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Arts

Summer TV season offers up fresh entertainment

Summer is right around the corner, and we all know what that means: lazy days, no homework and countless hours of guilt-free television binges. Luckily, just as your Netflix favorites are beginning to feel stale and over-watched due to excessive procrastination during finals, TV's best networks are roaring back with their annual assortment of summer debuts. Here is a rundown of the upcoming season's potential hits and misses. The inventive and promising Although summer television usually offers ample fluff and a general lack of substance, there are a few novel ideas in the mix this year. Premiering first is "Penny Dreadful" (May 11 on Showtime), a gothic horror series in which literature's creepiest villains, including Dorian Gray (Reeve Carney), Dr. Frankenstein (Harry Treadaway) and characters from "Dracula" (1897), are all brought together in Victorian London. The show promises excess violence and drama, along with what Showtime describes as a "literary flourish." On the lighter end of the spectrum is "Almost Royal" (June 21), BBC America's first-ever original comedy series. The show will follow two British aristocrats as they visit the United States for the first time, and will provide an optimistic contrast to the dark sci-fi drama and fellow BBC America staple "Orphan Black" (2013-present). The star-studded Viewers will be treated to celebrity-heavy casts this summer, with everyone from Halle Berry to Chris O'Dowd gracing the small screen. Many of these are shaping up to be promising comedies — or at least lighthearted guilty pleasures. Among these big-name projects is Amy Poehler's "Welcome to Sweden" (premieres July 10 on NBC), which will star the comedienne's own brother, Greg Poehler, as a devoted husband who follows his wife to her new job in Stockholm. So far, everything Poehler has touched has turned into TV gold, including "Parks and Recreation" (2009-present) and her latest success "Broad City," so fans can likely expect good things from this new venture. Next up is the debut of "RIOT" (May 13 on FOX), an improv comedy show produced by Steve Carrell's Carousel Television. The network says this show will literally test the players' minds and bodies "as they face song, dance and sketch challenges, all while navigating the ... set, tilted at a 22 degree angle." Following in this gimmicky vein is CeeLo Green's "The Good Life" (premieres June 23 on TBS), a new (and admittedly scripted) reality show that follows the singer and his friends in their journey to release a long-awaited album. Perhaps the most highly anticipated of these celebrity-sprinkled premieres will be "Extant" (July 9 on CBS). This new sci-fi drama features Berry as an astronaut who returns to Earth and attempts to reconnect with her loved ones. With Steven Spielberg as the executive producer, "Extant" will certainly add some gravitas to this summer's lineup. The intriguingly weird With every new TV season comes a fresh batch of oddball shows that make us wonder whether there was any real demand for these pilots or if our favorite networks have just run out of ideas. Either way, for those with loads of free time and no shame, this summer will provide a good amount of bizarre reality fodder to keep viewers laughing and scratching their heads. Most notable of these premieres might be The Discovery Channel's "Alaskan Bush People" (May 6), which centers on a family living in the wilderness of Alaska's Copper River Valley. This clan, comprised of a husband, a wife and seven children, is so removed from society that six to nine months may pass before the group has any contact with outsiders. After the government seizes their cabin, these so-called "Alaskan Bush People" move even further into the wild. As an added bonus, they refer to themselves as the "wolf pack." If this show is ridiculous enough, it might just rival the success of A&E's "Duck Dynasty" (2012-present). At the very least, it's guaranteed to provide some good laughs. Finally, this summer marks the arrival of VH1's brainchild "Dating Naked" (July 17), the title of which is not a metaphor: Contestants will, quite literally, shed their clothes to go on two dates in a remote location, after which they will choose the most worthy suitor. The network is attempting to pass this off as a genuine human interest piece, describing the premise as "what it really means to be naked in the search for love ... no clothing, no jewelry, no phones or conventions of society. Just you." Nice try.  


