Arts

Arts

‘The Brutalist’ is an epic tale of dreams built on shaky foundations

By Noah Goldstein | December 5

While many understand that Rome wasn’t built in a day, few realize the same applies to the town of Doylestown, Pa. Situated just 40 miles north of Philadelphia, Doylestown might seem unassuming at first glance. For director Brady Corbet, however, it serves as a microcosm of post-World War II America, providing the backdrop for his ambitious third feature, “The Brutalist” (2024).

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Arts

‘Wicked’ is reimagined on the big screen

By Odessa Gaines | December 5

On Nov. 22, the long-awaited film adaptation of “Wicked” finally hit theaters. After holding space for “Defying Gravity” and basking in the musical theater glow, “Wicked” is sure to become one of the most memorable movie musicals of the modern day. Complete with fan-favorite cameos, massive ensemble dances and colors that burst out of the screen, paired with a packed cast, impressive vocals and stunning cinematography, “Wicked” is a film for the books.

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Arts

Best movies of 2024

By Odessa Gaines | December 4

This year has been nothing less than insane. Every hour there seems to be new breaking news, another exposed politician and, of course, a new movie hitting AMC theaters. From good to bad, scary to heartbreaking and completely ridiculous to hilarious, 2024 was a packed year for movies. So, in no particular order, here are the top movies of 2024.

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Arts

Between the Lines was a ‘Try-not-to-cringe challenge’ — and the cast won

By Shannon Murphy | December 3

Some things should stay in 2017. “Between the Lines” is one of them. Student-run theater group Torn Ticket II performed this musical in Balch Arena Theater on Nov. 21, 22 and 23. Based on the 2012 novel of the same name, “Between the Lines” explores the life of 17-year-old Delilah McPhee, played by sophomore Zoe Browning. Her home life has fallen apart after her parents’ separation and she struggles socially at school. During moments when reality overwhelms her, she finds solace in books.

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Arts

‘Mindplay’ is a mixed bag of mentalism

By Nate Hall and Odessa Gaines | December 3

Note: Nate and Odessa have been writing theater reviews together for four semesters. This is their 16th co-written article. For the first time ever, their opinions on this production were so different that they decided to split this article up into two separate reviews. One of the final productions ...

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Arts

Sammy Rae & The Friends have “Something For Everybody” at the Roadrunner

By Nate Hall | November 25

Sammy Rae & The Friends just released their debut album, “Something For Everybody,” in September. But you wouldn’t know it from the band’s performance at the Roadrunner on Nov. 16, the second of two shows at the Boston venue and thefinal night of their first nationwide tour. From the moment frontwoman Samantha Bowers stepped onstage with the confidence of a veteran performer, the audience was electric, cheering and singing along with Bowers and her uber-talented bandmates.

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Arts

In Photos: Tufts Ballroom Competition 2024

By Briana Chen | November 25

The annual Tufts Ballroom Competition brought collegiate teams and amateur ballroom dancers to the Joyce Cummings Center for a full Saturday of dancing. The Tufts Ballroom Team, the competition host, sent several pairs to the finals. Competition Coordinator Alejandro Forero Rey and Junior Competition Coordinator Eli Newman organized the event. 

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Arts

‘The Seed of the Sacred Fig’ is a brave response to authoritarianism

By Noah Goldstein | November 22

In the roughly 150 years since the medium of the moving image was first put on screen, plenty of filmmakers have dealt with infamously difficult circumstances to execute their visions. Many of cinema’s most revered projects were, in fact, well-documented production disasters — consider the treacherous conditions of “Apocalypse Now” or the ballooning budget of “Jaws.” Still, you’d be hard-pressed to find a film created with more at stake for its cast and crew than Iranian director Mohamed Rasoulof’s newest work, “The Seed of the Sacred Fig.”

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Arts

Two young conductors will soon take the stage at Symphony Hall

By Maya Godard | November 21

Ross Jamie Collins and Na’Zir McFadden spent 8 ½ weeks in the intensive 2024 Tanglewood Music Center fellowship for conducting this past summer. On Nov. 29, they will both make their Symphony Hall debuts conducting the Boston Symphony Orchestra.

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Arts

TUSC hosts second annual “Riff-Off”

By Erin Zhu | November 21

The Riff-Off returned for a sequel this past Friday as Tufts’ a cappella groups once again vied for the top spot at the musical competition.

