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A month later, election is finalized

The disputed Leonard Carmichael Society presidential election has been settled. The original result stands. Junior Irit Lockhart lost the Monday, Nov. 14 election to juniors Garen Nigon and Arielle Traub. Sophomore Kim Petko also ran in the election, which was for the 2006 calendar year. Lockhart filed a complaint with the Dean of Students Office, alleging the election was carried out in violation of the group's constitution. The group's co-presidents for the 2005 calendar year, seniors Erin Poth and Mari Pullen, had invited members of the programming staff - about 85 students - to vote. According to the constitution, the approximately 12-member directional staff is supposed to decide on the presidents, vice president and treasurer. The choices must then be ratified by two thirds of the programming staff. After the complaint was filed, Dean of Students Bruce Reitman met with Lockhart. Reitman advised Lockhart on what could be included in a formal grievance. Lockhart filed the grievance with Reitman Monday, Nov. 21. Reitman then met with Poth and Pullen. In conversations with Lockhart, Poth accepted that the election had violated the constitution. "The constitution was undeniably violated," Lockhart said. Lockhart said she had not spoken to Pullen. A new election was then required, but both Lockhart and Petko declined to run again. "Everybody else who was in the running has withdrawn, so it became somewhat of a moot point," Reitman said. Nigon and Traub will be the group's co-presidents starting next semester. There was initially discussion of naming Nigon and Traub interim presidents, with another election taking place next semester, but Poth, Pullen and Lockhart all agreed to not hold another election. "It's been resolved to everybody's contentment," Reitman said. Poth and Pullen informed the other directional staff members of the decision Tuesday, Dec. 6. Pullen said Reitman's involvement was necessary because Lockhart had not raised the issue with the group's leaders. "It was never addressed internally," Pullen said. The settlement avoided the need to bring the case to the Tufts Community Union Judiciary. Lockhart will keep her position on the directional staff next semester as the One Day Events Chair. She said she feels comfortable remaining in the group's leadership. "I don't feel like my legitimacy as a D-Staff member is in question," she said. The directional staff is currently reviewing the constitution, but no changes have yet been made. "It's not going to get finished until next semester," Pullen said.


The Setonian
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Why the African Union doesn't need that $50 million

A few weeks ago, Congress cut $50 million in funding for the African Union Mission in Sudan. This bill was originally unanimously approved by the Senate from the final foreign operations appropriations bill. Some members of Congress are pushing to restore the funding in the final stages of the military appropriations bill while it currently sits in conference committee. Fifty million dollars is pocket change to the United States. But what are the implications of the cut in this funding for the African Union (AU), but more specifically for the conflict in Darfur? The answer, surprisingly, is minimal. The AU, though a great concept in terms of international organization, has been completely ineffectual at resolving the crisis in Darfur. The civil war and unofficial genocide has already claimed more then 400,000 lives, and displaced another two million, in the last two years. The numbers are continuing to grow. The only role the AU has played has been to enable the West, via the United Nations and the United States, to claim that it is taking action in Darfur. In reality, the AU is acting as an observer rather than a real peacekeeper. The AU not only absolves us from the crisis but is a good answer to anyone who claims that Africans' problems are those of Africa. The fact is that Africa simply does not matter in western countries, except when it comes to forcing reductions in tariffs and removal of export quotas in the name of free trade. Then we become all about involvement for the sake of democracy and free markets. All of our privatization, price and market reforms are based on economic models of perfect competition and information, which are a far cry from the reality of any developing country. The result is that world market prices are reduced for the consumer (mainly Americans and Europeans) while the profit is sucked up in intermediaries and corrupt bureaucracies. The poor farmer on the bottom is left with the same price as before while we as consumers can buy those cashews from Mozambique for a few dollars cheaper. The AU cannot possibly be enough to prevent the mass genocide in Sudan. We should continue to support it for what it is - an observer mission, but understand that that is where its role ends. The AU mission cannot be placed under the UN - as some have suggested - because it will only further feed into our absolution from the crisis. The problem is far too complex and has too many different issues feeding into the conflict for a simple solution. We know we cannot just send in troops. Darfur is the size of France and those troops will simply be swallowed up. Also, we hopefully have learned from both Afghanistan and Iraq that military action of that sort is perhaps not the best solution. So do we continue to hold conferences with the rebel groups in the hopes of compromise or perhaps invest in the Sudanese People's Liberation Army (another pseudo-construct of the United States)? The UN has held seven of those conferences already and the SPLA can not even agree on a set of demands on its own. The solution - just like the crisis - has to be multi-faceted. It has to come from all angles, including population growth concerns, health, economics, politics and people-to-people help. As consumers we need to put pressure on firms and organizations to divest from companies involved in Sudan. Politically, we need to understand that the cultural differences are not as simple as textbook descriptions of tribal life in the wilds of Africa but still significant in negotiations. Traditional leaders within the Sudanese community which exert enough power so that people as far as Ethiopia come to consult with them, while we certainly do not take them into consideration when analyzing how to go about addressing the conflict. The problem needs to be worked on from the bottom up. Education costs are minimal in African nations. It takes very little to put a student through basic schooling. A few improvements in infrastructure - including better roads or even putting in roads - can make a huge difference in terms of trade and communication between villages. Market failures - including lack of credit can be addressed with micro-finance NGOs and small not-for-profit loan operations so that the small businesses and farmers we claim to help with free markets actually have the capital and the means to be competitive. This is why the understaffed and under-resourced AU is not a solution to the genocide in Darfur. It is a feel good exercise that is not there to stop the killing but rather just to watch and report. And it is even failing as an observer mission - the AU Web site has not been updated since late November of the previous year. So, sure, we can give them $50 million so that they can purchase better transportation, toilet paper for their offices, and clean water on the observer missions, and perhaps a few new computers so that their Web site will at least be up-to-date. But who will read it, and will those few that do care? Not only do we have to care but there has to be a fundamental reordering of economic and political priority.Anastasia Marshak is a senior majoring in quantitative economics.


The Setonian
News

New dorm gets tree and bench in memory of seniors' departed classmates

Editor's Note: This article required a correction, which can be read in the Corrections section of the Web site, and the correction has been put into this article. This is the updated version. When this year's juniors become the first to inhabit Sophia Gordon Hall next fall, they will have a permanent place to sit in the shade and reflect on those members of the Tufts community who were tragically unable to complete the journey through senior year. The Senior Shade - the current name of the new area - was announced to the Class of 2006 by the Senior Class Council in an e-mail on Dec. 5. This project will serve as the class gift to the community and will be dedicated to Boryana "Bory" Damyanova and Alex Mendell. Damyanova was struck and killed by two cars last month, and Mendell committed suicide in Sept. 2003. The Senior Shade will "consist of a bench and a tree placed side-by-side in the courtyard of the first all-upperclassman dorm," the e-mail read. The class expects to officially dedicate the project, which will also include a plaque, right before Senior Week in May. The Council has already raised most of the approximately $5,000 needed for the project through events including Senior Pub Night. They hope to have the rest by around March, according to Senior Class Council President Dave Baumwoll. The idea of a commemorative gift has been a long time in the making and has been considered ever since the untimely passing of Mendell two years ago, Baumwoll said. The need was further suggested by the tragic death of Damyanova. "It seemed right to give something back for each of them," Baumwoll said. The particular means of giving back was suggested during a Senior Leadership Council meeting. The Leadership Council is an un-elected group of volunteers that works with the Class Council. The Leadership Council has "a pretty solid group that's come throughout the semester," Senior Class Council Secretary Becky Holden said. The idea of a tree and bench was chosen over several other potential alternatives. These included a telescope on the roof of Tisch Library, a fountain and a fence. "We wanted something stationary that could be used by the future classes," Holden said. Baumwoll said he would like the Senior Shade initiative to start a trend for other senior classes to follow. The project will "hopefully start a little tradition of classes giving back... right before they graduate," he said.