The Setonian
Arts

SZA shows talent with hazy debut

When female artists find themselves in genres flooded with more established male counterparts, they frequently attempt to distinguish themselves through contrast by venturing into unknown territory. SZA attempts to do this, but it remains to be seen if her music can be called revolutionary. With the release of "Z," SZA marks her debut on the hip-hop label, Top Dawg Entertainment (TDE), which she signed with last summer. The album also constitutes her official entrance into the changing world of R&B music. Hailing from New Jersey, the singer comes from an orthodox Muslim family that shielded her from hip-hop. SZA’s second album features verses from Kendrick Lamar, fellow TDE freshman Isaiah Rashad and the young critics’ darling Chance the Rapper. These collaborations help solidify the singer's connection to contemporary and well-known talents and create a pleasing contrast to her style. "Z" plays somewhat like a dream: an ethereal yet always pleasant trip that unfolds nebulously rather than sharply. Her vocals croon through sonic mountains and valleys, but it's never really certain where her melodic progress is heading. At times, her voice seems to be part of the beats themselves, blending in with the synths and drum fills that should be highlighting her abilities. The album is somewhat indefinable, which makes it difficult to learn more about the enigmatic singer. The intro track, "Ur," opens the album with a haze of sound that persists through the rest of the record. Complete with a slow bass line, the song's subtle horns and pleasing guitar scales blend as if filtered through water. Sounds float by and nearly come apart, resisting any concrete impression. SZA's voice is seductive, paired with sexual lyrics such as "Undo your pants and your bra." They can also be borderline strange: "Your skin tastes like Brussels sprouts, I swear." On the following track, "Child's Play," SZA sings over a sample from XXYYXX's popular "About You" (2012). She begins with the disturbing lyric, "Ripping the heads off all my Barbie dolls," and by the time Chance the Rapper begins his verse, one feels like joining them in the surreal space they inhabit. "Hiiijack" feels a little more complete, with producer Toro y Moi's signature electronic beats complementing SZA's voice. The result is a better blend than most of the other tracks. "Babylon," featuring Lamar, offers some interesting feminine vocal samples as SZA spooks her listeners with the simple request, "Crucify me." There is a lot going on in this one song, and deep and dark swirls echo while snares drop lower and lower. Her haunting lamentations continue throughout the track, and by the time she says, "I bet you hate me now," the audience seems to have gained a window into the singer's worries and regrets. Lamar's verse is a welcome contrast and works well with the beat. None would argue that the 23-year-old R&B singer doesn't possess serious potential. Her voice is enchanting and eerie, and her boyish style shows an apathetic disregard for the sex appeal that defines many women in the hip-hop world. As a result of signing with a cutting-edge label like TDE, SZA's increased exposure and collaborations with other talented artists will only help her to hone her craft. Were "Z" a touch tighter and a smidge more inviting, SZA would have something special on her hands. For now, this album is an enjoyable listen, and we can eagerly await SZA's next release.


