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Tempting the artist's palate

Peter Plamondon must be happy. Not only is he an extremely accomplished artist, but his work shows no sign of mental anguish like so much post-20th century art does.Plamondon's work is too controlled and exact to warrant insanity, and I highly doubt that he will cut off his ear any time soon. Like the work of many still-life artists, Plamondon, whose work is currently on exhibit at the Chase Gallery on Newbury Street, paints with the high level of formal art education and natural skill that are required to render objects in such a photograph-like quality. Plamondon studied at the San Francisco Art Institute and at Boston University's School of Fine Arts. He is one of the Northeast's most accomplished artists, having displayed his work in almost 40 exhibitions in the past thirty years. Nearly half of these exhibitions were in Boston, Worcester, and other nearby cities and towns. Plamondon's work consists solely of still life paintings done in acrylic on canvas. Such paintings show a remarkable uniqueness despite Plamondon's strange, narrow choice of subject: dishware. His representations range from decorated china dishes to white china dishes to terracotta pots, and many of the paintings are gigantic - several feet in height. Though some of his older works display vibrant backgrounds of stripes or checkers, most of his current work at the Chase Gallery is set against solid backgrounds of soft colors. The painting Blue &White is a typical example of Plamondon's style. In this work, he has painted nine ceramic pots and plates against a mint green and white striped background. The china is intricately designed and meticulously painted. The objects cast subtle shadows that Plamondon renders perfectly into the composition. He paints detail amazingly well, and from a distance, Blue & White looks more like a photo than a painting. His brush strokes are barely noticeable, adding to the complexity of his work. Plamondon's work is also astounding in its technical brilliance. Not only can he paint photo-quality details, but he can set white dishes against a white background and still retain clarity within the painting. Each of his pieces has a general color theme -be it white or purple- which creates a cohesive sense of stability. But such constancy often becomes a little boring, even when he uses extensive color.Although beautiful, these paintings seem to be more of a formal experiment in detail than an artist's emotional expression. Van Gogh and other great artists have shown that still life painting can have an element of depth and interpretation, but Plamondon's still lifes lack the introspective view most artists thrive on. There is little for a person to relate to in his paintings, as very few people feel as stable as Plamondon's work. But they are aesthetically pleasing -perfect for hanging in an apartment or house.The Chase Gallery also has a few leftover paintings from Treacy Ziegler's exhibition that was shown in November and December. These five or six paintings offer a nice break from the beautiful monotony of Plamondon's intricate dishware. Ziegler works with etching and collograph printing, and her pieces consist of scenes containing houses and landscapes. Juxtaposing black mountains with vibrantly colored skies, her work gives a feeling of uneasiness and loneliness - very much the opposite effect of Plamondon's. It is a wonderful coincidence that these two artists are being shown together because they cater to totally different audiences: Plamondon focuses on superficial beauty while Ziegler takes an introspective and emotional approach. Showing the two artists next to each other allows the viewer to compare and contrast different styles, something that is not always available in small galleries.Although Plamondon's paintings lack deeper feeling, they are of remarkable technical skill. His use of subtle color and detail is beyond many artists' ability. For someone looking to find an accent piece for his or her bedroom or living room, look no further: Plamondon's work will blend in well with a domestic environment and can be a great conversation piece. However, if one desires a moodier, more intense piece, Treacy Ziegler may offer an answer. Either way, The Chase Gallery should provide any art enthusiast with the exposure of two very accomplished artists.The Chase Gallery is located at 129 Newbury street. It is open Monday through Saturday 10 a.m.-6p.m., and Sunday 1-5 p.m. Call 617-859-7222 for further details.


The Setonian
News

Two Jumbo games ahead for men's basketball

Vying for a spot in the NESCAC tournament, the men's basketball team will host Conn. College and Wesleyan this weekend to close out the regular season. The Jumbos will take on the 12-9, (2-5) Wesleyan Cardinals Friday, who stand alone in ninth place in the conference. Tufts will then square off with the Conn. College Camels, who are in fourth place with a 14-8, (4-3) mark. Tufts is currently tied with Colby for sixth place in the NESCAC, and boasts a 12-10 (3-4) record following last weekend's contests. The Jumbos split two NESCAC games last weekend, falling to Williams and defeating Middlebury. With the win over Middlebury, Tufts is now the master of it's own post-season destiny. With a tournament spot all but assured, the Jumbos stand to remove all doubt and exploit a home-court advantage to victories this weekend. "We control our own destiny right now," freshman Craig Coupe said. "We don't have to rely on other teams losing to get into the tournament. It's do or die time." Tufts will start off the weekend against the Cardinals, a team with more talent than their record suggests. Wesleyan notched a victory against sixth-place Colby earlier in the season, and also took down a strong Bowdoin squad by a score of 89-70. "Wesleyan is definitely better than they've been playing," junior Brian Shapiro said. "They've got a bunch of guys who can shoot the ball." Leading the way for Wesleyan is senior co-captain Leo Jones. Jones is averaging 19.9 points per game so far this season, fueled by 52.3 percent shooting from the floor, including a solid 40.3 percent from three-point land. Tufts will certainly have to concentrate on neutralizing Jones if it hopes to come away with a victory. "Leo Jones is one of the best players in the conference, and he's hard to contain," Shapiro said. "We've been watching tapes and scouting a lot, but he's been playing there for four years so we have a pretty good idea of what he can do. Hopefully we can contain him and get the win." Jones does not represent the only Cardinal threat, however - sophomore Kanem Johnson and junior Chris Bray both hold double-figure averages, with 18.5 and 14.7 points per game respectively. Things will not get any easier against Conn. College, another strong NESCAC program. The Camels have posted four conference victories, including a seven-point win over Amherst, which beat the Jumbos by 15 points on Jan. 26. Excepting the Amherst victory, however, Conn College has had very similar results to Tufts, falling at the hands of Williams, Bowdoin, and Trinity. This should make for a hotly contested game between two teams vying for post-season position. Tufts will likely look to junior Mike McGlynn to continue his red-hot shooting against NESCAC opponents. McGlynn leads the team in scoring with 18.2 points per game, but is averaging 24.7 points in conference contests. He led the way last weekend, scoring 51 points in two games, after combining for 31 points in two games the previous weekend. Shapiro will also be vital to the Jumbo offense, after pouring in 24 points against Middlebury last weekend. Tufts will also have to concentrate on its defense and rebounding as well as its offensive production."It will all start on defense," Shapiro said. "We have to guard well and rebound. When we do that I don't think many teams can keep up with us."Also important to the Jumbos' success will be the play of their big men, Coupe and freshman Reggie Stovell. Though Coupe kicked in a double double against Middlebury, with 12 points and ten rebounds, his numbers have been down lately. "It's not gonna be a one-man show where I do everything," Coupe said. "When I get double teamed I have to kick it out to let other guys contribute. I have to concentrate on rebounding and the scoring will come." Stovell, while a spark in the second half of the season, including a double double last weekend, is not yet a dominant force in the middle. This, combined with the loss of sophomore point guard Phil Barlow, has put more pressure on McGlynn and Shapiro to score. The pair however has appeared to respond to this pressure, as they are one and two in scoring for the Jumbos. "Mike and I have been playing together for a while now," Shapiro said. "We've gotten a feel for how each other plays. We like the situation and we want the ball." Tufts faces Wesleyan at 7 p.m. on Friday, and finishes up its season in Cousen's Gym against Conn. College at 3 p.m. Saturday.


The Setonian
News

Crew takes Green Wave for a ride

The crew program had a successful weekend as both the men's and women's varsity eight defeated Tulane in dual races, and the men's crew defeated rival Boston College. On the downside, the women's varsity four lost to Holy Cross on Sunday. The crews battled headwinds and suffered slower times as result. After staring off the season with a loss, the women's varsity eight buoyed themselves over a week of training and pulled off a decisive victory against the women's varsity from Tulane. Last week's problems of first-race jitters were gone, leaving a confident and cohesive crew. The Jumbos crossed the line in 7:28.6, 18 seconds ahead of the Green Wave. The differences between the two races can be attributed not only to increased confidence, but also to marked technical changes in the rowing style. Last week's race was kept at a high rate of 36 strokes per minute. This week, the boat took this pace down a couple of beats for a much more relaxed race. "There were marked changes in the way that they rowed," head coach Gary Caldwell said. "They looked much longer in the water and this race was significantly better. The technical changes made were a positive step forward." After the men's dominating win against WPI in the season opener last week, Caldwell asserted that this varsity eight would be the surprise crew in New England. This weekend, the boat only helped to further this prognosis. In their first of two races of the day, Tufts left Boston College in its wake, coming in at 6:23.9. The time provides strong evidence that the Jumbo men will be a formidable opponent to any challenger this season. Tufts has fallen to BC in each of the last two seasons. This time around however, the Jumbos commanded the race, cruising to an 11-second win. "I am really happy with where we are at right now," senior Raj Marreddy said. "Beating Boston College is a big deal because they pretty much handed it to us for as long as I have been here." In its next race, the men's varsity team took on Tulane, winning by nine seconds and improving on its time (6:21.0). Tulane suffered a broken skeg in the race, which is the fin on the bottom of the boat that aids in steering. With the win, Tufts now holds an undefeated record of 3-0 for the season. "The men's varsity rowed equally well the week before, and I see the consistency of their races continuing," Caldwell said.The early success can be attributed to diligent winter training that has made a difference in this crew's performance. Concerned about becoming overconfident, however, the boat is still focusing on improving, particularly with technique in the water. "We are looking to improve further, specifically technically in the water, becoming more confident with our strokes," Marreddy said. "I think this crew has a lot of potential. We are definitely starting to turn some heads in New England." On Sunday, the women's varsity four competed against a difficult varsity four from Holy Cross. Unfortunately, it was not able to keep pace with the Crusaders. The Jumbos finished the race in 8:18.0, dropping its season mark to 1-1. The Jumbos were expecting to face a competitive team because Holy Cross typically puts its four strongest rowers in the varsity four boats. "We had a solid race," sophomore Anna Lindgren-Streicher said. "The boat came together, but there is still a lot of work to be done." While the cemented lineups in the women's varsity four and eight are as yet undetermined, both boats have a lot of physical strength with which to work. The season's goal is technical improvement. "We have a lot of power and now we need to convert that power to make us race faster," Lindgren-Streicher said. "It is early in the season, and we have time to make more improvements." Next up for the Jumbos will be races this weekend at home on the Malden River against Wesleyan and Bates. The women's crews will also take on Simmons while the men's crew will face UNH. "Wesleyan is supposed to be the fastest of the three but traditionally we have had a rivalry with UNH," Marreddy said. "It is going to be an exciting race to see."