The Setonian
News

What to do when that microbrewing class is overbooked

Before Tisch was buzzing with the energy of finals, students rushed to the library for a different reason - to log on to SIS and register for spring classes. On Nov. 15, sophomore Jamie Kraut sat anxiously in the library waiting for her registration time to come. "There were so many classes that looked incredibly interesting," she said. "But I was concerned that with upperclassmen priority, most of them would already be closed by the time I got to register." Kraut's concerns were confirmed when she was closed out of her three top course choices, U.S. Foreign Policy in the Middle East, European Contemporary Politics and Force, Strategy and Arms Control. Frustrating experiences with registration are common for international relations majors like Kraut. According to Registrar and Student Services Manager JoAnn Smith, the University has experienced a rise in the number of political science and international relations majors in recent years. With increased interest in these departments, many of the courses they offer reach enrollment capacity early in the registration period. While departments like political science and international relations attempt to meet increased demand by adding additional sections to popular courses, Smith said that many departments are limited in their ability to expand. "If you have to add three more sections, you need three more faculty members to be able to teach that course," she said. Smith cited limited classroom space as a further restriction on enrollment. "Space on campus is another huge limitation," she said. "We don't have the luxury of saying, 'Go ahead, bump up your enrollment; we're going to find another room for you.'" According to Director of the Entrepreneurial Leadership (ELS) Program Pamela Goldberg, ELS 101 was filled to capacity by the end of the first day of registration. A second section was added, which was filled to capacity only two days later - before many students were even cleared to register. Goldberg has been asked to add additional sections of other ELS classes, but the program does not currently have the resources to do so. "We are limited by both funding and by the number of qualified adjunct faculty," she said. Unlike most other departments in both the School of Arts and Sciences and the School of Engineering, the ELS Program is not funded by the University. "Therefore, we need to fundraise for everything that we have in the program and also for everything that we add," Goldberg said. "We are fairly entrepreneurial in that we do a great deal with little funding, but we do not want to compromise the quality just to address demand for the courses." American Studies Lecturer John Hodgman teaches the entrepreneurship courses ELS 101 and American Entrepreneurship. This semester alone, he has received inquiries about enrollment from 11 students who were not able to enroll in the classes. "My advice to them has been that they should come to the first class on Jan. 19," Hodgman said. "Usually I find that some students who had registered change their minds and drop the course, so I may have some vacancies." The waitlist feature is utilized by many students who are closed out of classes that they wish to take. However, the waitlist feature is often misused or not used at all, according to Smith. "The culture has been at Tufts not to deal with the waitlist," she said. "We want that to change." Often, students who are unable to get into classes don't bother to register during their assigned registration time, and then wait and add/drop all of their courses on the first day of the semester. As it works now, registration opens in mid-November for students to register for spring classes. It then closes again, so that students are unable to access SIS registration until a few weeks later, when registration is temporarily re-opened for students to make changes to their schedule. When this second period of registration ends, online registration closes permanently and students can only make further changes to their spring schedule by adding or dropping classes using paper add/drop forms. Smith recognizes the flaws of this system: "If the system is shut down and you're not able to drop courses, no one is coming off the waitlist, so what is the point?" Extending online registration to reopen over winter break and stay open until the deadline for dropping classes would facilitate the proper use of the waitlist, according to Smith. "Students wouldn't have to wait until the first day of classes to drop, and if there were classes that were still open, they would be able to register online for them," Smith said. "We are moving towards actually having that waitlist be meaningful." Extending online registration in this manner would involve making add/drop automated, rather than having students add and drop classes on paper, as is the case now. With extended online registration and automated add/drop, professors would be better prepared to deal with over-demand for courses because they'd have the ability to more accurately track registration patterns. "Many undergraduates sign up for more courses than they want to take," said Frances Chew, director of American Studies and a professor of biology. "The enrollment of all classes drops by 20 to 25 percent, having only to do with that alone." In Chew's experience, if professors add more sections to accommodate the initial demand for courses, they often end up with half-full sections at the start of the semester. Smith believes that for students of all years, registration issues are often solved once the semester begins and add/drop takes place. "Once add/drop comes along, ultimately everyone does get into what they need," she said. Still, some students are weary. "Of course I will show up to the first class and attempt to be added, but this always proves to be a long and sometimes fruitless process," said sophomore Dara Kanowitz, who fears she will be forced to signed up for classes that she has little interest in. "Why pay all this money for college to be prevented from pursuing my interests?" she said.


The Setonian
News

The effects of Lysol on inner peace

As we stretched out and prepared for another early yoga class, a student in front of me said, "the Lysol is disrupting my inner peace." And even though she was joking, the wafts of ammonia and chlorine were not particularly pleasing. I have had similar experiences in my dorm. In South Hall, the bathrooms are small individual stalls with low ventilation. After the bathroom is scrubbed clean, I find myself walking into thick clouds of inhalants. That is why I was inspired when I came across an article in the online environmental publication Grist Magazine that discussed the benefits of green cleaning. There are products out there that can effectively clean our dorms without the perks of being a skin or respiratory system irritant. Just as important, they have a less negative impact on the environment. Before I read this article I had been aware of environmentally-friendly household cleaning products, but I was skeptical that eco-friendly products could be used for facilities used by numerous college students. However at the bottom of the page, there was a link that gave me some hope. It brought me to the Green Cleaning Program of Harvard University, a combined effort with the Harvard Green Campus Initiative to replace all dorm cleaning products with green cleaning products. Their main goal is "to develop an environmentally safe, employee safe, and building occupant-safe green cleaning program" for their custodial services. Little did I realize that within two miles of our campus, a revolution was already underway. Based on this Web site, this program has been extensive. Before replacing their old cleaning products, the group performed research on the health effects of cleaning chemicals. They found that "some widely used cleaning products have serious adverse effects on the health of building occupants and janitors." Short term health effects include eye irritation and coughing, while long-term effects can include liver and kidney failure and even cancer. I decided to look at the ingredients in the bathroom cleaning products used in my own bathroom by OneSource. The active agent in one of the surface cleaners was Alkyl dimethyl benzyl ammonium chloride. That doesn't sound too 'eco-friendly' to me. According to Toxnet - a Toxicology Data Network Web site - when the substance is inhaled it "may cause irritation or corrosive effects to nose, throat, and respiratory tract." The liquid glass cleaner isn't any friendlier. It contains ammonium hydroxide. The Household Products Database advised to "avoid inhalation of vapors and use in [a] well ventilated area." But there are no windows in the bathrooms and I have yet to see a gas mask on a custodian. Environmental impact is the other main consideration for green cleaning. Air and water quality are the two main problems. The primary antibiotics used in antibacterial soaps, such as triclosan, have the potential to remain active after being washed down the drain. They can affect bacterial populations within waste water treatment plants and environmental waters. In regard to air quality, the Green Cleaning Program at Harvard asserts that "the product as used must not contain substances that contribute significantly to the production of photochemical smog, tropospheric ozone and poor indoor air quality." Ideally standards would be reinforced on all cleaning products across the country. But let's start with the whole thinking globally acting locally thing. This is an issue of community and environmental health; two popular fields of study at Tufts. Why not mirror our consciousness with our actions?Angela Robins is a freshman who has not yet declared a major.


The Setonian
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Sex offender arrested working in Carmichael

Acting on information from another agency, Tufts police arrested an adult male last week in Carmichael Dining Hall for failing to register with the state as a level 3 sex offender. The man worked for an outside employment agency hired by Dining Services. He was not a Tufts employee. At 10 a.m. on Friday, Dec. 2, Tufts University Police Department (TUPD) officers entered Carmichael and apprehended the man. The University had been alerted by the Quincy Police Department. "We got a call from Quincy PD, who indicated they had information that there was an individual they had a warrant for who was working in one of our dining halls," TUPD Captain Mark Keith said. "We made the arrest and transferred him to Somerville District Court." Sex offenders must notify the Commonwealth of Massachusetts Sex Offender Registry Board when they change either their home address or place of employment. "Where the Board determines that the risk of reoffense is high and the degree of dangerousness posed to the public is such that a substantial public safety interest is served by active dissemination, it shall give a level 3 designation to the sex offender," the Board's Web site reads. Keith would not release the name of the man or the employment agency. Director of Dining and Business Services Patricia Klos also would not release the name of the employment agency. The University has worked with the agency for several years, she said, and the agency puts "a great deal of security and foresight" into its hires. "For this particular agency I didn't require security clearance," Klos said. "For another agency I do." Keith said he is unaware of anything similar happening previously at Tufts. Since the man worked at Tufts through an employment agency, he did not go through the University's hiring process. Tufts currently verifies the references of prospective employees and requires proof of citizenship, but Klos said the policies may be updated. According to both Keith and Klos, Tufts has no unified employee screening policy. The process is generally left up to the specific employer within the University - such as Dining Services. Security screening is "under great discussion at an executive level," Klos said."In the catering operation...we have been working with HR [Human Resources] and Public Safety in developing guidelines of minimum security requirements." The University is "moving towards a policy and a way to implement it," she said.