The Setonian
Arts

'The Other Woman' fails to show genuine emotion, character growth

Many words could be used to describe "The Other Woman," but "intelligent" is not one of these. Packed with stale jokes, empty dialogue and a tired plot as believable as "Monsters, Inc." (2001), "The Other Woman" wastes the talents of its three leading ladies, reducing them to one-dimensional stereotypes. Ultimately, the movie fails to establish itself as an empowering tale of womanhood and the bond between friends. The movie depicts the three women at the center of one man's life: his wife and two mistresses. The women's mutual discovery of his deception becomes the strangest and yet most compelling bond in a near-sisterly friendship. Carly (Cameron Diaz) is a type-A perfectionist lawyer living in Manhattan who, upon the advice of her assistant and confidante Lydia (Nicki Minaj), goes to the home of her boyfriend Mark (Nikolaj Coster-Waldau), wearing what can only be described as a stripper-esque, "sexy plumber" outfit in hopes of reconciling after the couple's most recent fight. Carly, however, is not greeted by her loving boyfriend, but by his bathrobe-clad and confused wife Kate (Leslie Mann). The next day Kate, in a pitiful mess, confronts Carly. During their conversation, Kate's faith in her husband disintegrates as she goes into hysterics, demonstrating Mann's skill as a comedic actress (though the rest of the script offers her little material with which to work). Over the next several weeks Carly reluctantly bonds with Kate, and the latter pushes her way into the former's life through a strange attempt at kinship. Though the logic seems twisted, Kate sees the pair as united by her husband's infidelity. After Kate and Carly are firmly established as friends, they go on a mission to spy on Mark's rendezvous with yet another mistress. The two women maturely talk to Mark's other girlfriend, the young and confident Amber (Kate Upton). Though initially upset about the sham of her relationship, Amber joins the girls, and they spend a wild night partying together. Now working as a trio, the women simultaneously rebuild their own lives and conspire to ruin Mark's. Carly hits it off with Kate's handsome and rugged brother, Phil (Taylor Kinney). Meanwhile, Kate begins to take charge of her life, transforming from a stay-at-home wife to a CEO. Amber, whose beautiful body seems to be the only thing anyone can talk about when the model-turned-actress is on-screen, finds a new man who respects her. By the end of the movie, the women are happy. Mark, subjected to their various tricks, is destroyed. Did anyone expect anything different? Well, perhaps the audience should have. Diaz is one of Hollywood's highest-earning actresses with an estimated net worth at nearly $75 million, yet "The Other Woman" glosses over her talents in comedy and drama, using them merely to accent Carly, a predictable high-strung lawyer. Mann plays the caricature of a wife, her mannerisms too irritating to be endearing, with a lack of substance that leaves her utterly insignificant. Upton's acting debut proves surprisingly decent for the world-famous supermodel, but she spends as much of the movie jogging on the beach in a miniscule bikini as she does saying actual dialogue. While "The Other Woman" contains more female leads than a typical Hollywood release, it still perpetuates tired stereotypes, bringing down what could have been an important film for women this year. The film fails to draw emotion from its characters, a byproduct of a script that leans too heavily on toilet humor and does not adequately explore some of the deeper questions of feminism and female independence that the film attempts to ask. Regrettably, even the film’s comedy, relying on low-brow jokes and slapstick humor, feels so forced it struggles for laughs. Whether the fault lies with poor writing or bad acting, it is certain that "The Other Woman" is not a movie that anyone will, or should, remember from 2014.


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Arts

Iggy Azalea brings fire with debut album

Iggy Azalea, a rapper-turned-model-turned-rapper from Australia, is a paragon of musical talent. After teasing audiences for years with EPs and mixtapes, Azalea has finally released her debut album, "The New Classic." Riddled with powerful tracks, "The New Classic" is a total game changer in the world of female hip-hop. It would, however, be a mistake to relegate Azalea or her debut to the female sub-genre of hip hop. Drawing inspiration from her sordid past and her recent transition from underground wunderkind to mainstream breakout, Azalea has consistently produced music that is bawdy, unique and unapologetically sexual. "The New Classic" is just another stellar addition to Azalea's growing portfolio of groundbreaking discography. Indeed, it's hard to imagine a rapper with a more bizarre backstory. Growing up in New South Wales, Australia, Azalea dropped out of high school, worked as a housekeeper with her mom to save money and ultimately made her way to the United States alone to be a part of the hip-hop and R&B scene. The hook from the album's lead single, "Work," speaks to Azalea's journey to stardom: "No money / No family / Sixteen in the middle of Miami." Totally addictive and secretly profound, this track is a perfect beginning to "The New Classic." Azalea not only flaunts her body, her sexuality and her swagger, but her music also speaks openly about her work ethic and dedication to the craft. Though "Work" is ultimately a tribute to Azalea's hard road to fame, it is peppered with the rapper's trademark indulgent raunchiness and brazen commentary: "Valley girls giving blowjobs for Louboutins / What you call that? / Head over heels." The album features remarkable tracks that showcase tremendous growth since earlier releases. The influences of notable producers like T.I. and Diplo, coupled with inspiration from other rappers, have spurred Azalea to reach new heights while remaining grounded by her own experiences. Azalea's newfound notoriety has spawned comparisons to other female rappers and pop artists; with the grit of Azealia Banks, the hubris of Nicki Minaj, the attitude of Kesha and even the vocal chops of Katy Perry, Azalea brings together all of the best part of her counterparts in her over-the-top character. Thanks to her collaboration with Diplo, Azalea now incorporates more electronic and house influences into her music. "Fancy," the third single off of "The New Classic," showcases Azalea's ability to branch out while maintaining her own sound. Azalea's first song to make it to the Billboard Hot 100, "Fancy" is a simple but punchy track. Leading with stark, shiny synths and aided by the vocals of underground synth-pop diva Charli XCX, this song is a modern club banger with heart. And though the album has no shortage of glitzy hits, modest tunes shine through and steal the spotlight. One great example is the track that follows "Fancy," "New Bitch." A tribute to the awkward complexities of being someone's most recent love interest, "New Bitch" is irreverent and catchy. Also a strong number, "Rolex" flaunts synth sections and percussion that harken back to Kanye West's most recent release, "Yeezus" (2013). "Rolex" is a relaxed track, but worthy of attention. Ultimately, "The New Classic" is compelling and one-of-a-kind. Azalea diverges from the archetype of the female rapper, though she also shows off her sexuality and skill like many of her counterparts do. Azalea's steadfast dedication to her roots and original personality set her apart. As a youngster in Australia looking to American hip-hop for inspiration and direction, Azalea put her future on the line for a shot at making it big. This stunning debut, along with her previous releases, prove that Azalea isn't wasting her chance. Keep your eyes on this talented artist — given her auspicious beginning, she'll continue to release new classics for years to come.


