Arts

Arts

Miranda Lawson showcases solo work at Tufts’ Dances at Noon Series

By Julieta Grané | October 3

Boston-based movement artist Miranda Lawson performed in the Jackson Dance Lab for Tufts Dance Program’s Dances at Noon series on Friday. The series is put on by the Tufts Dance Program, a part of the Department of Theater, Dance, and Performance Studies. In 2013, Senior Lecturer Daniel McCusker founded Dances at Noon as a way to connect the dance program to the larger Boston area dance scene. 

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Arts

‘Megalopolis’ is unparalleled — for better or worse

By Noah Goldstein | October 3

Have you ever wondered what would happen if you tried to make a movie about everything? Francis Ford Coppola’s “Megalopolis” may have your answer. A sprawling exercise in maximalism, the film, despite its grand ambitions, ultimately captures very little.

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Arts

Femininity as profanity: A review of Mannequin Pussy’s 2024 album ‘I Got Heaven’

By Erin Zhu | October 1

“What if Jesus himself ate my f------ snatch?” This is just one of the many lines from punk rock act Mannequin Pussy’s most recent album “I Got Heaven” and is by no means alone in its raw vulgarity. This type of bold and unwavering confrontation is part of what defines Mannequin Pussy. Take the name, for starters. While the title of the band originated from an inside joke, it also accomplishes what lead singer Marice Dabice believes punk rock is meant to do: subvert and challenge the audience.

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Arts

Hispanic Access Foundation spotlights Latine conservationists through film

By Josué Pérez | September 27

On Sept. 19, the New England Aquarium opened its doors to host a screening of two short films produced by the Hispanic Access Foundation, debuting “Beyond Borders: Tales of Monarcas, Rivers and Two Nations” and “El Canto Del Mar.” A four-person panel followed the screening.

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Arts

BSO’s Concert for the City invites Mayor Wu to the stage

By Teddy Schoneman | September 26

The crowd was a bit raucous at this Saturday afternoon’s Concert for the City at Symphony Hall. The many cliches about the transformative power of art from those who introduced the acts and the interjections in the middle of songs veered towards being annoying. But let’s not dwell on these things. They are not particularly important. Much more important is that several hundred members of our city got to share in the experience of a truly lovely afternoon of music.

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Arts

‘Laughs in Spanish’ explores the ties that bind us at Speakeasy Stage

By Nate Hall and Odessa Gaines | September 26

When the lights go up on Speakeasy Stage Company’s “Laughs in Spanish,” the story begins in medias res. Mari (Rebekah Rae Robles), the young Latina director of a Miami art gallery, has just discovered that her paintings have been stolen, just hours before the gallery is set to open for the prestigious Art Basel festival. In the chaos, Mari’s intern Caro (Luz Lopez) arrives with her boyfriend Juan (Daniel Rios, Jr.), a local police officer investigating the theft. However, the art heist quickly fades into the background as two more faces arrive at Mari’s gallery, transforming a comical opening scene into a big-hearted, telenovela-style story that explores the complexities of familial and romantic relationships.

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Arts

Summer Salt puts the paradise in Paradise Rock Club

By Shannon Murphy | September 26

Boston’s Paradise Rock Club hosted “trop-pop” band Summer Salt for their “Driving Back to Hawaii” tour on Sept. 20. Celebrating the 10-year anniversary of their debut EP “Driving to Hawaii” (2014), the band played the album in its entirety for the first time ever for a live audience.

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Columns

Adventures of an A-Lister: How it all started

By Odessa Gaines | September 26

When I first mentioned to my fellow film peers that I do not catch enough new releases because of the outrageous prices of movie tickets these days (not to mention the sheer number of movies that come out every week), they quickly bullied me into joining the AMC Stubs A-List. 

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Arts

The many faults of Reagan and ‘Reagan’

By Clarke Taylor | September 25

When I walked into an empty theater to watch “Reagan” last weekend, my expectations were low for two reasons. First, I’d only learned of its existence the day before, and nobody I talked to seemed to have heard of it either. Second, I hate former President Ronald Reagan. Any director trying to make a film about him will need to take his very real and numerous shortcomings seriously. The film’s poster, one of the few pieces of promotional materials I had seen, depicted Reagan in a cowboy hat in front of the American flag. It did not inspire me with hope. I was ready to be angry.

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Arts

‘MaXXXine’ is not quite the ‘Star’ it should be

By Ava Dettling | September 24

It’s been nearly two years since my review of “Pearl” (2022) was published, in which I explored the intricacies of Ti West’s second installment of his horror trilogy. Two years later, I am once again drawn to the keyboard to discuss West’s third installment, “MaXXXine.”