The Setonian
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Inside Fitness | Forgetting to limber up before jogging tonight in NQR could be a big mistake

I've been following your advice all semester and I'm looking really buff in time for the Naked Quad Run. I am, however, a little bit worried about the cold - and not in the way you might expect. I'm afraid of pulling a muscle or doing something to hurt myself. How can I make sure that I don't end up stranded on the quad in my birthday suit with a strained hammy?- Mike Sparandara, absolutely loves being naked Running in the Naked Quad Run should be looked at like any other athletic performance, meaning that warming up and stretching is essential. The cold weather makes it even more important that you properly prepare for the exercise. Cold muscles are tighter, and much more likely to become injured during sudden physical exertion. Here's what you should do to get ready. First, do something to warm up your body - and I don't mean drink lots of alcohol so you don't feel the cold. Some jumping jacks or a few pushups will suffice. The warming-up process pumps warm blood to your muscles, heating them and preparing them for activity. Next is a stretch. Try to hit every muscle in your lower body before a run - hip flexor, quad, hamstring, glutes, calves and groin. Stretch each body part for 30 seconds or so before you move on to the next one. Only after a proper warm-up and a stretch should you commence your nighttime scamper across campus. My final piece of advice doesn't deal with exercise, but rather with apparel. Many different accessories are popular during the run, but don't forget the most important one - a good pair of shoes. Make sure you have sneakers that fit you properly and have a decent grip on the ground. This will help you avoid a nasty spill. Good luck on your jog, and try to remember to treat your body well before you head out there. With finals coming up, I often feel like I don't have time to go to the gym or even go to the dining hall for a healthy meal. Should I just admit to myself that I'm going to gain some weight or is there anything I can do to stay healthy and still have time to study?- Almost everyone on campus Finals are no excuse to sit on your ass and remain inactive. Just because you have lots of work to do, it doesn't mean you should neglect your fitness. Believe it or not, getting exercise can actually help with your studying. For one thing, it gives you a little bit of a respite from the stress of preparing for exams. Also, exercise will help you fall asleep easier and have a better quality of rest, again helping you with exams. Now that we've decided that working out is crucial to your test preparation, let's talk about some alternative ways to get a workout in without the traditional cardio and weights at the gym. The physical education department is offering some free yoga and pilates classes during reading period. Look around campus for fliers advertising these workouts. It's a great way to stretch, strengthen and relax during finals period. Free massages are being offered in the campus center early next week. Massage therapy not only feels great, but also gets blood flowing to your muscles, improves athletic recovery time, and enhances immune function. Try to take advantage of some of the free services being offered to students during finals time. Encourage your RA to try to schedule a Jumbo Workout. This is where a trainer comes to your dorm and takes you through some type of stretching and strengthening workout without having to venture out into the cold. Make sure not to use finals as an excuse not to get exercise, but instead try to use your exercise as a way to help exam performance.


The Setonian
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A time for compassion

This winter break, the Leonard Carmichael Society's Volunteer Vacations (VV) program is sending 100 Tufts students and ten alums to Waveland, Pass Christian, and Bay St. Louis, Mississippi to perform hurricane relief. This is the first year that VV has taken on a trip of this magnitude, and also the first time that we have been overwhelmed with interested participants. In past years, we have had to beg for students to take part in the trips. This year, student enthusiasm was overwhelming. LCS' role within the university is to provide opportunities for students to take part in activities which impact their communities; VV's response to the biggest natural disaster in America's recent history is more than appropriate. This year's VV trip requires more funding than it does during an average year, but this is a potentially life changing opportunity for 110 people to truly make an impact in an area of the country that so desperately needs our resources. Not only will this trip benefit the participants and the Mississippi residents whose homes we will rebuild, but it will also serve as amazing publicity for Tufts as an institution. As far as we know, we are the only university organizing a trip of this scale to provide direct aid to victims of Hurricane Katrina. This trip is an amazing endeavor, and VV has met with incredible support both financially and morally from many figureheads, departments, and organizations at this University. Because of this eagerness to help, the trip to Mississippi will happen, and successfully. The only organization that seems uninterested in supporting VV is the Tufts Community Union (TCU) Senate Allocations Board (ALBO). As one of the trip's coordinators, I along with one of the LCS presidents, Erin Poth, have gone to two allocations board meetings to petition for funds. We've met with an extremely negative response, and have received $0 from ALBA's discretionary $50,000 buffer fund budget. My understanding of buffer funding is that it is a pool of money which exists to support student activities that go above and beyond their expected budgets; this year's VV trip does just that. As rational for ALBA's denial of funding for VV, I was told that the TCU buffer funding is meant for student activities which occur on campus and benefit a large number of students. It was explained to me that the VV trip not only takes place off campus, but is limited in impact to just 100 students. I am sorely disappointed with the way that ALBO chooses to allot its funding. At a university which prides itself on community engagement, this trip seems to me the epitome of all that Tufts stands for as an institution. To offer obscene amounts of money in buffer funding to events such as the Nighttime Quad Reception and offer none to Volunteer Vacations is an abomination. I understand and respect that ALBO is governed by established guidelines and principles; but I find it appalling to sit in a room of ten of my most intelligent, ambitious peers and realize that they are more guided by the TCU rulebook than by the values that I would expect they hold personally. Call me idealistic, but I would hope that the TCU Senate would not mirror the conservative American government. Sure, I'm just a liberal community health major here, but it seems to me a little crazy to be stingy about funding 'social programs' and have no issue writing ridiculously large checks for causes that have no profound impact on really...anyone. Don't get me wrong - I love events like the Nighttime Quad Reception and the Mr. Jumbo competition as much as any other Tufts student - but like most students, faculty, and administration, I consider programs like Volunteer Vacations to be of much higher value. I would have hoped that ALBA's decisions would appropriately reflect Tufts' general values. Considering that ALBA is the only organization on campus that has the sole function of funding student activities, it is their duty to make moral decisions. I am appalled by the principles guiding the TCU Senate Allocations Board members, and would hope that in the future they reconsider how and why they make choices not just as Board members, but as people.


The Setonian
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Jill Harrison | Traveling Lush

I will not lie to you gentle reader - I did not drink this weekend. When I agreed to write this column this semester, I promised myself that I would never, ever, under any circumstances write a column about not being a Lush or not drinking. The Lush is better than that; she is here to amuse and astound you with her tales of drunkenness, belligerence, and general ridiculousness. But alas, the Lush is currently embroiled in nearly-Finals Week Hell, so this weekend's imbibing was limited to a celebratory post-LSAT Guinness. Because I have no drunken stories for you this week, I will address the one obligatory subject that nearly every Daily columnist addresses at some point: the Naked Quad Run. As we all know, tomorrow night is a very special night here on the Hill. What follow are my random thoughts on the eve of the special occasion. Firstly, and I hate to disappoint my freshman readership, but the Naked Quad Run is about as sexual and attractive an event as getting your wisdom teeth removed. No offense Tufts, but as a general group of people, you guys do not look good naked, running and freezing all at once. So to anyone out there who was looking forward to seeing that hot guy or girl from your class in the buff, don't get your hopes up. It will likely be a big letdown. Secondly, alcohol can be a tricky subject on NQR night. While, I have a great amount of respect for those few Jumbos I know who have run completely sober, the majority of us require a substantial amount of liquid courage in order to do anything along the lines of stripping down tomorrow night. But I caution you, as much as lining up a bunch of shots and knocking them back just before you head out to run sounds like a good idea, it will seem a lot less ingenious a plan when you are vomiting in front of Houston Hall. I've seen it happen. The Lush is not really a puker, but it is common sense that drunken booting can only be worsened by public nudity and freezing temperatures. So I would advise drinking in relative moderation. Whether watching or running, a certain amount of alcohol will keep you warm and unabashed. But crossing over that line into the realm of "too drunk" can end in injury or serious public humiliation. A cautionary tale: Last year, watching the NQR in front of Carmichael, my roommate and I witnessed a young man fall only to get up and fall again. He seemed to decide that he had had enough of running and attempted to put his shorts back on, but was so drunk he ended up with both legs in the same hole and fell in the mud. This process repeated for about 10 minutes and he attracted a substantial audience of his own. Don't be that guy. Thirdly, if there is any uncertainty in your mind, I advise you to run before you ever watch the event. As discussed above, it ain't a pretty sight to behold. (This may seem like a bit of a tangent, but it has a point, I swear.) Apparently my younger brother Andy, who is a senior in high school, was recently caught in some lie by my parents. Instead of apologizing or making excuses, he has been quoted as saying, "Well, it's not as if I am the first of the Harrison children to tell a lie!," thereby throwing yours truly, and our two older siblings, under the proverbial bus. Diverting the blame - I like your style, little brother. So, taking a cue from my younger brother, I am going to come clean about something here. Mom, Dad, I have a confession to make. I have run the Naked Quad Run. Yes, I have lied about that fact repeatedly over the last three years. Sorry about that. Mom, I suspect you are very shocked by this information; please refer above to the passage about the nonsexual nature of the NQR. Those of you reading may not realize this, but my mother and father actually do read this column - so do my three siblings, and various and sundry aunts, uncles, cousins, and, possibly, grandparents. Of course, coward that I am, I made that confession in print rather than in person. So let's look at my track record this week - not only did I just admit to being naked in public in a column that I write about my (possibly excessive) drinking habits, but I also dropped my thesis a few days ago. I give my family so much to be proud of. Well, now that I've put in my two cents about the NQR, I hope you'll all strip down and go for a little jog tomorrow night. It may be a strange one, but the NQR is one of the few popular traditions we have left at Tufts. I won't delve into what that may say about us as an institution. So with these thoughts, I leave you for the winter break. But do not fear: The Daily staff made sure to ask me to continue writing this column next semester while I was a bit tipsy, so I of course agreed enthusiastically. Good luck on finals, happy holidays, and I will be back after a month of boozing at family Christmas parties - very classy indeed. See you out there.