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Arts

Concert Review | Tycho delivers individualized, holistic experience for audiences

A Tycho concert has a lot in common with a psychoactive drug: Shared side effects include diminished neurotransmission, hypnosis and euphoria. The band's live performances closely resemble a lengthy acid trip; the effects come as somewhat of a surprise, and you don’t fully realize the intensity of the journey until it actually begins. Right from the start, Tycho's music overtakes listeners, leaving them completely absorbed in the show. Tycho’s frontman Scott Hansen seemed conscious of this at the group’s April 18 performance at The Sinclair in Harvard Square. Onstage, the equipment looked pristine, with symbols featuring copper polish and neatly stacked synths, accompanied by Zac Brown -- the bands’ live bassist -- standing perfectly straight. All this -- the symbols, synths and bassist -- was postioned in front of a white sheet. Everything was orderly, 100 percent pure and uncut.


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Arts

Jarmusch’s vampire film is lifeless

“Only Lovers Left Alive” is set in the modern day, but everything seems a little darker than the world we inhabit. The protagonists are vampires, but not the usual kind -- they get their food from hospital blood banks and spend most of their time brooding about, making indie rock music. At least, Adam (Tom Hiddleston) and Eve (Tilda Swinton) do. Yes, they’re actually named Adam and Eve. Also in this world is Eve’s younger sister (Mia Wasikowska), a less jaded and more mischievous brand of vampire. Together, they mostly brood, argue and rotate family dramas.



Feature-Image_Place-HolderWINTER
Arts

Concert Review | Tycho delivers individualized, holistic experience for audiences

A Tycho concert has a lot in common with a psychoactive drug: Shared side effects include diminished neurotransmission, hypnosis and euphoria. The band's live performances closely resemble a lengthy acid trip; the effects come as somewhat of a surprise, and you don't fully realize the intensity of the journey until it actually begins. Right from the start, Tycho's music overtakes listeners, leaving them completely absorbed in the show. Tycho's frontman Scott Hansen seemed conscious of this at the group's April 18 performance at The Sinclair in Harvard Square. Onstage, the equipment looked pristine, with symbols featuring copper polish and neatly stacked synths, accompanied by Zac Brown -- the bands' live bassist -- standing perfectly straight. All this -- the symbols, synths and bassist -- was postioned in front of a white sheet. Everything was orderly, 100 percent pure and uncut.


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Arts

Top 10 | Fan fictions to read instead of studying for finals

The year is drawing to a close, and, for many of us, this means final papers, projects and exams. While winter fades gracefully away, the relentless force of procrastination has a firm grasp on the brains of all college students everywhere. And what goes well with procrastination, you ask? The only answer is fan fiction. A lot of fan fiction.


