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Planning for the future. Or not.

Spring Break is upon us. For some it is a coveted respite from academia, for some it is the beginning of the end. I am of the latter group. Come May, my collegiate experience concludes and in no time the questions hurtled at me from every angle -- What now? Where next? -- will be staring me in the face. The world is my oyster. I went to Tufts, I can do anything. But I won't do just anything. I am on a track: high school with AP credits, Bachelor's from a good college (at least a Bachelor's), distinguished career, possible retirement in Florida. My degree may be a key to all the world's doors, but if I have been taught anything in my four years, it is that not all doors are worth opening. Our minds have been so perverted by conceptions of success that the road that is supposed to lead us to the most opportunities has caused us to limit ourselves subconsciously. But the true danger in the formation and following of this path is that the most mainstream route is, in fact, the most subversive. It has been ingrained in us that wealth and the pursuit of property equate happiness. Whether for noble reasons or otherwise, we have essentially been brainwashed. Too often we strive for something not due to personal motivations, but simply as a thing that is done. I went to college because college comes after high school, not because it was what I wanted. I would not trade my education here for anything, but it shakes me to see myself blindly walking a course set for me by the accepted standards of my time. And so I have made a promise to myself not to subscribe to the belief that in order for my time here to mean something, in order to be successful, in order to make something of myself, I need to realize some elitist destiny. Pop quiz. A few months ago a friend of mine got a haircut in New York City's East Village. The woman cutting her hair was a graduate of one of the small liberal arts colleges of the Northeast. She loves living in New York. She loves her job. She is not "using" her degree, but she is happy. Is this woman a failure? Recently I passed through the living room while the television was on and caught a glimpse of a breathtaking country landscape. Sprawling meadows dotted with trees, a shimmering lake and majestic mountains glowed at me through the screen, and in the middle of it all was the most perfect-of-perfect little country homes. I didn't know why it was on or what it was selling, but I heard myself say aloud how much I wanted to live in a place that beautiful, where I could be greeted every morning by the sights and sounds of America's heartland. But, alas, I thought, it is a life I will never lead, a life I couldn't lead. And then suddenly I realized that the only thing I couldn't do was think of a single reason that I shouldn't live that life. It dawned on me that somehow I had eliminated such a concept because it didn't fit into the prescribed notion of what I am meant to do with my future. In vying for our prestigious degrees, we have learned the acceptable ways to use the advantages afforded us, and suddenly I envy those who have not had the privilege of being funneled toward achievement. Would I rather be an editor at Time magazine than, say, a ranch hand in Montana? Not necessarily, but I know which one I'm meant to be. It is not required that an undergraduate have a plan for life-after-college. It is, however, crucial that he take the time to reflect on what he wants to gain from it. Life is a paradox: it's too short on the one hand, but on the other, it's a life-long ordeal. With respect to the first part of that dichotomy, I defer to Jon Bon Jovi: "It's my life/ It's now or never/ I ain't gonna live forever/ I just want to live while I'm alive." Sure, I'd like to change the world, but I'd also like to snowboard in Colorado, or bum around Europe for a while. The time for that is now, and now goes by as quickly as it arrives. There are so many things to do in this world; I'm not ready to concede to a cubicle and a steady income. And yet I don't feel the need to rush. A lifetime is a long time. Consider the length of a year, of five years. By the time the average college student reaches 40 he will have lived twice as long -- twice as long -- twice as long -- as he has lived so far. Think of the distance traveled and the feats accomplished since birth. Now multiply it. Now multiply it again. The caveat is that life leaves a long time for regret. Every missed opportunity holds the potential for years of lamentation. One needn't jump out of an airplane for validation, but the ability to look back and revel in even a single risk taken or diem carpe'd is something for which we should all wholeheartedly strive. I resent being clandestinely convinced that happiness lies in the capitalist definition of accomplishment. I fear how far I could have traveled before realizing that I've been led by an invisible hand under the illusion that I was doing what I actually wanted to do. Slowly I am shedding the haze that my upbringing has cast about my psyche, and it is now abundantly clear that succeeding in life means much more than being successful.