The Setonian
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Weekender Interview | Jerry Bruckheimer

Although a slight man, when Jerry Bruckheimer enters a room, his presence commands attention. Smartly dressed in a designer suit with an impressively expensive Stein watch prominent on his wrist, Mr. Bruckheimer sat down at the head of a small table at the Ritz Carlton last week to discuss the release of his newest film, "Glory Road." After reminding myself to breathe, I think "So this is what it's like to be in the presence of power." Simultaneously one of the most successful and highly criticized Hollywood producers of our time, Bruckheimer has almost single handedly created a film genre. With credits including "Top Gun," "Bad Boys," "The Rock," "Armageddon," and "Pirates of the Caribbean," the name Bruckheimer is synonymous with big. His television shows "CSI" and "The Amazing Race" keep with this tradition of fast-paced, high-energy entertainment. But it is perhaps unfair to categorize Bruckheimer and his work as solely explosion driven. "Remember the Titans" and "Glory Road" can hardly be considered action films, yet they touch on an energy that is both highly emotional and highly kinetic. Bruckheimer sat down with the Daily to dispel some of our broad misconceptions of his work, discuss the complexities of producing Hollywood blockbuster and the influence his career has had on American culture.Question: Do you think you consciously made that effort to make narrative films [that] are more popular because fewer people tend to see documentaries?Jerry Bruckheimer: Yeah, I think if you have an interesting character that should be remembered. Both the coaches from "Remember the Titans" and Haskins from this movie should go down in the history books. And anybody usually under 40 has no idea that this ever happened; they think that African-Americans always played basketball, always played for the big schools, always were a big part of athletics - whether it's football, baseball, or basketball - and that just wasn't the case. That was '66, which is not really that long ago, when you think about it. So it's a seminal team in history, and I believe...that music and sports have done more for integration than any of the sit-ins, the bus sit-ins, everything. That was the beginning that brought everybody's attention to it. When you have athletes who were so gifted, as these kids were, that should have had every opportunity to play and get a college education, it just broke the race barrier, and the flood gates kind of opened.Q: James [Gartner] is a first-time director, and he also did commercials like Michael Bay [director of many Bruckheimer pictures]. Why do you choose new directors like this, and what does it bring to the film? Is it so that you can mold someone with your own vision?JB: No, we look for unique talent. And it's hard for me to see a unique talent when a writer comes to us and says, "Oh, I want to direct." But he's never done anything; he might be a real good writer, but I don't know visually what he can bring or if he can handle a crew or a cast. It's very hard; you have 100 people staring at you: "What do we do next?" And writers, they freeze, you know? I've worked on movies with writers who [are directing] for the first time; it's terrifying. Where a commercial director - especially the top ones like Jim [Gartner], who's been doing it for a long time, or Michael Bay - first of all, they've won numerous awards; they're the best of the best at what they do. And you can see what they do; there's no surprises. You know how they can handle a camera. The ones we pick have a strong visual style, so I know what I'm getting. It's our job to give 'em a good screenplay...Q: How was the whole process of finding these players?JB: Difficult, very difficult. I mean, we went through a lot of maturations, because Jim and myself really wanted them to be able to play basketball and be really good players. And our casting director kept bringing us Hollywood actors who said, "Oh yeah, we can play basketball." And you throw them on a court, and they're worse than me, and I'm not very coordinated. 'Cause every actor walks in thinking that they can do anything until you try them out. And so we just tortured this poor casting director and said, "Go out; find these kids who can play basketball, and we'll see if we can get them to act. Find us players who can play, and then we'll see if we can figure out the acting part." Fortunately, some of them were actually actors who had played either high school or college basketball and were very proficient at it. And that's how we kind of arrived at this group of guys...Q: In some of the press notes, it said that Ben Affleck was originally attached to the role. How did that come about?JB: Well, you know, Ben is an old friend and a wonderful actor, and we had kind of given him a big break in "Armageddon." We cast him before "Good Will Hunting" came out, so he had no idea he was gonna be successful. He was involved initially, and then we just couldn't come to terms on the deal...but that's great for Josh Lucas; that's how films make new movie stars.Q: You're one of the most successful producers in film and now television. How do you maintain that level of consistency with the work that you're producing?JB: You know, I think by staying on it, by having talented people around you. And just making sure you don't take a vacation. [Laughter] I love what I do...I just read this morning on the bike while I was working out, I read "CSI: Miami," which is entertaining...That's why I make things that I like; it would be awful producing something that I really didn't have any interest in.Q: Do you have any advice for any young people interested in getting into movie production and producing in particular? JB: Yeah, I think, first of all, you gotta read everything you can possibly read about it, learn everything you can learn about it. Take a job within the industry no matter how menial it is just to get in the door, even if you have to work for nothing. You know, we get these kids who come in and they've gone to film school and they think they know everything about film or television, and they right away want to be at the top. And we look at 'em and we say, "Well, guess what: We have a production assistant's job available, and if you want it, fine, and if not, go find somebody to finance your movies..."Q: Do you think sometimes critics see your name attached [to a film] and they're like, "Oh, that's a piece of garbage"?JB: Sure, sure. It's a good thing and a bad thing. The good thing is that we draw enormous audiences to our movies, and the bad thing is that they don't like that sometimes...You know, it's like anything else. When we did [1983's] "Flashdance," a journalist - I think it was in Philadelphia; or maybe not Philly, maybe it was in Pittsburgh or something - called it a "toxic waste dump." And then it was about ten years later, he sent me the article where he said, "I really missed it. I look at it now, and it was a cultural change and all these things, and it really was a wonderful movie." But at the time, he called it a "toxic waste dump"... But as long as the audiences show up, that's why I make movies; I try to entertain.


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Torture is definitely illegal

I am truly shocked by what I read in the Dec.6, 2005 issue of the Tufts Daily. Mr. Randall in his piece, "In Defense of Torture," puts forward arguments that one can only recognize as ignorant, misinformed and dangerous. As much as Mr. Randall is entitled to his opinion, I think it is important not to leave some of his grossly erroneous and inane statements unaddressed. The first thing that I would like to point out to Mr. Randall is that human beings actually have rights that are immutable -- those are called fundamental human rights. I urge you to read the text of the 1948 Universal Declaration on Human Rights. The declaration was ratified by the U.S. Congress a mere 60 years ago, and it applies to every single human being regardless of "race, color, sex, language, religion, political or other opinion, national or social origin, property, birth or other status." One does not forfeit their fundamental human rights, even when violating U.S. law. In terms of legislation prohibiting the use of torture, there have been a number of internationally drawn up conventions -- that the United States, believe it or not, have ratified -- which prohibit, and seek to abolish the use of torture in all its forms. An example is the Convention Against Torture and Other Cruel, Inhuman or Degrading Treatment or Punishment, which was ratified by the United States in 1994. Moreover, there are certain norms in international law that fall under the jus cogens category. This means that they apply to all subjects of international law, regardless of the status of ratification of treaties or conventions. The prohibition of torture falls under that category. This type of peremptory norm exists in the case of torture, slavery and genocide. Indeed, it seems that the international community -- including the United States -- recognizes that torture, in all its forms, is perfectly indefensible, whether morally or legally. I will not bother to address the ignorant comments made about the forms of torture. For our purposes, I will simply assume that Mr. Randall has no knowledge whatsoever about what exactly constitutes torture. If he wanted to get a small glimpse into the horror, he might simply refer to the atrocities committed at Abu Ghraib. Our national security strategy cannot rely on dehumanizing others. Contrarily to what Mr. Randall asserts, America cannot preserve its security by whatever means necessary. While torture might be efficient in obtaining information, it is even more efficient in reinforcing hatred towards those who perpetrate it. Not only does this kind of position reinforce pre-existing hatred, but this is precisely the platform used by extremists use to recruit. I insist -- we cannot accept torture. Even as part of a strategy of national security, it is fundamentally unacceptable. While I am not suggesting that prisoners should not be suggested to interrogation, I believe that this can be achieved without stooping to the same level of dehumanization and complete disregard for human rights at which terrorists and extremists operate. If we don't abide by a minimum standard of respect for human life, then we surely cannot expect others to do so. If the use of torture is appropriate for our national security strategy, than surely it is an appropriate strategy for others as well. The world is watching. If we do not uphold fundamental values -- including respect for human rights and prisoner rights -- then we are implicitly allowing that same attitude from others.