The Setonian
Arts

Weekender | Alexi Paraschos blends pop and soul in solo career

Many Tufts students, alumni and parents believe that the liberal arts education offered here can help to propel students into the world of art and entertainment. Between the courses offered, and the wide range of extracurricular activities and real-world opportunities available, Jumbos have a unique opportunity to explore various pursuits and talents, as well as to learn from others with similar interests.Alexi Paraschos (LA '09) is a testament to this. Paraschos is currently working as a solo artist in Boston. A founding member of Tufts' all-male a cappella group, S-Factor, Paraschos is a singer and educator whose music explores a blend of pop and soul; it is an homage to older styles like Motown and a welcome addition to the contemporary soul genre.According to his website, Paraschos' "music ... not only sounds good, but feels good." The musician brings enthusiasm to his songs, allowing listeners to appreciate a style that is perhaps less prevalent today, but nonetheless has a timeless appeal. Paraschos writes about his passions: about love, social change and the courage and creativity of youth. He has worked as an educator in a number of schools in the Boston area and as a choral director, guiding his students towards their own musical dreams. Recently, Paraschos talked to the Daily about his enthusiasm for teaching, his love of music and his budding solo career. S-Factor rootsIn his sophomore year at Tufts, Paraschos teamed up with some friends to help start S-Factor."It was kind of hard to believe I was one of those guys ... who came home [from college] and said, 'I started an a cappella group at my school,'" Paraschos said.For Paraschos, S-Factor's founding was particularly notable. With its repertoire of music from the African diaspora, S-Factor introduced a new kind of sound to the Tufts music scene. S-Factor vocalists specialize in hip-hop, spirituals, gospel and Paraschos' own concentration, soul.Today, African music is still an important part of what makes S-Factor tick. According to freshman Jinhyun Shin, a current member of S-Factor, this type of music is also charged with emotional depth."We find the roots of African music, and that brings us closer together," he said. "African music has [a] kind of [special] sound."This sense of community, however, is not limited to the members of the group. Shin notes that the songs themselves often create an inclusive musical atomsphere for the audience, as well."It provides a fun and unique experience for people who watch our shows and participate," Shin said of S-Factor's sound."[When] we sing gospels or hymns, people can feel our hard work and brotherhood, he added. "Our goal [is for] our audiences [to] feel moved and united by the roots of our music." Bringing back the human touchThe emotional element of S-Factor's music is not just something that Paraschos helped to create while he was a student at Tufts, but also something he has incorporated into his career. Seeking to bring back the emotional range that drew him to soul music in the beginning, Paraschos takes issue with today's popular music."I think that, in general, [the] music that we listen to today, especially the mainstream stuff ... lacks any type of meaning, any type of bigger purpose," Paraschos said.Despite this problem, he remains optimistic. Paraschos trusts that social media can re-focus public attention on artists making music for what he believes to be the right reasons. Paraschos sees sites like YouTube and Facebook playing integral roles in the careers of undiscovered artists who might not otherwise have a chance to share their work."Obviously, there are a lot of independent musicians and artists, and with Facebook and social media [in general], it becomes a lot easier to find people doing really great stuff," Paraschos said. "I'm trying to do that, trying to bring back that kind of music."He credits Motown, Stevie Wonder and Marvin Gaye for releasing high quality pop music "with a lot of significance behind it."12


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Arts

Transcendence' reaches farther than it can grasp

In its first few minutes, "Transcendence" announces that somewhere in the near future, all of our technology will fail. In the opening of this sci-fi film, cell phones lie strewn across the street and keyboards are used to prop up doors, as people gather around barrel fires. It doesn't seem entirely bleak — people seem to be making do with whatever they can. But there is a pervasive, quiet sense that something has gone deeply wrong with humanity.


The Setonian
Arts

Theater Review | Medford actors perform Shakespeare comedy

Actor's Shakespeare Project in Medford, Mass. continued its 10th Anniversary Season with a performance of "As You Like It" (1603), perhaps one of Shakespeare's most well-known comedies. The play follows the love story of Rosalind (Brooke Hardman), the daughter of an usurped duke, and Orlando (Jesse Hinson), a young man cheated out of his father's fortune by his calculating brother. When Rosalind is exiled by her uncle, she disguises herself as a man named Ganymede and flees to the Forest of Arden with her cousin, Celia (Mara Sidmore), and the court jester, Touchstone (Paula Plum). As Ganymede, Rosalind tells Orlando she can cure him of his lovesickness and tutor him in the ways of love. Here, the story unfolds amidst the usual quips and tomfoolery that characterize a Shakespearean comedy, ending with song and dance in a quadruple wedding.