The Setonian
News

Swimmers have successful season

Heading into the 2001-2002 season with high expectations, the men's swimming and diving team hoped to make waves in the NESCAC and improve upon last season's fifth-place finish. With this in mind, coach Don Megerle emphasized mental preparation as well as training in the pool. The team bought into Megerle's combination of mental and physical training, a strategy that has paved the way for a nearly perfect 9-1 record and a fourth-place finish in the NESCAC Championships. Despite facing heavy losses from the previous year's graduating class, Tufts remained positive heading into the season. This was due in part to a strong freshman class and the leadership provided by senior captain Tim Bouley and from Megerle. Sophomores Aeric Solow, Kaili Mauricio, and Tyler Duckworth, and junior Ed Edson were also amongst some top returnees who brought a stabilizing presence to the squad. It was clear from the get go, however, that if the team was to have a successful season, the Jumbos of old and new would have to gel quickly. Tufts began the season with an explosive start, demolishing weaker teams like Clark and Bridgewater State by margins of at least 75 points on Nov. 17 and 19 respectively. With a string of first-place finishes and total domination in the first two meets of the season, it would seem logical that the team would have been viewed as a budding powerhouse. But this was not the case, since Tufts did not get much respect for these wins. This was in part because their victories came as a result of having much greater depth than their opponents, which meant more swimmers were able to earn points for the Jumbos. It was not until they garnered successive wins, in their third and fourth meets of the season, against NEWMAC power Babson and NESCAC rival Bowdoin respectively, that the Jumbos began earning some recognition. "The early part of the season was mostly focused on preparation," Megerle said. "Though we had wins, we always had the championships at the back of our minds." Tufts was able to continue this preparation over the winter break. A major portion of the hiatus was devoted to training at the National Swimming Hall of Fame in Fort Lauderdale, FL. It was there that the Jumbos were able to truly become a team. For many freshmen, the trip was a great bonding experience as they had a real opportunity to get to know their teammates. "It was a great team experience," freshman Rich Halpert said. "We really got to bond and got along great with each other." The season progressed quite well upon the return from the trip. The Jumbos did not lose any steam as they plowed through Wesleyan, Trinity, MIT, and Bates in January. Junior divers David Liebenstein and Connell Cloyd, along with freshman Jonathan Perry contributed significantly in these meets, averaging over 34 points among them per meet. The swimmers were continuing to perform as well, and beginning to mentally prepare for the championships as the season winded down. "January was definitely a month for preparation for us," Bouley said. "We knew that in time we were to face some good teams. Williams and the championships were approaching, and we had to approach our taper with that in mind." Megerle had the championships in mind as well. With 30 years under his belt, the veteran coach began a long taper for the team, which would last for over a month. Megerle's taper was abnormal compared to that of other schools, as he already had the team on low training yardage, which continued to lower as the season drew to a close. The swimmers did not question this strategy and swam to a 1-1 record in the final month of the regular season (February), recording their only loss to last year's championship winner Williams. "Coach's taper does wonders," Halpert said of the training regimen. "It helped me swim so fluidly in the water. He definitely knows what he's doing." The team's preparation for the year was put to the test as it entered the NESCAC Championships with a 9-1 record and good deal of confidence. The squad's season-long effort proved successful as it emerged from the water with a fourth place overall finish. Three school records were broken as well, by Duckworth in the 200-yard breastroke (2:08.21), Baron in the 200 butterfly (1:55.72) and Halpert in the 200 IM (1:56.23). On top of that, Baron and Duckworth were able to earn provisional qualifications for the NCAA National Championship meet. "Like I've said before, I am so proud of these kids," Megerle said. "They knew they were ready, and the final result was just a reflection of that." The Jumbos are eagerly anticipating next season, as they will not undergo as heavy of a loss as this year's group - only five seniors will be departing. The freshman class will provide strength on the team as well, having performed so well this year. With this strong foundation, Tufts is hoping to step everything up a notch next season.


The Setonian
News

Boston's booming

It's almost terrifying to think, but it's actually fun to be a fan in Boston right now. Everything about it feels different this year. The Patriots did the absolutely unthinkable and won the Super Bowl, and now it seems that there is a glimmer of hope for all of Beantown's beloved - even the Red Sox. But I can hear everybody around the world yelling rebuttals already. "Silly fool. You do this every year you idiot. The Red Sox will be right around first until the All Star break, and then they'll suck. Just you wait." Well I'll be waiting, along with everyone else, for the Sox to slip back into that eternally torturous state of mediocrity, but I'll silently be expecting it to be different this season. Call me an optimist. Call me silly. Call me whatever you want but things seem to be headed in a different direction now. The entire town just has a different flavor. First of all, the Patriots won the Super Bowl. Can we just sit back and look at that for a second? The Patriots won the Super Bowl. What business did the Patriots have winning the Super Bowl?? What entirely sane person would ever have picked the Patriots to be champions when the season started? Absolutely no one. I sometimes still find myself checking websites to make sure that it actually happened. It was a completely new feeling for a whole generation of fans. It was the first professional championship that I as a fan was able to truly enjoy. It was incredible, and nobody expected it. Second of all, the Celtics are the third seed in the East. If you had asked me last year whether or not I thought the Celtics would be in the playoffs at all this year, I would have laughed at you and brushed you aside like the moron that you would have been. Last season, Celts games were nothing short of sad. Stands were usually half full, if that, and all anybody seemed to care about was screaming at Rick Pitino and telling Antoine to pass the ball. As Pitino would have said while blaming the fans for his own coaching ineptitude, "It stunk and it sucked and it stunk." As the contempt for Pitino grew and he became a truly hated figure on the Boston sports scene, I kept expecting him to go through some Gordon Bombay type resurrection. "Ducks fly together!" But it never happened. The Celtics continued to spin farther and farther downward into despair. But then one day, by the graces of god, Pitino was gone. He came, he saw, he floundered, and then he blamed everybody else for it. And then he left to go play with horses. (Seriously, I don't think that I have ever hated a coach as much I despised Pitino in his last few months of coaching the Celtics. Blaming the fans for his and the team's failures is something that I'll never forgive. What a punk.) This season started off with Jim O'Brien at the helm, and the Celts found themselves in the midst of a winning season. In fact, not only a winning season, but also in the playoffs with home court advantage for the first time in the history of the Fleet Center. The city is once again proud of its basketball team, the most successful franchise in the history of the NBA. At game two last Thursday, the atmosphere was more electric than at any event I have ever attended. The crowd was on its feet, and nobody could contain the excitement pervading through the stadium. Probably one of the most memorable moments I'll ever have was hearing the "MVP!" chants for Paul Pierce as he faded back and nailed a three to give Boston the lead. Absolutely classic. And of course let's not forget the Red Sox. Our loveable losers are once again in first place after the first month of the season. And even though I've said this every year for as long as I can remember, this year is different. There is no more Dan Duquette, and no more Carl Everett. Everybody is healthy, but more importantly, everybody is happy. Pedro's arm looks like it's coming back, and the team is putting runs on the board like nobody's business. Gone are the Yawkeys and the archaic and invisible ownership, and in is John Henry who likes to sit in the stands with the fans. Yes, something is definitely different. The Red Sox have already started to break curses. On Saturday, Derek Lowe threw the first no-hitter in Fenway since Dave Morehead no-hit Cleveland in 1965, by far the longest streak for any ballpark. Nolan Ryan threw six no hitters in six different stadiums in that time. Coming out of a not-so-fruitful career as a closer, Lowe has been stellar so far this season, and even flirted with another no-no on opening day. (And while we're on the topic, Lowe threw the no hitter, which Jason Varitek called, the second no-no he has called in as many years having been behind the plate when Hideo Nomo threw his own no-hitter in April of last year. Both of these players came to Boston in a trade for Heathcliff Slocumb, possibly the second best trade in the history of baseball. Remember what Heathcliff Slocumb was like? Imagine trying to close a game with an impaired sloth. That's about what it was like. I still get chills.) So now the Red Sox are on top of the AL East. Will it last? Who knows? But for once it feels okay to be optimistic. I don't feel like an idiot when I say maybe they have a chance. The Patriots did, and the Celtics may be doing the impossible, so why not the Red Sox? Maybe they won't make it and they'll falter like they usually do. But right now it's good to love Boston. Right now it's fun.


