Public Cinemy No. 1: Narrative corruption within ‘The Dropout’
By Sacha Waters | April 8I will admit I love Hulu’s “The Dropout” (2022), a highly-anticipated miniseries on Theranos founder Elizabeth Holmes. It’s beautifully written, beautifully shot and beautifully acted. Even teachers at my high school, Holmes’ alma mater, have commented on how well the miniseries captured Holmes’ eccentric character. But the show occasionally falls into the pothole of becoming what it means to analyze: America’s obsession with narrative smoke and mirrors.




















