BANZAI! Place Your Bets!
April 1Right now you're thinking, "TV is so dull. I need action! What I crave is a circus-rodeo game show of chickens tied to helium balloons, bewildered celebs, rabbis racing priests, and the elderly racing each other! And I wanna bet on them too. I love to bet!" BANZAI! Your wishes have been granted by Comedy Central and the re-release of the show "Banzai." After getting canned last year by FOX after six episodes, "Banzai" is back on Comedy Central with the six old episodes plus four new ones. The show is an interactive betting show, spoofing the bold and frantic Japanese game shows. Though funny in this respect, "Banzai" often takes the stereotype too far and is more offensive than humorous, at times bordering on racist. The networks pitch it as edgy and different, but the audience is left wondering whether they should be laughing at this. You be the judge. But there's no denying that even though it makes you wince, "Banzai" makes you laugh too ... and maybe even have a seizure if you're so lucky. Watching the show is like being at an arcade. That's the idea behind the Japanese spoof, at least. DING DING!! Little yellow tickets spit out of your VCR in a nauseating stream. You ah a winna! You ah a winna! BANZAI! Everything is brightly colored, pictures and words flash rapidly, and karate is mentioned every minute or so. It's like being punched in the face. The two hosts of the show, one wearing a three piece suit and the other in a supposed martial-arts outfit with a shaved head, dance in front of a blue-screen between segments. Uncomfortable yet? YAHTZEE! The voice-overs have the same disorienting effect. At the commencement of each new segment, the suit-wearing host of the show shouts with a very thick accent, "Prase bets now! Prase best now!" So go ahead, "prase your bets!" How long will "Mr. Shake Hands Man" be able to stay gripped to "Frasier Man" in an impromptu parking-lot interview? If you guessed forty-point-one seconds, you're right! BANZAI! It gets awkward at around fifteen seconds. For the remainder of the time, Kelsey Grammer looks like he's being robbed while riding a roller-coaster. Use your imagination. But Grammer's frantic bobble doesn't begin to compare to the disarming spell that "Lady One Question" casts on her red-carpet interviewee, Simon Cowell, in another segment. Her mission: "Ask celebrity people only one question ... and maintain wall of silence." The goal: to see how long before celebrities "feel such shame they walk away." If you guessed seventy-seven seconds, you're right! BANZAI! Cowell laughs and chats for about thirty seconds. Then he gets nervous and repeats himself. For the final portion of time, he looks back at the woman in complete terror. Cowell stares at her vacant eyes as if he's a man looking for the "on" switch to a robot while knowing that if he touches it, the robot will kill him. The result of all this is comic, no question, and also pleasantly subversive. Not many people can disarm the "American Idol" character, which makes "Lady One Question" all the more funny ... and puzzling. That's something of the overall effect of the show, too -- bombardment, confusion, silence, laughter. "This is a true-re magical moment!" as the host says. The show is funny, assuming that you can manage to overlook the circa-1940s Asian stereotypes. It'd be one thing if they got in the way of the humor, but they don't. They are the humor. The segments themselves are funny, but no more outrageous than MTV's "Jackass." It's the costumes, voices and decorations of "Banzai" that make a person more than just a little uneasy. It's not the only show to be outfitted with heavy racial humor, but it's probably the one whose use of stereotypes is the easiest to ignore. "Banzai" is one of those shows that go with Comedy Central like old folks go with Florida. But who knows? With all the MAD TV reruns of late, maybe Comedy Central is trying to build up a jittery-comedy appeal. "Banzai" fits in nicely with that, as long as you can stand it. BANZAI!

