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The Setonian
Arts

Devin Toohey | Pop culture gone bad

    Monday night's two-hour Heroes season premiere left me feeling like I had just had amazing —  but unbelievably disgusting — sex. I loved every minute of it, but I knew each second that it was wrong, perverse and offensive to every major religion. Spoilers follow. 1.    Alive is the New Dead. Now, I'm a comic fan. I know that "no body" means "no death" and that "body" means "50 percent chance of death." Monday's two episodes saw the return of Niki, who burned alive; Nathan, who was shot multiple times; Claire, who had her head cut off; and Linderman, the first season villain who had his brains ripped out. And for all we know, "Niki" could be A) a still-alive Jessica, Niki's long-lost sister, or B) an excuse for the writers not to get rid of Ali Larter because she's really pretty and needs a job and hey, I suppose she could inexplicably look like a former character! But are these non-resurrections really any more plausible? Oh, and let's forget that we have a cheerleader messiah running around whose blood can freaking bring everyone and anyone back to life. Last time I checked, that's not a superpower. Super powers don't transfer via blood. That's a really handy virus.   2.   Screw the Time Stream. The first two seasons of Heroes had their fair share of time travel, but it at least was a bit more controlled, as in, the characters were kind of aware of the repercussions. This season, we have Hiro time traveling just to, erm, pass the time (and also very conveniently coming to the exact, perfect moment when EVERYTHING goes wrong), and Future Peter just going 100 percent flibberty-gibbet with everything and anything time travel. Essentially, FP showed all the care and respect to the time stream that a freshman would to a case of Natty Light. Of course, this did result in quite the hissy fit from Mama Petrelli that more or less resembled my mom yelling at eight-year-old me for not cleaning up my toys.   3.    Sexy Mohinder! A frequent and very warranted complaint about Mohinder in the second season was that he was A) stupid and B) boring. Well, at least they got rid of B. Now we have Mad Scientist, Spider Mohinder: performing experiments on himself, ripping off women's clothing, jumping around shirtless and generally being all the types of badass he was not in the first two seasons! That is, until his skin started peeling off. Like I said, at least he's no longer boring.   4.    More "WTF?" Moments Than You Can Shake a Blog At. From Nathan randomly finding God (and delivering a version of Bowie's "Heroes") to Parkman conveniently finding the right shaman at the right time to "Sylar … I am your fath-I mean mother," this show just was plot twist after plot twist. There was no exposition, no down time, no character development. Just a never-ending series of plot twists, each one upping the ante on implausibility.       In short, the first season of Heroes was some fun, cool melodrama. This was followed by a ponderous second season. And now, we essentially have the ‘60s "Batman" show back with a vengeance and revamped for the 21st century (with a side of soap opera). Is it just the nature of the genre that something this fantastic and crazy cannot help but get increasingly more fantastic and crazy? Or was this just a way of trying to make us forget the horrible second season, only to have the show find balance again soon? I'm fine both ways. Either "Heroes" will get better again … or will soon beat "30 Rock" and "The Office" for the title of funniest show on NBC.


The Setonian
Arts

Cook's newest is same old offensive comedy

Prepare to be offended, ladies. Howard Deutch's new film, "My Best Friend's Girl," moves quickly to disturb and outrage its intended audience: the romantic comedy patron. Although some Dane Cook fans will be satisfied by his go-to character (the obnoxious frat boy), most will feel violated by the film's transparent objective to let Dane Cook act like himself and its blatant disregard for human decency.


The Setonian
Arts

Gallery melds a variety of concepts, plethora of pieces

The Barbara Krakow Gallery on Newbury Street is currently featuring a show of contemporary mid-to-late-level career artists that differs considerably from the normal fare on Newbury Street. The artists in "The Sum of Its Parts" use non-traditional materials and produce conceptually-based art that ranges from furniture, wall installations and relief prints, citing movements such as minimalism and post-modernism.


The Setonian
Arts

Pussycat Dolls fall on their backs

The relationship between dance-pop music and musical instruments has been undergoing a three-decade divorce. First it was the drum machines and synthesized strings of the disco era, then the keyboards of the '80s. By the teen-pop explosion of the late '90s computers had made pop stars' voices endlessly malleable and easily homogenized.


The Setonian
Arts

Trustman exhibit examines notions of ethnicity

Most students who get off at the "Museum" stop on the Green Line head straight across the street to the Museum of Fine Arts (MFA). Yet, just a few blocks away lies the small, but worthwhile, Trustman Art Gallery at Simmons College.


The Setonian
Arts

Lakeview Terrace' attempts suspense, turns out comedy

Fans of Samuel L. Jackson, rejoice! He has a new film out, and it's indeed quite interesting — not great, but interesting. "Lakeview Terrace" is an average thriller with a few interesting ideas. Although it is an improvement over director Neil LaBute's last work, "The Wicker Man" (2006), it remains a mediocre film.




The Setonian
Arts

Former Dresden Doll's genre-blending solo effort 'Amanda Palmer' kills

Amanda Palmer, front woman of the Boston-based duo The Dresden Dolls, decided last year that it was time to go solo. Not to diminish her previous work, the world at large should be grateful for this decision. After much deliberation and studio time, she released her full length solo debut, "Who Killed Amanda Palmer?" on Sept. 8.


