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SMFA alumna creates deeply personal film following deported family member

When Monika Navarro was in her second year at the School of the Museum of Fine Arts (SMFA), two of her uncles were deported back to Mexico after living their entire lives in the United States. One died shortly after reaching Mexico; the other, her Uncle Augie, struggled to survive as he faced displacement from his home and a lifelong drug addiction that had taken him away from his family numerous times.


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New Titus Andronicus album fills void in indie rock

Titus Andronicus is still a mostly unheard of band. They neither sell out arenas nor perform at any large summer festivals — but what they lack in recognition, they make up for in their well-defined identity. Their first album, "The Airing of Grievances" (2007), came onto the shelves with overwhelmingly positive reviews and brought a much-needed dose of energy to indie rock. Their sophomore attempt, "Monitor," employs the same high-powered, fuzz-covered indie rock as their first with an even greater degree of success.


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Tufts' own Smoking Jackets digitally releases debut EP

This past Monday, the all-Tufts piano rock band The Smoking Jackets digitally released its debut EP, "Wolves in Cheap Clothing." The five-track sampler displays the band's versatility, with songs that range in feel from the adult contemporary jazz of Jamie Cullum to ironic piano-punk a la Ben Folds. The Daily decided to take an in-depth look this eclectic group of musicians to learn more about the band's formation, songwriting process and sound, its debut EP and the group's plans for the future.


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Spring Break Reading List | Professors' Recommendations

Because Spring Break is tangibly close, we asked our favorite professors for their book recommendations. Their suggestions were as varied as the departments in which they teach, but we hope you'll enjoy these ideas wherever your travels may take you.     "Suite Française" (2006) by Irène Némirovsky and "Shadow Tag" (2010) by Louise Erdrich Claire Schub, Lecturer Department of Romance Languages "Suite Française:" "Reading it for the second time with my class, I've been drawn into this text in unexpected ways. This is the long-lost novel written by a Russian/French/Jewish woman writer, describing first the exodus from Paris in June 1940, and then a French village during the beginning of the Occupation. Némirovsky was deported and killed in Auschwitz. She wrote her novel as the events were happening. Her writing is fascinating and deeply moving." "Shadow Tag:" "Anything by Erdrich is worth reading, as her writing is intensely beautiful and poetic, and her books reveal a world of mid-western Native Americans and characters with connections to that world, with a sort of magic realism and attention to startling inner and outer landscapes. It is one of the most troubling novels about the destruction human beings can bring upon each other that I have ever read." "The Three Musketeers" (1844) by Alexandre Dumas Anne-Christine Rice, Lecturer Department of Romance Languages "I recommend ‘The Three Musketeers' by Alexandre Dumas for the adventures, the fun and the intrigues. You will not be able to put the book down!" "Walt Longmire Mysteries" (2004-10) by Craig Johnson Nan Levinson, Lecturer Department of English "Johnson has written six books about Wyoming Sheriff Walt Longmire that you won't be able to put down." "The Conversations: Walter Murch and the Art of Editing Film" (2002) by Michael Ondaatje and "Walden"(1854) by Henry David Thoreau Jeanne Dillon, Associate Dean of Undergraduate  Education, Senior Lecturer American Studies Program "For students who love film, try Michael Ondaatje's ‘The Conversations: Walter Murch and the Art of Editing Film.' It sucks you in, and you eat it up fast. And for the best wrangler of the English language after Shakespeare, go with Henry David Thoreau's ‘Walden.' We are the tools of our tools, dudes!" "The Years of Lyndon Johnson: The Path to Power" (1990) by Robert Caro John Fyler, Professor Department of English "Last summer I finally got around to reading the first volume of Robert Caro's three-volume biography of [Lyndon B. Johnson], ‘The Years of Lyndon Johnson: The Path to Power.' It's an extraordinarily interesting look at Texas politics, the Great Depression and LBJ's enormous energy, with his equally outsized moral virtues and moral failings. Caro also explains the complex workings of Congress with great clarity. Time after time, I was surprised by how often the political and economic arguments of the last few years have repeated the arguments of the ‘30s."