The Setonian
News

The making of a fling

There are only a few Tufts traditions that bring thousands of Jumbos together to simply have a good time. There's that one in the fall with the football game. There's that one in the winter with the running and the nakedness. And then perhaps, the most highly attended of them all, is that Fling thing in the spring.This Saturday, a number of attractions - the music, the food, the camaraderie of one's peers, and the opportunity for daytime public drunkenness - will draw students, many desperate for stress-relief, to the President's lawn. Spring Fling happens every year, and inevitably the throngs arrive, most eager, many inebriated. Will they leave in such good spirits? The answer seems unclear with the event yet to occur. But many - the Daily included - have elected over past weeks to offer a prediction. Some foresee the greatest Fling ever, others fear disaster, and most are unsure. Mobb Deep, Toots and the Maytals, and moe. have their work cut out for them. Every year the skepticism and questioning encouraged and fostered as a positive approach to education in such enlightened institutions of higher learning as Tufts, works its way into our extra-curricular evaluation of Concert Board. But isn't that the way it should be? Concert Board, the student organization that plans and produces this and most other campus concerts, has not only the third largest individual budget among TCU funded student organizations, but also the implied obligation to produce a successful one-day music festival attended by a majority of the undergraduate student body, each member of which demands an entertaining show and a memorable experience .But few outside the organization know exactly how the bands were chosen and signed to perform. Two chairpersons, seniors Aaron Wright and Christian Trentacosta, have led the organization this year, with an executive board that includes a handful of Board veterans. Between 15 and 30 Concert Board members attend weekly meetings to plan the shows, organize publicity, and choose the performers. So how did it work this year...? The Daily sat down last week to chat with chairmen Wright and Trentacosta.According to Wright, prior to one of the last meetings of the fall semester and over the New Year break, the executive board researched available bands on the website of their agent Howie Cusack and a number of his competitors. They brought a number of options to the entire Board. Why didn't they start earlier? According to Wright and Trentacosta, few bands are willing to book that far in advance. Train and the Goo Goo Dolls were evidently the only ones available, each asking $50,000 - a price tag too dear for Concert Board's budget.Come January, Gangstar, moe., Bruce Hornsby, and Less Than Jake were among the performers that made the first cut. Then just before they settled on a band on which to bid, Wright discovered that the Strokes, a quickly rising New York rock and roll outfit, were available and originally quoted at $30,000 dollars, a reasonable price for Fling standards. The group plans on spending approximately $65,000 overall for talent each year. But upon placing that bid, they were surprised to realize the asking price had suddenly jumped to $60,000, eliciting an immediate rejection from a Board charged with hiring three bands with an already strained budget.Based on votes from all of the Board's members, they went with moe. and got the often lengthy bid and signing process rolling: Both Wright and Student Activities Assistant Director Ed Cabellon placed a request for a bid with Cusack, the man behind Pretty Polly Productions, the Univeristy's agent for over two decades. Cusack communicates with the band's agent and negotiates a contract that includes everything from payment to the number of fruit platters in the dressing room. Not until the contract is signed by both the performer and the university is it official.With moe. in the works, it was time to fill out the rest of the show's play card. They set off with two caveats in mind: a hip hop act is almost always present at Fling, and this year Board members wanted to bring a heavier harder rocking band, a sort of reaction to the lighter fare of the fall show, Billy Joel, and the fact that a jam band was almost set to open. And with the realization that the more expensive big name bands were failing to come through, a proposed four-band set came to the front. "We started tooling around with the four band idea." Wright said, "Our ideal was Gang Starr slash moe. as sort of joint headliners. Then Less Than Jake or maybe Buck Cherry, Goldfinger or another punk or hard rock band... that was our vision.""We were excited because 4 bands had never been done before," Trentacosta said.So they set off to make it happen. At the same time Cusack informed the Board that Wyclef Jean may have become available at the last minute because Middlebury College, which had originally set the high bid for that artist, had failed to make the proper preparations and lost him. According to Wright, Cusack, who also represents Middlebury, seemingly put other Tufts bidding activity on hold while trying to iron out the Wyclef situation. When the opportunity to bring Wyclef Jean was broached to the entire Board, they ultimately vetoed it in a close vote, favoring other options that promised in Board members eyes better music and a better show. Shortly thereafter, Talib Kweli and Gang Starr were selected by the Board as preferred rap options. But when Wright went to Cusack to request they place a bid, he learned the bands were no longer available."Howie said 'they're all taken'" Wright continued, "And I said, 'Oh...you should have told me that last week.' That should have been brought to our attention." With that, the Board learned of a huge rap summit in California that had been set to take place that weekend, suddenly limiting Tufts' options. They returned to the group members with a weaker set of options and settled ultimately on Mobb Deep.At the same time the Board decided to go ahead with ska-punksters Goldfinger. Wright told Cusack and Cabellon to go for it and Cabellon sent in the fax. But confusion arose and Cusack said he never received the bid. "I thought it was clear, but the way it went was a miscommunication," Wright said. "If only we had all voted on Tantric," Trenatcosta added with a laugh, citing the hardcore act as the ideal solution to problem.Was this just an isolated incident, a one-time mishap?Those who have been around for some time cite Cusack's reliability and positive work with the University for nearly two decades. Some find it difficult to hold one quasi-error in judgement against him. Still, others refuse to even call it that. Cabellon offered another interpretation:"I don't know if I agree with that. Howie has to deal with 20 schools, he's given Tufts twenty years of service," Cabellon suggested adding that if things didn't work out as well this semester as they did say last semester or in past years it was due in fact to a convergence of factors and not one single mistake. "It was off-timing and we missed out. Do the students have a legitimate gripe? Absolutely," Cabellon said. "But everyone did the best possible job they could with what they had," he continued, considering not what the Board missed, but what they hit. "There's such potential. This show's going to touch a lot of different types of people. It's going to draw a diverse crowd."With spring break quickly approaching and the third band far from decided, Concert Board had little choice but to return to the traditional three-band set up and find the final act as soon as possible. With time quickly running out, the exec board brought a final list of options to the group which included the Samples, Wilco, and the reggae forefathers Toots and the Maytals, who were eventually chosen and in due time signed to perform.The final lineup - moe., Mob Deep, and Toots - left Wright and Trentacosta initially disenchanted. "I am disappointed," Wright said. "I was not happy with past Spring Flings and looking back on past years it seemed like some of the leaders didn't know at all what they wanted. Christian and I had the vision and the ideas and it still didn't work out. We did our best."Trentacosta agreed. "You just have to expect things to wrong sometimes. That's normal. But it doesn't get me depressed. It's gonna be fun. We're gonna have cool T-shirts," he said, alluding to the sea camouflage-colored tops all Board members will wear Saturday.Wright, who works primarily on the logistics of signing bands, turned with an apologetic glance to Trentacosta, who coordinates the production aspects of the concerts: "I feel bad," he said. "I committed to Christian. I promised him we'd have a hard rock act and it didn't happen. I didn't deliver. I'm really sorry.""I thoroughly forgive Aaron," Trentacosta announced aloud to the large empty room in which the three of us sat, as if proclaiming it to the world. With this, their comments volley back and forth. They play off each other, kidding and teasing, as if they were brothers."I'm looking forward to the concert, to seeing moe. I know in my heart they're not a headlining band but I'm excited to see them," Wright said. "You're too hard on yourself Aaron. You really are. You're too damned hard on yourself."Trentacosta shook his head."I can't help it that's what pushes me to the next level," Wright answered smirking, half-serious, half in jest."Aaron doesn't sleep either. That's another thing."Wright brings us back to a discussion of the bands: "But really, it's the first time we've had a jam band.""And the first reggae act ever in Fling history," Trenatcosta added.Just days before the big fest, the focus of six months work, both Wright and Trentacosta remain optimistic, and continue to lead both Board meetings and this chat with nervous smiling cheer. "And I have one thing to say," Trentacosta offered as both an apparent response to critics and a reassurance to himself, "to anybody who has a problem. If your tastes aren't represented by Concert Board, here's an idea: join Concert Board."



The Setonian
News

Fixing the budget

The TCU Senate and its budget coordinator forgot more than $50,000 of expenses when it set this year's budget. This egregious oversight was committed repeatedly by treasuries in previous administrations, but due to surplus constraints will only now cost many students groups dearly. But exactly how disserviced student groups will be will depend on the steps taken by this year's budget team. The current Treasury is burdened with the responsibility of making good on mistakes made by its predecessors. But the need to right this unfortunate wrong should not lead to the rash decision of recovering the newfound deficit immediately by slashing funds to groups for the upcoming year. Rather, the recovery process should be spread over the next two or three years to minimize the impact of the shortfall. The Treasury has wisely decided to use last year's surplus operating budget to pay down part of the deficit, but a very significant chunk of the money still remains, which is too much for student groups to bear in one fiscal cycle. While the deficit represents only about 5 percent of the total budget, its impact is sure to be conspicuous. In an e-mail to students, the TCU Treasurer and Assistant Treasurer pointed out that even if the number of organizations and budgets precisely maintained last year's levels, wide cuts would have to be made. The fact that there are several new student groups and that the economy has grown through another year of inflation makes it clear that recovering the entire difference during this month's budgeting process will be agonizing. This is underscored by Treasurer Ben Lee's suggestion that the Senate simply scrap next year's Fall Fest in order to make up the difference. The Treasury and budget coordinator must realize that this painful process can be avoided. Every budget has long-term provisions. Spreading this loss over two, or even three years, would have a far less detrimental impact on the budget. While the desire to fix this snafu as soon as possible may be large, the budgeters should make the prudent decision to put student groups' welfare before political damage control.


