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Making an impression

Mankind, by nature, exhibits inherent duality. Nowhere is this trait more obvious than in fine art. Impressionist artists have long provoked opposing reactions in the general public. First labeled as unskilled amateurs and rejected from the admired artistic circles, painters such as Claude Monet, Edgar Degas, and Paul Cezanne have become household names. Known primarily for their innovative landscapes, this band of distinctive artists channeled their focus on images of flowers, food, and household items. A variety of these paintings is currently on exhibit until June 9 at the Museum of Fine Arts. The show, entitled "Impressionist Still Life," presents attempts made by artists of the Impressionist period to reconcile their inventive styles within the accepted norms of painting. While the paintings generally depict subject matter catering to the bourgeoisie taste for still-life, the artists' individuality, and their subtle attempts at personal expression, are plainly evident. Indeed, the represented artists involve personal and emotional qualities in their depictions of inanimate objects. While breaking away from the impersonal nature of their predecessors, many of the Impressionists embraced symbolism. Eduard Manet painted a series of flowers drawn from the bouquets given him by his friends during his last days. The images, with their quick brushstrokes, small size, and light palette, suggest Manet's awareness of his own mortality. Death is a common theme in the exhibit. Hollyhocks, a symbol of death, are somberly displayed on an atmospheric canvas painted by Gustave Courbet during his imprisonment in a French jail; Cezanne's series of brown and gray skulls are also present. Painted near the end of his life, the images reflect the painter's increasing preoccupation with his approaching death. Such emotion is evident in other canvases as well. Vincent Van Gogh, the once-despised and currently-adored Austrian, demonstrates his power to stir sentiment through paint in a room devoted solely to his work. Particularly tender is the "Sprig of Flowering Almond in a Glass." A relatively small work, the light gray tones shot with a line of red attract the eye, while the delicate blossom reminds one of the first feelings of spring. Van Gogh painted the image on a spring trip during which he had anticipated warm weather, but was disheartened by the reality of gray skies and cold winds. His despair in face of the weather is plainly evident in the tender painting. Other artists demonstrate a parallel ability to elevate the still-life to a form of intimate expression. Eva Gonzales, a student of Manet, shows off her skill in a tiny picture of "White Shoes." The image, while evoking with amazing precision the tactile sense of silk and feather of the shoes, also demonstrates the simultaneous vulnerability and frivolity of the shoes' female owner. Yet another personal message appears in Manet's "Bouquet of Violets." The painting of the simple purple blossom, while beautiful in its own right for the deft manipulation of color and stroke, takes on a sentimental tone with the inclusion of a little note inscribed "A Mlle. Morisot," a tribute to Manet's fellow artist and sister-in-law, Berthe Morisot. While redolent with feeling, the paintings also represent unique stylistic expression. The deliberately crude brushwork in Cezanne's "Still Life with Bread and Eggs" demonstrates a conscious departure from the smooth realism of earlier depictions of the same subject matter. Meanwhile, Claude Monet liberates a traditional subject -his wife by the window- from typical settings by obscuring her figure with potted flowers in the foreground. Henri Fantin-Latour remains true to historical precedent by painting fruit on a table, but then surprises his audience by presenting the table from a lower viewpoint and allowing blank tablecloth to dominate. Novelty is also inherent in the work of Paul Gaugin, the famed painter of Tahiti. His painting of "The Ham" employs vibrant coloration, juxtaposed patterns, and flat perspective. Imbued with innovation and sentimentality, the collection represents art at its best. As still-lifes were an accepted genre of painting, the Impressionists designed their images to please the public and conform to the ideals of the time. However, as individuals striving for creative rebellion, they managed to permeate their canvases with unique styles. While some may derive nothing more than aesthetic pleasure from "Impressionist Still Life," viewing the collection is a meditation on the balancing of humanity's innate contradiction.


The Setonian
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Aberdeen promises a 'Bright' future

The members of Aberdeen seem to have everything going for them - critical acclaim, a strong fan base, intense energy, and loads of talent. On top of that, their new EP, Bright, shows the band's evolution over the last six months. With this new release, Aberdeen attempts to establish itself as a progressive band with a fresh perspective on rock. The band's sound falls somewhere between alternative and art rock, but it puts so many elements together that it's difficult to pin down a particular style. The fusion of violins, voice samples, and synthesizers helps create complex music with an irresistible, innovative sound. The six tracks on Bright clock in at an average of five minutes apiece; Aberdeen's attempt to expand beyond the common three-minute pop songs that rule the airwaves today. Instead of going for catchiness, Aberdeen goes for quality, giving each song time to develop. The results are often amazing. "Softly," perhaps the most heart-wrenching track on the EP, runs over eight minutes, completely changing directions about halfway through to intensify its sorrowful yearning. Aberdeen's members all contribute something distinct to Bright. Lead guitarist Ryan Heller exhibits a powerful style, laced with inventive melodies, while bassist Ryan Kelleher has the technical mastery needed to fuel the band's extended numbers. Rob McCaffrey's hard-rocking drums help provide the music's rhythmic backbone without dominating the songs. The band's newest member, Christopher McLaughlin, brings his sampling/turntable/synthesizer experience into play. Since joining the group last March, his experimental style has added a new depth to Aberdeen's music. The most immediate stand-out feature of the music is lead singer Brad Parker. Through his incredible vocal strength and range, he makes the listener share in his aching feelings, a vital component in connecting the listener with the music. "We ourselves were trying to take a third person approach with the record, trying to answer the question, 'What is Aberdeen?'" Heller said from the band's home near Boston College. "Hopefully people can find a common thread in all of the songs." According to Heller, the band is interested in creating unique new sounds instead of restricting its creativity by conforming to one style. By no means is Bright a culmination of Aberdeen's work; it's more of a leaping-off point. "This EP shows a lot of possibilities we see for ourselves linked into this recording," he said. Besides self-exploration, the musicians are trying to "create a niche for ourselves artistically, with a strong, independent voice, and to make strong rock music for what it is." Bright's main weakness is that it can't possibly convey the energy of an Aberdeen performance. While one can definitely hear the passion of the music through Parker's lyrics and voice, the album does not allude to the band's stage presence. This is why Heller feels it necessary for people to check out Aberdeen's live show; some of the songs seem to take on a whole different life when played onstage. As he put it, "People see how the songs can affect us and bring another kind of level of energy to the music." The band will hold its CD release party one week from today at the Middle East in Central Square. As Heller says, "We hope this EP and show intrigue people, and they'll come along on the ride with us."


The Setonian
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Weekend trustee meeting to take on new format

Hoping to gain support for a comprehensive reexamination of Tufts' undergraduate experience, President Larry Bacow has asked the Board of Trustees, which hired him only nine months ago, to spend their weekend retreat touring the Medford campus. The drastic change from standard trustee procedure, which is expected to help trustees identify the school's academic strengths and weaknesses and student's concerns regarding campus life, has many at the University taking a look at Bacow's broader plans for reform. The untraditional move was made by Bacow in conjunction with his recently formed Taskforce on Undergraduate Education, which has quickly become a major focus of the young president's agenda - and one which its chair, economics professor Gilbert Metcalf, said would mark Bacow's "signature effort in the undergraduate area." In a Jan. 9 letter to Trustees, Bacow wrote that the weekend would be restructured in order to involve the University's governing body in establishing guidelines for the taskforce. "Groups will visit classrooms, laboratories and dormitories and meet at various places on campus," the president wrote. "The tone will be informal, and you will have ample time for good discussion and dialogue with your faculty, student, and staff hosts." Twenty-seven of the University's 35 trustees will be on hand for the weekend. Once dominated by schmoozing and private conferences, it will now be filled with campus tours and rare trustee interactions with students and faculty. Most trustee committee sessions - standard fare in years past for the February weekend - will not occur until May. Instead, trustees will divide into three groups, each centered around one of the taskforce's objectives - "Teaching and Learning," "Student Life," and "Quality of Students." Student trustee representatives and faculty members will tour facilities - including classrooms and dormitories - with the trustees today, and convene tomorrow to discuss their experiences and work on a mandate for the taskforce. Bacow's revisions to the trustee weekend have been hailed by administrators and faculty as comprehensive and insightful. Provost Sol Gittleman said the weekend's restructuring would further Bacow's taskforce objectives. "Larry is setting it up the way he wants, and that's great," Gittleman said. "He wants trustees to get a better sense of what student life is like. The closer you are to your constituency, the better off in life you are." President Emeritus John DiBiaggio, who also restructured the February meeting in his first year with the University, said Bacow's initiatives were "right on target." "I think it's kind of interesting... he wants to get the Trustees very involved," DiBiaggio said. "Sort of like a mini-retreat in which they reflect upon what they want to do. He's made it very clear that his principle concern is the quality of student life. By doing this, he signals that this is indeed the case." Student government leaders, however, are giving the new format and taskforce a lukewarm reception. Jesse Levey, a trustee representative who would normally deliver a formal presentation to trustees this weekend, said he would "reserve judgement" on the restructuring. "I want to make sure that students are included and that our opportunity to give formal presentations to the trustees is not hampered by this process," Levey said. "I indicated to [Secretary to the Trustees] Linda Dixon, I requested that I be able to speak at the May meeting, and it remains to be seen whether I will be able to. I think its great that students are included on the taskforce. I also applaud the president for thinking of engaging trustees on the dialogue. I just want to make sure students can voice on topics that they think are appropriate." Senator Pritesh Ghandi will speak at a luncheon for trustees and students on Saturday and address what he perceives as a lack of communication between students and administrators. Ghandi, who said he was disappointed in the relationship between president and student government, thinks the trustee representatives should be given the opportunity to deliver their formal presentations. "I don't think enough student concerns will be brought to the trustees," Ghandi said. But while the role of trustee representatives has been reduced, Bacow maintains that his initiative is intended to involve students more intimately in the weekend. Three student representatives are situated on the taskforce, and its administrative members will interact with trustees throughout the course of the weekend in what Bacow said is an attempt to "engage the trustees more, as opposed to just getting them together and talking at them." Along those lines, Bacow has replaced the traditional Saturday luncheon at the Gifford House with lunch at the Dewick-MacPhie dining hall. The president asked that Dining Services prepare the traditional lunchtime fare, and students happening to be eating in Dewick at the time will get the opportunity to converse with trustees. Joyce Barsam, a trustee and chair of the academic affairs committee, said she was encouraged by the taskforce. "It's always a good idea to try different approaches to information gathering, and the advent of a new president is an ideal time to try new models of meeting in order to improve our governance," she said. "I think we all agree that it's powerful to view realities firsthand, rather than by a third-party report, so this is an effort to see for ourselves the actualities at Tufts." Barsam's committee is one of two that will meet for abbreviated sessions today. All non-pressing business will be handled in May, though updates on the progress of the new dormitory and an announcement regarding the University's commencement speaker are expected. Bacow has been tight-lipped about the speaker's identity since telling the Daily last month that one had been selected and had accepted an invitation.