The Setonian
News

Assertiveness spotlights men as well

In response to Laura Vichinsky's "Strong, independent, assertive female seeking a man of quality," I wish to point out a theoretical flaw in the Viewpoint's statements. She writes that being an assertive woman "puts you in the spotlight, [forces one to be] really liked or really disliked, and is something that some people cannot handle." The problem? It makes no difference whether you are a man or a woman for those statements to be true! When a woman assertively claims to be pro-choice, for example, it is difficult for some people to handle. When a man assertively claims to be pro-choice, the same result follows. Or, more pertinent to the situation, a man who is assertively in favor of women's equality is open to criticism and public opinion in the same way as a woman. The ideal of being against the norm may be different for men and women in certain scenarios, such as the increasing amount of women in high level jobs. And such atypical situations are indeed laudable. However, the basic idea of putting oneself into the public's eye due to assertiveness transcends gender. The argument that wearing the seemingly feminist T-shirt with the words "A man of quality is not threatened by a woman for equality" is provocative due to the nature of the shirt, not the person wearing it. If any male wore such a shirt, the public would respond in the same fashion: some feeling threatened by this "radical" concept, others siding with it 100 percent. As long as women consider themselves to be different from men, yet seek equality through feminism, logistics will be put on a standstill. Josh Cohn LA '06


The Setonian
News

Beers and bellies

Well, it's that time of the year when catalogs and stores start bringing in their bikinis and swim shorts and people all over America start to diet in preparation for "swim-suit season." For college students, this "swim-suit season" is rapidly approaching as Spring Break falls mid-March and is only one week away. Interestingly, what else is Spring Break known for? Yes, you know... going to the beach, hanging out with friends, and DRINKING! As much as people like to drink to have fun, they often forget the additional calories alcohol adds to the waistline when exclaiming, "How am I putting on so much weight?" Why else is it called a "beer belly" other than the fact that excessive alcohol consumption is associated with weight gain? Other than the alcohol itself, many people find that they like to snack when drinking, and as alcohol reduces your inhibitions, it may be harder to avoid that bag of potato chips. So, other then these additional snacking tendencies, how does alcohol add to your waistline? Alcohol does not have fat, nor does it have any nutrition value, yet it does have calories, and a significant amount of those indeed! If you were to log what you eat and detail your dietary intake by calories per gram of carbohydrate, protein or fat consumed, you would find that carbohydrates and protein are four calories per gram, and fat is nine calories per gram; you may also be surprised to find out that one gram of alcohol is equal to seven calories (keep in mind that one 1 1/2 ounce shot contains 14 grams of alcohol). It is important to note that 12 ounces of beer has the same amount of alcohol as five ounces of wine and 1 1/2 ounces of "hard liquor," and the effect of all three on your body is the same, so don't try to "fool" your body by having a beer rather than a glass of wine. To compare the caloric content of some of the most popular alcoholic beverages, take a look at the chart below: 12 oz. beer = 150 calories 12 oz. "light" beer = 100 calories 5 oz. "Bloody Mary" = 125 calories 3.5 oz. Daiquiri = 125 calories 8 oz. Gin & Tonic = 155 calories 3 oz. Whiskey Sour = 122 calories 8 oz. Margarita = 300 calories 3.5 oz. Martini = 140 calories 5 oz. Wine = 105 calories ...and are these the serving sizes you typically consume? Also keep in mind that different "proofs" of alcohol contain differing calories, those with higher "proofs" containing more calories. Don't forget the "mixers" used in making your alcoholic beverage -- juices, sugars and daiquiri mixers are not without their own amount of calories! On the subject of "mixers," it has currently become popular to mix alcohol with the energy drink "RedBull" or with the traditional "Gatorade." Be very careful when combining alcohol with either of these drinks; for one, RedBull is a "stamina" drink, which is precisely why many people choose to mix with this. But, for this reason, the affects of alcohol are often masked so that you can "last longer," which leads to more of an opportunity for alcohol poisoning. When combining Gatorade with alcohol, keep in mind that the purpose of Gatorade is to provide fast-acting sugars to your bloodstream for increased re-fueling of muscles; it does not, however, make an alcoholic beverage a "healthy" drink. In addition, calories from alcohol are used as energy even before stored fat. Regardless of calories, everyone's body metabolizes alcohol differently; therefore do not try to "keep up with" others as they drink through the night. Also, of importance is the fact that, due to physiology, women can not metabolize alcohol as well as men, making them "feel" the effects of alcohol sooner and giving them higher blood alcohol concentrations than that of men, even after drinking the SAME amount of alcohol. Most people are slightly impaired after only one or two drinks -- be mindful of this when you are drinking, as you may tend to make decisions you may later regret. If you are watching your waistline, do some simple calculations. For example, only three glasses of wine a week add up to about 315 calories, or a 30 minute jog on the treadmill, and a single 12 ounce beer a day adds up to 1050 extra calories per week, which (if not accounted for with exercise) can add up to about 15 pounds of "beer belly" per year! And we used to think that Spring Break was not long enough...