The Setonian
News

AL Central: A race for the best of a mediocre bunch

While it is unclear who will take the AL Central title it is obvious that this is probably the weakest division in baseball. All the clubs in this division are either in the middle of the pack or towards the bottom in terms of payroll - and usually when an owner is not willing to spend the bucks, the fans are forced to watch mediocrity.Contenders: Chicago White Sox and Minnesota Twins.The White Sox, who finished third in the Central a year ago, appear to be on the upswing thanks to the return of a healthy Frank Thomas and the signing of centerfielder Kenny Lofton. A triceps injury limited Thomas to just 20 games last season, after he finished second to then-Oakland Athletic Jason Giambi in the 2000 AL MVP (.328, 43HR, 143RBI). Now, the Big Hurt will be back in his regular number-three slot to give the Sox a dangerous heart of the order, along with right fielder Magglio Ordonez and first baseman Paul Konerko. Lofton, on other hand, will combine with second baseman Ray Durham to form an equally dangerous top of the order. Although his numbers slipped a bit in 2001, look for Lofton to benefit from a change of scenery and regain his old form, while Durham is fresh off a year in which he hit a career high 20 home runs to go along with 42 doubles and 23 steals.A relatively inexperienced pitching staff could be the Sox' weak spot, with all four projected starters having started less than 90 career games and two with 35 or less on their resume. But add in one of the best closers in the league (Keith Foulke), a handful of supporting players who will keep the run production up (Jose Valentin, Royce Clayton, and Carlos Lee) and the assumption that the lineup will stay healthy, and the Central crown is Chicago's to lose. The winds of change blew through the Twin Cities a year ago, as former manager Tom Kelly's club surged to an 85-77 mark - its best finish since 1992. Look for the upward trend to continue this season, with their scrappy defense, hustle, and quality pitching again paying dividends. Defensively, the Twins boast two Gold Glove winners, left fielder Torii Hunter and first baseman Doug Mientkiewicz, an underrated third baseman in Corey Koskie, and one of the best double play combinations in the league (Cristian Guzman and Luis Rivas). And the emphasis on defense (the Twins ranked fifth in fielding percentage last year) boosts an already strong pitching staff. Brad Radke, Eric Milton, and Joe Mays each won at least 15 games last year, while number-four starter Rick Reed is a seasoned veteran who made his mark with the New York Mets. On the other side of the ball, the Twins leave a bit to be desired. Minnesota hasn't had a 30 home-run hitter since Kent Hrbek, Gary Gaetti, and Tom Brunansky each did so in 1987. Team leader Koskie went long 27 times last year, coupled with 100 RBIs, which also led the team. While the Twins are a strong contender for the division title, if they don't find some more power, a potential postseason berth will be followed by a quick exit from the playoffs. Team On Bubble: Cleveland Indians.Roberto Alomar is gone. So is Juan Gonzalez. And Kenny Lofton, who had already gone and came back to Cleveland once, completed the triumvirate of departed stars when he jumped ship again this winter. Collectively, the since-departed trio represents a combined loss of 69 home runs, 306 RBIs, and 301 runs scored. And as a result, the defending division champion Indians appear to be headed away from the prosperity they have enjoyed for the last seven years. In contrast to years past, the Indians will rely much more heavily on their pitching. Bartolo Colon, C.C. Sabathia, and Danys Baez will give the club an exciting trio of young starters, while veteran Chuck Finley will bring experience to the group. Overall, the quartet should be among the best in the league, but the question marks on offense could lead to a lack of run support. While the losses will hurt the Tribes' offensive firepower, there are still a few capable bats left. Third baseman Jim Thome hit 49 home runs last year, while Ellis Burks kicked in his sixth straight season of 20 or more home runs. Travis Fryman will be back after suffering through an injury plagued season that severely limited his productivity.All the things considered, the revamped Cleveland roster should translate into a distant third place finish.Player to Watch: Frank Thomas.This one is a no-brainer. The Big Hurt is the keystone to the White Sox' success and has been ever since he first pulled a Chicago uniform over his 6'5" 265-lb. frame. Since then, he has collected two MVP awards, had over 100 RBI in nine of his last 10 full seasons, hit 348 home runs, and cracked the .300 barrier ten times. The equation is simple, then: with a healthy MVP-caliber Thomas in the lineup everyday, the White Sox are among the division's best. Without him, they are near the middle of the pack. Young Guns: Danys Baez.Baez, entering just his second season, will be a fulltime starter in Cleveland after finishing 2001 with some impressive numbers while coming out of the bullpen. The 6'3",. 225-lb. Baez held opponents to a .191 batting average and fanned 52 in 50 innings of work. Look for this strong armed righty to step in and make his presence felt now that he is back in the starting rotation, after having been moved out during last year's Spring Training. Last Word:In what is undoubtedly a watered-down division to begin with, the pennant race will likely boil down to just two teams - Chicago and Minnesota - with Cleveland in the mix early but fading away as the season wears on. The White Sox may have more overall talent, but don't count the Twins out as a sleeper playoff team if they stay close enough to ultimately squeak out a division title or earn a wild card berth. No matter what kind of playoff contender the Central can concoct, though, postseason inexperience will likely be the downfall. But then again, anything can happen in October.


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Lamenting hatred

I have never been sadder to be a Tufts student than when I read Ariana Flores's Viewpoint published yesterday. Titled, "The Truth," she made me ashamed that I ever told people Tufts was a place where intelligence and compassion existed, let alone prospered. Ms. Flores contends that "the motivation behind this amendment is blatantly fueled by prejudice against gays and people of color." I don't care if she supports or opposes the culture rep amendment, for there are valid points on both sides, and I can respect any informed person on either side of the issue. But for Ms. Flores to pronounce that the motivations behind the amendment, and therefore the individuals who conceived it, are prejudiced and racist is a tragic pronouncement of the fear and hatred that has exploded on this campus. And even more tragic is if one person makes such a statement, it only leaves to reason how many people must be thinking it. Beyond a breakdown of intelligent dialogue at Tufts, these hateful words cut deep into the soul of every Tufts student. I know the authors and backers of this amendment personally, as does Ms. Flores, and to state as fact that these honest, dedicated people are motivated by unadulterated hate is unacceptable. The Viewpoint's blanket accusations of "homophobia" and "racism" are an attempt to bring the issue into abstraction and to cause one to think that the proposed amendment is institutional racism at work. But this is not about an institution, it's about people: a small group of people, who you and I see on a daily basis around campus. If you're involved in any campus organization, there's a good chance you know some of the amendment's supporters personally. The Viewpoint's vicious personal attacks against these valued community members are not only an affront to their character but also an insult to our intelligence. Any student on campus need only speak to someone behind the "motivation" of the amendment to know beyond a shadow of a doubt that he or she is motivated by social justice, not prejudice. At worst, even if you hate this amendment, you would surely realize that the divide boils down to a philosophical question of perspectives on democracy. Neither end of that spectrum deserves the despicable language used in the Viewpoint. My lament to students is how did we let this happen? Where are all the thinking members of our community, of all ethnicities and religions? While there is racism and intolerance in our world, as well as in our daily lives, we must not be so caught up in our fight that we look our adversaries in the face but do not see them - rather only seeing some appearance of opposition. People with hate and fear boiling out of their hearts and bodies have taken that appearance and twisted and manipulated into an evil they think they can convince students is fitting of the label of racist. To all reasonable students, I implore you to remember that regardless of which side of this divide that you stand on, those on the other side are not hateful extremists. They are your fellow Tufts students, and just like you they deserve respect and fairness. My hope is that both individuals who support and oppose Amendment III will stand up and denounce bigoted statements as exactly that.Matthew Kane is a junior majoring in economics.


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The Real Bush?

Is this the real face of our American president? Not a stoic and strong, completely reborn and brave leader, but rather a man out of touch with the very nation he leads, a "fraternity goof" as a recent Time magazine article called him. No, this isn't necessarily new knowledge that George W. Bush is neither a brainiac or intellectual impresario, no such epiphany here, but what two new documentaries about the President's life reveal in intimate detail is that this man is so far flung from what the majority of American's call reality that he exists in his own simplistic world, where gourmet is peanut butter and jelly sandwiches, and Chuck Norris deserves an Oscar. The first and most revealing of the forthcoming chronicles on Bush is by New York Times reporter Frank Bruni. Aptly titled Ambling into History, the book reveals the small but quirky details of the President's character and personality. The excerpts that have been released, primarily in an article for the New York Daily News, paint Bush in almost a child-like light. Some highlights include Bush's affinity for Cheez Doodles, Doritos, and peanut butter and jelly sandwiches over 'adult' foods like sushi. He also had no clue who Leonardo DiCaprio was, even though his movie Titanic is the highest grossing film of all time; he claims Chuck Norris as his favorite actor. Even more disturbing is Bush's assertation of Cats as a theatrical masterpiece, and his belief that Sex in the City was "an inquiry into his erotic and geographic whereabouts." Is Bush a great actor, a man who can trick an entire nation into thinking that he is in step with the people over which he presides? Do we want a president who instead of increasing his knowledge on world affairs, imitates a fictional character bent on global domination; according to Bruni, Bush had an affinity for pretending to be Dr. Evil from Austin Powers. Of course, Sept. 11 did perhaps give Bush a wake-up call that the presidency isn't a game of make believe, but rather a slightly serious job that entails holding the fate of millions if not billions in his hand. But let's remember, this is a man whose first legitimate and successful job came when he was into his 40s as governor of the second largest state in the union, yet even then the breadth of his power was minimal at most. Bottom line: The man with his finger on the nuclear arsenal doesn't know who Leonardo DiCaprio is, has the intellectual desire of a ten year old, before Sept. 11 was more fascinated by Ben and Jerry's than bin Laden, and has the attention span of a chimpanzee at the Chiquita Banana factory. Basically, your average American, but with a marginally more important job than working the pick-up window at McDonalds. The other reality mocumentry depicts Bush during the 2000 campaign, revealing the behind the scenes candidate as he weaves his way towards Commander-in-Chief. Maybe more visually revealing than Bruni's book, Alexandra Pelosi's yet unnamed film could further the image of Bush as a dubious and irreverent prankster, starkly in contrast to his new image as tough on terrorism, serious and stoic, and create brand new fodder for the likes of Jay Leno and David Letterman. These two releases will have the effect of humanizing a now deified Bush, grounding him back to the Earth where he belongs. Sure he has handled himself with surprising control and clairvoyance since Sept. 11, but something needs to give. Finally from a president who shrouds his personal life in such mystery, a peek into the true nature of this man turned myth. What are we, President Bush's loyal subjects, to take from the book and the video? It's too early to tell as of now, but early speculation tends to support the notion that the debate over the president's true capacity to handle the office will arise once more. As humorous as all this seems, we must remember who Bush is and the power he yields. Should the president exemplify an innocent, goofy child, or an educated and aware man? Which gets me to my next point: comparing Bill Clinton to Bush. Yes, they are two very different beings, an inteligencia versus a veritable ignoramus. But at heart, they are both juveniles. Bush, as we have seen, has youthful tendencies on personality, culinary tastes, intellect, and vocabulary. Clinton, on the other hand, still has "youthful indiscretions" well into his 50s. The dichotomy that has evolved is which type of child is preferential to have in the White House: one who knows nothing but behaves, or a know-it-all who acts before thinking, often making blatant personal mistakes. A classic dilemma indeed and it's perplexing to think which is more beneficial for our nation. If America were a company, we would want the most experienced, intelligent, and cost effective man for CEO. Clinton fits this persona, and created huge profit margins during the '90s. The drawback of course is that he would bring scandal to the company, possibly hurting business due to bad press and tainting the role of the CEO as a leader for the rest of the employees. Then Bush comes along, with virtually no experience or knowledge of the company which he runs, but an uncanny ability to both adapt accompanied with an affable simple personality that appeals to both the consumers and employees. Under Bush, of course, the company falters, profits decrease and the corporation teeters in deficit, but there is no sexual scandal - as far as Enron goes, we'll see how that develops - which leaves the company in better moral standing. The stockholders, the American people, dismay Clinton's personal life but don't care because they got more cash in their pockets. Bush would immediately be fired for dragging the business into financial ruin, deficits spending, red ink; nobody would care if he were a nice guy free from scandal Basically, the analysis of the situation boils down to one quote by the great James Carville: "In the Clinton administration we worried the president would open his zipper. In the Bush administration, they worry the president will open his mouth." So which would you prefer, an intellectual idiot or a sexual idiot. That's for the American people to decide, but if I had my choice, I'd take the man who couldn't keep his belt on but could recite with accuracy the economic effects of AIDS in Africa over a man who actually said, "We spent a lot of time talking about Africa, as we should. Africa is a nation that suffers from incredible disease," but can control himself in public office. Adam Blickstein is a sophomore majoring in political science.