The Setonian
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Literature in a little black dress

Whether in fashion or literature, simplicity never goes out of style. Winner of the 1987 Pulitzer Prize for fiction, Tennessee native Peter Taylor's A Summons to Memphis follows the principles of literary minimalism, creating a novel that delicately depicts the old ways of the distinguished genteel South. Set in the 1920s, the novel focuses on the experience of Phillip Carver and his family. Prior to the family's move to Memphis following a devastating financial fall out between Phillip's father, a prominent lawyer of only the best reputation, and his shady business partner Lewis Shackleford, the Carver family is the epitome of upper-class Nashville society. They adhere to every traditional upper-crust social expectation from coming out parties to fox hunts, and are well-respected in various social circles. But the move to Memphis is highly disruptive, particularly for Phillip, who continues to grapple with issues from his childhood well into adult life. Thirty years later, long after Phillip has established himself as a book editor in New York and removed himself as much as possible from the affairs of his childhood's South, Phillip receives two phone calls within 20 minutes of each other from each of his sisters. Two years have passed since his mother's death, and his father is now engaged to be remarried to a Mrs. Clara Stockwell. In traditional southern fashion, his sisters have decided that their father must not be permitted to remarry, and that Phillip must aid in their mission. Forcing him to return to his childhood home, these events compel Phillip to confront his enduring issues with his troubled past. A master of Southern fiction, Taylor writes clearly and subtly without over-emphasizing unnecessary particulars. Though the voice of Phillip is frequently distant and seemingly too reserved given the emotionally charged history through which he sifts, A Summons to Memphis still effectively conveys not only the sentiments of the protagonist but also the true nature of the other characters. Taylor maintains the simplicity of the novel despite its complex structure involving a series of flashbacks to Phillips childhood while also contemplating his present predicament (namely the end of a 15-year relationship with Holly Kaplan, who, like Phillip, has sought to escape the confines of her family by running away to New York). The author's detachment results in a very different kind of character development in which none of the characters are especially sympathetic or endearing. Despite this, the reader still develops an equal understanding of each individual's nature and motives. Taylor treats each character with equal importance; even though Phillip is the protagonist and the reader witnesses the unfolding of events from his perspective, the novel is not overwhelmingly skewed. While the reader senses a lack of complexity with regard to character development, it does not detract from the novel's overall effect. Taylor's focus in the novel is not so much on the details as the complete picture he is attempting to create. Each individual reader will wish that a particular scene were explored in depth, or that a particular character were more complex. These, however, are not the focus of Taylor's work. His intention with A Summons to Memphis is to construct for readers a multifaceted image of the South - and he succeeds. Elements ranging from social expectations to familial obligations to change are examined in the novel. Rather than focusing on only one or two components, he explores as many as possible. The result is a novel that, while lacking in detail, still provides a comprehensive and clear impression of the American South.A Summons to Memphis is by no means a universal work of fiction - many will find Taylor's detachment and lack of attention to detail tiresome or even boring. He leaves much to the imagination of the reader, unloading much of the responsibility of interpretation from himself to his audience. Nonetheless, this simple novel is gracefully written and a pleasant read if approached with an open, willing mind.


The Setonian
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No strings attached

Close your eyes for a minute and think back to your childhood. What television shows did you watch? What made them exciting? Chances are high that the answer includes Sesame Street, Jim Henson's Muppets, and the often-forgotten but still noteworthy Fraggle Rock. Why? Because the inclusion of colorful puppets added an aura of mystery that made curious children wonder just how the imaginary creatures moved.


The Setonian
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Sox look to surpass Giambi-led Yanks

The Boston Red Sox are the only team with a prayer of challenging the New York Yankees, and their strength is still in doubt. The other three teams in the AL East have some potentially threatening lineups - that is, if they were playing in triple-A. The Baltimore Orioles, Toronto Blue Jays, and Tampa Bay Devil Rays did little in the offseason to bolster their mediocre teams and will all participate in an exciting competition for the AL East cellar this season. Contenders:New York Yankees. This one is a no-brainer. The Yankees have the best pitching in baseball with Roger Clemens, Mike Mussina, and Andy Pettitte, and the offseason addition of David Wells gives New York a rotation that will be more feared than owner George Steinbrenner. Though Clemens, who turns 40 in August, may seem a little over the hill, he was more than on top of his game last year for the Yankees, when he went 20-3, and he will make a bid for his record seventh Cy Young award this season. With premiere closer Mariano River (50 saves last season) around to back up the rotation, New York's pitching is a steel wall. Steinbrenner, meanwhile, overhauled the Yankees' offense in response to last year's World Series loss, and the new lineup looks even more potent than the old one. Giambi (.342 average and 38 homers with Oakland last year) replaces Tino Martinez at first base, and batting behind Derek Jeter and Bernie Williams will give him plenty of opportunities for RBIs. Alfonso Soriano proved to be a good hitter and even better base runner in his rookie season last year, and catcher Jorge Posada has hit over .280 in his last two seasons combined. Former Chicago Cubs outfielder Rondell White is also a helpful addition to this lineup, though he has been plagued by injuries in recent years. Team on the bubble:Boston Red Sox. There are more if-then statements being made in Red Sox nation this spring than there are on a logic exam. If Pedro is healthy, if Nomar is healthy, if Jason Varitek is healthy, if Grady Little can manage well, then this team has the potential to compete with the Yankees. But that's a very big if. The Sox' team and management have been completely turned over. For the offense, these changes look promising. Rey Sanchez is an upgrade over Jose Offerman at second base, and outfielder Johnny Damon will provide some speed to a team that steals bases about as often as Haley's Comet is visible from the Earth. If Nomar Garciaparra returns to the form of two summers ago when he led the AL in hitting, the Sox will have a strong middle of the lineup featuring Garciaparra, Manny Ramirez, and Tony Clark. Outfielder Trot Nixon continues to improve each year. But none of these players are as talented as the Yanksee' Giambi, Jeter, and Williams, and Little has a big task ahead of him in uniting a divided clubhouse. Though the offense has been strengthened, Boston's pitching rotation is questionable at best. The Red Sox lost Hideo Nomo - the team's best starter last year - and David Cone, and for the team to rely so heavily on Pedro Martinez could be a mistake if he has trouble coming back from his shoulder injury. Former closer Derek Lowe has made a case in spring training to be the number two starter, though it would be ludicrous to expect him to be anything but mediocre. John Burkett is a fine addition to the rotation, but nothing spectacular. And beyond closer Ugueth Urbina, the Sox bullpen could be problematic.Players to watch:Pedro Martinez. The three-time Cy Young winner is coming back from an injury and had a rocky Spring Training. Little announced Saturday that Martinez's pitch count will be limited in his next start on Wednesday and hinted that the ace might still be experiencing shoulder discomfort. If Martinez makes a strong comeback, it may provide the momentum to ignite the Red Sox. But if he falters, Boston's rotation will combust.Grady Little. The Red Sox manager may not compete on the field, but his performance will be a key determinant in whether the Sox can stop the Yankees - or, realistically, win the wild card. Dan Duquette and Joe Kerrigan left a lot of wounds that Little must now repair, and he will need to deal with many uncertainties on the Sox team this year. Young gun:Nick Johnson. The Yankees' rookie will bat in the designated hitter's position since Giambi has the spot at first, and he put up promising numbers in the minor leagues. New York expects him to be its next Alfonso Soriano, and if that prediction comes true, Johnson will add force to an already potent Yankees lineup.Last word: There is little to focus on in the AL East beyond the Red Sox and the Yankees. Cal Ripken was the one highlight in Baltimore, and now that he has retired, the most popular Orioles will likely be the hot dog vendors. Tampa Bay has finished in the cellar in each of its four years of existence and did nothing in the offseason to rectify this situation. Toronto, however, does show some potential for improvement. The Blue Jays have some quality hitters in Carlos Delgado, Shannon Stewart, and Raul Mondesi, but the rest of the lineup is comprised on young players who will need to step up. Pitching is really what is holding Toronto back. The Jays lost closer Billy Koch, and Chris Carpenter is a good pitcher but not an ace. Prediction: Yankees, Red Sox, who really cares beyond that.