The Setonian
News

Professor will refund students' money if he participates in moratorium

Mathematics professor David Isles is willing to reimburse his students who request a tuition refund for one class if the United States declares war on Iraq and he participates in a day-after-war class moratorium. Isles will also contribute $40 for every $10 students donate to a charity for the Iraqi people during a make-up class. The professor announced his plans in a letter to his 40 students last week. He also sent the letter to administrators. Isles is unsure of how students will react to his letter. "It's sort of an experiment," he said. If all of his students demanded a refund for the missed class, Isles estimates he would have to pay around $3,100. "Frankly, I don't expect that," he said. In order to receive the refund, students will have to present Isles with documentation of their course load. If everyone attended the make up class and contributed $10, Isles would have to chip in about $1,600. This outcome would be "optimal from my point of view," he said. The purpose of reimbursing students who oppose Isles' participation in the moratorium, he said, is not to try to convince them to oppose the imminent war. "I am very much opposed to imposing my beliefs on my students," Isles said. Participating in the moratorium, Isles said, is simply a way for him to stand up for his own beliefs. "My reaction is my reaction -- quite a visceral reaction," he said. If the US attacks Iraq, Isles said, "we'll all have to atone for it." The letter is not intended to spark a reaction, Isles said. "I presume [students have] thought about these issues," he said. "If students are not aware of what's going on, then something's very wrong." He has officially signed the Tufts Coalition to Oppose War on Iraq's (TCOWI) day-after moratorium statement. Isles had contemplated such a move since TCOWI's plans were announced. "I've been thinking about it for some time," Isles said. He hesitated in large part due to the arguments that teachers have a responsibility to teach and that students pay a lot of money for each class session. Though he participates in TCOWI discussions, "it's very hard... to judge how much sympathy or antipathy there is for [TCOWI] on campus," Isles said. Before sending the letter, Isles informed physics professor and fellow TCOWI member Garry Goldstein of his intentions. Freshman Graham Good, a student in Isles' Math 13 class, said he respected the decision. "It's his duty as an educator not only to teach his students the subject but also to be individuals and to develop and follow their own opinions," Good said. A professor at Tufts since 1963, Isles participated to a small extent in the anti-war protests on campus during the Vietnam War, but he "was never involved in any central way." Following the 1973 secret bombing of Cambodia, "there was sort of a spontaneous moratorium," he said.


