Skip to Content, Navigation, or Footer.

Arts

The Setonian
Arts

Quantity undercuts quality at Martsa On Elm

Though it may not be widely known, Somerville has a relatively large Tibetan population. With over 500 Tibetans calling the suburb home, it should come as no surprise that Somerville also features some of the best Tibetan food in the Boston Metro Area. With Yak and Yeti, House of Tibet Kitchen, Rangzen Tibetan Place and Martsa On Elm all within walking distance of Tufts University, there are plenty of Himalayan eateries to choose from. But, while Martsa On Elm is popular in the Somerville restaurant scene because of its proximity to the heart of Davis Square, it remains a bit of a mixed bag. On first impression, Martsa's best feature-its extensive menu-is also its worst. Even choosing an appetizer can be daunting, but simplicity is often a reliable choice, and the Spicy Potato Bread appetizer did not disappoint. Though not particularly exciting - the bread was sort of a fluffy, buttery pita pocket filled with peppered potato - the appetizer was deliciously fresh and seemed like it would pair well with a sauce-based entree. Picking an entree was also challenging and took much longer. Vegetarian and chicken specialties each get a page on Martsa's menu, with lamb and beef specialties' nearly full pages each not far behind. The Pan Fried Tofu with Peas in Coconut Curry turned out to be a tasty, but entirely unexciting dish. While Martsa deserves credit for keeping the tofu light and airy, the dish had none of the coconut-based sauciness of a typical Indian curry - which is what the entree seemed to be imitating. The coconut complemented the peas pleasantly, though the "curry" was flavorless and a tad greasy overall. Finally, the dish's absence of sauce made the spicy potato bread side dish/appetizer rather superfluous. Still, this entree stumble likely reflects a rule of thumb that seems to apply at Martsa - that, unsurprisingly, the more authentic Tibetan dishes are tastier. For example, Martsa'sDaysil, a dessert composed of sweet saffron rice, nuts and dried fruit is simple and delicious. As nice as it is to have such an expansive menu, it seems that Martsa's sheer quantity bogs down some of its quality. Perhaps Martsa's chefs spread their nets too wide in an attempt to offer customers dishes they might be a bit more familiar with - such as curries - but paring down the menu to Tibetan classics would make the restaurant more authentic while likely giving the cooks a smaller number of dishes to perfect. While it can be tempting to overlook the negative aspects of family-run eateries in the interest of giving non-corporate restaurants credit where it's due, Martsa does have a few other specific flaws that should be addressed. For one, the television. While a television makes sense in a location like a sports bar, it really has no place at a sit down restaurant. However subtly, the TV set draws the attention of all patrons facing in its direction, and it can be distracting. The muted television also clashes bizarrely with the more setting-appropriate music that the restaurant plays and the Tibetan decorations lining the walls. Secondly, and more importantly, Martsa's service is very hit or miss (as has become clear through this reviewer's three recent meals there). While the servers are universally friendly and accommodating when they interact with customers, the restaurant consistently seems to give better service to large groups. Either that, or the small kitchen is easily overwhelmed whenever a large group sits down to eat. It's perfectly acceptable to wait ten or fifteen minutes for an entree; it's really not okay to have to wait upwards of forty minutes for food just because a table of ten has taken over. It is commendable that Martsa does such an admirable job of accommodating large parties, but doing so should not come at the cost of other diners' experiences. Still, Martsa is an overall great place for students, families and couples looking for a night out in Davis, given its location and reasonably priced meals. The aforementioned appetizer, entree and dessert came to just over $18, not including tip. It's also open late - until 10 p.m. Tuesdays through Thursdays and until 11 p.m. on Fridays and Saturdays. So while the food might not be top notch and service might be a bit iffy, the restaurant will likely remain a local mainstay. It speaks volumes that even on an arbitrary Wednesday night at 8:30 p.m., Martsa was more than half full.






The Setonian
Arts

'Warm Bodies' enlivens zombie genre

Who would have thought that a zombie could be the next fictional heartthrob? In that vein, who would have thought that a zombie's heart could even have a throb? "Warm Bodies", directed by Jonathan Levine who previously turned a potentially depressing cancer story into the comedic drama "50/50" (2011), is a surprisingly funny and romantic take on the zombie film.



The Setonian
Arts

MFA poster exhibit shows breadth

If you were to make the trip to the Museum of Fine Arts, you'd probably walk past one of its latest installations, "Art in the Street: European Posters," and not even stop to smell the roses - or gaze upon the lithographs as it were. And that's a shame because this artwork deserves a bit more attention, from visitor and curator alike.