The Setonian
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Torn Ticket's 'Woods' are lovely, dark, and deep

Brilliant, dark, devastating, long, involving, strange, epic, long, chaotic, beautiful, funny, and long: every word accurately describes Torn Ticket II's spring major, Into the Woods. Steven Sondheim and James Lapine's deconstruction of the fairy tale was brought to life over the weekend with stunning vocals, great gags, and vision. It is their most ambitious project I have seen here, and without a doubt the most successful. Mixing the fairy tales of Rapunzel, Cinderella, Little Red Riding Hood, and Jack and the Beanstalk (along with the added characterization of a baker and his wife) the musical chronicles many adventures in and through the woods of an enchanted kingdom. After a long, amusing first song, we meet the characters, see what they wish for, and why they go 'into the woods.' And, of course, everything ends happily ever after. The show is almost two separate stories: Act I an amusing fractured fairy tale, filled with silly gags, funny songs, and familiar stories. Act II is strikingly dark and dangerous for a fairytale - or any musical for that matter - as the Giant's wife from Jack and the Beanstalk shows up, and many of the main characters start kicking the bucket Act II is the Return to Oz of musicals - the darker, meaner half that is less pleasant, more memorable, and less safe. Everyone is likely to pick one act over the other. It could be argued that Act I is wonderful but Act II is dark for the sake of being dark. It could also be argued that Act I is fluff and without Act II the show has little to no meaning. It depends on how you like your fairy tales. Either way, it can be said that this show was long. Very long. Three and a half hours long. Good. But long. Still, it is also an original, a complex delving into the land of children's fantasy that gets plunged into reality, a shotgun marriage of Mother Goose and the Brothers Grimm. But the show is the show, and what is more important here is how well it was done. I've been mixed on past Torn Ticket shows; I loved Zombie Prom (which was not a brilliant show but was a lot of fun) but was not a fan of West Side Story (an overly-ambitious project that fell flat). This time, they've taken a difficult show and pulled through wonderfully. Director Tom Damassa balances the light and the dark well, and although things get off to a jumbled start, the show takes off quickly. While no one character can be said to be the lead of the show, Adam Stahl and Suzanne Corbett (as the baker and his wife) stand out as shining stars. They were amazing both in their scenes together and apart. There was real chemistry and thoughtfulness in how these two fairy tale characters reacted to adversity. They invested their characters with emotion, humor, and real dimension. That does not, however, take away from what the rest of the ensemble added to the show. Vanessa Schiff, Kathleen Mulready, and Mike LaFazia (as Little Red Riding Hood, Cinderella and Jack, respectively) all brought their own touches to the show, each a fairy tale figure with a darker edge that is not immediately clear. Little Red Riding Hood becomes armed to the teeth halfway through, Cinderella realizes that maybe life is better without the prince, and Jack... well, Jack has what one could call 'issues.' Each actor was animated and performed gracefully, seeming more like real people than fantasy figures. Mike Robb and Dan Balkin, on the other hand, get special credit for not making their characters real and sticking them in a hilarious, Rocky and Bullwinkle-esque parody. They play two princes, one for Cinderella and one for Rapunzel, whose sole purpose in life is to have adventures, ravish young maidens in the wood and move on. Balkin has a good voice and delivered the asides very well, while Robb's "princely" mannerisms got progressively funnier as the show went on. Kate Goldberg's final performance on the Tufts stage was also a memorable one, as she created a Witch that begins as a comedic character but gets progressively more human and real as the show goes on. There were times where I couldn't help but see traces of Miss Strict, the character she played in Zombie Prom, but it never took away from the presence she had on stage. Special kudos as well to Steve Harris, who had a somewhat bizarre role as the "Mysterious Man." He was nothing but a gag in Act I and then had to switch to a serious song in Act II, but he did both expertly. Also to Elizabeth Majors, whose thankless dialogue consists mainly of singing and crying, but man, what a voice. The orchestra did a good job by not drawing attention to itself and providing a beautiful musical backdrop for the show. After the initial song, you couldn't even tell that it was students and not professionals performing the music. The show had a simple design, but deceptively so. A huge backdrop of painted woods looked rather bare bones, but with the right lighting it became a menacing, bright, sanctuary. The show also had the best prop ever - if you missed seeing Milky White the cow, I feel sorry for you. Last semester's Zombie Prom could be described as the musical for people who hate musicals. It was so much pure fun, high energy and throwaway fun that it won over most of the hardest critics. On the other hand, it could be said that Into the Woods is a musical for people who love musicals. It was long, it was fantasy and, yes, it had people bursting into song for no reason. Though not everyone concurs - I had a friend who left after Act I, saying that the show was, and I quote, "retarded." Regardless, Sondheim's wonderful songs, great voices, magic, music place it high on a musical hierarchy. Torn Ticket has come a long way to get to this point, and it is a milestone. Bravo.


The Setonian
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New Reslife director to be named as soon as next week

After a two-year search under interim leadership, a new director for the Office of Residential Life may be appointed as early as next week. The appointment comes after two searches for "a visionary," Associate Dean of Students Marisel Perez said. Two of the four candidates - who come from Babson, Oberlin, and Eckerd Colleges, as well as Worcester Polytechnic Institute - have already visited campus, and the remaining two will visit this week. Perez is the chair of a search committee that includes students and representatives from various University divisions, such as Facilities and Dining Services. She said she is "positive that we are going to have a positive outcome this week." Each of the four candidates has spent or will spend a full day on campus, during which they meet with various administrators, interim ResLife director Lorraine Toppi, the ResLife staff, human resources representative Sue Smoyer, and the search committee. They are given a tour of the residence halls before attending an informal dinner discussion with students. The four candidates were chosen from a second search held after the committee did not reach a consensus on a candidate from the initial search pool. The first search's pool visited campus early in the semester, but the search was then reopened and reposted in educational publications across the nation. The candidates' backgrounds were examined prior to their invitation to campus. Each has had at least ten years of experience in residential life at the associate level. Perez said that while all work at private institutions, it was not a requirement. Perez said the second search produced a slightly different pool than the first, with candidates more experienced in residential life operations. After the first search produced no results, Perez said she "wanted to make sure that there was clarity about what the role of that person was going to be." The failed first search provided an opportunity for more extensive discussion among committee members of their expectations and vision of a new director, she said. The position demands a leader who will oversee ResLife projects such as the recruitment and training of Residential Advisors (RAs) and the annual housing lottery, Perez said. She hopes the person will work "to enhance the intellectual experience of students in the residential halls," and that he or she will work with the administration to gradually achieve that goal. The new director will play a key role in advancing a variety of programs that correspond with President Larry Bacow's plan to increase the "community feel" on campus, Perez said in February. Other elements of the director's position will include new dorm designs and working with the Task Force on Undergraduate Education. Demands from students to release housing lottery numbers earlier may greet the new director, as well as calls for increased availability of campus housing and a decrease in the number of forced triples. The committee will "definitely have a clear finalist" and a runner-up, in case the first choice does not accept the position after this week's visits, Perez said. "So far we have met two great people... so I'm encouraged, and I have a wonderful search committee that has stuck with me through all this." After identifying the finalists, the committee will make a recommendation to Dean of Academic Services and Student Affairs Kristine Dillon and Dean of Students Bruce Reitman. The administration will then negotiate to secure the applicant. Perez is anxious to come to a decision in order to give the office the leadership and support it needs. She also wants to take pressure off Toppi, who has continued her duties as associate director of occupancy management while serving as interim director. She said ResLife "has been doing a great job of taking care of everything short-staffed" since it lost director Anne Gardiner in the summer of 2000 and Bob Clark, coordinator of community standards and judicial process, at the end of last year. The Office recently hired a temporary worker to ease the strain. All students are invited to attend one or both of the remaining dinners with the candidates. One will be held tonight at 6 p.m. in the conference room of Dewick-MacPhie Dining Hall, and the last will be Friday at 7:45 p.m. in Dowling Hall.


