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London bridges

The true mark of a good book is its ability to withstand the test of time. Alison Lurie's Pulitzer Prize-winning novel Foreign Affairs is one that easily falls into that category. Despite having been published over 15 years ago, its themes of love, solitude, and social expectation still ring true. Vinnie Miner, an English professor at Corinth College, has taken a six-month sabbatical from her teaching position on a foundation grant to continue her study of childhood folk-rhymes in London. At best, she is nondescript and unassuming; middle-aged, divorced, and neither exceptionally pretty or unattractive. Her story overlaps with that of Fred Turner, an associate professor of English and colleague of Vinnie's who has also taken six months from his teaching responsibilities to work in London on his book documenting the work of 18th century writer John Gay. Unlike Vinnie, he is young (29 to be exact) and remarkably handsome - he invariably attracts the attention of complete strangers wherever he goes, causing them to wonder "if they haven't seen him somewhere before, maybe in some film or on the telly." The paths of these two English professors cross in London - not so much as a result of their similar professional interests as Fred's eventual involvement with renowned English television actress Lady Rosemary Radley, known as much for her acting as her looks and unpredictable nature. Vinnie has already established her membership in certain social circles in prior visits to England, but Fred is new to this upper-crust social scene of London, comprised of actors, writers, politicians, and the like. While Fred embarks on his own romantic adventure, spurred by the breakdown of his marriage to a photographer/feminist back in "the States," Vinnie finds herself in the midst of an adventure of her own. As the novel progresses, she becomes surprisingly more entangled in the affairs of Chuck Mumpson, a Midwestern sanitation engineer who befriends her on the plane ride from New York to London - though "friend" may be too warm a word, given her initial attempts to dodge his banter. Lurie skillfully combines various issues to create a complex yet cohesive novel. Despite exploring issues that range from romance to self-perception to the fundamental tension between the British and Americans, Foreign Affairs remains consistent throughout. And although complications and complexities relating to love, marriage, and physical pleasures are the novel's dominant themes, it somehow sidesteps becoming a romance novel. It is never trite or clich?©, but rather honest and lyrical in its examination of the effects of a sexual relationship on an individual. Contributing to the consistency of the novel is the author's unfaltering voice. Even as she shifts from Vinnie's perspective to Fred's in each alternating chapter, Lurie manages to capture each time their subtleties and particular qualities. The writing style changes noticeably but comfortably to further demonstrate the differences between Vinnie and Fred, but not outside the realm the novel established in its early chapters.Foreign Affairs is a droll, idiosyncratic blend of British and American culture and custom. Lurie creates this combination of two worlds in the behavior of the two protagonists as well as in the language of the novel itself. It is an endearing and effortless joining of the American style ingrained in Vinnie, Fred and Chuck, and the British colloquialisms that inevitably work their way in. Although it lags somewhat in the middle - as novels often do - Foreign Affairs is a well-crafted novel. With compelling themes, sympathetic characters, and beautiful language, it remains familiar and powerful well after being first received by literary audiences at a time when we were just beginning to read books ourselves. It has certainly stood the test of time.


The Setonian
News

Bleeding dry

A mere six months ago, it seemed that giving blood was the thing to do. In immediate response to the events of Sept. 11, the numbers of blood donations skyrocketed. In September, lines to give blood often lasted more than three hours. Companies and communities were booking and planning blood drives at a record pace. It was a topic that was inescapable in conversation and publicity. The Daily ran several articles about the process immediately after Sept. 11. Media outlets such as Foxtrot promoted the importance of giving blood, while several celebrities and athletes made appearances at their local blood centers. The interest and impact was enormous, and crucially important in a time of uncertainty and concern. I specifically remember a conversation that I had with an employee of the American Red Cross Donor Services department in early October. She informed me that the way in which this country donates blood was going to be permanently changed by the events of Sept. 11 and the heightened awareness of the need of constant blood donations. Sadly, this has not been the case. As early as Christmas, the Red Cross had reached critical levels in the demand for blood. The demand has not ceased since. Needs are at a similar level (if not higher) than they were at this time a year ago. And as colleges and universities (considerable supporters of the blood donation program) near summer break, the Red Cross is scrambling to meet spring levels before the tough summer season arrives. Why is it that the act of giving blood, which was so prominent and crucial in the fall, has reached such low levels of participation? While there is not a simple answer to this question, there are several relative facts. Primarily, the public is not aware of the continual need for blood. While the Red Cross is a highly visible organization and community, campus, and corporate blood drives are quite frequent, people are not aware of how often blood donations can occur and how frequent the need is. People can donate every 56 days (approximately two months) and are encouraged to do so. Blood has a short shelf life, and the resources of the Red Cross need to be continually replenished. Furthermore, it is important that blood donations be staggered. Blood drives occur six days a week, while blood itself is constantly being tested, stored and delivered to hospitals on a daily basis. This allows for a consistent and continual flow of the resource to hospitals and subsequent people in need. Second, there is a misconception that blood drives only occur after something happens, as an aftereffect. This was visible in the blood drives on and after Sept. 11. The blood that was collected on these days had to be tested, screened, and packaged properly before it could be delivered. The blood that was of immediate assistance in the recovery efforts of Sept. 11 was most probably not collected in these drives, but rather comes from drives and donors before Sept. 11. The supply of blood was available far before the demand. Blood drives are not reactionary measures. They are constant necessities in order to keep an adequate resource at all times. In reaction to the events of Sept. 11, the act of giving blood has gained more significance and prominence than the meaning behind the act. I do agree that giving blood is a highly commendable way of serving one's duty to community. Also, I understand the patriotic and symbolic significance that now come along with the process. However, the meaning behind the symbol has been lost. For example, in a recent conversation with the Red Cross, I was informed that blood drives for the one year anniversary of Sept. 11 and the surrounding weeks have been booked for several months now. At the same time, there is still a struggle and push to schedule more blood drives and increase blood donation during the months prior to Sept.. This indicates that blood drives have become a commemoration, not a consistent action for continual support of the blood program and everyday demands. While the trend of giving blood has clearly passed, it is crucial that the public understand the constant need and importance of giving blood. Local hospitals and patients rely on the donations of individuals all times of a year, not just in commemoration or times of doubt and concern. The reasons for people to donate are manifold. Many donate because they feel it is their civic duty, while others have known someone that depended on donated blood for survival. Still, many people donate in memory of deceased loved ones or tragic events. However, no matter the reason, individuals need to realize that the need persists and the best way to help is to be a consistent and continual donor at all times. Mathew Alford is a junior majoring in Child Development. He is also the co-coordinator of the LCS Blood Drives.


The Setonian
News

Men's squash has mixed results at Nine Man Nationals

The men's squash team capped its season with mixed results this past weekend at Nine Man Nationals, held at neighboring Harvard University. The Jumbos scored a decisive victory over west coast rival Stanford, but fell to NESCAC rival Colby and then to another neighbor, MIT. The zenith of frustration for the Jumbos was reached after a tough 6-3 loss to local rival MIT on Sunday to close out the weekend. Tufts, which earlier in the season was the victim of an 8-1 defeat to the Engineers, had been looking to avenge the loss. "That was very frustrating for me personally," senior co-captain and number three player Collin O'Higgins said. "I played my absolute hardest but lost each game narrowly." Despite the unfavorable result, fellow senior and co-captain Shayan Haque was pleased with the team's effort. "I told them this is the last time you are going to play as a team for seven months, leave everything on the court." Haque said. "Everybody did that. They gave their life out there." After coming off an impressive victory against Stanford the night before, the squad was simply outdone by a talented Colby team on Saturday, falling 8-1. "They were better," O'Higgins said. "It wasn't a matter of us playing poorly, they were rally a better team." Throughout the season, Tufts had thrived on repetition: making adjustments to teams strengths and weaknesses when playing a team for a second time. Against Colby, however, the Jumbos didn't have that opportunity, as the matchup at Nationals was the teams' first meeting of the season. Also, the White Mules are loaded with experience, with several seniors in their lineup, making them a formidable foe. "We were playing against a lot of unknown factors," coach Doug Eng said. The squad played some of its most inspiring squash of the season during Friday's victory over Stanford. "We came out firing on all cylinders," Haque, the team's number seven player, said. Eng was equally impressed. "We were just on top of our game," he said. Perhaps the most impressive individual performance of the match was the play of number eight Phil Beatson, who managed to pick up a 3-2 victory. After dropping the fourth game, 9-5, Beatson came back to obliterate his opponent, 9-2, in the final game. "He played an extremely patient game," Haque said. "He executed very well, very mature." For the team's captains, O'Higgins and Haque, the conclusion of the season brought mixed emotions. "We have been pretty dedicated captains," O'Higgins said. "Being on the squash team was a huge part of our lives, socially and athletically." Haque was optimistic about the team's future. "I think only good things can happen," Haque said, "I think the team will be even better next year." According to O'Higgins, two juniors, number four Nathan Anderson and number two Chris Choi, should prove leaders for the team next season. Haque said Beatson and sophomore Jordan Kosalinski, the team's sixth and eighth players, would be equally important. "The attitudes of Phil and Jordan will be very positive influences on the team," he said. This weekend, O'Higgins will be Tufts' lone competitor at the Individual National Tournament at Princeton University.