The Setonian
News

Busta Rhymes and Reel Big Fish to play Spring Fling

Rapper Busta Rhymes and the band Reel Big Fish will perform at this year's Spring Fling, Concert Board organizers announced Friday. Three acts usually perform at spring fling, but "people usually didn't show up for the first one, so we decided to cut that one and get a more expensive act like Busta Rhymes," Jordan Kolanski, a Concert Board member, said at a press conference. Organizers also announced changes to Spring Fling's format. The performances will most likely begin at 12:30, an hour later than usual. The student band that wins the Battle of the Bands on Apr. 5 will perform for the first 45 minutes, Reel Big Fish -- which played Spring Fling three years ago -- will have the next hour, and Busta Rhymes will spend the last hour and 15 minutes on stage. The concert board is also planning on changing the layout of the venue by moving the stage from directly on the President's lawn to parallel to Professors Row. "That way people won't have to be turned to the side the whole time, it'll be more of a pavilion style feel," Kolansinski said. Organizers declined to name the other performers they considered. "It wouldn't be fair to announce who else was considered because people will always say 'you should have picked them,'" said Ariel Santos, another Concert Board member. "There are always the same names that come up over and over." Students seemed fairly pleased with this year's line up. "I think it'll be good," said freshman Lori Carp. "I think it was probably a hard decision because everyone wants to see something different. I think they did a good job." Even some students who saw Reel Big Fish the first time at Tufts were not unhappy at the decision to bring the band back. Normally, the concert board does not host the same band more than once every four years. "Reel Big Fish was there my freshman year and they were fun so I'm looking forward to seeing them again," senior Sarah Bovaird said. Busta Rhymes has played concerts at Boston College and the University Maryland Baltimore County. He canceled a show at Trinity College last year because of transportation problems. The energetic performer is known for hit singles including, "Woo-Hah -- Got You All in Check" and "Put Your Hands Where My Eyes Can See." He has also done some collaborative work as a part of the Flipmode squad, which included rappers Rampage, Lord Have Mercy, Spliff Star, Rah Digga and Baby Sham. Spliff Star will join Busta at Spring Fling. Reel Big Fish is an 11-year-old Ska band from Southern California, and is best known for the songs "Sellout" and "She Has a Girlfriend Now," from its 1996 album Turn the Radio Off. The band has experienced high turnover, however: Carlos De La Garza, a new drummer, and Tyler Jones, a new trumpet player, are two examples. The band's new album Cheer Up appeared last year, and they recently completed a tour in Britain. Tickets will be free for Tufts students and $15 for non-Tufts students.


The Setonian
News

Outlook still positive for softball team despite losing ace

For most teams, losing its ace pitcher and three out of four starting infielders would send the program into a rebuilding year. Not for the women's softball team. Despite significant losses, the Jumbos still look to be one of the favorites to win the NESCAC Championship as a pre-season poll ranked them 7th in New England. After winning the NESCAC Championship in 2002, the women expect to repeat their success this season despite the different outlook of their team. "We're going to be equally as successful," senior co-captain Nikki Blotner said. "We just have to go about it in a different way." How different is this year's softball roster? The most notable loss is Jumbo starting pitcher Jodie Moreau. After being the Jumbo's ace her entire career here, Moreau finished her 2002 season with a win-loss record of 20-3 and an ERA of 0.53. Without her on the mound, the Jumbos will have to turn to what Coach Kris Herman refers to as a "revolving door" at the pitching position. With five pitchers currently on the roster, sophomore Carolyn Grieco brings the most experience to the mound. Grieco saw the most time after Moreau last season with a 7-2 record and a 2.64 ERA. Along with Grieco, the team will carry junior pitchers Maggie McClory, Pam Swidler and freshmen Sarah Conroy and Julia Brenta. While neither of these pitchers brings the experience or dominance, Herman is confident that these girls will perform just as well for the team. "The jury's still out but that doesn't mean they can't be successful," Herman said. The main reason that the Jumbos are still confident they can win is because of the solid defense and strong hitting they bring to the table. Herman admits that in order to make up for the difference between Moreau, a strong strike-out pitcher, and her new girls on the mound, the defense must play tighter. The fact that the Jumbos believe their defense can be strong is impressive as well. They lost 75 percent of their infield to graduation in first baseman Tiffany Trahan, second baseman Emily Ferezza and short stop Jen Mackey. Despite these losses, the coach and teammates alike are confident that their new infield can gel quickly enough to be strong defensively. "Everyone interacts well with each other," Blotner said. "This is the key element for a good infield." Strong hitting will be the strength of their team. The Jumbos bring back several strong hitters in sophomore Courtney Bongiolatti who finished last season with a .352 batting average and junior Julie Fox (.350). Also returning to the lineup is two time all-American senior co-captain Lis Drake who batted .336 and led the team with 9 home runs. "[Lis] hits the ball as hard as anyone around," Herman said. As the NESCAC is divided into the eastern and western division, the Jumbos believe that they are still the team to beat in the east. Meanwhile Williams, the favorite to win the western division, will be the Jumbos largest road block on the way to their third conference Championship title. With the cold weather hurting practices lately, the Jumbos will travel to Orange County, California over spring break to begin their season. Facing many of the nation's strongest Div. III teams, the team predicts a successful performance over spring break. Along with getting in game time, it will offer Herman her first chance to witness her new team in action. "We've set the bar pretty high," Herman said of her expectations for the team's trip. "But all five pitchers will get a chance to play so it will be a little bit of a fact-finding mission." Playing tough competition throughout spring break and also the season, the Jumbos are confident that they will be prepared for not only the conference tournament but also the NCAA tournament. After going to the World Series in 2000 for the only appearance in school history, Herman believes that this team has the talent to make Tufts' second appearance. "We want to go to the World Series. We want to win a National Championship," Herman said. It will be a long road before the Jumbos reach the post season and even then, they must win the NESCAC Championship in order to advance to the NCAA tournament. The team will take their first steps this upcoming weekend in California as they face Saint Mary's of Minnesota and Savannah Art and Design school in a double header this Sunday, March 16.



