José González's haunting but tired third album fails to show growth for artist
By Nika Korchok | March 2With his third solo album, “Vestiges and Claws,” out Feb. 17, José González sings like a ghost who is haunting himself. The first strains of the album are as familiar as going home. The autumnal chimes and soft-spoken yearning will comfort listeners looking for the same achingly cold lyrics paired with his crackling ember voice that set González apart in his previous albums, “Veneer” (2003) and “In Our Nature” (2007). What listeners may not find is the artist finding new territory, sticking instead to a tried-and-true formula that is exquisite, but, given the time between his previous album and this one, a little underwhelming.


