The Setonian
News

Call 911

This one ain't for the kids. And parents, please look the other way. The much awaited State of Emergency (SOE) has been declared, and the brewing controversy will only grow stronger as this game spreads among the masses. First, let's get one thing straight: contrary to popular rumor, the plot of SOE was NOT derived from the World Trade Organization riots in Seattle in 1999. In fact, the game was in pre-production before the riots even took place. After a few moments of playing SOE, you will quickly realize that the game is far from a realistic simulation. Rather, the developers (Vis) clearly chose to take a comical, larger than life, cartoon-like approach. And it works quite well for what it is - a throwback, story-based fighting game that traces its lineage to the likes of 16-bit classics like Streets of Rage and Final Fight.Gameplay The story goes something like this: the year is 2035 and the American government as we know it has disappeared. The official story tells us that "for years the Democratic process has given us only a weak government," resulting in the abolition of elections and takeovers of big business. These businesses then eventually merge to form The Corporation and become the proverbial "big brother." This, of course, leads to discontent among the masses. Rioting erupts and The Corporation declares a State of Emergency. There are two modes of gameplay: Chaos and Revolution. In Revolution Mode, we find the "story." In Chaos Mode, well, there's simply chaos - no holds barred, just pick up and shoot. In Revolution Mode you select a freedom fighter, and you fight The Corporation through different areas of the game. The problem here is that the missions you are given in Revolution Mode are far too monotonous. They generally consist of protecting Person A and escorting him/her from Point A to Point B, or killing Person A, or picking up Item A and dropping it off at this location. Chaos Mode, on the other hand, is a pure joy. The object here is to amass points by taking out The Corporation forces and gang members, blowing up cars, destroying storefronts, and avoiding killing innocent civilians. Oh yeah, and avoid killing the innocent civilians. Oops. I guess it slips sometimes. But you'll see that it's simply a sickening blast to have your character stand in the middle of a bustling mall with hundreds of civilians running about and open fire with a chain gun. The bodies and bullet shells fly -but it's all in good fun. Really, it is. It's nothing more than pure chaos and you're at the helm with an arsenal ranging from a trash can, to a hand axe, to the standard issue rocket launcher.Gameplay: B-Graphics The graphics are bright and sharp, and while some of the textures could use work - and there could be larger or simply more levels - this is all made up for by the ridiculous display of the PS2's polygon-pushing power. At any given time, SOE is able to display hundreds (publisher Rockstar claims up to 250) of civilians on screen at one time with absolutely no slowdown in the frame-rate. It is quite impressive. The character models repeat as expected, but there is enough variety to satisfy. And the explosions - of course an important part of a game where the object is to cause mayhem and blow things up - are gorgeous. While the particle effects of the explosions aren't as impressive as the explosions in Gamecube's or even Twisted Metal: Black for PS2, they fit quite nicely in the cartoon-y world that is State of Emergency. The menus are also nicely designed and reminiscent of the layouts of old-school Genesis games from the early '90s. Not something spectacular, just an appreciated touch. Graphics: B Sound If you aren't convinced of SOE's casual tone, then take a listen to the game's commentator. While not overly clever, he is rather comical. Shouting "Go, go, go!" as the level begins and chiming in with quips such as "blow up cars for bonus score" or "smash the corporation" periodically throughout your quests. The background music is nothing spectacular, but again, it doesn't need to be. It works - it's generally nothing more than fast-paced generic rock interlaced with threads of techno. And of course the background is often filled also with shrills and screams, shotgun blasts, and the occasional yell "This man is resisting arrest!" from The Corporation officers. SOE uses simple voiceovers and simple background noises. Simplicity is the key here and it fits well with the rest of the package. Sound: B-Replay Value Chaos Mode will rope you in time and again. It may not lead to widespread addiction like Grand Theft Auto 3, Civilization III, or Snood, but it will certainly entertain you for 10 minutes here and there. Revolution Mode on the other hand seems like a structure forced upon a free-flowing riot. Do the words structure and riot go well together in your mind? They don't in mine. And they don't in this game, either. I don't see Revolution Mode drawing many back time and again. However, progress in the Revolution Mode unlocks more characters. They always get us on that one. The real problem here is that SOE is really nothing more than a 50-cent arcade game packaged for the PS2. It's a fun arcade game that you walk away from after 10 minutes, not a fun console game that you shell out $50 for. Replay Value: C+ As I was torching downtown Chinatown a friend of mine noted, "This game is totally unnecessary." And he's probably right. But you know what? Take the Chaos Mode and forget that a story mode exists and you'll be entertained - albeit if only for a short time - doing what is "unnecessary." And if you think there is too much violence in games already, then you shouldn't be reading this review, and you certainly shouldn't buy this game. But if the cartoon violence doesn't bother you, SOE offers some great old-school beat 'em up fun. Just don't buy it hoping it's a sequel to its cousin GTA3 (both published by Rockstar Games), because it's far from that. And when it comes down it, it's really more of a weekend rental than a buy. Overall: B-


The Setonian
News

Diamondbacks looks to continue winning ways in NL West

Since their Game Seven victory in the 2001 World Series, the Arizona Diamondbacks have yet to look back. Thus far this spring, the Diamondbacks have compiled a stellar 21-8 mark with opening day less than a week away. Still, winning the division is not a foregone conclusion for Arizona, as it could face stiff competition - from both baseball's biggest overachievers, the San Francisco Giants, or baseball's biggest underachievers in recent years, the LA Dodgers. If the past few seasons is any indication, the race for the crown in the NL West will be a wild contest not decided until well into September.Contenders:Arizona Diamondbacks and San Francisco Giants. Arizona's roster is built for the playoffs. With Curt Schilling and Randy Johnson, the Diamondbacks have two of baseball's premier pitchers. It is probably the most dominating starting pitching tandem of our generation. But while this 1-2 punch is perfectly suited for a short playoff series, a well-balanced, solid five-man rotation is far more valuable for the 162-game regular season.The three men behind Schilling and Johnson have had successful seasons in the past, but the durability of their talent is in question. Rick Helling went 12-11 with a 5.17 era for the Texas Rangers last year. Helling does have a 20-win season under his belt, but in the past two seasons he has given a new definition to the term mediocre. Brian Anderson, who was 3-9 with Arizona last season, is the fourth starter, while Todd Stottlemyre, who missed all of the 2001 season due to injury, will round out the rotation. And while Arizona's lineup lacks pop, manager Bob Brenly loves to hit and run. Luis Gonzalez is Arizona's best hitter, while the offense also relies heavily on Mark Grace and Steve Finley. The Giants are among the division's leaders every single year. This can arguably be attributed to their possessing the game's best manager, Dusty Baker, and the game's best all-around player, Barry Bonds. Bonds is coming off one of the greatest individual seasons in the history of baseball, and while the Giants don't expect him to duplicate any of his grand offensive totals, they do expect more out of Jeff Kent, who had a sub-par 2001. The Giants also added Reggie Sanders to their outfield, which could provide some more power hitting.San Francisco also boasts a solid starting rotation led by Livan Hernandez, who has lost significant weight this offseason, and Jason Schmidt, who was unhittable down the stretch last season. The Giants also have Kirk Rueter, one of the best-kept secrets in the NL over the past five years, rounding out the rotation. Additionally, they also posses what might be the NL's best bullpen. Robb Nen will close, while Frankie Rodriguez and Jay Witasick, two of the hardest throwers in baseball, will setup.On the Bubble: Los Angeles Dodgers. With an aging roster, it could be a tough road for the 2002 Los Angeles Dodgers. First baseman Eric Karros is almost a decade removed from his rookie of the year award, while second Baseman Mark Grudzielanek has been disappointing since he was obtained from the Montreal Expos. The Dodgers may be disillusioned with centerfielder Tom Goodwin, and are considering platooning him with the ancient Marquis Grissom. Shawn Green is a bona fide superstar, and the Dodgers have two young studs in third baseman Adrian Beltre and catcher Paul Lo Duca. The pitching staff is anchored by Kevin Brown, who, though injury prone, has the best stuff in the major leagues. Hideo Nomo returns to LA after a stint in Boston, and the staff also features the talented Omar Daal and Andy Ashby. While the starters could be productive, LA has no real closer, and while the team could realize its potential and compete for the division, it most likely will finish around .500.Young Gun: Sean Burroughs. Few have been hyped like San Diego's young third baseman, who first appeared on the national scene in 1993 as a 12-year old, pudgy slugger who led his California little league team to a national championship. Manager Bruce Bochy has moved two of his top players out of position to accommodate the 21-year old rookie, switching Phil Nevin from third to first, and Ryan Klesko from first to right. Burroughs has shed all of his extra weight, and is a physical specimen who plays solid defense with a great throwing arm, and an amazing stroke that could find him a career all-star. Prediction: The Giants and Diamondbacks battle all season for the top spot, with the Giants eventually winning out. San Diego, with its young pitching, finishes on a high note above .500. The Dodgers start strong and flounder late, and the Rockies bring up the rear.