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Executive producer and comedian discuss new Comedy Central show

In anticipation of this week's premiere of Comedy Central's new animated series, "Ugly Americans," the Daily sat down with Executive Producer David M. Stern and voice talent Pete Holmes to get the scoop on the latest installment of American monster pop culture. Question: How did you come up with the idea for "Ugly Americans?" David M. Stern: Well, the idea came off a web series called "5-On" (2010). It was created by Devin Clark and Dan Powell, who was executive in charge of production at Comedy Central. Internally, he took it to a point with the basic structure and the basic concept mapped out and brought me on to execute it. I wouldn't try to take credit for it.  Pete Holmes: Yeah, I actually worked for "5-On." I did some of the voices. Horror comics are a style that I haven't really seen. We've got our own vision and our own stories to tell. We definitely have comic book elements in all of our episodes. We are going out of our way to have it that way, too. It is the vision of this show; "Family Guy" had [Seth] MacFarlane, "The Simpsons" had Matt Groening, and we have Devin Clark. DS: … And ["5-On"] was a very crude form of animation, which I happened to really like. It was basically on-street interviews with all these freaks, demons or wizards, with interviews on some topical event. I tried to carry some of that over into "Ugly Americans," which takes form in the group counseling sessions at the Department of Integrations.   Q: David, you've been in the animation business as far back as the '90s writing for "The Simpsons," which has a knack for featuring guest stars. If you could get other voice talents to be featured in your show, who would you want? DS: Well, I was going to say Bill Hader, but we already got him. Bill Hader is a great voice actor and super funny. But what's great about when we were first making "Ugly Americans," we'd say, "Oh you know who would be great to have is Jack McBrayer [Kenneth Parcel on ‘30 Rock'] or Kristen Wiig [SNL cast member]," and then they'd do it. All these people would read the script, like it and want to be a part of it, so that made it like a dream show. And a dream job. I also want Alec Baldwin. He's kind of the king of New York, right? And this is a very New York-based show. We've tapped into like half the SNL cast. I'd love to get the "30 Rock" cast. I'd also personally like Eugene Mirman, solely to play the actual role of a merman. Q: With all of the animated series already out, like the new FX series "Archer" and of course "The Simpsons," "Family Guy," "South Park" or the dozens of shows on Adult Swim, do you think "Ugly Americans" will resonate with your audience as the new kids on the block?  DS: We have a lot of horror comedy elements that I don't see anywhere else. I wrote for "The Simpsons" for a few years, and "Treehouse of Horror" was always the highlight of the year, but I always sort of wanted more of that. But because of the structure of "The Simpsons," it wasn't really possible, being it was so specifically based on this grounded family. In our show, the character lives with a zombie, dates a demon and has a wizard coworker. We have a lot of fantastical and horrific creatures, which seems to me is sort of everywhere right now. There always seems to be another werewolf or vampire movie coming out, and this is a chance to really spoof all of that. If there's a "South Park" that involves Hell, it's really a wild episode. I'm writing an episode now where they go to Hell for the holidays, and in our show it's all completely regular. It's a weird way to set the show, but it's a way that will hopefully resonate with the audience. Q: There have been suggestions that "Ugly Americans" has a hint of political commentary on immigration policies. Do you confess? PH: Any time we start to get too overtly political, it instantly feels heavy-handed and not funny. We're telling more the story of east coast immigration, coming through Ellis Island — the story of America, not so much what's going on with the new immigration along the Mexican border. We try to stay away from that; we find that that's not the richest place for comedy. Q: David, you've co-produced "Monk" during its early years, wrote for "The Simpsons" and now are starting your own project. Is this your dream come true?   DS: "Ugly Americans" is a dream job, being able to work with the funniest and sharpest writers in New York and L.A. to write a limitless show where we can make anything happen. As long as it makes us laugh and makes other people laugh, I think that really is the dream. I can do six voices and go out on the street, and no one will really bother me. If we start doing live shows, that would really be the icing on the cake for me.   Q: Are any of the ghoulish and demonic characters of the show based on people you know? DS: Yes, and that's as far as I'm going to go. PH: Leonard is an alcoholic wizard. I'm guessing that's your dad?


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Comedy Central's newest animated series, 'Ugly Americans,' depicts a New York City beset

Any guess that Comedy Central's new animated series "Ugly Americans" is about a typical New Yorker, in typical New York City, will be off by quite a bit; rather, this strangely comedic TV show tells the story of a man too normal to fit into the phantasmagorical society surrounding him. With an actual demon for an ex-girlfriend, young Mark Lilly (voiced by Matt Oberg) seems to be the only normal person in a fantasy-netherworld version of New York City. As a social worker at the city's Department of Integration, Mark is saddled with the duty of helping two-headed monsters and giant chickens become functional members of an already psychotic society.