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Archbishop Tutu will speak at Tufts

South African Archbishop and Nobel Peace Prize winner Desmond Tutu - a champion of civil rights and the anti-Apartheid movement - will address Tufts students in Goddard Chapel next week as part of the Chaplaincy's 150th anniversary celebration of spirituality at Tufts. All 300 seats for the March 12 event - sponsored by the revived James Russell Lecture Series - sold out within 20 minutes, as eager students lined up on the windy quad yesterday for tickets. Calling the theme of the speech "very broad," Interim University Chaplain Patricia Kepler said she is "excited and honored" about Tutu's arrival next week, since he has not accepted many speaking engagements in the area. "He knows we're celebrating 150 years of history at Tufts, and looking to the way a university like Tufts can contribute to the future," she said. "We're asking him to speak on sources of hope for the global future," said Protestant Chaplain Rev. Steven Bonsey, who initiated plans for the event. "He's been a strong advocate for reconciliation as a way of peace and global justice." The Chaplaincy hopes students will "see that this man's religious faith and his religious life has been the source of sustaining a vision of hope that has made him a highly effective peace maker and a beacon of hope for people all over the world." Education for Public Inquiry and International Citizenship (EPIIC) also plans to honor Tutu with its Dr. Jean Mayer Global Citizenship Award at the event. EPIIC Director Sherman Teichman said that Tutu's arrival is part of a four year effort to have the Archbishop speak on the hill. Through EPIIC Tufts students have been working in South Africa over the last ten years, including work with Tutu's commission. Citing the lineage of other workers for social justice that have received the award, Teichman said that Tutu's visit will be a great opportunity for students. "What we're proud about is that Tufts students have the opportunity to meet and be inspired by these people, and to think about these people's lives and the choices these people made," he said. Students said they found Tutu's visit particularly relevant in light of the University's focus on global issues. "He's a giant in the world of reconciliation," junior Randi Wiggins said. "Reconciliation is one of the biggest issues we as a global society face today." Currently in residence at the Episcopalian Divinity School in Cambridge for the semester, Tutu served as chairperson of then-President Nelson Mandela's Truth and Reconciliation Commission in South Africa. The University secured the Archbishop's visit with help from Bonsey, also an Episcopalian. This is the first time that Tufts has invited Tutu to campus. Administrators invited him this semester because he was "in the neighborhood," according to Bonsey. Citing other prominent speakers to appear on the Hill this semester, including Al Gore, Bill Clinton, and PJ O'Rourke, junior Valentino Caruso said the event is a "continuation of a great speaker series." "It's just another example of Tufts bringing world-class speakers in," Caruso said. "This mostly appeals to me because it's a once-in-a-lifetime experience, especially in Goddard, because it's such a small setting." While some students speculated that the speaker would prefer a smaller audience, Kepler said the Chaplaincy had hoped to find a larger room. "We wish that we could have found a venue that could have seated more than 300 people," Kepler said. "We hope to have video tapes and transcripts of the event so that more students can participate." Other students lauded the Chaplaincy's ability to bring such a prominent speaker to the University. "I'm very impressed that the Chaplaincy was able to get him," sophomore Rachel Hoff said. Wiggins said she was interested in "the way he used his faith to make [the reconciliation] happen." Bonsey, who has seen the Archbishop speak before, called Tutu "one of the most moving speakers I've ever had the privilege to hear," and added that the event would be a wonderful occasion for the students and the University. Teichman said that Tutu was "very excited to come [to Tufts.]" Born in 1931, Tutu was the former General Secretary of the South African Council of Churches and the Former Bishop of Johannesburg. Tutu received the Nobel Peace Prize in 1984 for his work on behalf of civil rights and his belief in educational opportunity. The James Russell Lecture Series is the oldest series at Tufts, Kepler said, but went underused after the 1970s. Kepler hopes Tutu's visit will revive the annual series once again.


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Proving himself as an actor

As the national tour of Proof makes its three-week stop in Boston, the company brings with it Tufts alum Stephen Kunken (LA '93) starring as Hal. Kunken, who was a member of Cheap Sox and performed in numerous Tufts shows as an undergraduate, returned to Medford yesterday to speak with current Tufts students about life in the entertainment business. Addressing a crowd composed largely of drama majors, Kunken outlined some of the keys to achieving success as an actor. Kunken stressed a need to follow passion over practicality and to embark on an educational adventure. This advice might have served him well in his freshman year - Kunken had intended to major in political science at Tufts. "I figured if I was learning the art of manipulating people, I'd rather do it through entertainment than politics," he said with a smile. Kunken lauded the drama facilities at Tufts, describing the Balch Arena Theater as one of the best places for an actor to train. The intense and intimate setting can help aspiring movie and television actors get a feel for the camera's closeness - and to get used to ignoring it. One of Kunken's major regrets is that he did not take advantage of some of the specialized classes offered through the drama department that focused on specific playwrights such as Chekov and Ibsen. Kunken flipped through a Tufts course book several years after graduating and realized that he did not learn as much as he could have about his trade. "I had worked so hard to major in things after 2 p.m. and to have a four-day weekend," he said. "I was so tunneled into finding more time to party that I didn't take these really specific classes that I'll never have the chance to take again." Kunken also wished that he had been more involved with productions through Pen, Paint, and Pretzels (3Ps) and Torn Ticket II, saying that it is very rare that students have the chance to direct and design their own shows. Kunken experienced a little of this through Cheap Sox, and credits the improv troupe for giving him the foundation for his acting career. "Cheap Sox was great training and was how I got into the [drama] department," he said. "Improv teaches you to delve into the unknown.... I live on the unknown." This realm of the "unknown," Kunken said, is one of the best ways to describe the life of an actor. "It's a career you turn to when you can't decide what to do so you live a life where you're constantly experiencing other people's lives," he said. "You can do a lot as an actor... most actors are simply empowered by their choice to be an actor." The path to stardom isn't easy, however. An aspiring actor has several choices to make: what medium to work in, whether or not to attend graduate school, and which coast to live on. Kunken explained that the major reason for an actor to attend graduate school - he himself went to Julliard - was to make connections with an agent. It is very difficult to arrange contacts with an agent, and most of them pick up clients through reputable graduate programs in acting. But an actor hoping to star in the next sequel of American Pie does not necessarily have to go through these steps because the casting for such teen movies is often based purely on appearance. "Get yourself out to Los Angeles, and use the money you would have spent on grad school to join a gym," Kunken said. "Look your best, and go out and audition." Indeed, each of the three major city centers for actors - New York, Los Angeles, and Chicago- caters to a different type of performer. While Chicago can be a good place to get work early on, Kunken described the advantages of being patient and relocating to one of the bigger cities. "You can work in Chicago for a long time, but you almost have to move to New York before you can go back to Chicago," he explained. "Chicago actors get their roles stolen by the New York actors who get their roles stolen by LA actors." For now, however, Kunken is enjoying his run in Proof, which has been the longest he has been engaged with one particular production. He began working on the show last April, understudying and performing the role of Hal in the New York production. The national tour began in Seattle in November and has made stops in San Francisco, Sacramento, and Houston. "I can't think of a better life right now," he said, "I'm young, I get to act, and I get to see the country."


