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Arts

Theater Preview | Comedy ‘Lend Me a Tenor’ showcases freshmen talent

Going to the opera is always an event, but never quite like in Ken Ludwig’s “Lend Me a Tenor” (1986), Pen, Paint and Pretzel’s (3Ps) first-year show. “Lend Me a Tenor” is a story of much ado about what ultimately amounts to nothing, but the distance between the beginning and the end is not so much the basis of the show as is the journey from point A to point (again) A.


The Setonian
Arts

TV Review | 'The Carrie Diaries' lacks imagination, believability

Those who stayed away from "The Carrie Diaries" for fear that it would merely consist of runways, catwalks, makeup, shoes and accessories were right not to tune in. The second season premiere proved to be just that - only with a lot more parties. But for fans who adored the glamorous components of "Sex in the City" (1998-2004) - the original HBO series upon which "The Carrie Diaries" is based - this opener more than quenched their thirst for a trip into Carrie Bradshaw's fashionable New York City life.


The Setonian
Arts

Romantic comedy ‘About Time’ delights, charms audiences

Since the February release of the zombie love story movie “Warm Bodies,” romantic comedies have been largely missing from theaters in 2013. With “The To Do List” struggling to strike a balance between funny and raunchy and “Austenland” failing to effectively translate Jane Austen’s wit and humor from the page to the screen, the release of “About Time” is most definitely a refreshing and welcome change for the genre.


The Setonian
Arts

TV Review | ‘The Carrie Diaries’ lacks imagination, believability

Those who stayed away from “The Carrie Diaries” for fear that it would merely consist of runways, catwalks, makeup, shoes and accessories were right not to tune in. The second season premiere proved to be just that — only with a lot more parties. But for fans who adored the glamorous components of “Sex in the City” (1998-2004) — the original HBO series upon which “The Carrie Diaries” is based — this opener more than quenched their thirst for a trip into Carrie Bradshaw’s fashionable New York City life.


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Arts

Arcade Fire succeeds in taking musical risks on fourth studio album

Once a band reaches a certain level of fame, it is typically left with two options for its new music — it can either replicate the formula that brought it the initial success or it can try to reinvent itself. “Reflektor,” Arcade Fire’s most recent release, falls into the latter category. This riskier approach can sometimes lead to musical disasters — bands may accidently create turkeys that alienate their original fans and generate disappointing reviews from critics. Yet, when a band manages to move successfully in a new direction, it can create true magic. “Reflektor” is a prime example of just that.


The Setonian
Arts

Romantic comedy 'About Time' delights, charms audiences

Since the February release of the zombie love story movie "Warm Bodies," romantic comedies have been largely missing from theaters in 2013. With "The To Do List" struggling to strike a balance between funny and raunchy and "Austenland" failing to effectively translate Jane Austen's wit and humor from the page to the screen, the release of "About Time" is most definitely a refreshing and welcome change for the genre.



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Arts

Interview | Aziz Ansari discusses growing older, political correctness

Aziz Ansari, an actor and comedian most known for his starring role in NBC’s “Parks and Recreation” (2009-present), recently spoke with the Daily in a press conference call to promote his standup comedy special, “Buried Alive,” which premiered this morning on Netflix. In “Buried Alive,” which was filmed at the Merriam Theatre in Philadelphia this past April, Ansari jokes about his fears of adulthood and parenthood as he turns 30 years old.




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Arts

Theater Review | ‘The Power of Duff’ pushes boundaries, explores socially relevant topics

“Religion is the neglected and deluded stepchild of logic and reason,” character Scott Zoellner, a news director, explains in a critical scene in Stephen Belber’s “The Power of Duff.” A local production of the play — directed by Peter DuBois for Boston’s Huntington Theatre Company — deftly explores the role of religion and spirituality in ostensibly secular America.


The Setonian
Arts

TV Review | ‘American Horror Story’ continues to thrill

Ever since the first season of “American Horror Story” debuted in 2011, creators Ryan Murphy and Brad Falchuk have offered audiences an amalgam of disturbing introductions, music, characters and storylines — all of which occur in equally alarming settings. “American Horror Story: Coven” — the FX show’s third installment — is no exception.