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Gallery Profile | MEME makes space for contemporary performance art

A man in a suit carefully empties the contents of a box onto a folding table. He removes three vases and begins arranging three groups of flowers: red, purple and white. As he positions them in the glass containers, a woman in black emerges from inside a stack of tires in the corner of the white-walled room. One by one, she hoists the tires up from around her body and onto the floor. The occasional slap of rubber pierces an otherwise silent gathering of onlookers.



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The Real Housewives of New York City' less 'real' than ever in third season debut

As the only version of "The Real Housewives of…" series to have maintained its original cast, the "The Real Housewives of New York City" flows like a less−scripted and less classy "Sex and the City" (1998−2004). While "The Real Housewives of Orange County" reserves the rights as the inaugurator of Bravo's hit franchise, "New York" has contributed immensely to increasing its popularity.


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Polanski triumphs with 'Ghost Writer'

In many senses, "The Ghost Writer" has been overshadowed by the controversy surrounding its director, Roman Polanski, the notorious filmmaker behind classics like "Chinatown" (1974) and "Rosemary's Baby" (1968). When Polanski comes up in conversation, talk is more likely to drift toward the debate of whether or not he should be imprisoned for his alleged sex crime, and not his recently completed cinematic project and his still−ongoing career. Such distraction is a shame, because his newest film is well worth watching.


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Broken Bells' album starts out innovative, becomes repetitive

Though the rock band format is hardly the most relevant thing in popular music these days, there is something to be said for the collaborative spirit that arises from a group of musicians with strong chemistry. The interplay between instruments, in both songwriting and performance, can take music to a whole new level. But still, too many cooks in the kitchen can spoil the meal.


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She's Out of My League' stars discuss dating

"She's Out of My League," starring Alice Eve and Krysten Ritter, is a new comedy about an average guy who manages to date a gorgeous woman. In her potential breakout role, Eve plays Molly, the leading beauty, alongside her co-star Ritter ("Breaking Bad" and "Veronica Mars," 2004-2006) as Molly's best friend, Patty. The Daily participated in a roundtable inteview with both actresses to talk about the 10 scale, bad dates and snuggling. Question: You've both been on the road for a while promoting this movie. Is this the longest promotional tour you have been on? Krysten Ritter: Yeah, this is the biggest promotional tour that we've done. It's pretty full on. We get up really early, do radio shows, TV interviews, then hop on a plane and go to a screening in another city. It's pretty fun and surreal that Paramount is shipping us around. They must really like the movie. Q: You [Alice Eve] have an incredibly thick British accent. Did you have any problems adjusting to an American character? Alice Eve: No, not really. It varies from person to person. I grew up in California and went to school there, so it was pretty easy. I do find the Boston accent very hard to do. I've been trying to copy our driver. I think I'm going to practice it on the train to New York. Q: What was it like working with Jay Baruchel? AE: It was really great; he's a talented guy. He's definitely not a five. He's not nearly as uncoordinated as he is in the movie. He's played socially awkward characters in movies like "Knocked Up" (2007) and "Tropic Thunder" (2008), but he's really smart and funny in real life. Q: What did you do in your time off while shooting the film? KR: Alice and I would hit strip clubs on the streets of Pittsburgh. On our days off, we would snuggle in bed together and watch TV. AE: It was a lot like being in college again. I loved to get in bed and snuggle. KR: Also, T.J. Miller is a stand-up comedian, so he would gig around pretty much every night. He is a very ambitious guy. We got to Pittsburgh, and he knew where all of the comedy clubs were. So we went to see him a lot; that was a fun time. We would take cast field trips to Dave & Buster's, which I thought was for children, until I looked over and everyone was drinking and smoking. I actually won tons of stuff playing the arcade games. Q: You've done a lot of work on television, Krysten. What's the biggest difference between that and film? KR: The main difference is that television takes less time for shooting. There are lots of great material and creative voices in cable television right now, so I found some really interesting stuff, like "Breaking Bad." I'm also doing a new show called "Gravity" about suicide. The shows also complement the films you're doing. Because we shot this movie two years ago and it hasn't come out yet, since then I've done lots of other projects. TV helps make the process quicker, where you could shoot something, and it airs three weeks later. It's more immediate, and it's a way to have my foot in everything. Q: Do you [Krysten] have a preference for either? KR: I like doing movies and cable TV. It's very similar because cable is a shorter schedule, whereas big network shows shoot 22 episodes, so it's about 10 months of work. A movie is about three months, cable is three months, and you get to cram more in that way. It suits my personality because I like to do it all. Q: There are lots of awkward date moments in the movie. Have you guys been on any awkward dates lately? AE: I have a friend who went on [a] date with this girl a while ago. She said she was getting up to go to the restroom. He's waiting, five minutes goes by, and he sees her outside hailing a cab. She must have hated the date so much she just left. KR: I can't really remember the last time I dated. Well actually, I dated a guy about 100 years ago in New York. We met at a party, he came up to me, gave me rose and got my phone number. I thought it was very sweet, but then he turned out to be a total stalker. Q: How do you judge someone on the 10 scale? AE: We don't really like rating people; it's brutal. Actually, everywhere we go now we're being asked to rate people. Someone will come up to us and ask, "Is she a 10? What do you think?" It's hard to rate somebody like that. Someone who is a 10 in the morning can be a one in the evening, you know what I mean? For boys, we decided what's important is being funny, talented and able to do manual labor. I think guys use the scale more than girls though. Q: Have you ever dated someone who was out of your league? AE: Yeah, I'm dating someone out of my league right now. KR: Yeah I think I'm reaching a little. Well, I don't know. He's better looking than I am, but I'm a good time. AE: I don't think you're reaching. KR: But he's really good looking. AE: He is good looking, but I don't think you're reaching. I think he's reaching really hard. KR: Alice Eve, everyone.


