Morning Star' is an American Dream

In a small, cramped apartment in New York City in the early 1900s, a Russian Jewish family's experience serves as a microcosm for the political, social and economic turmoil that characterized that of many immigrant families searching for the American Dream.

Theater Cooperative's new production of Morning Star, directed by Suzanne Bixby, is a saga about just one of these hopeful immigrant families. The family consists of Becky, a widowed Russian mother who is the source of strength for her son and three daughters. Becky's three daughters are different in personality and demeanor. Sadie, her eldest, is a spinster-like, officious young woman whose desire to be loved is never quite fulfilled. Fanny, the middle daughter, is the beauty of the family and longs to be a famous singer or actress. Esther, the youngest daughter, is a sweet child who is in love with the family's tutor. Hymie is the youngest and only boy; his main preoccupation is his upcoming bar mitzvah and his violin. Other supporting characters round out the ensemble cast: they include the boarder, Aaron Greenspan, the tutor, Harry Engel, and Greenspan's friend, Myron Brownstein.

The storyline follows the family through its joys and hardships as it tries to find its place among the bustling energy of a country emerging from an industrial revolution and toying with greatness. It proves captivating and interesting, and the audience never tires of watching this group of people experience life and pain in the dusty vigor of this dynamic period in our history. Even the most mundane aspects of family life, such as the daughters arguing with each other, become fascinating and interesting.

Morning Star is also filled with moments of hilarity and comedy. Greenspan, the witty, cranky Russian boarder, is the comedic center. His groaning and moaning about his woes as a boarder often inspire a laugh. His attempts to woo Becky, his landlord, are often sweet and ridiculous. Becky is often comical as she struggles with the puns and sayings of the American language. For example, when explaining the rationale behind a certain action, she says matter-of-factly, "When in America, we have to do as the Romans do." Brownstein also adds moments of hilarity to the story. A recently immigrated Russian Jew and socialist, his political commentary and fervor was often exaggerated and ridiculous, _ and always funny. When arguing against the utility of the American education system he cries out, "Schools...they are the tools of the bosses!"

Despite its many amusing moments, Morning Star is underscored by a darker tone, one that is reinforced by the many hardships faced by an immigrant family at that period in history. The story hints at the labor unrest among sweatshop and factory workers. Also, the Triangle Shirtwaist fire, the worst factory fire in the history of New York, tragically impacts the family.

The cast portrays the dichotomy of comedy and family drama realistically and helps spin a convincing tale of the American Jewish experience in the early 1900s. The yearning of the children to be American and accepted is touching and authentically conveyed.

Notwithstanding the talent of the entire cast, there are several standout performances. Susan Grose Nicholes, as Fanny, is terrific as the energetic, fun-loving daughter. Fred Robbins, who plays Aaron Greenspan, is fantastic as the grumpy, yet hilarious boarder. Lastly, Maureen Adduci, as the loving mother Becky, is simply wonderful. Adduci radiates maternal warmth and strength and helps authenticate the family dynamic portrayed by the cast.

The set is a modest, early 1900s New York City apartment. The set has some actual antique remnants of the period, including old Victorian lighting and an antique sideboard. The lighting was mellow and soft and gave the set a more intimate feel. Music was played only during scene changes. It was authentic, period music that was pleasant to listen to during the short intermissions. The actual theater arena is very tiny, and most likely fits 65 people at the most. However, this helps foster a more intimate theater experience and is the perfect space for the staging of Morning Star.

The Theatre Cooperative, located upstairs in the Elizabeth Peabody House, is a little-known gem of excellent theater and acting talent. Morning Star, its latest production, is a poignant family saga of the immigrant experience that lingers with the audience long after it is over. Terrific performances and an interesting storyline make for a satisfying production. Don't miss it.