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The cost of education

$36,700 is a lot of money, but that's the current estimate released by the admissions office as to the costs of one year at Tufts, including all of the "extras" like books, housing, personal expenses, and a meal plan. And while $146,800 has always seemed like a lot to spend for four years, the current economy is making the figure even more arduous for many families. Many colleges and universities are reporting increases both in tuition for next year and in the number of calls from financially-strapped families in need of increased aid. According to a recent survey of tuition and financial aid conducted by the College Board, tuition for private colleges rose 5.5 percent this year - nearly triple the rate of inflation. By that measure, this year's jumps are the largest in either sector since late 1980s and early 1990s when tuitions rose by double-digit percentages. In some states, tuitions have been hiked up to that degree this time around. Illinois, Iowa, and South Carolina have all had to impose double-digit percentage tuition increases to combat the current recession and post-9/11 financial situation. College Board president Gaston Caperton told The Chronicle of Higher Education in November that "anybody who is not serious about what this downturn means [is headed for] disaster." And according to some economists, the effects of the recession will not reveal themselves in full for another year or two. In the meantime, students at some schools are already in financial danger. NYU reported that two of its students were forced to withdraw for a semester when they lost their jobs due to the destruction of the World Trade Center. Harvard's office of financial aid said that unemployment has caused some parents to lose the ability to pay tuition, and in the past month, the Harvard admissions office has seen a substantial increase in the number of financial aid requests. While the financial aid office at Tufts is concerned about the future, it is confident that the University will be able to meet students' needs in the changing economy. "I wouldn't say I'm worried," Director of Financial Aid Bill Eastwood said. "We've been through periods like this. I've been doing this for a while." But Eastwood admitted that things may be different this time around. He referred to the psychological effect of 9/11 as a major component of today's economic stresses. Eastwood believes that many families feel vulnerable or insecure as they watch their friends and neighbors lose money and employment. So, even if nothing significant has changed in terms of the family's financial situation, the fear of disaster may encourage more families to apply for aid or demand more of it. "There are going to be some real losses," Eastwood said. "But beyond those, are families going to be able to invest the kind of money they need to [in order] to send their children to Tufts?" And while some schools have reported students leaving for financial reasons during the current school year, Eastwood said that this has not been the case at Tufts. But he did note that the full effects of the recession have not yet been felt. "When you're doing financial aid, you're always asking for information from the past year," Eastwood said. "The 64-dollar question is: what are we going to see for the coming year?" Eastwood added that he has not seen a significant increase in rates of unemployment among University parents, though the office did receive more phone calls and visits from families receiving aid than it has in previous years. According to Eastwood, the office has also been concerned with aid for international students whose families are suffering from the global economy's downturn. Since international students do not qualify for federal or state aid, the office has significant difficulty in aiding these students. In the past, however, emergency funding has been located. In terms of tuition, Eastwood predicted that there will be a rise in the cost of attending Tufts but said that the University has not yet determined the amount of the increase. As it is, tuition rises at a steady rate every year; Eastwood said that he assumes that next year's tuition will rise by as much or more than this year's rate of 4.4 percent. Despite the possibility of increased tuition, the admissions office expects its largest pool in history yet again. And according to Eastwood, the percentage of applicants seeking financial aid is also on the rise. But Eastwood assured students that the University is fully aware of the tight economy and that progress has been made towards increasing aid, particularly in the form of endowed scholarships. And Eastwood is especially sensitive to the needs of students already attending Tufts with financial aid. "Things are a lot easier when things are booming economically," Eastwood said. "When we've had downtimes in the past, we've managed to scrape together the funds one way or the other."


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Women finish second and third over weekend

The women's varsity eight and varsity four boats took to the water this past weekend against Connecticut College, Ithaca, and Holy Cross. The varsity four finished second out of three boats and the varsity eight ended up third out of four boats. The varsity four boat came into the race already familiar with one of their competitors, Holy Cross. The two boats had competed earlier in the season, with Jumbos losing to the Crusaders by 20 seconds on April 7. This weekend again pitted the two teams against one another, also throwing Ithaca into the mix. And the Jumbos came back with a vengeance, not allowing themselves to be beaten by the same team twice. The Tufts crew started off well, putting themselves ahead of both opponents at the beginning. By the 1200-meter mark, Holy Cross was left far behind in their wake, with only Ithaca left to be concerned about. Unfortunately, the Jumbos could not keep pace with them, and ended up losing by 12 seconds (8:08.8). However, this time it was the Crusader's turn to slink across the line 18 seconds behind Tufts. The turn around performance can be attributed to concentrated training as well as changes made in the boat. "We have been working on a lot of technique since the last time we raced Holy Cross," sophomore coxswain Bess Dopkeen said. "This boat is now a really strong one. There is a lot of raw power on the boat and everyone is ready to push it to the max." Similarly, the women's varsity eight boat went into their race fully knowing how difficult the competition would be. Both Ithaca and Holy Cross have been strong competitors on the circuit this season, and the Jumbos were preparing for a battle. The Jumbos also knew they had to come back from a rocky start in their previous meet, which ultimately cost them the win in a race against Wesleyan. This week, the beginning of the race was not a problem for the Brown and Blue. Despite wind and choppiness, the Jumbos got off the line well, and managed to remain even with all of the teams. "It was a fast start for us, despite the conditions." sophomore coxswain Beth Grosart said. "Everyone was together at the beginning of the race, then we shifted our focus to pulling away from Connecticut College." The Jumbos would do just that, beating out the Camels in the end by six seconds. However, they were unable to catch Holy Cross and Ithaca as the two teams pulled away during the middle portion of the race. The Tufts boat did manage to execute a solid power ten during the middle, which brought it closer to catching the two leaders. "We kind of lost ourselves in the middle of the race," Grosart said. "We were going at a frantic pace and I could tell by the strokes that there were a lot of questions about the race. We were back on track by the end however, but unfortunately it wasn't in time to win." The varsity eight now has one regatta remaining before the New England Championships, as it will take the line against Mt. Holyoke and Smith in two weeks. The primary goal for the team at the New Englands is to qualify for the Avaya Collegiate Championships, which will be held in New Jersey on the weekend of May 11. The varsity four boat, on the other hand, will be competing in the varsity four championships this weekend, and are hoping to qualify for New Englands by virtue of a solid finish. "We are expecting to qualify for New Englands," Dopkeen said. "Last years team qualified and I think the boat this year is a little stronger than the one last year."


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Princeton Review' rates Tufts' racial relations poor