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Stumbling blocks don't deter Web site team; changes expected by next year

A team of University personnel is working on changes to the main Tufts Web site, but progress is slow. This past summer, Director of Web Communications Pete Sanborn was assigned a team of seven to make the Web site more efficient and user-friendly. The changes are also being synchronized with outside consultant Mark Neustadt's proposals for a unified marketing strategy for the University. "We are trying to eliminate the reliance on 'search' to browse through the site," Web Content Specialist Georgiana Cohen said. Sanborn was not available for comment. Senior Java Developer Inga Milner said the team began creating a static template for the site's design over the summer. "That has been outsourced already to another company," she said. The University hired Boston-based Stoltze Designs. "We chose him because we liked his portfolio of work, his simplicity of style and his knowledge of web designing," Vice President for University Relations Mary Jeka said. "He was also given very good references." Cohen said Sanborn's team worked with designers to model the site after the template. But a couple of months ago, the Stoltze Designs template was rejected by Neustadt, University President Lawrence Bacow and Jeka, according to Milner. A couple of years ago Tufts made a major investment in a system called Content Management, Milner said. "The system is used to update content on the Web site," she said. "Only a limited number of people are able to add, edit, delete and archive the content." The system is not the biggest problem - no decision has yet been made on a template. Despite the stumbling blocks, change is expected soon. "There will be little tiny changes going on throughout the year," Cohen said. Bigger changes, she said, will come by next year.


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After Katrina, some helping hands - and some books

Tufts has joined several other universities across the country in sponsoring a library in hurricane-battered New Orleans. As part of the "Adopt-a-Library Campaign" of the American Library Association, Tufts and seven other schools adopted the Washington Memorial Library at the Southern University of New Orleans (SUNO). "As soon as Katrina hit, the program was publicized by the ALA, and Tufts decided to apply," Tisch Library Director Jo-Ann Michalak said. The entire SUNO campus was flooded for three weeks, causing an estimated $350 million in damage and wiping out all books located on the first floor of the library. Tulane University sustained an estimated $150 million in damage. The Federal Emergency Management Agency (FEMA) agreed to give SUNO 450 trailers for student and faculty housing and classrooms. The library will get two double-wide trailers - one for a virtual library and the other for administrative offices. "Despite the bad press it gets, FEMA was there for [SUNO]," Michalak said. Washington Memorial Library Director Mary Penny said soon after the hurricane hit, "I went to the ALA webpage, read about the campaign on the homepage and called to request that [SUNO] be put on the list of libraries to be adopted." The other schools that adopted SUNO with Tufts include Lehigh University, Swarthmore College and the University of Missouri. Though there are official sponsors for the SUNO library, specific recovery assistance plans are not yet in place. "We are now on intake mode," Michalak said. She said SUNO still needs to let Tufts know what kind of assistance is required, and when. The process of determining exactly what SUNO needs is proving to be a challenging one. "I have to admit a bit of frustration at not really being able to get a good feel for SUNO's collection yet," Swarthmore science librarian Meg Spencer, the coordinator of the program at the school, said. Tisch Acquisitions Manager Tony Kodzis, who is in charge of coordinating with the other sponsor libraries, said the SUNO staff are not yet clear what their library needs. Swarthmore has created a small taskforce to "come up with some sort of game plan on how we can best help SUNO with their library recovery," Spencer said. After the needs are established, the sponsor schools must coordinate with each other to prevent sending the same books and to minimize shipping costs. "We have to pay for shipping, so we'd rather coordinate before we send," Michalak said. "Too much of a good thing can be bad." Kodzis has contacted UPS, DHL and other shipping services to persuade them to subsidize the costs. He has also asked Barnes & Noble for advice. "They are the adopted library," Kodzis said of SUNO. "But it's more of a partnership; we have to let them lead us." Other than possible discounts, the sponsor libraries will have to pay to restore the SUNO library. The University of Missouri held a fundraising event Sunday at a local mall to "buy and/or ship replacement books to SUNO," Karen Peters, the school's coordinator for the program, said. Penny said while SUNO has not yet received any aid from the adopting universities, she expects books, financial aid, shelving and even volunteers to be arriving starting in January. In addition to benefiting SUNO, Kodzis said the adoption will help Tufts make connections with other libraries and demonstrate commitment to other universities in need. "[The adoption will] help make Tufts present in an area where it is not too well known," he said.


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Staff Top Ten | Albums of 2005

This has not been a normal year for music: Anytime a former homeless guy (Devendra Barnhart) and cabaret act (The Pussycat Dolls) share space on the album charts, you know something went awry. But weird, at least in this context, didn't meant bad. From M.I.A. (too sexy) to Kanye (too popular) and Stevie Wonder ("Shelter in the Rain"), many albums could have been included in this space but, like Goldilocks, didn't quite fit. The Daily's Mikey Goralnik surveys the best of the best.1. Sufjan Stevens, "Illinois," Asthmatic Kitty Records I can't define beauty, but I know when I hear it. No one could predict that 78 minutes about the twenty-first state that rely so heavily on the trumpet could sound like this, but "Illinoise" is sheer, absolute beauty. Steven's instrumental dexterity, both in terms of depth and breadth, is unthinkable. His songwriting, with its cadence and truth, is at once a poetically brilliant and an inescapably visceral probe. His ambition, his humility, his voice ... this album deserves much more space than this.2. Edan, "Beauty and the Beat," Lewis Records I've never wondered how a Beach Boys/Nas collaboration would sound, but I am glad to now know. On one hand, the London-via-Boston MC/producer crafts beats more steeped in the sunshine, colors, and hallucinogens of late-1960s pop-rock than rap. On the other, his delivery is straight-up street: articulate, ferocious, and punishing. In the middle are his lyrics, equal parts hardcore hip-hop and drug-addled rumination. Together, "Beauty" is a sun-splashed, East Coast masterpiece.3. M83, "Before the Dawn Heals Us," Mute Records Listening to M83 is a lot like watching Jonathan Larson's "Rent." It's so cheesy, so overly dramatic that you know you should hate it, but you love it. You're mortally embarrassed to tell anyone that you find it emotionally riveting, but it's just so damn good that you want the world to know. Just play your friends the lush sound-scapes and Anthony Gonzalez's ethereal vocals from the chilling "Teen Angst." Then they'll understand.4. Deerhoof, "The Runner's Four," Kill Rock Stars In many ways, the San Francisco band's eighth album is so diverse and intricate that it is difficult to pinpoint exactly why it sounds so good; it's an album whose true value will not be clear for several years. In other ways, it is a foot-stamping rock masterpiece whose manic and masterful guitar work is ironically complemented by fairy-esque vocals and gloriously unintelligible lyrics. Their progressiveness completely precludes Deerhoof from commercial success, but in five years, popular music will sound like "Four."5. Adult., "Gimme Trouble," Thrill Jockey Records For music so sparse and minimal, "Gimme Trouble" sure is horrendously scary. Stepping ever farther away from their art-punk beginnings, the Detroit duo sound like they gave a first-grader a drum machine and two hours training, but by sandwiching those sounds between rubbery synth effects and churning bass lines, they inexplicably achieve a sound whose simplicity is both compelling and nightmarish.6. Andrew Bird, "Andrew Bird and the Mysterious Production of Eggs," Righteous Babe Records What troubadour Andrew Bird lacks in emotional poignancy he more than compensates for with breadth of songwriting and instrumentation. His lyrics are sardonic and prickly, but musically he is divine. A violin virtuoso, Bird sugars his plucking and bowing with glockenspiels, minute technical effects and dexterous whistling, and does so within myriad song structures. In any non-Sufjan year, this would be the best singer/songwriter album.7. Bloc Party, "Silent Alarm," Vice Records People hate on London's Bloc Party because they "sound too derivative of other British post-punk bands." A) Who cares? and B) No, they don't. On their debut full-length, the quartet are clearly influenced by Gang of Four, Joy Division, et al, but Matt Tong's acrobatic drumming, Kele Okerke's endearingly ugly vocals and a collective knack for instrumental and studio nuance set Bloc Party apart, and portend ginormous things for these twentysomethings.8. Four Tet, "Everything Ecstatic," Domino Records Certainly not Kieran Hebden's best work, but even the British techno composer's worst is damn good. Using only his laptop, he loops, splices, and mixes mechanical music with breathing, organic sounds into a sonically complex swirl. With its delicately ephemeral effects and the drastic inter-song shifts that accompany each added instrumental track, "Everything Ecstatic" sounds exactly like its title: glittering, bright, animated and alive.9. The National, "Alligator," Beggars Banquet Records Two of the many reasons emo music sucks are that the musical progressions are simplistic and predictable and the songwriting is shallow and juvenile. The National's Americana-tinged indie rock is nothing to swoon over, but it functions brilliantly as a base for singer/songwriter Matt Berninger's grimly bleak lyrics about drinking, materialism, and sex; his broken croon will haunt your dreams. This is emo music for people with real problems.10. Odd Nosdam, "Burner," Anticon Records The Cincinnati experimentalist's bizarre musical constructions have defied genres and confused listeners for years, but while "Burner" is one of the year's most mystifying releases, it is also his most coherent album to date. Adding live drums and homemade field recordings to his collection of antique samplers, D. Philip Madson has fashioned a dense, foggy ambient record to both nod your head and take drugs to.