The Setonian
Arts

Elizabeth Landers | The Clothes Make the Woman

In one of his many quotable moments, Mark Twain said, "Clothes make the man." But they also make the woman. As fashions wax and wane and the economy soars and plummets, clean and functional design becomes a core necessity, a respite to the insanity. And as I age, my taste in cut and clothing has followed suit, leading me to the treasure trove of pieces from my family's personal clothing collection. Collection is used accurately here, as some pieces salvaged from my great?grandmother's closet in Flossmoor, Ill. share shelf space with bright polka?dot skirt suits from my mother's working?girl days in the '80s. The most fascinating pieces, however, came from my grandmother.






The Setonian
Arts

'Burma in Transition' highlights cultural evolution

In May of last year, a group of Tufts students who spent the year in a seminar with the Program for Narrative and Documentary Practice (PNDP) traveled to Burma for a 10?day, on?site workshop to explore Burmese life. PNDP, which is a program under the Tufts Institute for Global Leadership (IGL), allows students from various disciplines to gain skills in narrative storytelling through multimedia. The students journeyed to Yangon, the country's largest city, and their work has culminated in a photo exhibition entitled "Burma in Transition" at the Tufts Art Gallery. The exhibition opened at the Slater Concourse Gallery on Jan. 23. and will continue through the end of February.



The Setonian
Arts

Film Review | 'The Last Stand' contains few thrills

If you saw the trailer for "The Last Stand" in the theater alongside movies like "Django Unchained" or "Zero Dark Thirty," you wouldn't be wrong in assuming that the film would be a miss. Based off of a preview filled with random explosions, Johnny Knoxville and groan?inducing Arnold Schwarzenegger one?liners, it appeared that "The Last Stand" would be the perfect embodiment of movies released in January, historically known as a dumping ground for studios to unload some questionable product. Surprisingly enough, all of the riff raff surrounding the film is mired in misconception. "The Last Stand" is not as terrible as the previews would lead you to believe. If you check your expectations at the door and doesn't take the movie too seriously, then "The Last Stand" is a decently entertaining, albeit mindless, action flick.


The Setonian
Arts

A$AP Rocky lives up to hype with debut album

A$AP Rocky, a 24?year?old Harlem rapper, is just now re?emerging after his initial stardom to the delight of fans and critics alike. Lauded by many as a promising rapper to watch in coming years, Rocky has not disappointed with his most recent release, "Long.Live.A$AP." An album marked by clever beats, lyrical dominance and unique style, "Long.Live.A$AP" is the long awaited album following Rocky's mixtape "Live.Love.A$AP" that was released to rave reviews in 2011.


The Setonian
Arts

Concert Review | Mission of Burma still strong after 30 years

Boston locals Mission of Burma performed a solid show along with opening band Reports at The Sinclair in Cambridge last Saturday. Though opening band Reports was a tad disappointing, Mission of Burma more than made up for the concert's slow start.


The Setonian
Arts

Indians soars on debut album 'Somewhere Else'

"Somewhere Else," the debut album of the new group Indians, is an eclectic mix of sounds and styles. Favoring sprawling electronic jams as well as more accessible acoustic melodies, Indians' "Somewhere Else" is a uniquely familiar album that blurs the line between indie pop and contemplative electronica.


The Setonian
Arts

Film Review | Failures shoot 'Gangster Squad' in the foot

The best way to describe director Ruben Fleischer's new film, "Gangster Squad"? Ridiculously violent. We're not talking an occasional scene with gunfire or fist fighting. We're talking 110 minutes of gruesome, graphic - and often gratuitous - slow?motion violence. If value of a film were directly correlated to the amount of on?screen violence, "Gangster Squad" would succeed with flying colors. It's a shame that this isn't the case.


The Setonian
Arts

TV Review | 'Girls' premiere promises engaging second second season

Young adulthood can be scary, and Lena Dunham's hit HBO series "Girls" isn't afraid to admit it. Since its first season last year, the comedy?drama has unapologetically conveyed the simultaneous awkwardness and exuberance that accompanies the transition into the "real world" by following aspiring writer Hannah (Lena Dunham) and her group of friends: Marnie (Allison Williams) is Hannah's responsible best friend, Jessa (JemimaKirke) is an unpredictable hippie traveler and Shoshana (ZosiaMamet) is Jessa's naive, quirky cousin. It would seem that all the girls would clash with their conflicting personalities, yet Dunham kneads the characters into a cohesive group. All the characters share the same struggle in finding who they are as individuals and in surviving the harsh and unpredictable realities that they face as young women in New York City.