In a message from the Dean of Students to the Tufts community at the opening of the Pachyderm, Bruce Reitman encourages students to "get out there and get to know your classmates, particularly those who aren't just like you." Reitman also said that, "how each of us experiences being here will be defined in large part by the ways we interact with one another." But one well-respected college ranking guide claims that some question how deep those opportunities for interaction are at Tufts. In the Princeton Review's annual "Best 345 Colleges" guide, Tufts was ranked seventh in the category of "poor race/class relations." The rankings and school profiles were gathered from 100,158 student surveys from 345 colleges. Last year, Tufts ranked fifth in the same category. Indeed, students have long questioned whether the activities of the culture houses and the assignment of minority freshmen to minority peer leaders does more to segregate the Tufts community than to diversify it. "Tufts is diverse, but it's so superficial," one Asian American student who wished to remain anonymous said. "As long as the percentages are there, the University doesn't care." "Sorry to burst your bubble," another student agreed. In the past, Tufts has focused on making the school more diverse, but it is only now starting to concentrate on improving race relations among the students already on campus, according to Dean of the Colleges Charles Inouye. The need for improvements in the climate on campus was evident in the ethnic breakdown of the class of 2006. Though the number of minority students admitted was comparable to recent years, the percent of those admitted who chose to attend Tufts was down. In the class of 2006, six percent are African-American, seven percent are Hispanic, 14 percent are Asian-American, and one percent is Native American. Although the number of Asian-American students rose, these statistics represent a decline in the number of African-American and Hispanic students. Some say that the Princeton Review rankings turn minority students away from Tufts. Latino Center Director Rub?©n Salinas-Stern pointed out, however, that it's hard to pinpoint a single reason as to why the percentages fluctuate. 92 students in a class is still an improvement from his arrival in 1993, when "Latinos were not even a presence on campus," he said. A number of cultural resources, from centers, extracurricular groups, and habitats, are on campus to support minority students. Those who run and participate in these resources have mixed perspectives on the role they play in race relations on campus. "I think Latinos see a center for them and it makes them feel good," Salinas-Stern said. "It doesn't mean that if they [are active in the Center] that they're segregating themselves." One African-American senior said she thought students feel pressured to involve themselves with culture centers when they first come to Tufts because they don't know what to expect from college. "For many African-American students, we've come from schools where we were the only black person in our school, or in our classes," she said. "When you come here you want something different. I think the change [from high school to college] scares some students too, they feel pushed into the culture groups when they come here," she continued. That's not always the case, said Li Ouyang, an Asian-American Peer Leader, who wrote letters to incoming freshmen over the summer inviting them to the Asian American Center. "A lot of the advisees are hesitant to get involved with the house. They say, 'I'm Asian-American, but I don't want to be pigeonholed or stereotyped to this house,'" she said. Regular involvement with a culture group or house doesn't make for a lack of interaction among cultures stressed Ouyang. "Our events are open to everyone and publicized to the whole school. The purpose of the center is to educate the University," about Asian-American culture, she said. Director of the International Office Jane Etish-Andrews said that the same was true of the International Center. She pointed out that the International Orientation Program invites both international students and Americans. "We're not isolating international students but rather bringing groups together and making friendships," she said. Senior Laura Horwitz, a Caucasian student who frequents the Asian-American Center, said she was proof that racial interaction can occur at culture groups. "People have this misconception that culture houses are only for people of that culture. They're not," she said. Sometimes, though, the centers struggle to make this kind of interaction. Asian-American Peer Leader Andrew Tong said "there are Asian-American specific events to educate [Asian-American students] first about the issues before they go out and educate their peers." However, there is no specific program to encourage students from other cultures to get involved. "If you don't come looking for the Center, you're not going to find out about it," Tong said. "I feel sometimes that our programs aren't geared towards others." He thinks the reason is not because of disinterest or prejudices but rather a lack of resources on the part of the University. "No one has a desire to put on an event and only have Latinos show up. It's never our intent, in fact, it's a disappointment," if only Latinos come, Salinas-Stern said. The problem is neither the culture houses nor the students Tong said. "Even if you do have the initiative, there's no one there to support you." But administrators say they are there if students ask. "My door is open anytime if someone has a problem with diversity issues," Inouye said. "My own background is one that makes me sensitive to these issues." Inouye is of Japanese decent. "The last time we had a bombing of the US my parents were put in a camp. On 9/11, my response was probably different than most people," he said. Inouye is well aware of racial problems at Tufts. "It's not like I don't know it's going on or don't think it's important. Right now, coming out of this [administrative] transition, the money stayed in the budget. We think it's important that faculty and students request that money," Inouye said. Horwitz thinks students shouldn't have to do the asking. "We don't have a lot of administrator support for interaction," she said. "You can talk about kids having cliques anywhere but I think it's ridiculous to put it on the students. At a lot of schools, there are culture centers all in one building. We don't have anything like that." Salinas-Stern agrees that there needs to be more structure between the different cultural groups. Former Vice-President Mel Bernstein, who left for Brandeis last year, used to act as a facilitator for the culture groups. "I think that's missing... someone who took all that time and it's never been replaced," Salinas-Stern said. "There needs to be a place where there can be a healthy discussion about these issues. We need more connections with high-level administrators." Some students also question what the University was doing in terms of educating students in the classroom. "The past couple of years we've been working on bringing more Asian American courses to Tufts," Inouye said. "Next on our list are more Latino classes, then Native American." Some students say that the cultural centers and groups play an integral role in supporting students' personal growth. "I feel people complain [that the] campus is segregated, but a part of college is finding yourself," Li Ouyang said. "Often we're not comfortable enough to reach out when we're just trying to establish our own identities." "In elementary school I didn't want to be Chinese," Ouyang said. "I was embarrassed by my parents. I was 'whitewashed,' as they call it. Then, I wanted to just be Chinese and embrace what that means. Now, I seek a balance." But even at the university level, finding that balance can be difficult. "It's hard to do both," said one Indian student. "My home friends are hanging out with all Indian students at their schools or they aren't. There is no in between." One African-American student said that, "people tend to sit with who they're comfortable with." Often, she said, this leads to one situation: "mostly all my friends are black." "I don't know that it's an issue on campus; in some ways, it's just what's out there in the world," she said. "We have to be realistic," Salinas-Stern said. Complete integration "is not something that happens in society." But this problem is emphasized at Tufts, said one Caucasian student, because we are so diverse. "I guess most of my home friends don't have the minority populations that Tufts has at their schools, so it's harder to gage," he said. Students also questioned the technique Residential Life and Learning uses to pair first year students with roommates. "I was a Peer Leader and I noticed a lot of roommates were put together by cultures. It might isolate students by doing that," one student said. Director of Residential Life and Learning Yolanda King said that this must have occurred by chance. "It goes into a computer which selects randomly," she said. "There is a roommate questionnaire to ask student preferences... but it does not get into those issues." King attributes these matches to requests from students to live with friends from home. "We're going to attempt to fix the problem," Inouye said. "You can put money on it that we will come up with solutions as early as November... directly addressing issues of diversity - not just domestic but international, economic, and cultural as well." "Issues of diversity have come up again and again," he said. "We hear the message, we're not stupid."Veronica Aguilar contributed to this article.


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The failings of Mr. Sharafat

In a recent New York Times Opinion piece, Amos Oz characterized the perverse symbiosis between Yasser Arafat and Ariel Sharon as a single individual, Mr. Sharafat. The problem with Mr. Sharafat is that he is unable to lead his people to peace. Today's Arab summit is crucial for the future of the Middle East. The Saudis are trying to mollify the US, the Palestinians are trying to get themselves a state, and everyone is trying to prevent America from attacking Iraq. The Saudi proposal - normalizing relations with Israel if it withdraws to its pre-1967 borders - will be the big ticket item. If Mr. Arafat is allowed to attend, which at the time of press seems unlikely, there is a chance things could go well. The best outcome would be a unified acceptance of the Saudi proposal that is not watered down with rhetoric and half-measures. However, this is a long shot. The Middle East is rapidly approaching critical mass, and anti-Israel and anti-American feelings are stronger than they have been in many years. The violence is getting worse, not better, and it seems absurd to talk peace when people on both sides are dying.Yet that is exactly what must happen. The bitter irony is that everybody knows what is needed for peace. The final plan will no doubt look very similar to the various proposals of the last three years. Israel must withdraw essentially to the pre-1967 borders and the Palestinians must accept only a handful of returned refugees; Israel must cede some of Jerusalem and the Palestinians themselves must accept shared sovereignty; Israel must rein in its settlements and the Palestinians must accept 97 percent or so of the West Bank; Mr. Arafat must do his utmost to control terrorism and Israel must understand that he does not have the ability to turn the violence off like a switch. None of this is news. The longer Mr. Sharafat puts off negotiations, the harder it will be later on. He has become his own prisoner, unable to move forward or break out of the downward gyre. He claims that his people will not accept the peace proposal and is unwilling to sell the idea. For a minority in each nation, he is right - they will never accept compromise. Yet most people on both sides desire what everyone wants: security, prosperity and freedom - three elements lacking in the status quo. Instead of tapping into this perfectly reasonable sentiment, Mr. Sharafat plays into the hands of extremists. What is most remarkable is the nihilism of the Palestinian militants - people who are so utterly hopeless that they will kill themselves provided they take a handful of Israeli citizens with them - and the Israeli belief that enough retaliation will actually beat the Palestinians into submission. Both positions are patently ludicrous. No amount of the current bloodshed will end Israel or stop suicide bombings. The US for its part has not done enough for peace. The Bush administration has still not thrown its full weight behind adopting the Mitchell Commission proposals - a necessary precondition for negotiations. By not putting enough effort towards peace, we are undermining the stability of the Middle East and allowing the same hatred of Sept. 11 to fester.One way or another, it is likely that international troops - including Americans - will be required to ensure security once a peace settlement is reached. A gradual withdrawal of Israel from the Occupied Territories should be assisted with international peacekeepers and Palestinian security forces. Otherwise, Israel will never feel secure in its new borders. Bertrand Russell said that violence does not determine who is right - only who is left. With every Palestinian boy shot and every Israeli mother blown up, the extremists on both sides gain a victory. Now more than ever is the time for courageous moderates on both sides to speak up and lead. Yitzhak Rabin did it. Ehud Barak did it. Anwar Sadat did it. Saudi Crown Prince Abdullah is starting to do it. But Mr. Sharafat is not doing it, and it is unlikely he ever will.