The Setonian
News

Pain is love

I have two blisters the size of sand dollars slowly forming on the insides of my feet. I did not anticipate this; but then again, when it comes to clothing, I am an eternal optimist. Shoes a little too big? Wear two pairs of socks. Sweater shrink in the wash? Rewash it and shape it again. Boot zipper chafing? That's what Band-Aids are for. The current welts are the products of a beautiful pair of camel shoes that were comfortable for two-thirds of the day, but have now exposed their true colors. I should have known. Aside from sneakers, most shoes never initially feel good - even flip-flops rub your toes the wrong way on the first couple wears. Thus all new shoes must be "broken in," a charmingly nostalgic term that brings to mind baseball gloves and Little League but which actually refers to establishing blisters on your feet and waiting until a hardened callus forms. "Breaking in" means your feet, not the shoes. But as far as foot damage goes, these budding blisters are child's play. If we're talking war wounds, I'm a Vietnam vet. I recall a pair of puffy slides purchased in Iceland which bore an irresistible resemblance to clouds, but which offered nothing even close to cloud-like comfort in reality. Then there were the straw sandals of a few summers ago that made my feet bleed for several weeks before giving me scars that remain to this day. But the crowning jewel in this litany of pain would have to be my Swears. Sophomore year, on a different trip to Iceland (maybe all my foot problems would subside if I just stayed out of Scandinavia), I fell in love with some super-huge, super-wide shoes that reminded me of lily pads. After first learning how to walk in them (they are incredibly heavy, but I love feeling like I can crush small cities in a single step) I then suffered white-hot searing ankle pains for a week and a half. But the pain went away. A happy ending. Exactly why would I wear shoes that rip my feet to shreds or necessitate repeated visits to a chiropractor? Because it's all part of the process - at first, the shoes might bring tears to your eyes with each wincing step, but once all the bleeding stops and the bandages come off, you'll be able to wear teetering stilettos or three pound shoes indefinitely. It's like getting a vaccine - it hurts and it might make you sick for a few days, but then you're protected for a whole year. Same deal. Pick your poison - tourniquet tops, sky-high skirts, pinching push-up bras - but in every girl's closet lies one article of clothing that makes her look too damn good to care about pain. Crippling shoes are my drug of choice. I have heavy shoes, shoes I can't walk long distances in, and shoes I must rotate daily to avoid aggravating any particular blister. But like a junkie, I keep going back for more. Boned corsets. Foot binding. Plastic surgery. Throughout history, beauty has always come at a price. Fashion and fractured bones are interminably inseparable - being so hip it hurts often leaves physical scars. Who didn't rip out their eyelashes the first time she used an eyelash curler? That perfect shade of blonde equals a good three hours in the salon. And I won't even get into waxing. Personally, one of my favorite weekend pastimes is strapping on my most bone-crunching stilettos and guessing who'll be carrying me home at the end of the night. Needle-heeled hobblers might be my nemesis, but I just can't stay away. A friend of mine summed up this comfort conundrum perfectly: "Once," she said, "I had these pants that cut off my circulation and left lines on my body for two days... But I looked fabulous!" And isn't that really the point of it all?



The Setonian
News

CSL rules on Halpern, 'Source' case

The Committee on Student Life (CSL) acquitted The Primary Source of two counts of both libel and retaliation for the filing of sexual harassment charges by student activist senior Iris Halpern. The ruling, which was delivered May 3, brings a partial resolution to the year-long battle between Halpern and The Source, Tufts' conservative biweekly magazine. The retaliation was allegedly a response to an initial claim of sexual harassment that Halpern filed against the magazine last semester. The CSL dismissed the first charge of libel in an 8-0 decision and the second charge of libel in a closer 5-2-1 ruling. The retaliation charges were dismissed by margins of 6-2 and 4-4, respectively. The second sexual harassment charge stemmed from a Jan. 31 publication of the Source, in which the magazine made a reference to a Letter to the Editor, printed in the Dec. 6 issue. The writer of the letter claimed to have been "physically harassed" by Halpern. Halpern was later absolved of any wrongdoing. The material found in "From the Elephant's Mouth" used the word "molested" in reference to Halpern's alleged actions against the writer of the Letter to the Editor. The CSL's 4-4 ruling on this second charge of retaliation revealed the difficulty of the decision. "I was not pleased with it, but it was not unanimous," Halpern said of the overall outcome. "A lot of the decisions were close. It made me feel good that [the CSL was] taking it seriously." While the CSL did not rule in Halpern's favor in any of the cases, the body did take some steps to prevent future conflicts between publications and students. According to the CSL's ruling, "there is sufficient evidence that The Primary Source knew or should have known that using the term 'molested' in the January 31, 2002 publication would be interpreted by the Tufts Community to mean something more than just a dictionary definition of 'annoy' or 'bother.'" The CSL therefore recommended to the Tufts Community Union Judiciary (TCUJ) that a media committee comprised of the editor-in-chiefs of all campus publications be established. The committee would ensure that all campus publications have written editorial policies that are consistent with the "highest standards of fair and responsible journalism." Additionally, the CSL will consider requiring all publications to establish written editorial policies next fall. How the media committee gets created "would be something for the TCUJ to decide," said Peggy Cebe, faculty chair of the CSL. "That is a recommendation. The nature of how they will be instituted will have to be decided through meetings in the fall." Although a media committee is already in existence, the Media Advisory Board (MAB), does not serve as a body that creates editorial policy. Its primary function is to administrate the MAB office in Curtis Hall. According to MAB president Sam Dangremond, editor emeritus of The Primary Source, MAB had at one time operated as a body to oversee campus publications. "It has basically dropped that role," he said. "In the past people could bring complaints about certain publications to the Media Advisory Board." While it seems that the body is already there and could easily take on more of an overseeing role, Dangremond is hesitant about having that happen. "The CSL needs to have a little more information about MAB before this goes into effect," Dangremond said. "Saying that it has to stay within 'standards' of Tufts University is a very vague sort of principal and one that could be easily abused." Any party involved in a CSL case reserves the right to appeal a decision. Halpern, however, has opted not to continue this case. "I'm graduating," Halpern said. "I have to put this year behind me and move on with my work and life." "I have never had any issues against [The Primary Source]," she continued. "It wasn't personal with me. I was trying to deal with what I thought was blatant sexism on campus." The Source, however, disagrees that it created an unhealthy environment on campus. "In retrospect I would really like to thank Iris Halpern for her part in increasing awareness [of] the Source," Dangremond said. "She greatly increased on-campus readership and brought it national media headlines." While Halpern will not pursue further action through the CSL, she currently has a case pending against Tufts University for disregarding sexual harassment laws. Halpern filed the charge against Tufts through the University's Office of Equal Opportunity Title IX coordinator. Yves-Rose SaintDic, Director of the University office of Equal Opportunity and Affirmative Action declined to comment on the Halpern case or to even say that one was pending. Typically cases are filed against individuals, but in Halpern's case her complaint is against the University's Office of Civil Rights (OCR) and the Title IX office. "Because of the structure of our University, there was no one person I could file charges against for failing to uphold our harassment policies, so I had to charge against the school and let the OCR and Tufts figure that out," said Halpern. The process for handling a standard case between a student and faculty member or agent of the University is usually informal, according to SaintDic. In the more formal procedure which Halpern is using, a student will file a complaint to one of SaintDic's contacts on campus, and the contact has five days to notify her. Within ten days of receiving the complaint, SaintDic must notify the accused party. Then she has approximately 30 days to investigate the charge and makes recommendations if disciplinary action follows. It is unclear when a decision will be rendered for the Halpern case. The end of the school year and Halpern's graduation further complicate the situation. Still, Halpern does not intend to give up. "I don't feel like the University ever attempted to protect me," Halpern said. "They did not take this thing seriously." Dean of Students Bruce Reitman did not wish to comment on the specifics of the Halpern case, but he did say that making students feel comfortable about expressing their opinions is of paramount importance to the University. "I do think a university community like ours is made up and enriched by a variety of opinions and different viewpoints," he said. "I think it is unfortunate if the way people communicate with one another creates discouragement to participate in that dialogue."


The Setonian
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Tufts student will answer to charges in Somerville court

Allegations regarding a December altercation that took place on Professor's Row will be heard at the Somerville County Courthouse on Monday, court officials confirmed yesterday. Tufts senior Edward Lee - who suffered severe injuries from the incident - has filed assault and battery charges against junior Joseph Orji, according to Lee attorney Jean Laroque. Three students- Orji, Lee and senior Eric Lindsey - also faced University disciplinary action related to the incident. Orji has not returned phoned requests for comment and Lee has declined to discuss the case, deferring questions to his attorney. Lindsey and Orji were both members of the football team in 2000. According to the Dean of Students Office - which declined to confirm the names of the students - a student later identified by the Daily to be Lee was repeatedly kicked in the head and stomach, and was punched in the face, suffering substantial injuries. The fight escalated from verbal confrontations that took place on the night of the incident, witnesses say. Lee and Orji - both with friends - had encountered each other earlier on the night in question, engaging in a loud argument. "It was a matter of people being drunk and stupid," said one witness who spoke on the condition of anonymity. Witnesses differ on exactly how the fight started, but all said that Lindsey - whether on purpose or by accident - punched Lee in the face. After Lee dropped to the ground, Orji allegedly kicked him, forming the basis for the charges. Lindsey, Lee, and Orji all went before a Dean of Students Office panel made up of members of the Tufts Community Union Judiciary (TCUJ) and the faculty. Lindsey waived his right to a hearing and was sentenced to Level Two Probation for his role in the altercation. Orji requested a hearing, which resulted in a semester-long suspension. His appeal was denied unanimously by the Committee on Student Life. Lee was found guilty of public intoxication and harassment. Since he was already on Level Two Probation, he was also suspended for the semester. Lee's suspension was reversed by the CSL on appeal, and he remains on Level Two Probation. The Dean of Students Office confirmed each charge but would not release any names. Orji's hearing for assault will be held on Monday at Somerville County Courthouse.


