Folk artist comes into her own
March 31Anne O'Meara-Heaton's voice can hold any audience captive. Lilting and lyrical, her Illinois accent flavors her concerts like cinnamon spice. It is a relief and joy to find that her latest album, Black Notebook, supports and embellishes that new flavor, which is not easy to catch on record. The recording is already garnering respect and admiration across the country merely three weeks after its release. Though it is her third record, it is already the most beloved of longtime fans. Heaton states, "it was a labor of love, and it took a long time, but I'm proud of it." Black Notebook is a descriptive collection, encompassing a wide range of emotions. From the blissful new recording of "Megan & Kevin" to the disturbing lyrics of "Old Man by Twenty-One" and the vulnerability of her "Bellyside," Heaton has created a master painting of the human psyche. Listeners noting the female harmonies on the album might recognize Heaton backing herself up on the studio recordings. The song that really grabs the attention of any listener of this album is the second track, "Your Heart is for Breaking." A sad balladic composition, Heaton tells the story of how a broken heart "makes you see beauty you otherwise never would have." Anyone who's been in love and lost melts upon hearing this song. It really strikes a chord. Black Notebook includes four songs previously recorded by Heaton -"Megan & Kevin," "Mary," "Melancholy," in addition to the title track. Heaton said she felt that those four "would definitely feel 'bigger' from the producing aspect, fuller." Joy Elyse Greenwald, a fan, said, "It was weird, at first, to hear 'Megan' with backup and studio sound and stuff. I kept thinking, that's not Megan! But it sounds really great." Greenwald was quick to add, "She's on fire, positively glowing!" Most fans can hardly wait for the next Heaton album to come out, since she has continued to write new songs since the recording sessions were completed three months before the release date. A favorite with the crowd is the new song "Underdog," which includes the insightful line "I stack the odds against myself/ So just in case it works out/ I can believe in magic." Heaton is hardly a new face on the folk scene, with her sidekick Frank Marotta, Jr. on guitar. In the past she has shared the stage with Jonatha Brooke, Ellis Paul, Melissa Ferrick, Dan Bern, Cliff Eberhardt, Beth Amsel and Sloan Wainwright. Now, however, Heaton has seemed to truly come into her own as a performer. Her music has gelled into a full-bodied knockout concert. She draws the audience in with her quirky stories and wide smiles and astonishes new fans with her energy and riotous happiness on stage. She also encourages some audience participation, as when she sings "I'm not the most beautiful woman in the world" and the audience protests loudly. "I've been singing my whole life, and I've always enjoyed writing e-mails and philosophy papers and stuff," Heaton says in regards to her career. "I always wanted to be a songwriter, but I was afraid to get started and be vulnerable. I guess I started doing open mics in 1997." When pressed further, she specified, "For me, there was a discovery process, 'cause I needed to learn how to play the piano as a songwriter accompanying myself. I used to be a classical pianist and I used to sing in a rock band, but I didn't put the two together, so that was a whole discovery process that the open mics helped me figure out." Heaton's official CD release concert was last Saturday at Club Passim in Harvard Square. Jim Boggia opened for the show. Her next performance in the Boston area will be March 2-3 in the "Live From New York" tour, a collective also including Andrew Kerr, Edie Carey, Sam Shaber, and Teddy Goldstein.

