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Arts

'Nightwing #78' is a high-flying and hopeful starting point

Dick Grayson is my favorite member of DC’s Bat Family. A young, genuine and caring man with abilities and resources others don’t have and the presence of mind to use them well. Unfortunately, Nightwing has been tossed aside recently in comics and other mediums for the edgier Batman characters (or just turned into them a la "Titans" (2018–)). Tom Taylor and Bruno Redondo are here to fix that, and "Nightwing #78" (2021) oozes with the obvious care and love this team has for Mr. Grayson and company.


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Column

Soundtrack to the end of the world: Psychedelic pseudonyms

When asked about my music taste, whether during an awkward first date or during pre-orientation duck, duck, goose, my answer was always the same — “Anything but country, really.” But through the haze of the last year (carrying my clothes in trash bags and dozens of pies out of Latin Way), I found my music taste through much trial and error, not understanding what I liked, and chasing the goosebumps. So now, when asked what music I like listening to, I answer, “weird … psychedelic … funky.” I like my music to not sound normal, to put you on edge as much as it soothes you.  



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Column

Beyond the Underneath: A world in the bomb shelter

The place is also much bigger than I imagined. It's not just a single room but almost a maze. The hallway connects several rooms together. From roaming in and out of rooms, looking at the style of the arches and the bricks on the wall, I was drawn to its structure. It's like a part of a bigger picture.


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Columns

Comfort Cartoons: Roller coaster ride 'Lilo & Stitch'

“Lilo & Stitch” has always been focused on family, whether it be broken or whole, and how we can find connections and purposes that matter. The franchise’s earnestness has made it both famous and a generational touchstone. For people who grew up with the film (and its subsequent show), Stitch is just about the cutest plush animal you can get at The Walt Disney World Resort.




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Arts

Rebirth, revolution and respite: Fashion predictions for 2021 

With the isolation of 2020, many turned to music for solace. Fortunately, listeners were gifted with album releases from pop singers like Taylor Swift and The Weeknd and rock legends AC/DC. Wrapping up the year was the Christmas Day release of "Whole Lotta Red," Playboi Carti's long-awaited album. It received some disappointing reviews (I personally enjoyed it), but its associated vampiric punk aesthetics reflected the 2020 TikTok phenomenon: e-girls (and e-boys). 


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Columns

A Fantastic Voyage: 'Solve Everything' Part 2

Welcome back to the column, friends! Last week we had what may be a Tufts Daily first, a story recap and review so massive it requires two parts to do it justice. In light of this, make sure you catch up with last week’s installment so you won't get lost. 


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Arts

On-campus arts students, professors respond to COVID-19 with resilience

It’s been just over a year since COVID-19 shut down Tufts. Amid the initial pandemic panic, educators and students were forced to quickly adapt to a virtual environment — something especially difficult for the university’s arts groups and programs. The Daily spoke with multiple professors and students involved in the arts about the transition to online formats.


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TV

How COVID-19 has affected the arts, locally and globally

While larger artists have stayed afloat, beloved venues have felt the impact of the end of live shows. In Boston, multiple local venues have been forced to close doors due to economic losses following the cancellation and postponement of live music. One such venue is Great Scott, which has hosted shows in the greater Boston area for more than 40 years.


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Column

Hot Take: ‘Saturday Night Live’ isn’t funny anymore

I’m not going to talk more about the golden age of SNL. I wasn’t born until 2002, so it’s not my area of knowledge. What I can do is talk about SNL's "silver age," led by people like Bill Hader, Fred Armisen, Rachel Dratch, Kristen Wiig, Jason Sudeikis and Andy Samberg in the late 2000s and early 2010s.



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Arts

Comics don't need to die, here's why

Will comic books go the way of arcade games and cable TV? In a sense, yes, but much in the way that TV packages have shifted with the demands of their audience, so too must comic books. Higher quality printing, fewer advertisements and free digital copies: these are the three elements that I would suggest to any comic book publisher looking to bring new readers in and draw old readers back.


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Arts

'WandaVision' fails to escape the Marvel formula

A criticism often leveled at the Marvel Cinematic Universe is the homogeneity of its lineup. The majority of its films have retained a relatively similar tone and neutral gray color grading. "WandaVision," while quite different from the Marvel films in some respects, settled back into the usual MCU trappings by its finale, resulting in an entertaining, if somewhat unexceptional, conclusion.


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Column

Soundtrack to the end of the world: In case of emergency

I like nervous music, music that’s unsettled and unsettling, even when it’s in a major key, and this seems somewhere between pablum and dread. Over the last 12 months, I’ve found myself falling into repetitive music and listening loops. Maybe read this as my way of rocking back and forth, my sonic self-care at best or anesthetic at worst.




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Arts

King Gizzard & The Lizard Wizard's 'L.W.' is organized chaos

The band is hard to classify as anything. Psychedelic rock, art rock and acid rock are decent attempts at trying to describe the overwhelming variety of genres that King Gizzard & The Lizard Wizard, also known as King Gizz, has experimented with. The six-member Australian group has grown their fan base mostly thanks to their musical explorations beyond the scope of rock. 


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Columns

Comfort Cartoons: Neo-noir and gothic 'Batman: The Animated Series'

Following the episodic adventures of Batman, Robin and Batgirl, the series takes on a darker tone that feels inspired by both Tim Burton’s two Batman films and the ‘70s and '80s comic books. Those interpretations are seen in every detail: Gotham City’s skies are dark even during the day, the buildings are tall and gothic and gangsters sneak around in alleys and side streets.


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Arts

Courrèges, Nicolas Di Felice steal the show at Paris Fashion Week

There were some shows with small, socially distanced audiences, but the majority of shows were primarily viewed in digital formats. Many designers chose rather nontraditional locations for their shows which created unique and engaging experiences. Many were even pre-recorded. One of the best uses of this alternative showing experience was from Courrèges. 


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