The Setonian
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Harrington a valued member of women's hoop team

Three years ago, junior Erin Harrington was concluding her senior season at Bishop Stang high school in nearby Fall River, MA. Harrington had what head coach Janice Savitz classified as an outstanding high school career at a good high school program. Thus, Tufts was a perfect fit for Harrington since it is a good school that near her home and Boston. Harrington made the conversion from high school student and athlete to college student and athlete successfully. It is one thing to be an excellent high school athlete, but it is a far different playing field once one steps into the college light. The difference between a high school star turned college letdown and high school star continuing to greatness requires superior work ethic-something Harrington certainly does not lack. "I go to practice everyday and work hard," Harrington said. "I'm not the fastest player on the team, so I have to work harder." With the transition from high school to college, Harrington was forced to go from being the star to a sixth man her freshman year, though she did earn a fair amount of playing time. She also earned her nickname, which friends still playfully call her to this day. "Coach called me 'E' freshman year and it has stuck ever since," Harrington said. Unfortunately, with high expectations including a starting job sophomore season, she was sidelined for the first six games with an ailment. "I tried to work to get back to the starting lineup after my injury," Harrington said. Although faced with adversity, she triumphed and ended up starting by the end of the season. "She comes to practice and is ready to compete; she makes the players around her better," Savitz said. This season, not only has Harrington started 18 of 19 games, but also she is second on the team in scoring with 11.4 points a game. "Come game day she's focused," Savitz said. "You can really see it in her eyes; she comes ready to play. [Her play] doesn't surprise me at all because she competes so hard, it gives her the opportunity to be successful."Harrington is one of the best shooters on the team; her medium range and three point shooting are among the best in the NESCAC. She has made the most three pointers on the team with 32. She is also shooting 32.3 percent from behind the line. Harrington prefers to shoot off of picks and there are certain parts of the offense that enable her to do so. "We have plays that have options for her, she's always an option to hit the three," Savitz said. "However, something she might want to develop is the ability to create off of the dribble." Her shooting ability produces a viable scoring option, which is valued by her team. "Whenever [Harrington] catches the ball, we know she can do something with it," junior point guard Hillary Dunn said. "She could even post up a smaller player."At 5'8'' Harrington is the average height of a female college shooting guard. Although she played center in high school, she was used to the shooting guard position through Amateur Athletic Union (AAU) basketball. Through playing center in high school, she became apt at grabbing rebounds and working in the paint. "I was used to rebounding when I came here and was already used to playing down low, in the paint," Harrington said. "I have started to work on my rebounding this year and it has improved a little." The work has paid off and at 5.7 rebounds per game, Harrington is second on the team in board work only behind junior center Emily Goodman.Harrington has shown she is a crunch time player as she increases her rebounding in conference play as she averages 6.6 rebounds per game in five conference match-ups."I box out, but I also go after the ball," Harrington said of her rebounding style. "On offensive rebounds too, I kind of just follow the ball."With all of Harrington's offensive ability, she is often mistakenly overlooked as a good defender. "She works hard, I think she gets the best out of her abilities," Savitz said.Harrington is currently tied for third on the team with 18 steals."I try to keep the girl in front of me. Some of the girls are bigger and stronger so I have to use my strength," Harrington said. "I play both big and small girls, so I have to adjust."Although Harrington excels on the floor, she also has fans off the court. "She's really competitive on the court, but off the court she's one of the nicest, funniest, and sweetest person I know," former teammate, junior Sarah Conlon said. Harrington is also a huge fan of New England sports, as Larry Bird is her favorite basketball player of all time and she is a Patriot fan. "I'm a Patriots fan; I was happy they won. It was great being in Boston the night of the Super Bowl," Harrington said. Although basketball ends in a couple of weeks, Harrington is planning to play intramural softball with some of her women's basketball friends. "She's just a pleasure to work with," Savitz said of Harrington.


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NBA names All-Star starters

Last Saturday, the NBA announced the starters for the annual All-Star game that will be held, Feb. 10 at the First Union Center in Philadelphia. There were very few surprises in the lineups, but a bit of an anomaly in the Western Conference choices. The west is lead by Shaquille O'Neal of the Los Angeles Lakers, Kevin Garnett of the Minnesota Timberwolves, and Tim Duncan of the San Antonio Spurs - all of whom are at least seven feet tall. That type of height is unheard of for a starting all-star squad - especially since one of the three big men must have the quickness to guard a small forward. The guards for the Western Conference squad are the Lakers' Kobe Bryant and first time starter and Houston Rocket Steve Francis, who is making his all-star debut. The dynamic duo of Bryant and O'Neal are used to joining forces as they have combined to lead the Lakers to the past two NBA championships. But neither has played with a forward with the talent of Duncan or Garnett since last year's All-Star game.Dallas Mavericks coach Don Nelson, whose team currently has the second-best record in the conference, will guide the West all-stars. The Sacramento Kings own the best winning percentage, but coach Rick Adelman is not eligible to coach the All-Star game because he did so last season. With the New Jersey Nets sporting the best winning percentage to date, their coach, Byron Scott, earned the right to coach the East all-stars. Heading the list of starters for Scott's lineup in the East is Toronto Raptors' forward Vince Carter, who has topped the all-star voting for three consecutive seasons. He is the third player to do so, joining Michael Jordan, who has led four times, and Julius Erving, who led all-star balloting for nine seasons during his career. Carter received 1,470,176 votes. Making his 13th All-Star appearance will be the Washington Wizards' Jordan, but this will be his first appearance in a uniform that's not from the Chicago Bulls. Although not quite at his career average of nearly 30 points per game, Jordan is putting together a formidable season, scoring 25 points a night. He is currently ranked seventh in the NBA in scoring. Joining Carter and Jordan in the starting lineup will be hometown heroes Allen Iverson and Dikembe Mutombo, both from the Philadelphia 76ers. Rounding out the starting lineup will be Boston Celtics' forward Antoine Walker, making his second appearance.What if the playoffs began today? Basketball fans in Los Angeles might have envisioned a foot of snow falling in June before they imagined a playoff scenario such as this. With a little more then half of the season complete, the Lakers, 29-12, would be the fourth seed in the Western Conference playoffs should they begin today. This coming from a team that experts predicted would cruise to their third straight championship. But what could be even more surprising for the good people of Los Angeles is that the Los Angeles Clippers, a perennially unimpressive team which shares the Staple Center with the Lakers, are tied with the Utah Jazz for the eighth and final spot with a 22-22 record. The Kings would own the top seed with a 33-10 record, with the Mavericks on their heels at 32-12. The Eastern Conference picture is almost as surprising as out west. The Nets own the best record in the conference at 29-14. The defending conference champion Philadelphia 76ers would barely squeak into the playoffs as the seventh seed with a 22-21 record. In a huge surprise, the Celtics would be the third seed, and the Detroit Pistons and the upstart Wizards would also make the playoffs. Such a scenario would leave out perennial playoff powers, the New York Knicks and the Miami Heat.