The Setonian
Arts

Theater Review | Medford actors perform Shakespeare comedy

Actor's Shakespeare Project in Medford, Mass. continued its 10th Anniversary Season with a performance of "As You Like It" (1603), perhaps one of Shakespeare’s most well-known comedies. The play follows the love story of Rosalind (Brooke Hardman), the daughter of an usurped duke, and Orlando (Jesse Hinson), a young man cheated out of his father's fortune by his calculating brother. When Rosalind is exiled by her uncle, she disguises herself as a man named Ganymede and flees to the Forest of Arden with her cousin, Celia (Mara Sidmore), and the court jester, Touchstone (Paula Plum). As Ganymede, Rosalind tells Orlando she can cure him of his lovesickness and tutor him in the ways of love. Here, the story unfolds amidst the usual quips and tomfoolery that characterize a Shakespearean comedy, ending with song and dance in a quadruple wedding.


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Arts

Retaurant Review | Tampopo doles out feel-good cuisine

The Shops at Porter are a cornucopia of great Asian cuisine, the best of which is Tampopo. The cozy restaurant — which on a good day seats 14 people — is a perfect spot for eating with just one other person. For two, it usually isn't difficult to get a seat. Plus, the food, prompt service and pleasant atmosphere make up for the cramped dining conditions.


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Arts

Restaurant Review | Tampopo doles out feel-good cuisine

The Shops at Porter are a cornucopia of great Asian cuisine, the best of which is Tampopo. The cozy restaurant - which on a good day seats 14 people - is a perfect spot for eating with just one other person. For two, it usually isn't difficult to get a seat. Plus, the food, prompt service and pleasant ...


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Arts

'Railway Man' impresses with haunting portrayal of post-war trauma

"Sometime, the hating has to stop," are the words that wrap-up the trailer of "The Railway Man." As the teaser suggests, this beautiful story of revenge, honor and forgiveness leaves the audience wondering just how so much hate can and will end. Forgiving, after all, is often easier said than done.


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Arts

TV Review | 'Silicon Valley' features subtle, accessible humor

HBO's newest satire "Silicon Valley" is likely to be one of the most user-friendly comedies of 2014. Centered on a bumbling bunch of 20-something techies trying to make it big in Palo Alto, Calif., "Silicon Valley" mercilessly lampoons the Google-centric culture that the Internet-generation uniquely understands.


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Arts

Duck Sauce offers a one-dimensional yet fun debut

Some may think disco died in the early '80s, but one DJing duo has proved these people are mistaken. With the release of their debut album "Quack," Duck Sauce has brought disco music back into the spotlight. Comprised of two DJs, Canadian A-Trak and American Armand Van Helden, this electronic production duo has injected new life into a genre three-and-a-half decades past its prime.


The Setonian
Arts

Concert Review | Club Passim hosts eclectic, multi-genre concert

On its website, Fishtank Ensemble introduces itself as a "musical Molotov cocktail," a provocative statement which suggests that this band is comprised of daredevils. This branding, if not entirely deserved, at least conveys the group's irreverent tendency to completely disregard stylistic boundaries. The four-member group's musical genre can only be described as an erratic tour of Southern Europe: One song may draw inspiration from Turkish folk tunes, while the next is clearly inspired by French jazz. Other songs hail from Romanian, Balkan, Greek or gypsy musical tradition — or else some dizzying combination of that list. (Indeed, you would never guess that Fishtank Ensemble is actually from California.)


The Setonian
Arts

Concert Review | Club Passim hosts eclectic, multi-genre concert

On its website, Fishtank Ensemble introduces itself as a "musical Molotov cocktail," a provocative statement which suggests that this band is comprised of daredevils. This branding, if not entirely deserved, at least conveys the group's irreverent tendency to completely disregard stylistic boundaries. The four-member group's musical genre can only be described as an erratic tour of Southern Europe: One song may draw inspiration from Turkish folk tunes, while the next is clearly inspired by French jazz. Other songs hail from Romanian, Balkan, Greek or gypsy musical tradition - or else some dizzying combination of that list. (Indeed, you would never guess that Fishtank Ensemble is actually from California.)


Feature-Image_Place-HolderWINTER
Arts

TV Review | 'Silicon Valley' features subtle, accessible humor

HBO's newest satire "Silicon Valley" is likely to be one of the most user-friendly comedies of 2014. Centered on a bumbling bunch of 20-something techies trying to make it big in Palo Alto, Calif., "Silicon Valley" mercilessly lampoons the Google-centric culture that the Internet-generation uniquely understands.