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Candidate Reich campaigns at Tufts

At one inch shy of five feet, Massachusetts gubernatorial candidate Robert Reich may not be a tall man, but the economics professor - who also holds a degree in law - has big ideas. Promising to fill what he called a "vacuum of leadership" in the governor's mansion, Reich pledged Wednesday to improve the Commonwealth's economy while fighting for the middle class. The Brandeis University professor spoke to a crowd of 60 students and faculty, including University President Emeritus John DiBiaggio. Saying that the election would be driven by young people, he encouraged students to register to vote in Massachusetts. "There is a philosophy behind the name and word 'commonwealth,'" Reich said. "We need to start talking about the common good again." The former Clinton labor secretary made a late entry into the race on Jan. 9, and has been struggling to regain lost time before the upcoming caucuses. Though recent polls show Reich would either lead or tie Republican Governor Jane Swift in a general election, the new candidate said his biggest challenge will be carrying enough convention delegates to take part in the primary. Reich, one of five democratic candidates, must carry 15 percent of the delegate votes at the Massachusetts Democratic Convention in June in order to take part in the democratic primary in September. Many of the convention delegates will be chosen by cities and towns at party caucus events on Feb. 2. The other five Democratic candidates have been courting party regulars for more than a year, leaving little room for a newcomer like Reich, who has never run for elected office before. "It's like capture the flag, and I haven't caught the flags yet," Reich said. His campaign advisors said that college students will play a large role in mobilizing support for his campaign. "This is going to be a candidacy driven by a field of people like you," Tufts lecturer and Reich political advisor Michael Goldman told students. Though he acknowledged that the other candidates are quality challengers, Reich said he brings something extra to the table. After teaching at Brandeis, Reich says he is returning to politics out of a desire to change the state of the economy. "After Sept. 11 a lot of people started asking, 'What can we do?'" Reich said. He said he is determined to use his political experience to better the state of affairs in Massachusetts. "When I got out of grad school, Massachusetts was the place you went if you wanted to make a difference," Reich said. "[Now] state government, especially the governor's office, is an embarrassment." Reich said the median income for Massachusetts households decreased by roughly $4,000 during the prosperous 1990s even though most Americans saw their incomes go up. "I'm not a miracle worker, but I do know something about the economy and maybe I can help," he said. He began the speech by outlining his qualifications, riddled with anecdotes ranging from his experiences representing the US in front of the Supreme Court to serving as labor secretary under Bill Clinton. Reich recalled the first time he met former Clinton as a seasick Rhodes scholar on the ship to England. "He had chicken soup in one hand and crackers in the other hand, and he said, 'Hi my name is Bill Clinton and I heard you weren't feeling well.'" Reich said he would not engage in mudslinging towards his opponents. "It is a crowded field," he said. "I'm not going to say anything negative about any of them. They're good people. Some of them are my friends... or they were until last week." Armed with a strong record in public service - as labor secretary his office won more Reinventing Government awards than any other department - and faith in his ideas, Reich said he is not afraid of the competition. "The way to compete is to be yourself," he said. "A lot of people would like someone like me who's not afraid to be a Democrat." After his introduction, Reich opened the event up to a question-and-answer session. Asked about the difficulty of competing against a moderate Swift in the general election, he said that her approach to government - for example, her disallowance of job training to count for welfare benefits - would make it easy. "It's very easy to campaign against that," Reich said. "It may be moderate, but in my book it's not right." Well-versed in topics ranging from renewable energy to the Bush tax cut, Reich inspired some students to sign up with his campaign. Following the rally, he spoke to Goldman's class, "The Media Since Sept. 11." Tufts Democrats President Sarah Molenkamp said Reich's level of student outreach was impressive. "We haven't had a candidate in a very long time that reaches out so strongly to a student base," she said. Reich has spoke at other local universities, including Harvard and Brandeis, precisely to further that effort. "If young people get involved in my campaign they can be the army that can make this possible," Reich said.


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Payton, Goldberg amaze

It's a shame that this year's Jazz Show coincided with midterm exams - a lot of people sacrificed a fabulous show in favor of hitting the books. Last night, the Nicholas Payton Quintet and the Aaron Goldberg Trio brought a host of incredibly talented musicians to the Cohen stage, making for a long night of pure, passionate jazz. The Aaron Goldberg Trio opened the show with a nod to Thelonious Monk, performing his "I Mean You." The band then switched gears to "Taurus," an original composition by Harvard alum Goldberg. Bassist Omer Avital, a native of Tel Aviv, stunned the crowd with his endurance and soloing ability, flying up and down the neck of his bass. From his gentle vibrato to his thick, accented fifths, Avital added credence to Goldberg's claim that he was a "future legend of the bass." Sitting in on drums was legend Al Foster - Goldberg noted that Foster had played with "everyone who's anyone" in the jazz world. Foster's stunningly gentle intensity also awed the crowd - he sat behind his kit, smiling and sweating in a full suit, while playing blindingly fast, delicate rolls and crashes. All the while, Goldberg held the band together from his piano bench, his fingers brilliantly dancing over the keys. The trio showcased both its talent and the organized structure of its compositions in closing number "Mao's Blues," both an original and another gentle nod to Monk. The Nicholas Payton Quintet exuded confidence as it took the stage just after nine and jumped into "Nick at Night." Payton brought with him a formidable array of musicians, from his 20-year old bassist to Berklee professor/pianist Anthony Wonsey. If Goldberg's music exhibited the influence of Monk and his contemporaries, the Nicholas Payton Quintet's performance resonated with the influence of jazz giants Davis and Coltrane - even though Payton himself is heavily influenced by Louis Armstrong. Payton, who was just received a Grammy nomination for his tribute to Armstrong, Dear Louis, left much of the work to his band. Drummer Adonis Rose exhibited a style that contrasted sharply with Foster's: while the speed was there, the delicacy was not. Rose passionately and furiously tore through rolls with a dynamic intensity unmatched by any other player. Tim Warfield's searingly fast soprano saxophone screamed to be heard above the roar of the band, winning him raucous applause. Payton himself added skilled solos to "The Magic Bag," jumping between octaves while remaining in the same melody. His work meshed well with Warfield's tenor saxophone, and often the two played their instruments in sudden harmony, revealing the underlying order of the band's often-frenetic compositions. "I don't know what some of you college students are thinking, 'The Magic Bag,' but that's not what it's about," joked Payton in his baritone voice, one of the few times he addressed the crowd. Though they remained silent for much of the set, Payton and Warfield were the true stars of the show. On Wayne Shorter's "Paraphernelia," Payton's trumpet echoed itself, then mimicked a plucked guitar, an example of Payton's ability to reinterpret the work of his influences. The quintet then performed "I've Grown Accustomed to Your Face," a delicate track on which Payton's tender playing exuded the influence of later Satchmo. If Warfield's patience, timing, and talent weren't enough to make him stand out, he also composed several of the songs the quintet performed, including closing number "One For Shirley." His tenor saxophone mimicked and echoed Payton's trumpet, before the group ended its performance with a few bars of careful cacophony, a nod to the avant-garde of the late '60s. Payton thanked the audience, and his band strutted offstage just as calmly as it has come on. It's only every few months that Tufts attracts such serious talent to its campus. Next time, put down the books for a few hours.


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Season saved

Forget Mariano Rivera. Donald Fehr and Bud Selig had the best save in Major League Baseball this season, when they reached a new labor agreement hours before the players were scheduled to go on strike. The truce now gives the opportunity for the real closers and the rest of the baseball world to switch from the bargaining table to the diamond for what promises to be an exciting September. The labor agreement, signed last Friday, aims to, amongst other things, afford teams with smaller revenue streams the ability to compete with squads from the larger markets. The deal also saves baseball from losing its post season for the second time in eight years, a move that would have had long term consequences for the troubled sport. For those who tuned out baseball when the season was in jeopardy, it is once again safe to break out the cap for your favorite team and let pennant fever set in. As the season heads into its final month, three of the six divisions are all but decided. The Atlanta Braves lead the NL East by 18 games. Atlanta has been baseball's best team, compiling an 87-49 record behind a pitching staff anchored by starters Greg Maddux and Tom Glavine, and the unhittable stopper, John Smoltz. The Braves staff has allowed only 473 runs, 78 runs fewer than any other team. Baseball's biggest surprise is the Minnesota Twins. The team was almost contracted last season, but this year leads the AL Central by twelve and a half games with a low payroll and a plethora of young talent. In the AL East, the New York Yankees hold a seven and a half game lead over the hometown Red Sox with only 25 games remaining. While the Yanks' success is expected, injuries and inconsistency have spread like chicken pox through their pitching staff, making another winning October run anything but a foregone conclusion. In the NL West, the Arizona Diamondbacks have put a healthy cushion between themselves and the division's other two solid teams, the San Francisco Giants and the LA Dodgers. Arizona currently leads the Dodgers by six games. The St. Louis Cardinals lead the Houston Astros by only four games in the NL Central, as the Cincinnati Reds, who competed for the division crown well into summer, have fallen below .500. Baseball's most intriguing division is the AL West. An incredible18-game winning streak has propelled the Oakland Athletics to a three and a half game lead over Anaheim, with Seattle only six games behind. Oakland is led by a group of amazing young arms, Tim Hudson, Barry Zito, Mark Mulder, and Corey Lidle, who has not allowed an earned run in over 30 innings. The Anaheim Angels currently leads the chase for the AL Wild Card by two and a half games over the Mariners, while Boston, at five games behind, is dangerously close to falling out of the race completely. Yet with baseball's unbalanced schedule, teams play often within their divisions. After the current three-game battle with the Yankees, the Red Sox do not face another team with a winning record, while the Mariners and Angels must battle each other, Oakland, and the heavy-hitting Texas Rangers, who compiled one of baseball's best records in August. The Dodgers and the Giants are separated by only two games in the chase for the N.L. and have integral games against each other and the Diamondbacks in the season's waning weeks. The final four weeks of the season promises countless unforeseen twists and turns. What is certain is that the games will transpire, which provides relief to everyone.