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When cooperation is essential

Wednesday marked the first ever shooting under increased airport security since Sept. 11 and marks a watershed in policing strategy. When a middle aged man created a disturbance at the Miami Airport, claiming to be carrying a bomb in his carry on luggage, federal air marshals had no other choice but to shoot. The exact location of the shooting remains unclear, but one thing is clear: When a passenger threatens the security of the airport and plane, the police will take no risks. As soon as the victim claimed possession of explosives and refused to cooperate, he introduced significant uncertainty and forced marshals to pursue lethal actions. Shoot to kill policies are always highly contested. There have been many scandals where the public has subsequently questioned the police action. This man was bi-polar - and forgot to take his medication that day - and there will certainly be outcry from mental health groups in days to come. Some witnesses said a woman claiming to be his wife attempted to follow the victim before he was shot. This unfortunate incident involving a mentally-challenged passenger demonstrates the need for personal responsibility. All parties involved must take more effective measures to prevent these types of misunderstandings. Any airline passenger, or passenger's guardian, has a responsibility to ensure that they do as little as possible to interfere with travel. This involves adequately preparing oneself for travel - by whatever means necessary - as well as cooperating with standard screening procedures. Regardless of irritation of airport security measures, it is in every individual's best interest to oblige so as to ensure smooth travel. The time to point out shortcomings in the nation's security screening system is through a reasoned e-mail, not when asked to remove a pair of shoes after walking through an X-ray. Police have no way of determining a suspect's mental state. Faced with this lack of understanding, they must take actions based on the suspect's actions. Claiming to posses a bomb and fleeing security both indicate dangerous behavior which places the people abroad at significant risk. As in the London subway shooting this July, the air marshals were dressed in plainclothes. This is a crucial part of their mission: Air marshals are intentionally not dressed in uniform so potential terrorists are not aware of their presence or lack there of. This anonymity affords them the benefit of unobserved surveillance, but at the same time marshals must realize a nervous passenger often reacts dangerously confronted with these situations. Marshals - who must make shooting decisions in fractions of a second - must be constantly examining the environment. Though it is unknown exactly what happened in this case, the effect will be to place further pressure on marshals to better mitigate situations. When a suspect does not comply with police orders, there is little choice but to obey the framework designed to protect the interests of all passengers. A variety of new tools could be implemented to prevent lethal situations - including rubber bullets. But ultimately the question continues to boil down to individual accountability when using mass transportation system. Passengers and security officials alike must maintain the greatest degree of transparency possible in their actions. In tense, uncertain situations, everyone benefits from non-aggressive confrontation. While it is saddening that an apparently harmless man had to be killed to reveal this necessity, it is also commendable that he has only been the first airport security related death in more than four years. As holiday travel season comes into full gear, it is critical that passengers accept the long lines and stress of airports so everyone can reach home safely.


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Housing numbers to come out before finals

Numbers for next semester's housing lottery will be released within the next few days. This will be the first use of a new lottery system, approved by 69.1 percent of student respondents to an online survey Nov. 10-13. The system makes sophomore year numbers reciprocal of senior year numbers. "If you have the fifth best number [for sophomore housing], you'll have the fifth worst number [for senior housing]," Assistant Bursar for Housing Operations Jim Moodie said. The system will be used for future years but will not affect current sophomores and juniors. "It would be hard to implement changes for the sophomore or junior class," Tufts Community Union President Jeff Katzin said. "A current sophomore who had a great number last year isn't going to be in favor of the system." Junior year lottery numbers will continue to be randomly assigned. Freshmen will receive their lottery numbers for next year on Friday, Dec. 9, according to a press release from Director of Residential Life Yolanda King. Sophomores and juniors may receive their numbers as early as today or as late as Monday, Dec. 12, Moodie said. Freshmen will receive their numbers for the following two years before the lottery in March. Sophomores will also receive their numbers for the following year next semester, Moodie said. An ad published in Monday, Dec. 5's Daily from the Office of Residential Life said lottery numbers would be available Thursday. "The release date has been extended in order to fine- tune the mechanism that will be used in the distribution of the lottery numbers," King's press release said. The program that generates the lottery numbers had to be rewritten to allow it to hold more than one number for each student at a time, Moodie said. Changing the code delayed the release of the lottery numbers. "The original goal had been to provide all three numbers immediately," he said. The program can only post one number at a time online, so next year's numbers must be removed before future years' numbers can be posted, according to Dean of Students Bruce Reitman. The numbers cannot be removed from the Web site until every student logs on and checks. To determine the order in which they choose rooms with roommates, current freshmen and futures students will average their lottery numbers with those of their roommates. The order was previously determined by the higher number of the pair. This change was made to prevent two students - one with a bad number, one with a good number - from pairing up and getting an early lottery pick both sophomore and senior years. "For the reciprocity to be meaningful, you had to go to averaging," Reitman said. At the lottery in the spring, Moodie expects appointments to be scheduled for certain ranges of numbers. Roommate pairs would be expected to come in for the appointment for the range that into which the average of their numbers falls. The final decision for this has not yet been made, but it will be made by Reitman and King. Freshmen who were forced into living in triples this year will get a bonus from the new system. Their sophomore year numbers will be improved, but that will not lower their senior year numbers. This is "an advantage they're given in compensation," Reitman said. "It doesn't help or hurt them senior year." The new system will reserve suites in Sophia Gordon Hall for current juniors to choose, similar to Latin Way and Hillsides. There will also be rooms available outside of complete suites. There are still scenarios that have yet to be worked out and coded for in the new lottery system, including dealing with transfer students, students who graduate early and students who go on leaves of absence, Moodie said.


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A letter to the Tufts community

As many of you know by now, the university has notified me of its intention to expel me for my conduct in the early morning hours of November 23rd. Although there is a lot that night that I do not remember, I do believe the published accounts are, for the most part, accurate. I know that my actions that night have caused a lot of pain to the officers involved, to Tufts faculty and students, and to the entire Tufts community. I also know that they my actions were extremely upsetting to my friends, family, and teammates. I truly regret having let down so many people who know me and care for me. I take complete responsibility for my actions. I chose to drink that night and cannot blame anyone else for my actions. The level of alcohol in my bloodstream that night -- which I am told can be a near fatal amount -- may provide a bit of an explanation but it does not provide an excuse. In looking inward for an explanation of my actions, I have not yet been able to find any. I have, however, sought professional help in trying to understand them and will pursue this therapy vigorously. Because of the level of alcohol in my system that night, there are many blank spots in my memory. Most troubling of all is the account of my physically assaulting Officer Burton. Almost as troubling is my use of so many racial epithets directed at Officer Burton and the other officers that night. I apologize to Officer Burton and to the other officers for any physical or emotional harm my actions may have caused them. If there is any way that I can begin to make up for whatever pain I may have caused I would be more than willing to do so. I know that by doing what I did, I have let my family, teammates, and friends down. At this point, the only thing left for me to do is to apologize, try to make amends for my actions and learn from my mistakes. Although I don't understand exactly why I used the words that I did, I believe that they were expressions of anger, frustration, and, perhaps, fear, and were not intended to cause hurt. I recognize, however, that these words are an insult to the principles I have grown up with and are deeply offensive to my family, my friends, my home community, and to the Tufts community. Those who know me know that I am not a racist and that I, myself, am horrified by the words I used that night. Again, I would like to say that I am very sorry for what I did and that I take complete responsibility for my actions. While I recognize that I am not entitled to your compassion or forgiveness, I do appreciate the understanding shown by so many of my friends, family, and teachers and remain hopeful that the university and this community will give me an opportunity to prove that people can redeem themselves and that this one horrible act does not truly reflect who I really am. Sincerely, Ciaran O'Donovan