The Setonian
News

5th place finish for men's track

The men's track and field team wrapped up the season's final home meet with a fifth place finish out of 44 schools at the ECAC's on Saturday. In a tight finish, the Jumbos scored 41 points, just one point behind fourth place Bates (42) and three behind St. Lawrence (44). The College of New Jersey (98.5) was crowned champion ahead of second place Rensselear (55). Senior tri-captain Bryan Pitko paid tribute to the team's performance throughout the season and the recent championship competition, while reflecting on the final home meet of his career "I'm going to miss running on this track. It's been a great four years of memories, accomplishments, trials and triumphs," Pitko said. "Peaking for three weeks is very difficult, and I think we did a hell of a job considering how hard we've worked this season." Pitko (7.87 seconds) and fellow senior tri-captain Greg Devine (7.77) finished fifth and third respectively in the 55 meter hurdles. The race was marred by a false start by Lincoln University's Pierre Chapman that was picked up by neither the starter nor the recall starter. Lincoln's Sinclair Ethaniel (7.70) won. Senior tri-captain Adam Sharp (2:30.63) shaved nearly four seconds off his best time in the 1000, narrowly missing the school record of 2:29.32. He also lead the distance medley relay team (season-best 10:19.62) to a seventh place finish. Sharp was also recently named to the NESCAC All-Academic Team, honored along with nine other Jumbos. "Sharp really gets the kudos for running a great race unseeded like that," coach Connie Putnam said. "As the meet progressed, the last couple of events they really started to go for it. Early on, it was not as good as we'd have liked, but everyone was pretty fatigued." Sophomore long jumper Nate Thompson (6.89 meters) jumped his second-best distance of the season to finish third behind Rensselear's Derek McGough (7.02) and the College of New Jersey's Karim Cockrell (6.94). "I'm consistently going over 22 feet, which is a really good feeling," Thompson said. "We gave it everything we had, but we peaked two weeks ago for the Div. III's, so everyone was a little tired." The fatigue was not especially obvious on the track, however. The 3000 featured an exciting finish by two freshmen, Kyle Doran (8:44.85) and Matt Lacey (8.45.97). Both ran career best times, slashing ten seconds off their previous bests. Doran finished fifth, coming from the middle of the field with a strong kick in the final lap. His finish was much like that in the DMR at the Div. III's two weeks ago, when he charged to a third place finish. Lacy followed Doran to the line. "I was just trying to kick it in at the end. It was only the second time I've run it, and it just felt really good," Doran said. "There's been a couple of hard meets in the past two weeks, and everyone tried their best." Freshman Shawn Hansberry (1:06.26) finished second in the 500 dash, just 0.13 seconds behind Montclair State College's Paul Noel (1:06.13), while sophomore Nate Brigham (15:13.71) scored a point in the 5000 run, placing eighth. "We gave it all we had, and I was very encouraged by the outcome," Putnam said. "There were some things that went against us, and we still came out with a pretty exceptional finish." The 4x400 relay team of sophomore Ray Carre and freshmen Pat Mahoney, Trevor Williams and Hansberry ran seventh in 3:24.22, while in the 4x800 (8:03.50), Sharp teamed with fellow senior Jake Berman, sophomore Aaron Kaye and freshman Neil Orfield to finish tenth. With the NCAA's as the last event of the indoor season this weekend, the meet all but wrapped up a highly successful season for men's track. The team has seen strong senior leadership as well as many impressive individual performances across the board, according to Putnam. "I would be hard-pressed to pick out anything we could have done better," Putnam said. "I'm very proud of the team, the work ethic has been fantastic, and it's been a really great season. You can just look at the top ten lists to see the guys made a pretty sizeable assault on the records."