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In search of truth

In a time when over half the marriages in the United States end in divorce, it should not be surprising that broken homes have become a common theme in literature. After all, they say that you write what you know. But something popular is not necessarily something easy to write about. Creating a divorce novel that doesn't make the mistake of either over-sentimentalizing or trivializing the issue is difficult.Edward DeAngelo gracefully avoids both of these traps in his debut novel, The Lies That Bind, as he seeks to define the notion of fatherhood. After years of suspecting he is not the biological father of his thirteen-year-old son, Pete Morrison finally has himself tested -only to have his doubts confirmed. When he confronts his ex-wife, Joan, with the information, she retaliates. She refuses to allow him to see his son, Sam, in an attempt to shelter the teenage boy from the ensuing conflict - namely, a very messy, very public court battle that struggles to define what it really means to be a parent.What sets this novel apart from others that deal with divorce is that it is told from the perspective of the father. Usually portrayed as the bad guy, DeAngelo creates a sympathetic, albeit troubled, character in Pete. The reader is taken on a journey through the inner turmoil of emotional distress of a man who is suddenly faced with the prospect of losing the one thing he had to live for - a son who is not really his son. DeAngelo produces a certain innocence in Pete and a vulnerability that is endearing.But while the author strays a bit from the deadbeat dad image, he does not fill the bad guy role with Joan, Pete's ex-wife. Rather than portraying her as dishonest, scheming and insensitive - which he certainly could have done - DeAngelo succeeds in effectively conveying her own struggle following the fateful DNA test that changes the Morrison family forever. Having put the past behind her, Joan must suddenly confront the mistake she made 13 years ago as well as the prospect of losing Pete's support - monetary and otherwise.The one stereotype of the broken home syndrome in The Lies That Bind is the child stuck in the middle. When his parents become entangled in the legalities and responsibilities of parenthood, Sam inevitably gets caught between two parents who both fear that they have betrayed their son in ways that may be irreparable. While Joan tries to turn Sam against Pete, Pete arranges secret meetings with Sam despite the court order denying his visitation rights. Only 13 years old, Sam must learn to redefine his relationship with the man he has believed to be his father. The evolution of the characters is remarkable - Pete, Joan and Sam recover from the drastic changes in their lives and emerge as new and better people. The change is subtle and gradual, but DeAngelo is careful to portray the growth of these characters clearly. They change their life goals and priorities according to the new difficulties they face. While they may no longer be the family they used to be, they remain bound together by experiences, respect, and love. Because DeAngelo skillfully avoids making this evolution overly poignant, the transformation each of the characters undergoes is believable.Where The Lies That Bind disappoints is at the very end. DeAngelo spends 300 pages eloquently escaping the pitfall of over-sentimentalizing - and then falls headfirst into the hole. It seems as though he suddenly became consumed by the need to create a tidy, happy ending. Which he does. The problem is that it is an unexpected, awkward, and unfitting conclusion to a novel that has been about struggle and the need to move on. It undermines the transformation of the lives of Pete, Joan, and Sam, trivializing the difficulties they have had to contend with since Pete first confronted his wife. DeAngelo tries to wrap everything in a neat little package, which is glaringly unnecessary.Despite the disappointing conclusion - which you can avoid altogether by not reading the last 12 superfluous pages- The Lies That Bind is a worthwhile read for anyone who has been through divorce in one way or another. DeAngelo offers a refreshing perspective on the experience, making the novel a true original amongst all the other books on the shelf.


The Setonian
News

A need for a vocal community

The article in last Wednesday's Daily entitled "Poll: students apathetic toward existing Greek system on campus" highlights Tufts' challenge in uniting our diverse, bickering community. Students do not voice their true feelings concerning social structures such as the Greek system. They simply accept false assumptions concerning the social reputations of such organizations, and the traditional, patriarchal, male-dominated society that the Greek system represents. After reading the article, I am left asking questions that our simply ignorant Tufts community has failed to answer. While the accompanying survey reveals dissatisfaction with the social and philanthropic efficacy of the Greek system, the lack of response disallows any substantial conclusions to be made. For example, the reporter writes that, "One poll question asked students to rate the Greek system's efficacy in adding to the campus social life on a scale from one to five, with five being the most effective. One hundred percent of the Greek males ranked the current system at four or above, while 50 percent of non-Greek male students ranked it three or lower. Of all the female students polled both Greek and non-Greek, 60 percent ranked the efficacy three or lower." While the survey reveals discrepancies between different groups, the polls' answers do not indicate why these exist. The sub-heading indicates: "More philanthropy expected out of Greeks." Nothing in the data presented, however, allows for an expectation concerning future philanthropy to be made. The survey's question clearly asks students to rate the current worth of the Greek system's philanthropy. But is a fraternity benevolent simply because to claims to be? Does this reputation fuel discontent toward the Greek system among the ethnic minorities, queer community, and white men who do not wish to be associated with fraternities? The simple checked boxes of this survey can not provide the answers because the Tufts community could not extend beyond these boxes. But one wonders if they would have, if given the chance. The non-response then causes campus activists to assume that the traditionally accepted social structure is also accepted on the Tufts campus, presenting a problem when students come together with the hope of breaking down social barriers. False stereotypical statements such as the recent comment made by one student, "Nobody asks why the guys in DTD live together," result in others responding in a negative, confrontational manner, as exhibited by the DTD president. Tufts women are especially damaged by the suppression of opinion on Greeks. The majority of women are not satisfied with the Greek system, yet they fail to give any justifications as to why on the survey. Some, such as the TFA, point to the Greek system as an organization that promotes violence against women. Tufts women: Is this true? About seven years ago, the Tufts administration was grappling with this question, and today we still have not answered the seemingly simple question. The article is loaded with unfound conclusions, but at least it begins to ask questions. The only way we, the Tufts community, will ever get answers is if we look at these social structures and create an open dialogue to discuss them.Katie Reynolds is a sophomore majoring in international relations.