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Rising high, going green, uniting 'uphill' and 'downhill'

Imagine this: a five-story sandstone-and-brick dormitory with two wings, connected by a walkway to both Professors Row and Talbot Avenue. Now imagine this: an "Arts Corner" across from the dorm that includes an expansive new music building that's connected to a renovated Aidekman Arts Center, linked in turn to the green fields of the athletic complex by another pathway. Soon, both of these scenarios will be a reality. Construction on the dormitory, Sophia Gordon Hall, and the new music building is ongoing - and eventually, the path that connects Sophia Gordon to Professors Row will then continue across Talbot, connecting upper campus to the new Arts Corner. When the architects at William Rawn Associates designed the project, this sense of "interconnectedness" between the University's upper campus and lower campus was a central idea. And once completed, the new construction could help to geographically unite a campus that is largely considered to be separated into two distinct parts - "uphill" and "downhill." The Sophia Gordon site is teeming with swinging beams, a maze of newly laid brick and metal planks, and the constant noise of drilling, hammering and constructing. While there, it is hard to imagine that this structure will be ready at the beginning of the next academic year, complete with brand-new suites, state-of-the-art facilities and vast views of the Boston skyline. But the construction of Sophia Gordon Hall has come a long way since April, when the building began. From the start of the fall semester - when all there was to see was a skeleton of a structure - the building has been developed into a 60,000-square-foot, five-story dormitory. It's the first all-upperclassmen dorm at Tufts, and it will open in Sept. 2006. Sophia Gordon Hall will be composed of two wings, East and West, and will contain a total of 30 suites and 126 beds. The typical suite will have four bedrooms, as well as a kitchen, living room and bath. An indoor connector with mailboxes and laundry room joins the two wings on the first-floor level, and a pedestrian pathway bisecting the two wings will connect Talbot Avenue with Professors Row and the uphill campus. As he walks into the dorm's West wing, Project Manager Brian Kennedy, who works for Linbeck - the construction management company in charge of implementing the new buildings - explains that students will be able to walk underground to get from the West to the East wing, allowing refuge from the cold and snow that typifies a Medford winter. On the first floor, there is a large laundry room and common room. As you walk upstairs, you can imagine the apartment-style suites in which juniors and seniors will be able to live on-campus without having to share a dorm room. "Gordon Hall, with its suites and central community room for concerts and movies, will offer 'apartment-style' living far more attractive than an apartment two or three blocks off campus," architect Randy Wilmot said. Giving a tour of the suites, Kennedy explains where each room will be located. "This is a suite: Walk through here, where there will be a door. And this is a main hallway." "You just came off the stairs, and you'll walk through this door and this will bring you to the apartment-style common kitchen," he demonstrates. "Countertops will be here, a sink, the refrigerator is over there, and here are the kitchen cabinets." You walk a little further, and there is what Kennedy said will be "a living room looking out towards the new music building with a view of the Boston skyline." "That view gets much better when you go one floor up," he says, describing the large windows that look out onto Talbot Avenue. An appealing aspect of the new dorm for those students who have been living with a roommate for two years? Having their own bedroom. And Sophia Gordon Hall has been designed to make that possible. There will be four bedrooms to a suite, and "each person will have their own bedroom. There will be a common bathroom with two sinks, a toilet, and a shower, and that's common for everyone's use," Kennedy explains. "This is pretty typical to each suite: That's how floors one through four are set up," he says. "The fifth floor is set up a little differently; that has the best suite in the house." After climbing up to the fifth floor, Kennedy points out the different design of this suite. "When you come into this suite, you can see that they are set up like duplexes," he says. "There's a large living area with one bedroom located [to the left, and one to the right]. There's a bathroom and shower area for this floor." "But there is a second set of stairs within the suite," he adds. "You can walk up another flight and there are four more bedrooms on that floor." When standing on the top floor and looking out the window, it's a million-dollar view that rivals the sight from the Tisch Library roof. "There are large windows on the wall facing towards Aidekman auditorium - this is the most amazing sight," an enthused Kennedy says. "You can see the Hancock tower, the Prudential Center, and all of the Boston skyline." The most impressive part of the new buildings may be the East wing "multi-purpose assembly room," which seats 150 people and will be a social center for the dorm and a campus venue for debates, parties or musical performances. There will also "be a large screen with a projector and motorized shades for viewing movies," Kennedy says. "It's going to be a space people enjoy being in," Wilmot adds. Kennedy explains that "the room has [multiple] uses. It also has a nice wooden floor, and a balcony with a glass rail. It can be used for many different things, not just for people in the dorm." The accessibility of the dorm was also a priority for the University and the architects. "As you come down there are paths," Kennedy says. "One will be handicapped-accessible, and then there will be a large plaza where there will be a sitting deck. Then, there's a large set of exterior stairs that will walk down to street level, and for handicapped people, there is an elevator inside the dorm that goes down to street level." "The building is completely handicapped accessible from Professors Row to Talbot Ave," he adds. From the spot where the sitting deck will be, there is a clear view of the new music center, which is not quite as far along in its construction and will be finished in Dec. 2006, in time for the Spring 2007 semester. The music building site includes 45,000 square feet of construction and 10,000 square feet of renovation. "It is made up of a 300 person seating recital hall, administrative offices, classrooms and practice rooms," Kennedy explains. "The existing Cohen basement will be renovated as a library and practice rooms. That is going to be completed and renovated, including demolition and new water systems, by Sept. 2006." The music building had to be specially designed, taking into acoustics into account. "There's a lot of acoustical design incorporated - for example, there are several prefabricated rooms that they are going to bring in that are very quiet for the louder instruments," Kennedy says. "The practice rooms and teaching studios and all the rooms on the lower level of Cohen include special construction of the walls so they are nice and quiet." The music building will also contain a large lobby off of the concert space, which will be used for entertaining during intermissions. The Arts Corner will be connected to the athletics complex. "The flat level in front of the music building connects to a set of stairs that bring you down to the football field and track," Kennedy says. "The idea was to design it so that you can cut through and connect upper campus to lower campus." The new dorm will be Tufts' first "green" building - that is, its first building constructed according to U.S. Green Building Council LEED (Leadership in Energy and Environmental Design) voluntary standards. These parameters were developed in order to guide environmentally-friendly construction, and to encourage the use of energy-efficient technology and recycled and renewable construction materials. According to Associate Professor Chris Swan, who teaches a course called "Engineering and the Construction Process" that studies the actual Tufts construction site, "you get certain points for doing environmentally conscious construction, and you get a certification when you [have enough points]. This will be Tufts first LEED accredited building." And it's also the first LEED-accredited dorm in America. "Tufts is building the first dorm that will ever be LEED certified in the United States," Kennedy said. There are many different aspects of LEED certification. "Where the materials come from and how you obtained them...all that goes into the LEED certification process," Swan said. For example, steel used to build Sophia Gordon Hall is more than 90 percent recycled. According to Linbeck Project Manager Betsy Davis, Linbeck is "concentrating on several different items." "Construction waste management is a big one," Davis explained. "We have contracted with a waste management firm that recycles as much of the construction waste as possible. They do this through the use of material specific dumpsters - steel, concrete, masonry, and eventually drywall - which will be removed from site and recycled 100 percent." "In the design, the architects took into account these green components, and created things like solar panels, which use solar heat more efficiently," Kennedy said. A $500,000 grant from the Massachusetts Energy Trust challenged Tufts to incorporate renewable-energy technology creatively in the project. These solar thermal panels are thought to reduce the energy needed to produce hot water by 30 percent and generate a small amount of electricity. "Solar photovoltaic panels line some of the exterior of Sophia Gordon Hall - that's energy reduction, so that gets you points in the LEED accreditation process," Swan said. These photovoltaic panels will resemble glass awnings and will offer shade, as well as convert energy from sunlight. Additionally, there is a storm water management plan in place on the site to control runoff and reduce the effects of erosion and sedimentation on the storm sewer system. "We are using silt traps, hay bales and silt fencing to achieve this goal, and paying special attention to the maintenance of these erosion controls," Davis said. Air quality is another issue during construction: "We are trying to manage pre-occupancy to optimize the air quality and minimize the negative impacts of air quality problems on the health and well-being of both the construction workers and the building occupants," Davis said. "We do this by protecting the ductwork- through wrapping during storage and during installation at the end of each day - to prevent contaminants from ever entering the air handling systems of the building," she said. "We are protecting all absorptive-finish materials from moisture damage to prevent the possibility of mold developing. We also undertake a complete system flush-out just prior to occupancy to minimize the contaminants in the system." LEED guidelines encourage the use of recyclable and renewable materials to minimize the amount of waste sent to landfills, and limit the trucking of construction materials to a radius of 500 miles, to reduce fuel emissions. "They're also using certain types of flooring, using recycled materials, and using regionally available materials because there is an environmental expense of having something shipped," Swan said. "We tried to optimize the recycled content of the materials we were purchasing, and paid special attention to the location of the vendors to try to get a majority of materials within a 500-mile radius of the site," Davis said. "This minimizes the impact of transportation and shipping on the environment." "For Tufts, this building is a milestone, a first step toward a commitment to sustainable design," Wilmot said.