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Arts

TV Review | Season four premiere of ‘The Walking Dead’ thrills

About 16.1 million people tuned in on Oct. 13 to see the fourth season premiere of “The Walking Dead” — and it’s easy to see why. The show’s successful combination of genres has made it incredibly popular, despite setbacks in storytelling during the second and third seasons.



The Setonian
Arts

‘12 Years a Slave’ is a powerful must-see

Every so often there is a film that critics rush to proclaim as not only an outstanding piece of work but a landmark in cinema. The buzz has been deafening for director Steve McQueen’s “12 Years a Slave” since its screening at the 2013 Toronto International Film Festival in September. Having drawn numerous comparisons to “Schindler’s List” (1993) and already being hailed as a lock for Best Picture nominee and even winner, the central question remains: does it live up to the hype?


The Setonian
Arts

TV Review | ‘Masters of Sex’ delivers complex female characters

Amid the flashy dramas and much-hyped comedies that premiered this fall, a quieter, more adult show also debuted on the small screen — and though it hasn’t received the same attention as other notable series like “Scandal” (2012-present) have, it is still very much worth watching.


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Arts

Lucius’ debut album a huge success

In today’s world of music, it’s getting harder and harder to be different. Whether it’s the uninspired layered loops of Top 40 pop or the formulaic acoustic guitar riffs of indie rock, each new song feels like a regurgitation of its predecessors — albeit with a slight, nearly imperceptible twist. Now, emerging artists are faced with a twofold challenge: to deliver a praise-worthy, quality sound that also stands out amongst a crowd of clones. Novice indie-pop band Lucius has managed to achieve both.


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Arts

‘Carrie’ falls short of expectations

When the remake to Brian de Palma’s 1976 classic film “Carrie” was first announced, a slew of collective groans arose not just from critics, but also from fans of the original and of the horror genre. This second version of “Carrie” seemed destined to fit right in among the constant hammering of awful big-budget Hollywood remakes of classic horror movies, like the new spin on “Prom Night” (2008), the modern take on “Halloween” (2007) and a particularly poorly received “The Fog” (2005). However, the orginal skepticism surrounding the film began to wane as more details emerged — like the fact that Kimberly Peirce, the director of the 1999 indie classic “Boys Don’t Cry,” would be at the helm of the project. Audiences and critics felt optimistic upon learning that Chlo? Grace Moretz of “Kick-Ass” (2010) and “Let Me In” (2010) fame would star as the eponymous Carrie, with Oscar nominee Julianne Moore taking on the role of Carrie’s fanatically religious mother.