The Setonian
News

Hockey team still in contention for playoff berth

After enduring a torrid stretch, facing four of the top six teams in the NESCAC - Middlebury, Williams, Bowdoin, and Colby - as well as several top teams in the ECAC East including powerhouse Norwich, the Jumbos are set to face some of the lower caliber NESCAC and ECAC East teams as their season winds down. Lower caliber, that is, according only to their opponents' records. "The teams that appear to be weaker and are at the bottom of the standings are still excellent teams, which is a major difference from the ECAC Northeast," coach Brian Murphy said. "We still have a lot of good teams left to play. Every team in this league is good. When we say we think the toughest part of our schedule is behind is, we're speaking it terms of travel and the way we played at the beginning of the season, so that doesn't mean that we still don't have good teams left to play."Tufts will travel to Salem State and Southern Maine this weekend, followed by road games against Babson and UMass-Boston next weekend. All four are members of the ECAC East, meaning the results will directly impact the Jumbos' playoff chances. Tufts currently sits in the NESCAC basement in tenth place at 3-8 (4-10 overall), but are within striking distance of the seventh and final playoff spot with eight NESCAC/ECAC East Division games left on the docket."If we can get four more wins, that would put us in a decent position," Murphy said. "We're definitely on the outside looking in. If you look at the bottom four teams, we still haven't played three of them and we beat the other one. So if you look at it that from that standpoint, we've got a shot." The first leg of the Jumbo's quest will be Salem State on Friday night. Although not at the same level as the top NESCAC teams, Salem State will bring a talented squad of its own to the ice. The Vikings boast a 9-6-0 overall record (6-5-0 ECAC East), and have won three of their last four including an 8-0 trouncing of UMass-Boston last Saturday. "Salem's going to be good, they're tough and have an excellent goaltender," Murphy said. "I think they're one of the two or three best teams in that loop." Nonetheless, Murphy is confident in his team's chances. "It's one of those games where we'll be there in the end. We've been playing well and we'll continue to play well. We're playing better than we did at the beginning of the season." On offense, Vikings feature a balanced scoring attack led by junior forwards Scott Cooper (15 points) and Wendell Richards (12), and senior assistant captain Dan Haugh anchors the defense along with junior goalie Kaleb Christenson, who ranks third in the ECAC with a 3.10 goals against-average (gaa). "Salem is real physical," sophomore forward Pat Byrne said. "We're going to have to be tough." Like Salem State, Southern Maine has also picked up its level play as of late. After losing its opening six games and eight of its first nine, the Huskies now stand at 6-10 overall (3-7-1 ECAC East) after going 4-2-1 in their last seven outings. "To be honest, I don't know a ton about them," Murphy said. "I know they've got some guys who can score." The Huskies will likely rely on a trio of forwards and senior classmates to do their scoring - Ethan Burke (20 pts), John Lauziere (18 pts), and Tony Coates (16 pts). Freshman goaltender Matt Collaton (3.16 gaa, .899 save pct.) is solid in net. For the Jumbos, junior forward and tri-captain Mike Carceo continues to pace the offense with 23 points (8 goals, 15 assists). He ranks eighth in the NESCAC in both scoring and assists, and fourth in power play goals (four). Freshman forward Jon Hurd has recorded 16 points (9g, 7a) to date and is 11th in NESCAC scoring, while sophomore forward Pat Byrne also has 16 points overall (5g, 11a). Aside from Hurd, three more rookies have also been consistent contributors. Forwards Gino Rotondi (6g, 9a), Shawn Sullivan (5g, 9a), and Brandon Hays (4g, 5a) are fourth, fifth and sixth on the team's scoring list with 15, 14, and nine points, respectively. "They've played a huge role in our wins so far," Byrne said. "They're all capable of scoring goals and making plays and have adapted very quickly to the style of play." Junior tri-captain and defenseman Chris Martin also has nine points (3g, 6a) to his credit. The goaltending duties continue to be split between senior Ian Kell and sophomore Ben Crapser. The two sport identical records (2-5), while Kell holds an edge in goals against average (4.77-7.17) and save percentage (.859-.819). Next weekend, the Jumbos will finally be back home to host UMass-Boston and Babson. Again, both appear to be less dangerous teams than the Jumbos are used to, with UMass-Boston (1-10-1 ECAC East, 2-13-1 overall) last in the ECAC East and Babson in seventh (2-7-2 ECAC East, 4-9-1 overall). Nevertheless, Murphy is very aware of his opponent's potentially deceiving records. "UMass Boston lost to Norwich in overtime and Babson beat Williams, so we can't take either one lightly," Murphy said. Looking further down the road, the squad will take on a quartet of NESCAC rivals in the upcoming weeks: Hamilton (Feb. 8), Amherst (Feb. 9), Wesleyan (Feb. 15), and Trinity (Feb. 16). According to Murphy, the Jumbos have a good shot at beating both Amherst and Wesleyan, which currently occupy seventh and eighth place, respectively, in the NESCAC. "We still have Wesleyan and Amherst," Murphy said. "Those loom as key games." And with all three teams potentially fighting for the final playoff spot at that point, the stakes could be high. "I think [making the playoffs] is a realistic goal, if we can get on a roll." Byrne said. "We're just trying to get everyone healthy again, and get a win under our belt and roll from there. Colby and Bowdoin are two of the best teams in the nation, so we weren't expecting to beat them." For now, however, Tufts will focus its attention on Salem State. "We're just going to prepare for Friday and go from there," Murphy said. "That's what we've been doing all along."


The Setonian
News

Carson, Clarke square off in presidential debate

The two candidates vying for the office of Tufts Community Union (TCU) President, juniors Melissa Carson and Allison Clarke, met in Hotung last night to hash out their platforms. A debate on the culture representative amendment followed the presidential debate. Though Carson and Clarke outlined similar proposals, they differentiated themselves in terms of how they would work with Tufts administrators. Carson said working with administrators was the best way to make progress, while Clarke continuously reiterated that she wished to work "with the students, for the students," including fights against the administration. The issue came up repeatedly throughout the debate, as the candidates addressed how they would tackle specific issues. Clarke centered her platform around being an "outsider" from the Senate, implying she is closer to the student body. Carson, on the other hand, said her Senate experience, including her tenure as vice president, was necessary to run an effective presidency. "I want to make big things happen," she said. Clarke consistently related issues to the need to fight with administrators, when necessary, in pushing students' desires. She was adamant about keeping the Senate grounded in the student body, as opposed to being above it. "Senators should be fighting for what students want and need," she said. Carson cited the speed with which she was able to change the parking policy around the library to match the late night study hours as an example of her ability to effect change. According to her, the policy was changed after 30 minutes of discussion with a member of the administration. During the debate the candidates were questioned about the possible elitism of student government. Clarke said she felt there is a conflict with respect to senators being too friendly with administrators. "Some senators make friends with administrators and then get favors . . . I would like to see senators stop being friends with administrators and start fighting them." Carson highlighted the flip side, saying that "sometimes you can collect more flies with honey...when you can't you fight." She said that elitism, while not a problem, improves with every year. The candidates' opinions coincided on many issues, from obtaining need blind financial aid to an unwillingness to run the Naked Quad Run. Both said they were against the controversial culture representative amendment. Currently under debate, the amendment seeks to eliminate the voting power of the culture reps. It would institute Senate-approved lobbyists, instead, for any organization that wishes to have a voice in the Senate. The amendment was the subject of a debate - more well-attended than the presidential debate - that followed. Four groups have culture representatives on the Senate - the Association for Latin American Students (ALAS), the Asian Community at Tufts (ACT), the Pan African Alliance (PAA) and Tufts Transgendered Lesbian Gay Bisexual Collective (TTLGBC). Culture reps are elected by their respective organizations and vote along with other Senators. Those in favor of the amendment argued that having only four culture representatives allows unequal representation and that the process is not democratic. Those arguing against it said it will give the senators too much power over the lobbyists and does not address the lack of representation which the culture reps are meant to remedy. When asked why the culture groups in question did not simply run for the Senate, those opposed to the amendment said it would be insulting to consider an African American senator to be solely representative of African American interests. Some said the culture representative system was instituted because particular groups of people were marginalized. Supporters of the amendment focused on the arbitrary nature of the culture rep system. They said that Amendment III would allow all groups to have a voice, making it more democratic then the current system.


The Setonian
News

Sophomore puts competitive skating on ice

You may not know sophomore Jamie Kaplan, but you've probably heard of one of her former peers, Olympic gold medallist Sarah Hughes. And although Hughes might have walked away the women's figure skating champion of the 2002 Winter Olympics, at one time Kaplan placed ahead of America's new golden girl. Kaplan, who skated for 11 years starting at the age of seven, was top four for figure skating in New England for five years. As a high school freshman, she moved from Colorado Springs to Andover, MA, so that she could train at the Tony Kent Arena in Cape Cod. There, Kaplan trained with Evy and Mary Scotvold, who also coached Olympians Nancy Kerrigan and Paul Wiley. Passion resonates in her voice when she speaks about the sport. "I absolutely loved it," she said. Kaplan grew up competing with Hughes. She first competed and beat the up-and-coming skater in 1994 at the Lake Placid Championships in New York. The two met again at the US Figure Skating Eastern Sectional Championships, where Hughes represented the North Atlantic region, and Kaplan the New England region. According to Kaplan, Hughes has been well known for her talent in the figure skating circle for quite some time. "She was a name from a very young age," Kaplan said. In 1995 and 1996, Kaplan beat Hughes at Easterns. Considering Hughes' recent accomplishment, Kaplan finds it almost hard to believe that she once competed against the gold-medallist. "I think it's really funny to say I competed against her," Kaplan said. Skating at Kaplan's level was a significant commitment, as was achieving sponsorship, which is granted on a very selective basis. Kaplan left high school early each day to skate a three-hour session, dance twice a week, weight-train three times a week, and complete cardio conditioning every day. Kaplan left the sport her senior year, primarily because her goals changed from achieving Olympic glory to attending college. "It wasn't my dream anymore," Kaplan said. "For everyone in the sport, you dedicate so much time and it's a dream [the Olympics] that everyone has. I didn't regret it; only one in a million make it." And while Kaplan does miss skating, she now uses her experience to coach. Kaplan currently teaches skating in nearby Stoneham, and over the summer she assisted Evy Scotvold in teaching young skaters spins and choreography. During that time she worked with Jenny Kirk, who missed competing in the Olympics by only two places. While she is sorry that the US didn't win all three medals in women's figure skating, this year's Olympics was exciting for Kaplan as she has witnessed Hughes' career bloom. "She skated so well," Kaplan said. "You can tell how much she loves it and I know she trains very hard _ I've seen her."