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Promoting good values in an age of prosperity

I would like to commend President Bacow for tapping Pierre and Pamela Omidyar as the keynote speakers for Tufts' 146th commencement ceremony. The Omidyars truly embody the values which we at Tufts so often exalt: public service, citizenship, innovation, internationalism, and peace. And, of course, they are dedicated Tuftonians. The Omidyars' list of achievements is nothing short of astounding. For one, they have managed to build the world's most successful (read: profitable) electronic commerce firm. They have had incredible foresight. Indeed, they succeeded in avoiding the "webonomics" that just two years ago plagued every venture capital firm and dot-com from Wall Street to Silicon Valley. And their eBay corporation continues to remain rock solid during the current recession. As a result, these tech superstars have accumulated a gargantuan fortune. It took Carnegie and Rockefeller a lifetime to become billionaires. The Omidyars managed to do it in less than five years. But for the moment, let's forget this. At the end of the day, billionaires are just billionaires. What really sets them apart from the others is what they do with the money. Not long after the megabucks started rolling in, the king and queen of Pez dispensers unveiled a new business plan, arguably more radical than the "electronic Bay Area," namely "venture philanthropy." Dissatisfied with the inefficiencies and poor accountability structures of many "old guard" foundations, the Omidyars (via the Omidyar Foundation) are now developing a network of venture-capital-like firms which provide seed funding for organizations that focus on global and local community development. The key to their new business model rests in their strict commitment to organizations which themselves have solid business models, can meet milestones, and more importantly, generate self-sustained growth. Call it "new philanthropy." Call it "smart altruism." It's a new and radical concept and the Omidyars are leading the charge. Indeed, the May 2000 cover article of Forbes magazine dubbed the Omidyars the "radical philanthropists." So what else makes the Omidyars stand out? Well, how about their refreshing modesty. In stark contrast with their Wall Street colleagues, the Omidyars go about their business quietly and carefully, frequently turning down requests for magazine coverage. Meanwhile, they are participating in international coalitions like the World Economic Forum to help insure that the third world does not remain inexorably trapped in the global "digital divide." Clearly, their Horatio Alger story has not corrupted their values.They remind us that in this era of unprecedented prosperity and mass wealth, we have incredible social obligations. I must admit a certain level of concern over recent complaints registered in this publication and elsewhere regarding the President's selection of the Omidyars. It seems as though the general complaint stems from the Omidyars' presupposed lack of name recognition. To me, this reaction suggests that undergraduates here place much more value on a speaker's name and "spotlight index" than they do on the substance of his or her accomplishments and the quality and relevance of his or her address. I cannot help but wonder if this value system is a product of Tufts' incessant desire to be recognized as an internationally acclaimed institution. While good PR is important, so too are good values, good inter-personal relationships, and intelligent dialogue (or monologue, as the case may be). I look forward to hearing the Omidyars speak at graduation. I look forward to hearing them speak as successful business partners, as dedicated spouses, and as loyal Tufts graduates. I look forward to hearing them speak about their commitment to and ongoing innovations in the field of venture philanthropy. And I look forward to hearing them speak about the importance of good values in an age of prosperity. Last on my list of thoughts at graduation will be: "What is this speech going to do for Tufts' 'brand recognition'"?George Farish is a senior majoring in economics.


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Poll:Students divided over diversity

Following a string of campus hate crimes, long-standing controversies over diversity at Tufts become intensified over the past few months. Campus activists barraged University Trustees with race-related questions at their spring meeting in Dewick-McPhie, and students have lobbied Ballou to increase Asian American course offerings. While student opinion differs as to the role that culture organizations play - and should play - in campus diversity issues, many respondents voiced their displeasure with the current culture group system. When asked if culture groups serve to support or divide Tufts' different racial communities, 50 percent of respondents said that groups did more to divide. Twenty-seven percent said the opposite. Over 60 percent said they rarely or never attend culture events outside of their own group. Senior Martin Ankamah said the culture group system needs reform. Along with many other poll respondents, he said culture groups were important for people with common interest to meet and take pride in their culture, but that the gap between culture groups needs to be bridged. "We need to make groups come together to see that we have differences, but we have a lot more in common," he said. One respondent said he thinks "students and the administration need to work together to make sure that students of all ethnicities come together regularly. This campus needs to feel more like a community." Some respondents proposed more forums and co-sponsored events as a way to better integrate communities. The poll also asked students to identify their race. Of respondents who did so, African Americans were the lone group in which a majority said the culture group system is more of a bridge than a divider. Asked whether they had been discriminated against by a member of the Tufts community, respondents answered differently. No Hispanics reported discriminatory treatment, 12 percent of Asian Americans, and 36 percent of African Americans said they had experienced discrimination. Associate Dean of Students Marisel Perez said the groups and culture houses played an important role on campus, but students needed to interact with students outside their ethnicity. "Students need to find opportunity to be in their own environment and I don't want to take away the importance of being with people with similar experiences and backgrounds," she said. "But you have to have both." TCU President Eric Greenberg said culture houses and centers are "necessary" on all college campuses and should be used as a resource by both students of color and others. "Lots of students that don't belong to them feel for some reason that they shouldn't go in there" he said. While saying that campus race relations had improved since his matriculation, Greenberg said that "It'd be nice to see more mixing between races." Perez said she had seen many groups across ethnic lines coming to her office for advice on how to co-sponsor events. "Students are saying they need more opportunities to come together," she said. "We are here to mentor, advise, and support." Other poll respondents said they feel Tufts needs to improve its curriculum diversity, retention of minority faculty, response to hate crimes, minority programming and orientation training. Perez said her office had worked to bring more student groups together, and to give all Tufts students more common experiences. She said initiatives to bring students together as a class could help all Tufts students feel part of the community. In response to a question on whether Tufts is an ethnically diverse campus, there was more unanimity. In each ethnic group polled, the majority of students said they felt Tufts was ethnically diverse. The majority of students overall said diversity should be "somewhat important" in selecting applicants. Divided by their ethnic identities, students did not clearly prefer one course of action, but responses were notably different along gender lines. Among men, 43 percent said Tufts should not use affirmative action in reviewing applications for admission. For women, only 29 percent said the same. Some students encouraged peers who are unsatisfied with diversity to take note of Tufts' positive aspects before criticizing. "Tufts is more diverse than the real world," Senior Marc Skolnick said. "While it would be great if Tufts were more diverse, it is more diverse right now than outside." The majority of students agreed diversity should play a very important or somewhat important role in selecting new faculty. "Among the students there is a degree of diversity," Perez said. "But one area we want to focus on is recruiting and retaining faculty of color." A racial divide emerged on the contentious issue of whether culture representatives to the Tufts Community Union (TCU) Senate should be allowed to vote. Among white respondents, 28 percent said they should be able to vote. In contrast, 86 percent of African Americans, 50 percent of Hispanics, and 77 percent of Asians and Asian Americans said the reps should be have the right to vote. While white respondents largely said culture reps should not vote, nearly 60 percent of whites said that the Senate should have culture reps. Greenberg expressed his endorsement of culture rep voting privileges. "My personal opinion is that the current system is not perfect, but I feel right now that culture reps having a vote is a positive thing," Greenberg said. "However, the proposed amendment is not a good solution... there are too many problems with it as it stands." Both current candidates for TCU President have opposed stripping the culture reps of their ability to vote in the Senate. Of 102 respondents to the poll, 14 were African American, eight were Hispanic or Latino, 15 were Asian or Asian American, four were "other," three were multiracial, and 58 were white or Caucasian.


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Uncovering the past

Sitting in the dark, the sound of marching music begins to play and the previously blank video screen slowly turns red. With a bang, a giant swastika fills the screen and the lights come up. Several members of the Hitler Youth march onto the stage and begin extolling the virtues of the Third Reich. One's first inclination is disbelief - how could anyone could endorse such hate-mongering? But the shock value works brilliantly to draw the viewer into And Then They Came for Me: Remembering the World of Anne Frank, a drama by James Still. Performed by the Tufts Hillel Theater Troupe as part of Holocaust Commemoration Week, the show opens tonight at the Granoff Family Hillel Center and will play again on Thursday. The show is largely the result of collaboration between three Omidyar Scholars as their public service project. "The arts are powerful educational tools and we hope that this play will stimulate dialogue about current human rights issues," director and senior Beth Rotenberg explained as to why she chose to direct this play as her project. The other two Omidyar Scholars involved are the show's assistant director, sophomore Jennifer Jarecki, and senior Michael Lang, who plays the role of Holocaust survivor Ed Silberberg.And Then They Came for Me employs an unusual method of combining live acting and taped footage of interviews with Holocaust survivors. While it might seem difficult for the actors to adjust to speaking while a video plays, they said that it was actually rather easy, because they had originally practiced by having someone speak the video's lines. What was difficult however, was becoming involved in their respective parts. The actors must play multiple characters, with "different emotions, all in the same few minutes," explained senior actor Kevin Welsh. The title does include her name, but the play is "less about Anne Frank, and more about how she affected those around her," according to sophomore Melanie Kahn, who plays Eva Schloss. The plot centers around Ed and Eva, real-life childhood friends of Anne who are still alive. It follows their journey to Amsterdam in an attempt to flee the German invasion. Ed vividly describes Kristallnacht, the Night of Broken Glass, where the Germans destroyed Jewish homes and businesses and arrested the inhabitants. That event motivated his parents to send him to stay with his grandparents in Amsterdam. Ed and Eva often come to productions of this play to do question-and-answer sessions afterwards; however, they will be unable to make an appearance at the Tufts production as the event falls during Holocaust Commemoration Week. The audience does get to see a fair amount of them in the video, in which they describe their experiences. Eva was friends with Anne before the Germans occupied Amsterdam; they went to the same school. Anne had a fledgling romantic relationship with Ed before she was forced into hiding. The subject matter which the play tackles is not for the faint of heart: "I came out of rehearsal kind of depressed every day," said sophomore Rachel Luck, who plays Anne. The general opinion was much the same, with most actors agreeing that portraying the Hitler Youth is the most difficult role. While it is easy to feel extreme remorse for survivors of the Holocaust, most people alive today have no possible way of imagining what it was like to deal with the oppression of that time. "The hardest part about directing this material is finding a way to get the actors to connect to something that is so far removed from their own experience," Rotenberg said. She added that it was also a challenge to distance the actors from the material after rehearsal "so as not to be carrying the horrors of the Holocaust around with them for the two months of the production period, 24 hours a day." Some of the actors felt more strongly about the subject matter: "It's completely impossible to comprehend or recreate the events," says sophomore Angela Hokanson, who plays Eva's mother. The cast and crew have been working on various stages in the production process for about four months, and their labor is about to pay off. They have managed to get their message out to the audience, through posters boldly displaying the yellow star the Jews were forced to wear during the Holocaust. Though "entertaining" would not be an appropriate word to describe something of this nature, "stimulating" seems to be closer to the truth. It is engrossing, no doubt about it, and while it won't necessarily brighten your day it will make you think deeply about the horrors of the past. 'And Then They Came for Me' will play tonight and tomorrow at 9 p.m. in the Granoff Family Hillel Center. Tickets cost $5 and can either be reserved by calling Hillel at x3242 or purchased at the door.