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Columns

Adventures of an A-Lister: Your new holiday favorite

By Odessa Gaines | November 21

Disclaimer: This article contains spoilers for “Red One.”What do you get when you have an evil Christmas witch kidnap Santa Claus (nicknamed ‘Red One’) on Christmas Eve so that a Santa Claus Enforcement Logistics and Fortification operative and a hacker have to save Christmas? Movie magic.

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Arts

‘Bird’ flies a little bit too close to the sun

By Noah Goldstein | November 20

For Andrea Arnold, breaking onto the international cinema scene as a director was not an entirely straightforward task. Before creating her debut short film “Milk” (1998), the Kent-born Englishwoman built her career writing, presenting and dancing on television. Now, multiple highly acclaimed features later, Arnold has fully emerged as a filmmaker with a clear vision and provocative style. In her last narrative feature, the visually-striking yet slightly underdeveloped “American Honey” (2016), Arnold shifted from her usual British settings to the American heartland, yet she retained her signature style of tightly-packed frames and rhythmic pacing to deliver another compellingsociopolitical commentary.

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Arts

O’Keeffe and Moore exhibit offers multiple perspectives in a myopic world

By Teddy Schoneman | November 20

The current exhibit spotlighting Georgia O’Keeffe and Henry Moore at the Museum of Fine Arts is wonderful in many ways. Among other things, it offers a variety of works by these two artists; it displays models of the artists’ studios, which provide a window into their creative process, and it meditates in a particularly delightful way on how both artists use negative space.

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Arts

In Photos: Essence takes home the Riff-Off crown

By Stella Jeong | November 20

Ten a capella groups. Only one victor. The Riff-Off brought all Tufts a capella groups under one roof at Cohen Auditorium in a competition sponsored by the Tufts University Social Collective. The Ladies of Essence defended last year’s win with another first-place finish on Friday night. The next-most votes went to the Jackson Jills while S-Factor landed in third place.

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Arts

Embrace fall vibes with the season finale of ‘Agatha All Along’

By Liv Jordan | November 18

“Agatha All Along,” while far from perfect, marks a step in the right direction for the Marvel Cinematic Universe. The stakes are high yet self-contained, which is refreshing compared to other MCU films and TV series that concern the state of the entire multiverse. The show also contains plenty of moments of humor, and it manages to maintain a spooky and intense vibe while not taking itself too seriously.

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Arts

Tufts Beelzebubs showcase range, artistry on ‘Delirium’

By Julieta Grané | November 14

The Tufts Beelzebubs debuted their 33rd studio album release on Oct. 11. With a run time of 39 minutes and featuring 11 songs, “Delirium” is a project two years in the making. The Beelzebubs, also known as the Bubs, are a nationally acclaimed a cappella group founded in 1963. In addition to live performances on and off-campus, the Bubs produce an album roughly every two years.

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Arts

Richy Mitch & The Coal Miners' show is granola rock heaven

By Maya Godard | November 14

Richy Mitch & The Coal Miners performed to a sold-out crowd at Boston’s Paradise Rock Club on Oct. 27 as part of their October Moon tour. RMCM and their opening band, Atta Boy, had the flannel-clad sea of rock hipsters in the palm of their hand.

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Arts

Adventures of an A-Lister: Go see ‘Anora’

By Odessa Gaines | November 14

When I walked into the theaters to watch “Anora,” I honestly had no clue what I was in for. I did not look at the plot, the themes or even the movie runtime. Instead, I went in with rave reviews from my harshest film friends, a bag of over-buttered popcorn and some old-fashioned faith. Two hours and 20 minutes later, I left the theater with a new front-runner for Best Picture at the Oscars.

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Arts

‘The Furies’ twists Athenian tragedy at Tufts

By Spring LaRose | November 13

Four Greek columns tower over the barren sand, imposing an ancient and unfamiliar world on the actors and audience below them. Balch Arena Theater has been transported from American modernity to Athenian antiquity. “The Furies” is a tragedy written by the Greek playwright Aeschylus as the third piece in his “Oresteia.” The “Oresteia” was first performed in Athens in the fifth century B.C.E. Despite the millennia that have passed, “The Furies” still stands as a stirring and culturally relevant drama.

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Arts

4EVER captivated: Clairo's enchanting performance at the Roadrunner

By Fiona Hinrichsen | November 13

Claire Cottrill, known by her stage name Clairo, performed three highly-anticipated shows at the Roadrunner in Boston to celebrate her third album, “Charm,” which was released in July. The tour kicked off with five nights in Los Angeles and then gigs in New York, Dallas, Houston, Portland and countless more.

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