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Columns

Shut Up and Play the Noise: Yo La Tengo’s ‘And Then Nothing Turned Itself Inside-Out’

By Ethan Essner | September 24

Rarely does a band manage to write a collection of songs that cohesively exemplify the entire thesis of an album. Hoboken trio Yo La Tengo gracefully accomplished such a feat on a plethora of occasions. But the tangible gloom of the 2000 album “And Then Nothing Turned Itself Inside-Out”is perhaps the greatest display within the band’s catalog.

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Arts

Tufts senior Makai Murray headlines Hunter Gallery in Rhode Island

By Matthew Winkler | September 19

Professional artist and Tufts senior Makai Murray’s newest show, “Reflection Before Progression,” will open at the Hunter Gallery of St. George’s School in Middletown, R. I. on Sept. 28th from 6–10 p.m.

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Arts

The secret life of bookworkers

By Urvija Mafatlal | September 19

Since August, the School of the Museum of Fine Arts has been home to “Ulises: Assembly” — an exciting residency and exhibition that puts the spotlight on the often-overlooked labor of bookworkers. The Philadelphia-based Ulises collective, formed in 2016 by Nerissa Cooney, Lauren Downing, Kayla Romberger, Gee Wesley and Ricky Yanas, takes center stage at the Grossman & Anderson Galleries with its first institutional residency and solo exhibition. Running through Nov. 10, this exhibition is more than just a display of art — it’s an invitation for Tufts students and the Boston community to engage in an immersive exploration of art publishing and collective practice.

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Columns

Read, Write and Be Merry: 'The Women'

By Merry Jiao | September 19

Welcome! I’m glad you’re here spending a bit of your day with me! This is the first edition of what will prove to be the absolute best, most Earth-shattering book column ever. Because, obviously, it’s being written by the coolest, funniest, most nonchalant managing editor turned study abroad liaison the world has ever seen.

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Arts

“Star Wars: The Force Awakens in Concert” is a triumph at Symphony Hall

By Nate Hall | September 17

On Sep. 6, thousands of fans poured into Boston’s Symphony Hall for a performance that was far from your typical night at the orchestra. While some audience members dressed business casual, others opted for outfits and paraphernalia from a galaxy far, far away, as the Boston Pops delivered an immersive performance of “Star Wars: The Force Awakens” (2015).

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Arts

The legacy of ‘The West Wing’ 25 years later

By Ryan Fairfield | September 17

Sept. 22 will mark the 25th anniversary of the premiere of “The West Wing,” an iconic political drama from the mind of Aaron Sorkin that earned 98 Emmy nominations and 27 wins in its seven-season run, Even after 25 years, the show continues to have a lasting impact on the world of entertainment and politics. The show’s legacy can perhaps be best summarized by Janel Moloney, who played Donna Moss, who said, “The show has not stopped but seemingly gotten more popular, remaining in the Zeitgeist, surging when people need political comfort — which these days is always — and amassing new devotees every day.”

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Arts

‘Beetlejuice Beetlejuice’: Don’t say his name three times

By Odessa Gaines | September 13

Coming over thirty years after the original film, Tim Burton’s “Beetlejuice Beetlejuice” is a complete marriage of ridiculous gags and charming storytelling. “Beetlejuice Beetlejuice” kicks off with the death of Charles Deetz, where his death by shark attack is told through stop motion animation.

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Arts

‘Blink Twice’: A raucous, chilling, but desperate endeavor

By Ava Dettling | September 11

The name change from “Pussy Island” to “Blink Twice” might have been the film’s first mistake. What could have been a bold and subversive thought piece on sexual trauma and women’s revenge, with “Pussy Island” became the rather trite and familiar play of power dynamics seen in “Blink Twice” (2024).

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Arts

The end of merch(?): Examining the market of branded promotional goods

By Ryan Fairfield | September 11

In an age when TikTok is flooded with videos of thousands of people lining up for hours at Taylor Swift merch trucks, it is hard to agree with Gentleman’s Quarterly’s statement that we are experiencing “The End of Merch.” The article, published at the beginning of the summer alongside others as part of “Merch Week,” seems to argue that while merch, the abbreviated form of the term merchandise, may be commercially successful, its golden age in the world of fashion has come to an end.

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Arts

The Bachelor franchise has failed its first Asian-American lead

By Annika Pillai | September 9

American reality dating show “The Bachelorette” debuted over 20 years ago; the series, a spinoff of “The Bachelor,” follows a single woman and a panel of men vying for her affection until the season finale, in which the final man standing proposes to her. Typically, the lead of “The Bachelorette” is a well-liked contestant from a previous season of its counterpart show. Despite running for over two decades, the franchise had never cast an Asian lead –– until this spring. Jenn Tran, the Vietnamese American star of the 21st season of the show, seemingly made history. At the time of the announcement, Tran had expressed enthusiasm over her casting, saying she felt “so grateful and so honored to be the first Asian Bachelorette in this franchise” and that she was excited “to see Asian representation on TV.”

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