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Baseball looking to start new win streak against Bowdoin

The baseball team has followed its 12-game win streak with two straight losses, but three games against NESCAC cellar dweller Bowdoin might put the team back on track. The team travels to Brunswick, ME, this weekend and plays its first game against the Polar Bears at 3 p.m. today. A Saturday doubleheader will round out the weekend. Though Bowdoin is not formidable on paper, the team will need a balance of solid hitting and consistent pitching to sweep the Polar Bears. Coach John Casey said the team should not become too confident. "They are a good team," Casey said. "They don't make errors and have good pitching." Two of the Jumbos' three tri-captains, junior Evan Zupancic and senior Dan Callahan, along with junior shortstop Brian Shapiro, lead the Jumbos at the plate. Zupancic was co-NESCAC player of the week as a result of his performances against Massachusetts Maritime and Wesleyan. Over the course of three games, he hit .563 (9-for-16), flexing his leadoff hitter muscles for three homeruns - matching his total from last season. He also scored eight runs, and knocked in seven. Zupancic is also up for a misdemeanor as he stole three bases over that time period. He is currently batting .348 for the season and has started in all 18 games this year. "Zups has done everything we have asked him," Casey said. "He made himself a great leadoff hitter." Callahan is proving that last season's NESCAC Player of the Year honor was no fluke, batting .382 with four triples and two homeruns. But while his season stats are impressive, his last three games have not been. Callahan is one for his last eight at the plate, with the team losing two of its last three. A big factor for the Jumbos this weekend will be how well Callahan can shake off his last couple games. While Callahan has struggled from the plate, Casey said that will turn around. "One day you're great, the other day you are awful," Casey said. Shapiro has been named NESCAC player of the week once this season after his play on the team's spring break trip. This season, he's been an effective clean-up hitter. "Shaps is more of a streaky hitter," Casey said. "He is much better this season, more mature than he previously was." Shapiro is leading the team in RBIs (20), homeruns (5) and at-bats (69), he is also tied for the lead in doubles (5) and hits (26). He is hitting .377 on the season. "We'll go as far as Cals and Shaps take us," Casey said. "We can survive without one, but not without two." As for pitching, coach Casey said the team is in good shape for the weekend. "One of our strengths is our pitching depth," he said. "We got enough to go Saturday." Junior Dave Martin, who is 3-0 on the season with a 0.30 ERA, will be the starting pitcher on Friday. Junior Jon Lee, injured for much of the season, is available for short relief on Friday, but will start one of the games on Saturday. Shapiro, who starts at shortstop, is also available for short relief. The other starter for Saturday has yet to be determined. Although Casey could not guarantee that the squad would bring home three victories, he did make one promise. "We're going to play hard, I can guarantee you," he said. "This will be the best pitching we have seen for three games. It will be a test for us." Casey said he will do his part to help the team win. "I will not throw batting practice," he said. "That is the only thing I can do to help. Both times I did so, we lost."


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Mice, Rat, Opossums, squirrels all over campus

Though most college campuses are plagued with pests such as roaches and mice, Tufts strives for originality in its infestations. Over the past few weeks, students have reported dead skunks rotting under buildings, birds in the ceiling, opossums rooting through trash, and rats in the vending machines - all alongside the more common pests. The Lincoln-Filene Center, home of the University College of Citizenship and Public Service, was also the home of an odd pest problem. A skunk residing underneath the building died a month ago, producing an odor that was detectable in the rooms above. Receptionist Joan Buote said that she was "aware of the odor but it wasn't overbearing." The Facilities Department has been called to deal with the problem, but the skunks have been popping up elsewhere too. Members of the Russian house have noticed what one resident called a "family of skunks" living behind the building. The Russian House has experienced a number of recent pest problems, according to resident junior George Nitzburg. He said his roommate, Maurycy Rak, heard a scratching sound which was assumed to be a mouse. Though Nitzburg discovered that there had been a mouse rotting in a wall of the Russian house, the scratching was actually a bird stuck in the ceiling. "I don't know how it got in our ceiling, because we live on the second of three floors," Nitzburg said. Members of the Russian House have also reported seeing an opossum that rummages through trash in the daytime. A Ginn library employee found a dead rat in a vending machine in Mugar hall. The employee reportedly went to grab her purchase, and instead pulled out a dead rat. Similar pests have been spotted all over campus. Aside from isolated events such as the bird in the Russian House, Tufts students have long been aware of more widespread infestation problems, such as the so-called "Wren bugs" of Wren Hall. "They look like millipedes but with even more legs," explained freshman Ming-Ming Lee, a resident of Wren. "They have long antennae and move really fast so you can't catch them." Though Lee's suite has been free of "Wren bugs" for a few months now, a new insect has replaced them. "Now we have millions of ants," Lee said. Lee and her suitemates have not yet called the Facilities Department about the ants since they received no response about their former infestation. Lee's suite is on the ground floor of Wren Hall, which she believes explains her issues with pests. "The upper floors don't have as many problems," Lee said. Mice are frequently found in a number of dorms, but the problem is especially noticeable in West Hall. "We've seen them all year long," West resident sophomore Rachel Androphy said. Adrophy added that mice are a problem for everyone on the second floor. "We called Facilities and they'd set traps for a while," Androphy said. "They said they'd do something over winter break, but they never did because things got worse when we came back in January. One week we caught seven mice, and they were squealing in the traps at 4:30 in the morning. But we called the police and they came right away." The Ginn library has also been battling a large mouse problem. According to Ginn employee Junior Amy Goldman, they find mice everywhere. "There is really bad mouse problem in the library find dead mice everywhere, Goldman said. "We find them in bookshelves, offices, and on the floor." Director of Medford Facilities, Ron Esposito, said similar pest problems are found at schools throughout the Boston area. "I think it had a lot to do with the weather, the late onset of winter gave rodents more time to breed, when the cold weather comes they go inside," Esposito said. He said that the problem has been worst in Stratton, West and Houston Halls, but it seems to have gotten better in the past few weeks. When Facilities is called, typically an outside contractor traps the pests and sometimes use tracking powder to find where rodents enter and move around in the building. In extreme situations, such as in Stratton, West or Houston, Facilities carpenters or outside contractors will fill the penetration holes and look for unnoticed holes in the building's perimeter. "Mice are troublesome, they can go through a hole the size of spaghetti, just need to clear their backbone," Esposito said. He notes that these procedures were taken with Stratton over winter break and recently with West. Houston appears to be the main problem now. There was a problem with squirrels entering the building from a tree, so the tree was pruned. "It's been very expensive this year, but I think we've really turned the corner on it," Esposito said. If a student has a pest problem in their room, Esposito says to call Facilities right away. The contractors should arrive soon to set out the traps. "Then be patient, takes a while to catch them in traps," he said. It takes about six to seven weeks to get rid of the pests after the first identification. Despite the seemingly absent extermination efforts over winter break, Androphy and her roommates are generally pleased about the University's response to their complaints. Exterminators from Facilities have filled up a number of holes in Adrophy's suite, including one behind the radiator. "It's hard to get mad at the exterminators because they're so nice about it," Androphy said.


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Students, residents react to fire

As thick black smoke billowed out of 7 Capen Street, the Cioffi family and friends huddled on a corner about a block away. Tufts students and Medford residents stood at the intersection of Capen and Winthrop to watch firefighters combat the four-alarm fire, as hoses sprayed onto onlookers. Some looked on in shock, others in amazement. "I grew up there," a teary-eyed Paul Cioffi said, watching flames lap at his childhood home. "On the third floor." Although Paul has moved out of the 7 Capen Street house, his five siblings and parents still live there. Their grandparents live on the second floor. Over 20 fire engines from eight departments filled the streets, separating spectators from the blaze. It was, however, still relatively easy to navigate through the maze of fire engines and hoses, and many onlookers and reporters were able to get close to where the fire was being fought. Helicopters from local news stations flew overhead as newscasters and camera crews scrambled to get information. The fire was the top story for most evening local news broadcasts, and many television reporters gave live updates throughout the afternoon. Freshman Chris Roughton saw the fire as he walked to the 3 p.m. Good Friday mass at the church across the street. "I saw that the house on Capen Street was on fire first, really flaming. And then it spread to the other one on Winthrop," he said. Many students saw smoke from the blaze across campus and the Boston Globe reported that it was visible from ten miles away. Gail Landry, a resident of 46 Winthrop Street, said she heard a loud explosion from her kitchen and looked outside. "You always see it on TV, but you never expect it to happen to you," she said. Landry's two cats were left inside, but at least one was rescued by a firefighter over an hour after the blaze started. When firefighters notified Dean of Students Bruce Reitman that they had saved a cat, he personally sought out Landry to return it to her. Tufts students who lived at 50 Winthrop Street also heard the explosion. Senior Jay Kahn came outside to find his yard in flames. One resident of the house fought "15-foot flames" on their garage with a police officer, according to his housemate, senior Jeremy Rich. "The fire department didn't even know about it," he said. "I'm not sure how this is going to work out with my landlord," Rich said of the damage. Tufts University Police Department desk officer Michael Santini also helped fight the fire. Santini was reportedly walking past 7 Capen Street as he saw it burst into flames. He went into the house and helped two elderly people leave safely. Several Tufts administrators and staff joined the crowd to watch the firefighters. Among them were Reitman and University President Larry Bacow, who consoled student residents of 3 Capen Street. Adele Bacow also looked on. "I really feel for anyone who lives here," she said. "I personally have three friends who have lost their homes by fire. Their houses were gone in less than two minutes." The fire was particularly hard to fight because it involved gasoline, said Medford Fire Deputy Edward O'Brien. As the firefighters' efforts continued into the second hour, water became scarce, forcing them to search for hydrants farther away from the site. Bystanders pitched in and carried hoses to hydrants in order to get the water to the engines. The location of the fire also complicated the effort to fight it. "That was a pretty tight little area in there. But that was the nature of the game in the city," O'Brien saidJonathan Graham contributed to this article.