The Setonian
Arts

MFA offers a renewed glance into the eyes of past artistic masters

It is not uncommon in the contemporary art world to see exhibits that bypass conventional standards. Both in subject matter and presentation, artists are continually broadening the horizons of what is artistically acceptable. The exhibition "Great Company: Portraits by European Masters" at the Museum of Fine Arts (MFA) in Boston utilizes both innovative and traditional elements by presenting an array of European portraits in a less-than-conventional context.


The Setonian
Arts

Smith's one-woman show on human frailty is not 'Easy' to forget

Everyone knows that the human body is frail, but that fact is often easy to forget. The harsh realities of disease and genocide seem so far removed from the everyday life of a college student in New England that their presence in the world is often overlooked. Anna Deavere Smith's newest show, "Let Me Down Easy," still in evolution, is a compilation of monologues taken word-for-word from a series of over 350 interviews Smith conducted over a decade-long process of examining human resilience and frailty.


The Setonian
Arts

New documentary is able to walk the line between heist movie and poetic masterpiece

On the morning of Aug. 7, 1974, crowds gathered below the World Trade Center on the bustling streets of New York City could spot a tiny figure dancing between the towers.Frenchman Philippe Petit, with over six years worth of scheming, had managed to bypass security and illegally rig a wire between the buildings, then the tallest in the world, and spent about 45 minutes tiptoeing and turning across it. He was arrested, brought to jail and psychologically studied. Based on a true story and on the book by the daring wire-walker himself, entitled "To Reach the Clouds" (2002), James Marsh's stunning documentary film "Man on Wire" captures our wildest dreams and constructs the portrait of a unique individual.


The Setonian
Arts

Weekender Feature | 'Empire and Its Discontents' pays homage to Said's 'Orientalism'

Frustrated by the popular images of "the Orient," which often resemble scenes from "Arabian Nights," the artists featured in "Empire and Its Discontents" seek to dispel that notion with resounding fervor. The exhibition, on display now at the Tufts University Art Gallery in the Aidekman Arts Center, features artists hailing from those countries once united by that ambiguous notion of Orientalism. Organized as a tribute to the 30th anniversary of the publication of "Orientalism" by renowned thinker and Palestinian-American political activist Edward Said, the exhibition comments on some of his most fundamental ideas, not the least of which deals with the West's false assumptions regarding the East.


The Setonian
Arts

Weekender Interview | Billy Bob Thornton speaks to the Daily

The Daily had the opportunity to speak with legendary actor Billy Bob Thornton over the phone this week about his new movie "Eagle Eye." In the film, which opens on Sept. 26, Thornton plays FBI agent Morgan, who is investigating a suspected terrorist named Jerry (played by Shia LaBeouf). Jerry insists that an anonymous caller has forced him and another woman, Rachel (Michelle Monaghan), by using technology to track and threaten them and their families, to become members of a terrorist cell that has plans to carry out a political assassination. Jerry must work to clear his name by finding out when and why. In the interview, Thornton told the Daily his opinions on technology, different acting styles, music and how to break into the business.


The Setonian
Arts

Mikey Goralnik | Paint the Town Brown

When I was a freshman, I incurred the wrath of Internet-scouring Phish fans who took issue with a handful of lines in a piece I wrote for the Observer about my New Year's Eve with Santa Cruz band Sound Tribe Sector 9 (STS9).



The Setonian
Arts

Devin Toohey | Pop Culture Gone Bad

As Daily aficionados and fans of "Bangers and Mash" and "Hostels and Hostiles" know, I spent most of the past year in merry ol' England. This experience had a great impact on my personality and, of course, my pop culture sensibility was no exception.



The Setonian
Arts

FX's new 'Sons of Anarchy' fits perfectly into network's dark, gritty programming

FX has been known to take risks on its shows, and has produced quite a few great ones over the past few years; most notably "The Shield," "It's Always Sunny In Philadelphia" and "Rescue Me." Their newest show, "Sons of Anarchy," has a concept that is both dark and funny, a formula fairly par for the course for the network. The basic premise doesn't sound terribly exciting — members of a motorcycle gang attempt to protect their small town while running an arms business — but the astute viewer knows to expect more. Despite its flaws, "Sons of Anarchy" is proving itself to be a worthy addition to the fall lineup, thanks to a capable and occasionally exceptional cast, some clever writing and plenty of good old-fashioned violence.


The Setonian
Arts

Metallica returns to moderate success with 'Death Magnetic'

Metallica. The name says it all, and yet, leaves so much to the imagination. This iconic group didn't set out to change the rock ‘n' roll landscape; it just simply wanted to rock hard and prove to the world that hairspray was not a requirement for being in a West Coast rock band.


The Setonian
Arts

A-list cast saves 'Burn After Reading' from self-destruction

Only a year after their highly acclaimed "No Country for Old Men" (2007), the Coen brothers return to big-screen success with "Burn After Reading," a hilarious spy spoof that satirizes the political landscape of the modern day. While the various features of "Burn After Reading" make it worthwhile to watch, it is not quite up to par with their other, more memorable' efforts.