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Unexpected laughs abound in 'She's Out of My League'

At some point, everyone imagines what it would be like to date a person who is out of his or her league. Director Jim Field Smith's witty new comedy, "She's Out of My League," explores this concept with clever writing and a solid cast.


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Landmarks' uses various media to analyze art

Walking into a room full of bronze sculptures, oil paintings, sketches, photographs and woodcuts, it is difficult to understand what this disparate collection of artwork has in common. The pieces are created by artists of diverse ethnicities from all different time periods and are made from a wide array of media.


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Caryn Horowitz | The Cultural Culinarian

Seth Meyers missed a golden opportunity on "Saturday Night Live's" (SNL) Weekend Update to bring the salt. Seeing as Weekend Update is the only thing I find funny on SNL anymore, I usually just watch clips online on Sunday morning so I don't have to suffer through the entire show. This weekend, however, I anxiously waited to see what the SNL team would do with what I considered to be a piece of New York food news so outrageous that it was worthy of a "Really?! With Seth" segment. I thought that things were going to be perfect: Seth introduced the "Really?!" bit and had none other than Jerry Seinfeld as a special guest. I was pumped. But to my chagrin, Seth and Jerry did not talk about food, but about the Eric Massa sex scandal that forced the Representative from New York out of Congress.


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Mitchell Geller | Slings and Arrows

Roger Ebert has one of the most famous body parts of all time: Achilles' heel, Helen of Troy's face, St. John the Baptist's head, Roger Ebert's thumb. While the Fonz may have popularized the wagging "aaaay" thumbs-up, Ebert really brought this gesture to the mainstream.



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Blind date goes bad in 'Becky Shaw'

From a writer and director of the television series "Law and Order" comes a gut−splittingly hilarious play that contains some characters seriously in need of a good lawyer.


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Gossip Girl' as melodramatic, addictive as ever

Even diehard fans acknowledge that "Gossip Girl" jumped the shark near the end of the second season when Lily Bass (Kelly Rutherford) spent an entire episode uselessly reminiscing about her own wild years of teenage rebellion. The CW's most addictive drama has since veered onto the path of unnecessary intensity paved by that exemplar of the melodrama "One Tree Hill." Even as its plotline tumbles into over−the−top absurdity, the relationships developing in the show's third season make "Gossip Girl," which returned last week from its winter hiatus, as delightfully addictive as ever.


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Tufts alumna brings a rich array of voices to her debut book

Tiphanie Yanique isn't content remaining within her own mind. Instead, the writer and Tufts alumna (LA '00) enters the minds of others — a coffin dealer, a teen with leprosy, a Gambian priest — in order to weave tales from the threads of hardship and longing. Yanique's book, entitled "How to Escape from a Leper Colony," was released on March 2, marking her entrance into the published world of storytelling.