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Ask Dr. K

Dear Dr. K, I'm a pretty shy person, but I somehow got up the nerve to ask this hot girl from my Spanish class over to do "homework." The only problem is that my roommate is a real ladies man (or so he thinks) and hits on every single human resembling a female that he meets. I'm going to be really pissed off if he tries to hit on this girl, because he gets with tons of girls all the time. How can I tell him to back off? -Roommate RageA: For starters, you could try being honest with your winner of a roommate. Tell him that you have some serious plans with a girl and you will need the room to yourself. One of the basic rules of dorm living involves coming up with some kind of code to leave on the message board indicating that there is some hardcore action going on behind closed doors. So, leave up a message - some people use smiley faces, other use key words, others tape a condom to the board for a less subtle approach. He should at least respect the fact that you are asking for the room for one night (or a few hours) since it sounds like you do the same for him on a regular basis. However, if you think he will actually go out of his way to be rude and intrusive, then you might have a sticky situation to deal with. You might want to forewarn your potential bed buddy that your roommate is a real player, and tries to hit on every girl he has ever been introduced to. I'm sure that if this girl knows what a dog he is, she'll be immediately turned off from even getting to know the guy. Make sure you emphasize just how many girls he brings home, and how frequently, and she'll get the picture. Although having an annoying roommate is frustrating and unfair, you just have to suck it up. There are very few roommate situations that actually work out, so just be happy that the semester is almost over and you'll never have to worry about your roomie manhandling every girl you bring home. Invite your cutie over, and if he starts rubbing himself against her right away, then feel free to tell him to "[insert your explicative of choice here] off" and suggest to your lady friend that you take her out for a coffee (your treat) instead. Once you get around to the coffee, she'll see you as considerate and sensitive, and you can take that opportunity to explain why your roommate is such a womanizing bastard. You see, this will work in your favor no matter what happens, so enjoy!Q: Dear Dr. K, Although I am really psyched for Spring Break, I am also scared as hell to bare my body in a bathing suit in front of lots of other college-age kids on break. The thought of a bikini, let alone a bathing suit, makes me wish I had gone to the gym this semester. Should I start working out for the next week? Will I look better just by going for a few days, or maybe using Slim Fast or something? -bathing beastA: Too bad you didn't realize the benefits of exercise long before making plans to bare it all in the sun! First of all, stop thinking that you can magically look slimmer in a bathing suit after a week of working out. This will not work. It takes a lot of time (read: months of effort) to achieve a fit, athletic body, and one week certainly isn't going to fool anybody. Don't make the same mistake that tons of Tufts students make before each major break - working out for the week before going away is not going to allow you to make up for all the time you've spent lounging around being lazy. It's also extremely aggravating for dedicated athletes to deal with the hoards of students who crowd the gym for that week, thinking that they can start up an intensive exercise schedule that involves staying on cardio machines for way longer than they should. In sum, no, going to the gym next week will not make you suddenly have the sexy body of Jennifer Lopez. Don't be misled. However, I would definitely encourage you to start an exercise routine for the future. I could go on forever about the benefits of working out, but I'll spare you. Instead, take my suggestion that you start up some sort of schedule for yourself so that next time you are going on vacation, you will not only look great, but you will feel so much more confident about your body and self. One more thing - the Slim Fast idea is a terrible one. Those kinds of weight-loss supplements not only deprive your poor body of essential nutrients; they are also boring and will leave you unfulfilled. The other negative is that the second you stop drinking those nasty shakes, you will be guaranteed to gain back every single ounce you might have lost. It seems like the problem lies within the fact that you are unhappy with your body. Don't get sucked into a downward spiral of self-loathing. Instead, be appreciative that you are a healthy young woman and you will be enjoying a week off, away from the lovely Medford/Somerville area with friends or family. If you are truly unhappy with the way you look, then do something. Like I said, exercise is a great way to feel better about yourself. If this is a real problem for you, talk to people, because if you keep getting down on yourself then you might wind up suffering the consequences of poor self-esteem. Stop trashing yourself and start anew - it's never too late.


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Guiding Light's number one fan

Everything makes fun of soap operas, from The Simpsons to anyone who isn't a couch potato. But in a shocking turn of events, these daytime staples of the major networks have preempted the competition and started to mock themselves. Misguiding Light, a comedic masterpiece you have to see to believe, combines all the worst stereotypes of soap operas with a level of camp that gives old school Batman a run for its money. Best of all, the brains behind it is Lisa Baim, a Jumbo who graduated in 1996 with a degree in Psychology and Child Development. She landed the job after a two-week internship during winter break her senior year. After graduation, Proctor and Gamble Productions hired her as a temp, and eventually promoted her to a full-time position in the publicity department. She is co-writer of the 13-episode Internet based series that adds a new five-minute episode approximately every week. Guiding Light has been running for 65 years, the first 15 of which were on the radio. This makes it the longest running television show in history, and the only show still in production to have made the switch from radio to television. As such, it is no surprise that the producers would jump at the chance to expand their multimedia horizons with a move to the Internet. With its short running time and catchy vignettes hooking potential fans, Misguiding Light is the perfect way to make this transition, MisguidingLight stars Floyd Boyd, "Guiding Light's number one fan" and potential scriptwriter. When he presents his masterpiece to Executive Producer Paul Rauch, who plays himself, Boyd is hopelessly shot down. While wandering in despair around the studio, his favorite star's wardrobe rack hits in the head by, knocking him unconscious. When he awakens, he finds himself trapped in the fictional town of Springfield, USA, interacting with the cast of Guiding Light. Melodrama reigns supreme in Boyd's encounters with the show's denizens. All the characters employ the worst stereotypes of daytime soaps: the doctor who takes care of Boyd after his accident doesn't know the names of the most basic medical instruments. While checking up on Boyd, an attractive assistant appears, with whom the doctor promptly begins making out midway through the exam. The characters are aware that they are in a television show, but act like real people. They think that Boyd is an actual writer for the show, and beg him to write them better parts. Boyd's only goal is to meet the woman he worships, Reva. In the episode Boyd penned, Reva falls in love with Lloyd Boyd, a character whom Floyd Boyd obviously intended to play himself. In an interesting comment on the strangeness of long-running soaps, Lisa Baim mentioned that Reva has been married to a father, as wells as both of his sons. She went on to explain that a good part of MisguidingLight involves inside jokes of this sort, appreciated best by die-hard fans. "There are a lot of things to poke fun at," Baim said. With such a long-running show, there is a vast pool of material from which to draw. The key to success, and something they did not overlook, was the accessibility to new viewers. The show was created to be hilarious for anyone, no matter what their involvement with Guiding Light itself. As far as her job goes, "it's perfect," Baim raved. "They are a great bunch of people." Baim added that she has been a longtime soap opera fan, making her role that much sweeter. Normally she is a publicist, but after a writers' development program, she got the opportunity to try her hand at creating material for the actors. She explained that the idea for MisguidingLight came from a suggestion by Producer Mary Alice Dwyer-Dobbin. After much discussion and brainstorming, they settled on Misguiding Light's present form. "Misguiding Light is a unique opportunity for Guiding Light to have a little fun with itself," Dwyer-Dobbin said, and everyone involved seems to agree. "The actors are really enjoying themselves," Baim noted. And who wouldn't? The actors must relish the chance to give up all pretense of seriousness and have a little fun. As so many people have shown, a soap opera can be hilarious if it wants to, and Misguiding Light is in no way breaking tradition.


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Waiting for Britney

"Along the way they not only gather experiences that will change their lives forever, but they also discover how important it is to hold onto their hearts' desires." - Allied Advertising press release describing the new film Crossroads So she's finally gone and done it. Our little girl's all grown up. While Christina Aguilera and the boys from 98 Degrees are still goofing around with the child's play that is performing and recording shlock teenybopper music, our sweet Miss Spears has taken that next step. Calling upon her heretofore untapped natural acting skills to create something far grander and greater - something that sits so heavy with import upon our collective psyche that it actually become difficult to walk - Britney has climbed the ladder to what Plato may very well have described as the artistic ideal: a shlock teenybopper movie. A nation rejoices. But alas, we must wait till Friday. I personally might be able to survive these three long painful days to opening night, for I am strong of will and have prescriptions for many drugs, but I fear that many of the Daily's 14-year old female reader's might not be so well-prepared to handle the excruciating torture that accompanies the endless wait for a Britney Spears movie to open. Take for example, this letter I received the other day from some teenaged sweetie looking for words of guidance as she struggles to endure the agony. Dear Carson, Oh my god! Carson Daly, I love you! TRL is like, the most awesome show in the universe and you are the coolest, smartest, cleverest, cutest host ever. (Totally!) My mother tells me your show is the creation of a large corporate conglomerate set on fulfilling its imperialist economic goals at the expense of the minds and hearts of innocent children like me. Is that true? What is your favorite color? (Mine is turquoise!) Oh my god, has Britney told you about her new movie? If I don't get to see it the very, very, very first nanosecond it opens, I think I might just die. (Seriously!) Do you know what happens in the movie? Please tell me. If you do, I would totally love you, like a million and one times more than I already do, if that were possible, but alas, it is not, for no one, not even myself, could love you, Carson Daly, more than I already do. Hugs and kisses, Donna, Desperate for Details in Detroit, age 14 After receiving this passionate epistle, I first thought to investigate why I was receiving Mr. Daly's mail. When my detective work turned up nothing I thought it best to respond to the young lady's queries so as not to leave her hanging. Dear Desperate Donna, I am writing to you in lieu of my friend Carson Daly who could not answer your lovely letter. I think he is in rehab or, maybe, dead. But do not fret. I have been lucky enough to receive a letter from the publicity department for Britney Spears' new film Crossroads and would be happy to share with you the details I know about the film. Evidently, the movie tells the story of three friends, Lucy (played by Britney - you go girl!), Kit, and Mimi. I don't know about you, but they sound like hussies to me. (Ha, Ha, just kidding!) Anywho, they set off on a cross-country road trip in a '76 Buick to rediscover their friendship. It is a convertible. Along the way they not only gather experiences that will change their lives forever, but they also discover how important it is to hold onto their hearts' desires. Yeah, yeah, I know Donna, it isn't much. But what do you expect, a press release to give all the secrets away? (If only!) Fortunately for you though, I happen to have seen quite a few movies over the years and maybe, just maybe, I could make a few educated guesses as to how this film might turn out. Now I'm not making any promises, dear, (fingers crossed!) but here are a few suggestions of certain key cinematic elements that you might encounter in Crossroads. Just imagine...? singing, dancing, singing and dancing? empowered women? hearts' desires, held tightly? profession of love for S'mores? discussion of boys, cute ones? pillow fights, hugs? sexual awakening? cigarettes, whores? Sal Paradise? kissing, lots of it? the threat of nuclear war, midgets? declaration of independence from: parents, money, men, society, 'NSYNC, the British ? Bob Dole? confused rednecks from middle America saying, "Damned, if I know..."? An evil Bible salesman? Tori Spelling? The ghost of Christmas past? The phrases "I'm a slave 4 U," "Oops, I did it again," and "Boobies, Boobies, Boobies!" So there you have it Donna, I bet a good 80 percent of those details will show up in Crossroads. (No kidding!) I hope you are looking forward to Friday as eagerly as I am (sometimes I have to remind myself to calm down: "Rob stop drooling!" Anyway, good luck, and enjoy the movie. I know I will! C U Later, Rob