The Setonian
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All action and little substance in this snowboarding 'Descent'

The best thing that can be said about "First Descent" is that it lives up to the promise made in the trailer: no wires, no special effects and no stunt doubles. Although this snowboarding documentary is occasionally thrilling, it only skims the surface of its subject matter, easily wearing out its welcome by the time the credits roll. The primary fault of "First Descent" is that it is two movies in one, and gives neither enough time to fully develop. The first is a history of the sport. Interwoven is the story of five snowboarders (Shawn Farmer, Terje Haakonsen, Nick Perata, Hannah Teter and Shaun White) taking a trip to Alaska to board down the untouched powder of the Alaskan mountains (these rides are called "first descents"). Thankfully, despite the fact that the movie is produced by MD Films, none of the boarders ever crack open a Mountain Dew for the camera. The historical section of "First Descent" is a straightforward primer. Archival footage is mixed with interviews from dozens of authorities in the community. Several interesting topics are touched upon, including snowboarding's growth from the X-Games to the Olympics, the effects corporate sponsorship, and the influence of filmmakers and photography on the spread of snowboarding's popularity. Unfortunately, each of these topics is only allotted several minutes onscreen, and is paid lip-service rather than explored in any satisfactory depth. Certain topics such as the ties between the snowboarding, surfing and skateboarding beg for their own segment, but are only mentioned in passing. Furthermore, these issues represent only a fraction of the running time from the historical section. Much of the history of the sport, as presented, turns out to be less than compelling, as well as suffocated by a constant barrage of snowboarding stunt clips. Although some of the footage is impressive, it soon becomes repetitive and tiresome. The Alaskan sequences, although flawed, are the more interesting segments and feature new material produced for the film. This material is exquisitely shot and often awe-inspiring. The sheer size of the peaks and their nearly vertical drops are captured well enough to convey a tangible sense of danger. The boarders perform death-defying stunts, some of which they execute mind-bogglingly. One boarder even unwittingly starts an avalanche, only making a narrow escape by courtesy of some impressive boarding skills. These images make one wonder why production companies decide to spend inordinate amounts of money on visual effects (see the avalanche scene from 2002's "xXx") when there are daredevils out there who will give you the real deal and have a great time doing it. The filmmakers' skillful capture of the stunts is the reason "First Descent" is seeing a release on the big-screen; the historical sections would be more at home on television, rather than in the large format. "First Descent" gives background on each of the Alaskan boarders, discussing their history with the sport. But these introductions run only around five minutes each. For the most part, these athletes thrust themselves into their "runs" down the mountains before the viewer gets to know them. Intriguing issues, such as how Hannah (one of the boarders) survives as a woman in a man's sport, are, as usual, given only cursory attention. Despite the boarders' exposure to dangerous situations in the mountains, the viewer has trouble caring about their plights beyond the "man vs. nature" sentiment. Additionally, since just about all of the Alaskan sequences take place on the mountains with boarders on solo-runs, neither the personalities of the boarders nor the bonds between them can be developed. At the end, when the boarders gush about how they have "grown" or "bonded" with each other over the trip, their comments lack resonance. Fundamentally, "First Descent" tries too hard to be the snowboarding documentary to end all others, and the result is a lack of focus. The film's length is not enough to illustrate snowboarding's entire history and the story of five boarders in Alaska. In trying to cover all the bases, "First Descent" ends up covering none of them thoroughly. A longer running time, however, would have proved equally fatal, since the film sometimes drags along even at its current length. A better approach would have been to focus on only one of the two main story lines. Of the two, the human element is most compelling. A more in-depth look at the five boarders would not only be more emotionally satisfying, but the best snowboarding footage (of their runs) could be retained. The skateboarding documentary "Dogtown and Z-Boys," although stylistically inferior to "First Descent," featured a commitment to character that ultimately proved more effective. If you are a snowboarding nut, see "First Descent" in theaters to truly appreciate the stunts captured for the film. Otherwise, you should consider skipping this one. As pure eye candy, "First Descent" is a four-star movie. As a documentary however, it's closer to two stars. Taken as a whole, the rating falls somewhere in between.


The Setonian
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Inside Women's College Basketball | Tennessee's Candace Parker: This girl's got serious game

Tennessee's Candace Parker does it all. She can shoot, she can pass, she can block, she can play with her back to the basket and on the periphery, and she can make any defender wish she hadn't gotten out of bed that morning. Oh yeah, and she can dunk. When the then-high school sophomore threw one down in a game at Naperville Central game in December 2001, she was the first girl in Illinois and only the second in the country to do so, the beginning of a long list of firsts for the Chicago native. Two years later, she became the first female to win the McDonald All-American Game slam dunk contest, outshining at least two current NBA pros. She was also the first-ever repeat recipient of the Naismith High School Player of the Year award, repeating the honor her junior and senior years. And now, finally in a Tennessee uniform after redshirting her freshman year with an injury, it looks like Parker, who has more weapons than defenses can count, let alone stop, may just lead the Tennessee Lady Vols to their first NCAA title in seven years. Probably the most decorated female high school athlete ever, Parker has been touted as the LeBron James of women's hoops. The hype, while perhaps a bit overzealous, is not misplaced. While the media frenzy surrounding her dunking ability has taken much of the spotlight, Parker's skills extend far beyond her 27.5-inch vertical. She is a 6'4" guard in a forward's body who can run the point, dominate the paint, and create shots at will, and with her "spread-the-wealth" attitude and keen court instinct, she simply makes everybody around her better. Highly-recruited from the time she was in middle school (The Chicago Sun-Times ran an article highlighting her AAU stats in July 2000), Parker announced her commitment to Tennessee on ESPNews, another first in the women's game. But Parker's long-awaited debut was set back a year as she decided to redshirt her freshman season to rehab lingering effects from a torn ACL suffered the summer before her senior year. Now healthier, stronger (she weighs in at 180, up from 160 when she got to Knoxville), and chomping at the bit, Parker is ready to do what people have been saying she'd do for years: change the game of women's basketball. With the departure of 6'2" forward standout Shyra Ely, who is now playing with the WNBA's San Antonio Silver Stars, Parker was needed on the low post to compliment the talented guard play of senior Shanna Zolman. And she has delivered, averaging a double-double with 16.6 points and 10.0 rebounds and leading the team in rebounds in six of the Lady Vols' seven games so far this season. Her 15 assists, just short of the Zolman and backcourt teammate Alexis Hornbuckle, are a testament to her outstanding vision and on-court composure. While her offensive power and explosiveness are no surprise, Parker has surprised many on the defensive end, nabbing 13 steals, second-highest on the team, and handing out a team-high 19 blocks. Having the wingspan the size of Montana probably doesn't hurt. Parker entered Tennessee as part of coach Pat Summit's "Super Six," the 2003 recruiting class that was rated the best of its year and has been touted as the strongest group of incoming freshmen ever. Hornbuckle made the most immediate impact last season, starting in 21 games and averaging 8.6 ppg, and has upped both her minutes and her impact this season, putting up 10.9 ppg and 18 steals. With the return of Parker and the now-seasoned Nicky Anosike, the sophomore class will provide much of the team's firepower this season. Under the direction of Summit, the Lady Vols have been one of college's most dominating forces, producing some of the game's best players in the past decade -- Tamika Catchings, Chamique Holdsclaw, Kara Lawson -- and winning five national titles between 1989 and 1998. But despite several No. 1 preseason rankings and repeated choruses of "this is the year," Tennessee hasn't taken home the NCAA hardware since 1998, when it capped off a 39-0 season with its third straight championship. But the Lady Vols are off to a red-hot 7-0 start, facing one of the toughest fall schedules of any team and leaving no doubt about their strength. After four straight losses to SEC rival Texas, the Lady Vols broke the 100-point mark and handed the No. 16 Horns their sixth worse loss in school history, 102-61, on Dec. 1. Three days later, they ended twelfth-ranked Stanford's 23-game win streak with a 74-67 win on Dec. 4, a win that pushed them back to the No. 1 spot after flip-flopping with Duke in recent weeks. Four titles in five years for the UConn Huskies have kept the Lady Vols outside looking in. But as the "Super Six" step up into their sophomore seasons, rallying behind the infusion of Parker's all-around power, look for the Lady Vols to back up their preseason ranking and bring home their first title in seven years.