The Setonian
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Soundtrack to your life

When it comes to listening to music on campus, there are two passionate parties: those who wear headphones everywhere, and those who think that wearing them is pretentious or antisocial. (If you don't care, I don't suppose you count as passionate at all, do you?) The first group is easy to spot - or maybe just hard to avoid. Let's call them Listeners. You see them everywhere, with all models of headphones -from petite earbuds to the sporty over-the-ear variety to (in great number) the expensive-looking oversized muffs. The breakable ones with the cheap, black foam - the kind that comes with $20 cassette players - are less common than ever. Have headphones become a fashion statement? Then you have the others, who blend in more - the Watchers. Picking them out of a crowd can be tougher. Look for them to give Listeners snotty, annoyed looks as they pass each other silently; the two types don't mesh very well. Why the animosity? Maybe the Watchers think that the Listeners are being pretentious or snotty themselves (while the latter don't seem to care much about others' opinions at all). Wearing headphones as you walk around campus shuts out everyone around you -I might call that an elitist tactic after all. Now before you start to get confused -if I'm anything, I'm a Listener. But I think that no matter which side of the battle you're on, you should try it out from the other perspective. Wearing headphones on campus is not a sin, but neither is it always the right thing to do. I'll confess to having been a Watcher for most of my life. Most of the Listeners I had seen had those huge audiophile, I-appreciate-clarity-of-sound-and-am-better-than-you headphones. They seemed self-consciously large (like the car of an insecure man), and most Listeners tend to leave them around their necks when they're not using them. It seemed ridiculous. Why not use something smaller that you could fit in your bag during class? Surely this was a cry for attention, and in my book, it was a poor one. "Look at me! I listen to music all the time, and I need big headphones to do it!" Besides, most Listeners walk around with detached looks - either dour scowls or holier-than-thou half-smiles, depending on the person involved - and that just grated on me. Stuck down in the real world, I didn't appreciate these people looking past me like a squirrel all the time. Drivers don't like Listeners either. A guy wearing headphones seems much more likely to take a blind dash in front of your grill and spoil everyone's day - especially if they're those big-mother headphones that block out so much sound that you have to fire a .38 in the air to clear the crosswalk. So what changed? It wasn't anything terribly dramatic. I bought a pair of those same audiophile headphones on the cheap, planning to use them in my room so I wouldn't wake up my housemates (or, more accurately, so I could ignore said housemates when one of them was set on waking up the rest with his stereo). The decision to wear them on my walk across campus one day was not a remarkable one. The experience, however, was well worth any snotty looks that I drew from the Watchers. After a bit, it dawned on me that they didn't see me as one of their own... and that they were right. Walking around campus with your own soundtrack puts a certain bounce in your step. For one, it makes everything around you seem more dramatic. If you see a guy standing quietly by himself at the shuttle stop while you're listening to Peter Gabriel's "In Your Eyes," you won't see the same person that you would if the song were Rob Zombie's "Dragula." You'll also start to see the music around you. Much like that hypnotic, briefly-ubiquitous Volkswagen commercial, you'll spot rhythmic and melodic coincidences everywhere if you try. A car peels past you just as the song crescendos, and you can't help but gasp just a little. A dark song transitions into "Here Comes The Sun" right when the clouds part a little bit, and you bet you'll notice. Even if those clouds don't part, you might feel just a bit better. Knowing this, I could see the effects of music on others. If you watch carefully, you can figure out what kind of music a Listener has on: the dour expression I mentioned is usually reserved for darker music like techno, rap, and metal, while a cheery look implies something happier like pop or light rock. In that respect, I think it's best to pick something with some variety - a homemade mix, for example, or a DJ set, or at least an album that has both happy and dark moments. Some of the best options are actual movie soundtracks - Stand By Me comes to mind, if you're into that kind of thing. Even with my newfound appreciation for giving my walks a musical accompaniment, however, I haven't given up my Watcher ways. Most days, I don't even take my headphones with me. Having seen both sides of the matter, I've decided that the Watchers are onto something. Wearing headphones everywhere you go cuts you off from people whether you realize it or not - you don't notice the faces around you, and no one stops to talk. Listening to music on every cross-campus trek turns you to the inside, and while that's a good place to go, it's not a good place to live. And besides, I know exactly what annoyed me about Listeners. So when I do wear my headphones, I treat everyone like I would otherwise (which does mean that I perhaps ignore a few people from time to time - everyone does). When I stop to talk, I take off the headphones and turn off the CD. And when I get to class, I put the whole pretentious mess in my bag.


The Setonian
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University moves forward with new dorm plans

The location and style of Tufts' newest dorm will be the subject of a meeting between administrators and outside architects today, as the University moves forward with plans to break ground on a new residence hall this summer. The list of potential locations for the structure has been narrowed down from about 13 to two: either the parking lot behind Hill Hall or the area directly across from Cohen Auditorium. In conjunction with Vice President of Operations John Roberto and the Office of Residential Life, President Larry Bacow and other administrators will evaluate the pros and cons of the two sites today. Two trustees - members of the Buildings and Grounds Advisory Committee - will also participate in the meeting. Though plans cannot be finalized prior to consultation with city officials, administrators hope to make a recommendation to the full meeting of the trustees tomorrow. Steve Dadagian (LA '83) of Graham Gund Architects will oversee the design of the brick building, which is slated to house 140 students and faculty members. But, Dadagian said, many decisions have not been finalized. The location of the dorm will affect the number of beds it houses. "It's a conceptual design. We're developing a program for what's going to be in the building," he said. "I don't know where we're going to end up, to be honest." Ballou hopes the location will reinforce the "existing fabric" of academic and residential buildings on campus, and establish a "residential community." The site's distance from dining halls, availability of utilities, and environmental impact are all considerations. The displacement of existing buildings is also a factor, according to Roberto. "[Tufts is] trying to create more of a living learning environment, more common space and a better quality of life in general," Dadagian said. The idea is to create "a program that will reinforce community within the dorm, and not alienate students." Part of the plan is to mix all stages of Tufts life "from freshmen to senior faculty." It is projected that the dorm will include singles, doubles, and possibly apartment-style rooms. The architects will ensure that the size, edifice, and design blend well with the surrounding campus. The "ambitious" schedule calls for groundbreaking by the end of the summer, and construction is expected to last approximately one year. However, there are many potential snags in the road. Zoning issues, Medford or Somerville's political agendas, and construction problems are among the myriad of potential roadblocks. Dadagian is a Fine Arts History and Geology major from Tufts. He said his experiences living in the dorms would add a degree of knowledge and understanding of the University's needs. "I've lived in Hillsides, Haskell, and Houston," he said. "I had a good time in the dorms I was in, but I understand there are ways to improve."


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Source' implicates PAA in magazine thefts

At least 200 copies of The Primary Source were stolen from the Campus Center this weekend, marking the third mass theft of the conservative campus publication since October. The theft of the Jan. 31 issue - which accused the Pan-African Alliance (PAA) of orchestrating the theft of "at least one print run" of the publication - brought the total value of Sources stolen this year to $2,000, according to Editor-in-Chief Sam Dangremond. The PAA executive board, led by president Abdul Farah, has firmly denied the allegations. Yesterday, Dangremond appeared before the Tufts Community Union (TCU) Senate and called for students to "obey the laws of the Commonwealth and of Tufts." According to Dangremond, about 200 copies of the Source disappeared from the Campus Center between Friday night and Saturday afternoon. While he acknowledged that the magazines could have conceivably been picked up by legitimate readers, Dangremond said that the lack of student traffic during those hours makes this possibility very unlikely. An editorial written by Dangremond in the Jan. 31 edition of the Source accuses the PAA, and former PAA president Carl Jackson, of organizing the theft of "at least one print run" of the publication. Dangremond based the accusations on an e-mail in which Jackson allegedly wrote that the PAA "engaged in magazine dumpings." According to the Source, that Dec. 18 message was posted on an e-mail list for African-American alumni. Farah denied any knowledge of the e-mails and of Jackson's involvement in the thefts. "PAA has taken no part in magazine dumping and these accusations are false," Abdul told the Daily in a statement from the PAA executive board last night. "The evidence is inconclusive." Dangremond first complained to the Tufts University Police Department (TUPD) and to the Dean of Students Office in November, when stickers proclaiming "imagine a campus free from sexism" were placed on over 600 copies of the Source. No suspects were identified, and then 1,300 copies of the Oct. 25 issue were stolen from various campus locations in mid-November. A week later, nearly 1,000 copies of the Nov. 22 issue were stolen. In total, at least 4,300 issues have disappeared - a value of just under $2,000, which is mostly funded by the Students Activities Fee. Dangremond acknowledges that there are limited options to guard against future thefts, and admitted that a TUPD officer can't be stationed next to each Source distribution site. But after Dangremond asked the Senate to "go forth into the community at large and make others aware it is unacceptable to steal the Source, no matter how much they don't like it," several senators proposed methods of safeguarding future print runs. Senate Assistant Treasurer Nick Abraham is drafting a complaint to the Treasury regarding the financial stipulations, and calling for an end to the thefts. Parliamentarian Andrew Potts suggested installing surveillance cameras to monitor any future thefts. If more issues are stolen, he proposes halting all funding until the culprits are found. This proposition, however, has not been suggested by the Senate nor is it Senate opinion. The Source is also using a new, random distribution system in order to "get it to the students before they are stolen," Dangremond said. Only a few Source issues were distributed on Friday, and more will be placed around campus this week. Issues will also be placed in different areas than usual, rather than just the Campus Center and dining halls.