The Setonian
Arts

Weekender | Tufts Anime Brigade pursues new ideas with cosplay

Children all over America will have their photos taken on Oct. 31, trapped in stuffy pumpkin outfits while adults attend parties posing as pirates or witches for Halloween. While most of these costumes will be boxed away on the morning of Nov. 1 - not to be seen again for another 12 months - for Tufts cosplayers, dressing up is much more than an annual holiday tradition.For those who may not be familiar with cosplay - a term derived from the union of "costume" and "play" that originated in Japan - Tufts Anime Brigade Chief Officer Katherine Labella explains that people who cosplay (also called cosplayers), "dress up as a particular character from anime, television, books or other areas [of fictional popular culture]." For many cosplayers, the coming weeks will likely be an exciting and busy time.Halloween festivities and other fast-approaching events, including the Rhode Island Comic Con convention set to take place the first weekend of November, present Tufts cosplayers with much-anticipated opportunities to premiere new cosplays (the common term for a cosplayer's outfit, or costume) or revive old favorites. Halloween events, in particular, provide a fun way for cosplayers to test-drive new ideas, props or partially completed cosplays before introducing them in the more formal setting of a convention, where they may be subject to regulations and the high expectations of other convention attendees.However, while Halloween may be an eventful time for cosplayers, it is important to understand the difference between a cosplayer's finalized product and a typical Halloween costume. Labella, a senior, notes that specificity is a defining characteristic - or perhaps the most important element - of cosplay. Specificity of character is emphasized, and often - though not always - a single individual is selected instead of a general category. It's the difference between making a costume for Daisy Buchanan of "The Great Gatsby" versus a vague flapper-type figure.Once a character is selected, the cosplayer will work diligently to reproduce that character's iconic look as precisely as possible. Junior Leonna Hill exemplifies this exactness. Hill is in the process of creating a cosplay of Mikasa Ackerman from the manga series "Attack on Titan," which requires Mikasa's mahogany colored scarf. For Hill, neither dark red nor plain brown will do."I'm a detail-oriented person, and if I'm going to do a cosplay, I want to do it right," she said.Cosplayers also frequently seek to incorporate the personality and traits of the character into the cosplay, combining appearance with behavior to achieve something akin to role-play. Intense attention to detail and a high regard for character set cosplay apart from average Halloween apparel. In addition, of course, cosplay events are not simply restricted to Halloween weekend but occur year-round.Cosplayers often invest a great deal in the creation of a cosplay. Labella admits that "cosplay is an expensive hobby." Though "closet cosplay" - when cosplayers construct an outfit entirely from items they already own, such as the contents of their wardrobes - is popular, it is not surprising that larger projects requiring everything from an elaborate helmet to a set of fairy's wings may quickly dry up college budgets.An experienced cosplayer, Labella stresses that time management is also critical to produce a quality cosplay. The creative aspects of cosplay can consist of time-consuming processes. From the general design stage to more tedious tasks, such as learning to style and maintain a wig, cosplay requires both planning and effort. Luckily, cosplayers are generous about sharing the methods of their magic, and online message boards and manuals can often assist with even the most complicated challenges.Nevertheless, a complicated cosplay may take anywhere from months to years to construct - a sustained time commitment which can be challenging for teens and young adults, groups which have traditionally formed the core of the cosplay community. As Hill points out, young people's continuing enthusiasm for cosplay, in spite of its challenges, is telling of the dedication that so many cosplayers possess.Unfortunately, there are a few individuals in the greater cosplay community who go too far in their quest for accuracy."There's a lot of flack in the anime community," Hill said. "People [getting] offended if you're not racially in line with the character's race is the biggest thing, and after that, [it's] body type."Because many popular cosplays come from anime, which tends to feature white or light-skinned characters, people of color are left with few options for portraying characters with similar skin tones. As a result, they are forced to either confine themselves to a relatively small range of characters or potentially face criticism for having the "wrong look" for the role.As a black woman, Hill had hesitated to do cosplay in the past for this reason. However, according to Hill, the Tufts cosplay community is very open and accepting, and with the support of other Tufts Anime Brigade members, she has recently begun work on her first two cosplays. The fact that she plans to premiere Mikasa as part of a group cosplay, in which another participant will also cosplay a character of a different race, has given her confidence."If I didn't have these people to help me?I wouldn't be doing it," she said.Despite occasional biting criticism, other marginalized groups are finding ways to break into the greater cosplay community by adapting their cosplays to fit individual, cultural and physical needs. Though women who wear hijabs have been (and, in some cases, still are) criticized for not accurately portraying the hairstyles of their chosen characters, many others appreciate creative attempts to incorporate the head scarf into the cosplay itself. While cosplaying Hatsune Miku, an anime character with long, bright blue hair, a Muslim girl named Deanty M. Muchtiarsyah wore a teal head scarf that perfectly matched the color of Miku's long locks. Her example, along with others on websites like the Tumblr blog, "The Hijab Closet," provides inspiration for those who want to cosplay with the hijab.12


The Setonian
Arts

Pearl Jam returns with strong 'Lightning Bolt'

For bands who have had long and successful careers, there comes a point when any new albums will inevitably be compared to their earlier works. This leaves these groups with a choice - should they continue to mine the same exact sounds that made them so successful in the first place, or should they try to evolve into new territory? Thankfully, on "Lightning Bolt" - their most recent release - Pearl Jam forgoes the former option and instead leans, albeit slightly, toward the latter. While it may not be wildly experimental or a huge change from their trademark style, their 10th studio album finds Pearl Jam comfortably easing into a role - like influences Neil Young, The Who and Bruce Springsteen - as elder statesmen of rock.