initial excitement surrounding his music began to wane. Known for his hard rock persona - of course, only on "American Idol" is Chris Daughtry considered hard rock - Daughtry's band, ingeniously called Daughtry, released their similarly self-titled debut in 2006. Since then, the band has been relegated to universal scorn, second only to Nickelback and Dane Cook.
Full of droning melodies, lackadaisical bass lines and shiny synth, Dum Dum Girls' third full-length studio release Too True" is both fiercely nostalgic and outrageously lovable. It's hard to turn this album off, and for good reason: The tracks will undoubtedly remind listeners of the music their parents loved, but at the same time, they incorporate elements of more current music into the mix. Basically, for modern-day hipsters - with their Canon AE-1 film camera, record player (because the sound is just ... better) and headband reminiscent of Woodstock - this album is perfection. However, you don't have to be a hipster to appreciate the musical craftsmanship that went into the creation of "Too True."
Annie Clark, the singer better known as St. Vincent, might have just become the Beyonc? of the art pop genre with her latest eponymous album "St. Vincent." Though Clark may never receive even a fraction of the international recognition achieved by the now-legendary Knowles, the comparison is undeniable. Much like the former Destiny's Child star, St. Vincent is making music that is fresh and original, fierce and independent. She manages to combine the more lighthearted elements of pop with a barrage of musical influences, which fuse together on one of the most intriguing albums released thus far in 2014. Indeed, with her more recent success, Clark is approaching a level of celebrity status that, within certain circles, could be considered similar to that of Beyonc?'s.