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The Oscars: Last Minute Lowdown

The Oscar Gods were smiing on Julia Roberts last March. In a series of decisions that could easily have cost her the little gold paperweight, Roberts was walking a fine line between decorum and disaster. The hair? Princess Leia meets Texas debutante. The dress? Are you pregnant? Why else would anyone wear a thin white stripe down her abdomen? And another vintage dress? We've seen it before - give it back to Twiggy and go buy something for this century. Luckily, Roberts prevailed due to her huge smile and some Hollywood politics - if the Academy didn't give her the award, Oprah fans and People magazine subscribers were ready to riot in suburbs across the country. However, Robert's narrow escape from Oscar obscurity could have been much easier if she had just followed a few simple rules. Unbeknownst to many Hollywood insiders, in teeny tiny print at the bottom of the Academy voting slip is a clause by the Academy chairs reserving the right to make a last minute switch if a winner doesn't look so hot. So, out of the goodness of my heart and an appreciation for all things Oscar, I offer some impromptu advice for this year's nominees.Rule Number One: Don't Be Too Trendy. When participating in the fashion world's Super Bowl, a nominee must remember the red carpet is not a runway. To think otherwise could send a girl home early, crying into her Harry Winston goody bag the whole limo ride back. The most tragic example in recent history is Kate Hudson from last years Oscars. The media-darling daughter of Goldie Hawn had been doing so well: Hollywood royalty, rock star beau, a staple in both InStyle and Vogue. But somewhere along the line Hudson was led astray, right smack into Little Bo Peep's dress. The cornflower concoction by Stella McCartney had curves and fringe in all the wrong places and was topped off by stiff squiggly curls that hung in her face like a sheepdog's mop. If her name had been in the winner's envelope, it wasn't anymore. In a split-second decision, Academy chairs realized they could in no way justify giving Ms. Hudson 30-plus seconds of solo exposure on national television, promptly crossed out her name, and gave the award to that nondescript Pollack chick who had dressed up like Ava Gardner. Be warned, ladies, be warned. Rule Number Two: Don't Play Princess. The Academy Awards is Hollywood's prom night - the guys may get dressed up, but it's really the girls' night to shine. That said, the Oscars should not be confused with a debutante ball. Wearing big, puffy, virginal dresses will not endear you to the Academy voters; it will make you look older and like you're trying too hard. Gwyneth tried and even she couldn't pull it off. This is not cotillion and it's not a wedding. Put the taffeta away and wear a real dress.Rule Number Three: Don't Do Old Hollywood. In the 1980s and early 1990s, it was the battle cry of stylists everywhere: you can't go wrong with Old Hollywood Glamour. At a time when Kim Basinger was designing her own "Bride-of-Frankenstein" dresses and Cher was winning Oscars, it was the fashion world's desperate attempt to inject a little good taste into the ceremony. A decade later and Campbell's Soup labels have more variety. Yes, actresses listened. But they still don't have style. Just better stylists. The hackneyed vintage look is repetitive and confusing, and can be distilled into a simple formula. Take one up-and-coming starlet. Add satin, strapless dress and matching wrap. Mix with wavy hair and red lipstick. Garnish with big diamonds. Shake well and serve on red carpet. There are numerous examples of Old Hollywood overload from last year alone. Marcia Gay Harden (a.k.a. the Pollack chick) in her wine-hued satin gown evoked many silver screen goddesses of yore. Catherine Zeta Jones, dressed in a simple strapless Versace, looked about as imaginative as potato salad. Renee Zellweger, a recent vintage convert-turned-addict, showed up in a canary yellow strapless gown, requisite wavy hair, and clashing red lips. Boring, boring, boring. If I wanted to see Old Hollywood Glamour, I'd rent Gentlemen Prefer Blondes. Until then, please give modern designs a go.Rule Number Four: Don't Be Old. Perhaps the most integral rule on this list. If you want to win an Oscar, you can't be over 35. This looks like bad news for Sissy Spacek, Maggie Smith, and Dame Judi Dench. The old birds won't win for the same reasons that Kate Hudson lost last year - they just won't look as good up there on the podium as other nominees. Droopy jowls, crow's feet, and un-Botoxed brows aren't going to fly with Academy voters. Put Jennifer Lopez up there in a sheer shirt with a stiff breeze and ten times more viewers will tune in than if someone's grandmother is filling the air time. The Academy knows this. But don't feel sorry for the elder nominees just yet. Maggie Smith, up for Best Supporting Actress this year, has already won two Academy Awards (1969, 1978). Sissy Spacek received an Oscar in 1980. And since 1998, la Dame Judi has been up for an award four times. She is also the only one out of the three to have beaten the odds and won an Oscar in the winter of her years (Best Supporting Actress, 1999). But overall, as far as being old goes, I don't recommend it. Remember that Sixth Sense kid who almost cheated Michael Caine out of his Oscar a few years ago? So whether by Botox, collagen, or some finely tuned lifting, avoid aging by all costs. If those tactics don't work, you can always cryogenically freeze yourself like Heather Locklear. Rules aside, some actresses are doing just fine on their own. For example, what is an award show without the ubiquitous J.Lo? Each red carpet romp is an embraced opportunity to expose yet another erogenous zone. What double-sided tape wonder will this year bring? Sky-high heels and a see-through skirt? A fox fur bikini top? A gold lam?© toga? Only time will tell. And Gwyneth, though she tows the line between insipid and fabulous, is always a perennial favorite if only because she understands that getting free designer clothes means it's not hard to dress well. Angelina Jolie is also always one to watch, though less for her clothes and more because she might make out with her brother or pull a knife on someone. By this time, Oscar fever has peaked in Hollywood. The makeup artist is booked. Acceptance speeches are being practiced. Nominees have doubled their daily yoga sessions to calm their nerves. But fear not, Oscar contenders. It won't matter if you win or lose. It's what you wore while we were watching.


The Setonian
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Field hockey gets offensive

As the field hockey team gears up for the 2002 season, it will have one word on its mind: offense. It was, after all, a severe lack of offense that led the 2001 team to a 3-10 record, and a share of the NESCAC cellar. Through all 13 of its games, the team scored only 12 goals, and that number was boosted by a five-goal outburst against Bates on an Astroturf field. "Offense is definitely a focus for our team this year," sophomore defender Jayme Heller said. "We're going to work on just getting the ball in there from the midfield, and all working together." Improving the offense may be easier said than done however, as Tufts lost three of its top offensive threats last season with the graduation of tri-captains Christina Orf, Barbara Szajda, and All-NESCAC midfielder Lindsay Lionetti. The three combined for 29 career goals and 84 career points. The Jumbos will, therefore, be forced to rely heavily on two of this year's trio-captains, seniors Dana Chivvis and Laura Hacker. Chivvis was second on the team in scoring last season, and has a team-leading 20 career goals and ten career assists for a total of 50 points. She is already seventh on the list of all-time scoring leaders in Tufts history, and could move up a few spots on that ladder this season. Though Hacker is not as prolific as Chivvis', she has nevertheless proven her worth to the team's offense, with 12 points in 32 career games. While it will not be easy to replace the production and the leadership of the graduated seniors, Chivvis and Hacker provide the team with a foundation. While the offense may have been lackluster last season, the defense was solid. The team suffered four 1-0 losses, and allowed more than two goals only five times. Senior Ursula Stahl, the third trio-captain, will anchor a defense that lost only one starter to graduation last year. The team's last line of defense will likely be senior goalie Lauren Rufino. Rufino started seven games last year, and despite a 1-6 record, held opposing teams to just 1.56 goals per game while compiling a save percentage of 82.9 percent. Her career numbers are equally impressive; in 12 career starts she has allowed 1.64 goals per game for a save percentage of 80.9. Though Rufino's numbers are best among Tufts goalkeepers, juniors Julie Jackson and Fara White may also start some games in the net. Each played in five games last year, though White started only one - the only start of her college career. Jackson is 0-3 in her career with a goals against average of 1.6, and a save percentage of 77.8. White is 2-1 with 2.84 GAA and a save percentage of 75.7. According to Heller, the team will also try to improve upon its chemistry. "Last year I think that we learned that if we don't have everyone attacking as a team and defending as a team we won't be as successful as we want to be," she said. "How far we go depends on how well we all play together." Heller said that the team's chemistry was not necessarily a problem last year, but it is already better this year. "We have a few freshmen who look really strong. We're all working together really well, and if we can do that we'll definitely be successful," she said. The Jumbos open up their season on Sept. 12 with a non-conference matchup against Bentley. They will begin their NESCAC schedule on Sept. 14 against Amherst, a team which they lost to last year by a 1-0 margin. If nothing else, the team seems to have erased the memories of a dismal 2001 campaign, and are looking forward to a new year. "Everyone is very excited - we're all extremely excited to be on the team," Heller said. "I don't think anyone doubts that we'll have a successful season."