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Parking changes unknown to many

Lobbying by the Tufts Community Union (TCU) Senate has succeeded in changing campus parking regulations to better suit off-campus students, but few are aware of the new rules. Certain on-campus parking areas will now be open students at least as long as the Tisch library is open. The changes affect parking spots on Professors Row from Packard Ave to College Ave, Latin Way from Professors Row to Talbot Ave, and Talbot Ave from Packard Ave to College Ave. Parking is prohibited in these areas from 3 a.m. until 6 a.m., instead of the previous 1 a.m. to 8 a.m. prohibition. The extended hours, which actually went into effect last semester, will benefit students who live off campus and drive to campus to use the library, campus center and other facilities, many of which are open later than parking is allowed. Additionally, parking outside of color-designated parking lots is now allowed from 6 p.m. to 6 a.m., and on all weekends and holidays. TCU Senate Vice President Melissa Carson, who spearheaded the project, said that the change proved an easy task. Carson had heard complaints from students about not being able to park on campus during some library hours, especially during exams, and was frustrated herself. Carson met with TUPD Sergeant Paul Riley, Supervisor of Public Safety and Affairs, and planned out a new general parking policy within an hour. Riley said that the changes were not a problem to make but that the issue had simply never been raised before. Carson called the changes "a big victory for students," for what she calls "the most convenient parking Tufts has ever had." Although the policy change went into effect last semester, parking signs around campus remain unchanged. The Department of Public Safety and Affairs and the Senate announced the changes to the campus two weeks ago in a campus-wide e-mail. Senior Sean McDermott, who lives off campus, had often wondered why the library hours and parking hours did not coincide, and said he is happy with the new policy. "With the old policy you couldn't stay on campus past one," he said. "It's a big problem if you're at the library or staying with friends at the dorms." Sergeant Riley said he has received no feedback so far, except for a few students asking questions about clarifying the changes. Carson said she is worried that not enough students are aware of the changes to take advantage of them. The TUPD reevaluates parking policies each year and has the freedom to reverse the changes if it feels the new policy is not beneficial.


The Setonian
News

Senior presents his newly published book to fellow students

Like most seniors, Alwin Jones will walk across the graduation stage and pick up his diploma, however, Jones already carries a product of his undergraduate years that is even more important to him. This product is a copy of his recently published compilation of poetry entitled, Black Trinity, which he considers to be the crowning achievement of his years at Tufts. Black Trinity explores Jones' concept of the African-American experience in a collection of poetry he has written at Tufts. The recent publication of Jones' work, has received a warm reception on campus. Called a "book of story bound and elegiac poetry" by Lisa Coleman, director of the Africana Center, the book weaves Jones' poetry together with a story line, divided in three parts. The three main sections are: "Letters of Free Prisoner," "Letters of Alwin A.D. Jones," and "Letters of Black Moses." Black Moses is the father of Free Prisoner, who is a character Jones created "to help [Free Prisoner] to write and to say different things that [he] wanted to say." While the two outer sections comprise the interaction between the father and his son, the middle contains the ruminations of the poet himself. An English and comparative religion double major, Jones produced the book as part of his final project for his interdisciplinary minor, Africa and the New World. The influence of his studies at Tufts is evident throughout the poetry. "Alwin paints a vivid portrait of Black America and the Black experience, with a lacing of his personal triumphs," freshman Alicia Chung said. "His pieces are a marvel of brilliance, and I always enjoy listening and reading his work because of its power and the images it carries with it." Students filled the Capen House lounge on Monday, April 29 to listen to a reading of Jones' published work. Jones' rhythmic voice and unique verse brought his poetry to life for many of the students present. "I think it is great to get your work published as a student, to get your voice out there," senior Sarah Marcus said. The evening began with sophomore Chinua Thelwell's reading of the book's introduction, titled "The Intro of Pre-Genesis." Jones then joined Thelwell, and together the two read "Hood Dependencies (Voices)," a six-page spoken-word poem. "Alwin is dedicated to the page and the performance aspect of poetry," Thelwell said. "This kind of dedication is rare these days." According to those present at the reading, the intonations of their voices made the poetry come alive, and the audience was moved by Jones' words. "The words roll off his tongue like honey from the ladle," sophomore Nikhil Abraham said. "His puns are original and new and his poetry is so personal that it is an outlet both for himself and for those who listen." For freshman Zeleka Yeraswork, seeing Jones perform was inspirational. "It's motivational to hear him perform, to read his writing and really just to see what he has accomplished while still here at Tufts," Yeraswork said. "Alwin for me is the symbol of 'it can be done'." Associate Dean of Arts and Sciences and Jones' advisor, Jean Herbert praises Jones' poetic abilities. "Alwin is a remarkable young man with a remarkable talent - he has important things to say," Herbert said. Herbert believes that Jones will be an influence in the world of poetry, noting his original and skillful use of language. "He ...uses language that is not only inventive, but also profound; he exploits the shapes and sounds of words to his purpose in a way that reveals many levels of meaning," she said. "I admire his determination in getting this excellent work published and performed." Junior Joi Brown already owns a copy of Jones' book and finds that reading the poetry instead of seeing it performed gives it a whole new meaning. "I'm about halfway through it now, and I'm enjoying it very much," Brown said of the book. "To have the poetry on paper brings it in a whole new dimension, something that just hearing the poetry can't do." Jones wants to be able to share his voice and views with others, and believes that it is not important how many books get published, but rather, the influence that they have. "You don't have to be big in media - you just have to be heard, you have to be recognized and touch someone out there," Jones said. "Black is what I know, if there is anything such as 'knowing black.' So that is what I write from. The only hope is that it can reach people on different levels." In the book's foreword Coleman explains that Jones drew on religion, especially the Book of Genesis, the Psalms, the Songs and the Book of Revelation, to draw "...the connections between the doctrine of dogma, as well as the imprisonment of the spirit [to create] a mosaic of ballads dedicated to love, community, family, and of course the black subject." "This book isn't free of intersections of race, but I'm 22 years old and bringing up discrepancies of race and religion and I'm not proposing any answers," Jones said. There are some elements of Jones's own life in the poetry. "Some of the poetry is personal, some is imagination - it's for the reader to interpret," Jones said. Jones compares life in Brooklyn with life in Africa in "The Land of My Sister, Night." Jones was raised by his grandmother in Guyana, and moved to Brooklyn to live with his mother at the age of 13. The contrast of the two lands and the struggles of women raising children on their own are conveyed through much of the poetry. "Free Prisoner is kind of like a pen name," Jones said. "I believe that everyone is a Free Prisoner, that's just the nature of things. It's the way we exist, we are held prisoner by all kinds of things in our lives, and it can apply to anyone who reads this book." On the other hand, Jones explains that Free Prisoner is not an alter ego. "I don't live it except for when I'm writing it," Jones said. While he might not live out his work, on March 28 it was acted out in a performance held in Dewick dining hall. The performance incorporated poetry, dance, theater, and singing. "On that day, I brought the three characters to life on stage - Free Prisoner, Black Moses, and Alwin Jones," Jones said. "In the Alwin Jones part of the performance, the character talked about life, love, and religion... you could say that the middle section is like my life." Jones does not want to "pigeon-hole" the book and summarize its meaning in a couple of concise sentences. He stresses that each poem is up to the interpretation of the reader, but notes that the reader might understand more of the poem's significance if he or she knows Jones personally. The three blank pages found within Black Trinity have been the cause of much speculation. Jones says that he is constantly filling the margins of poetry books and novels that he reads with his reactions and opinions concerning the works, and believes that this has helped him to find his own voice. For this reason, he has included the blank pages titled "The Outro of Post Revelations" so that they can be filled in by the readers of his poetry. Those who attended Jones's reading at the Capen House Lounge on April 29 had nothing but praise for his achievement and for the quality of his work. "The depth and the insight of the poetry are so beautiful," freshman Valerin Lopez said. "He is a wonderful poet." Many were impressed with his dedication. "Alwin is one of the most artistic people that I have ever met," freshman Nytangia Leitzsey said. "His poetry is just one of the many ways he is able to portray his talent." Others wished Jones luck in his future poetic endeavors. "His poems reflect emotions and issues I can place myself in while listening to his poetry," Chung said. "I wish him all the best and God's Blessings for sheer success." Professor Rosalind Shaw, Director of the Africa and the New World Program, is duly impressed with Jones's accomplishments. "This is a bold, ambitious project that Alwin has worked on with determination and vision for the past two years," Shaw said. "His poetry is stunning, this is an incredible accomplishment." In addition to writing poetry, Jones teaches a poetry class to high school students as part pf the Nia Project, a tutoring and mentoring program in Medford that was started by two Tufts students and which is now based out of The University College of Citizenship and Public Service. Jones says he has worked with this program in order "to help kids find their voice." After graduating, Jones hopes to work at Phillips Academy in Andover, Massachusetts. At Phillips Academy Jones would hold a teaching internship and would work on his applications to graduate schools. In the future, he plans to pursue a Ph.D in English Literature with a focus in either the poetry or the literature of the Black Diaspora. Jones intends to continue to write as well. Other aspirations include creating a fund for future Tufts students who are struggling to publish their work. "I think that part of my profits will go to a fund that will pay for some of the fees writers have to take care of," Jones said. The book, which is dedicated to Jones's "friends, family, and companions in the way," can be purchased for $13.00. Jones asks that the publisher be contacted at BlackTrinity3@hotmail.com.


The Setonian
News

Don't ignore the virtues of the gym

I just got back from visiting a friend at the University of Vermont - its gym was awesome. I like to spend a lot of time at the gym working out, but after seeing UVM's facilities, I just don't get the same kick that I used to out of using our gym. I was wondering how you felt about Tufts' athletic facilities. I like it here. The food isn't terrible, I have some lady friends, and I have never before had a professor who swears more than I do. But by far, the best part of this school is something that often gets criticized, a place where, due to my lack of a bustling social life, I spend a little bit too much of my time - the gym. People complain about the dilapidated quality of the dumbbells. I say that there is a certain amount of satisfaction in wiping the rust off your hands after a heavy dumbbell workout - if you don't have rust on your hands after a workout, get your ass back in the gym. People lament the limited availability of treadmills. I say there is nothing better than watching hungover students running an extra hour on the treadmills in desperate attempts to burn excess alcoholic calories. People don't like the fact that there is only one set of cables. I say there is no better way to bond with your fellow students than chatting while you wait to work in with him (or her) on a set. The gym here at Tufts is not state-of-the-art. In fact, it is nowhere near it. But instead of being upset about it, I choose to say it has character. I like the gritty feel of the benches. I don't mind when our Div. III athletic teams feel they are important enough to restrict half of the gym for three hours each day so they can chat with each other and stare at themselves in the mirrors with less distraction. It doesn't even bother me when that guy who looks like the missing link comes over to me and, through an elaborate series of gesticulations and grunts, impresses upon me the fact that he is "supersetting" and was in the middle of using the machine I have been on for the past fifteen minutes. All of these things just add to the atmosphere that I love. Also deserving of some credit are the athletic trainers here. Just a few weeks ago I approached a guy who I assumed was the head trainer with a question about an injury. He took a full five minutes out of his circuit to listen to me and answer my question in depth even though I wasn't an "athlete." Trainers like that are hard to find. At my gym at home, the trainers are all college drop-outs who like nothing better than to sit around and BS about their own routines. Ask them about something, and you get a 15-minute oration on stuff that even a Tufts English major couldn't interpret as pertinent to your original question.Yes, the gym might not meet up to Div. I standards, but the gym here at Tufts is definitely one of the school's most endearing attributes. The trainers are great, the equipment is hardy, and the people are some of the most... well, dedicated, anyway... that I have ever met.Oh, and one more thing - address your fitness related questions to dailysports@hotmail.com


The Setonian
News

The truth About Amendment III

On Wednesday, April 24, the student body will vote on an amendment to strip the vote from the culture representatives who currently sit on the Senate. The Daily has been flooded with Viewpoints and articles in support of this backward amendment, and I wanted to clarify some of the misinformation which has been presented. Culture reps were implemented in the early 1990s. The Asian American, African American, and Latino communities were given Senate representation through three groups: the Asian Community at Tufts (ACT), the Pan African Alliance (PAA), and the Association of Latin American Students (ALAS). The purpose of culture reps was and continues to be to give these historically marginalized groups a means through which to access the oh-so-inaccessible student government. (The Tufts Transgendered Lesbian Gay Bisexual Collective, or TTLGBC, got their culture rep in 1996.) Do not be fooled. Amendment III is a racist and homophobic piece of legislation disguised as an attempt to make student government more fair and accessible to all students. The motivation behind this amendment is blatantly fueled by prejudice against gays and people of color. Though they have existed for quite some time, culture reps were just provided with voting privileges this year. The commuter representative has had a vote for at least five years, but has not been attacked in the way the culture reps have been. Yet less than one year later, people have mobilized to completely do away with culture reps. Funny how people only find the system undemocratic when groups that they want to silence start speaking up. Something equally disturbing is the semantics employed by the drafters of the amendment. The letter that originally accompanied the amendment read, "Culture groups have too much power...their voting has led to the disenfranchisement of other student groups." Disenfranchisement is the same word used to describe the situation when blacks could not vote in the South during the 1960s. The fact that the No Homers Club does not have a vote cannot even begin to compare to the injustices committed prior to the Civil Rights Movement. Proponents of the amendment say that culture reps are unnecessary. They say that culture reps serve no real purpose on the Senate, because senators are elected to represent everyone. This argument could not be further from the truth. Senators make lofty promises to get elected, but they do not represent their entire constituencies. There is virtually no outreach on the part of the Senate to culture groups. Never has an amendment supporter on the Senate brought up an issue of cultural awareness. Nor have I ever seen a supporter of this amendment at a cultural center, event, or meeting sponsored by the communities that have culture reps. Furthermore, Senate races go uncontested, providing no competition or alternatives for voters. How are you supposed to choose the best candidate when there aren't even enough people to fill the seats? The argument has been made that the current system is undemocratic since only a small segment of the community votes for culture reps. However, when this system was implemented, voters entrusted groups to elect their own culture reps. Voters also knew that they too (regardless of their race or ethnicity) could vote on the ALAS, TTLGBC, ACT, and PAA reps if they so chose, just by attending club meetings. Are culture reps unnecessary? Look at the surge in hate crimes over the past year. Which groups were targeted? Gays, Latinos, African Americans, Lesbians, Asian Americans. When did you hear of a person being egged because they were white? Or because they were straight? Supporters of Amendment III will tell you that their intent is to "level the playing field" by allowing more groups representation. But if the amendment passes, what it will really do is silence minority groups. The amendment merely enumerates rights that each student already possesses, and the terms under which a group can obtain a lobbyist position are patently absurd. Amendment III will nullify the existence of culture reps and replace them with a non-voting member: the TCU lobbyist. Under the proposed system, any recognized student group, from the orchestra to the Primary Source, can obtain the title of "TCU lobbyist" once "a delegate has shown sufficient commitment to promoting the views of their respective groups." However, the amendment does not say what constitutes a "sufficient commitment." It does not say how many meetings a person has to attend or how many projects he/she has to undertake before his/her group obtains a seat. Apparently, deciding whether or not a commitment is "sufficient" is at the senate's discretion. But let's say someone fulfills this supposed "sufficient commitment." Before this "sufficiently committed" group can be given a seat, a senator must make a motion to endorse the group. A vote is taken that determines whether or not the group is worthy to receive the lobbyist position, and if there is a two-thirds majority, that group will gain the seat of TCU lobbyist. This system gives the Senate far too much control. A personal conflict between a potential lobbyist (the person representing a given group) and one or more senators can prevent an entire group from getting a vote. And let's not forget that giving every group a seat is not logistically possible. What happens when there's no more room? Groups get shut out, and priority is given to one over another. How democratic is that? The queer, African American, Asian American and Latino communities have been historically marginalized, targeted, and ignored on the Tufts campus. Culture representatives serve to voice their otherwise unheard concerns. I urge everyone to vote against Amendment III to help put an end to the institutionalized racism on this campus.Ariana Flores is a sophomore majoring in political science