The Setonian
News

Ever-abrasive Alix Olson puts Ani DiFranco to shame

The crowd went wild as if she were a rock star. She came out in a frayed tank top, brandishing a paper doll with a needle and thread stuck into its hand. Throughout her performance, self-described "Queer Feminist" and spoken word poet Alix Olson pumped the Balch Arena Theater full of anti-chauvinism, anti-war speech, anti-globalization, and lots and lots of breath. She mixed looped tapes of Howard Zinn's speeches in with her poetry, creating a rhythmical dynamic that she enforced by stomping and thrusting her pelvis against the microphone. She had some good things to say, but you had to listen closely for them among the ad-lib rage she drew up for most of the evening. It would be different if the poetry were well-formed, if it made my hair stand on end, but between phrases of truth that were few and far between, what Olson called "poetry" seemed to be nothing but chaotic images of sex and violence riding on the sheer force of her voice, breath, and energy. No direction; just a string of nouns and verbs that periodically came to resemble something like a jumbled Vagina Monologue. When she employed names of famous feminist poets like Adrienne Rich and Flannery O'Conner, it seemed more like name-dropping than a thoughtful, artistic decision. Really, if you take away the banner-message and leave the basic human passion, how is this so different from the fiercest of Dave Chapelle's routine on television? Olson has been nationally acclaimed as one of today's top American poets. She was chosen as one of two poets to represent America at an international poetry conference. She has a vigorous touring schedule and a large following of fans, and she can stand alone on a stage for two hours and fill every inch of empty space with her voice, her laughter, and her sharp, genuine smile. Her art seems to represent a new era in performance poetry -- one in which the poet's attention is relished by her audience like that of a mainstream celebrity, and whose level of energy is comparable to that of a rock star. Like a folk singer, Olson related stories before her poems, each including an anecdote about standing up for women's rights on the street and not just on stage. Olson is also a political activist, though she is a little sloppy in choosing where she tosses her rhetorical fervor, easily slipping into a condemnation of everything corporate, capitalist, Republican, and right wing. She did have some clever anti-imperialist jabs, however, particularly when she put on a pair of glasses with American flags in the lenses and exclaimed, "Where are the other countries! I can't see any other countries!" Her sharp yet artfully constructed commentaries definitely marked her as more sophisticated than the Ani DiFranco echelon; I daresay America hasn't heard such informed political humor since the 1960s. Though much of her feminism was wrapped up in assertion of her sexual identity and cultivating a sense of community, she had some great anecdotes about standing up against violence. I loved one story she told in which she approached a man who was beating his girlfriend in the middle of the street; pointed at her eyes and then his and said, "I see you," and walked away. The man, confounded, stopped immediately. Then there were the assumptions Olson made about her audience members that unfortunately alienated a few of us. When she pulled out a paper doll of President George Bush, which she called "the Shrub," she told us he wanted to know who all the "little boys" in the audience were. "Those are girls," Olson answered sweetly. Funny. But a fellow audience member pointed out later that there could have been any number of Bush supporters in that audience. Why should she assume that all queer women are against Bush, anymore than she should assume all her fans are queer women? Isn't there an entire organization called the Gay Republicans? But Alix Olson is only trying to empower those women who have no voice and trying to compensate for the male-dominated society we have lived in for so many years. I am not denying that this job is never finished. Alix Olson related conversations she's had in which men tell her, "Feminism has won. You can tone it down a little bit now. We're even." And while obeying that idea may be politically threatening and a bit of a blow to the slam queeradical poet, it isn't in her best interest to alienate members of her audience who don't necessarily identify with her identity, politically or sexually.


The Setonian
News

Highway Ulysses' a rather dull road

Highway Ulysses is heavily based on Homer's Odyssey and is an original and modern interpretation of the ancient story. Ulysses, played by Thomas Derrah, on receiving news of his son's mother's death, embarks on a journey intended to reunite him with his son (Dana Marks). On his travels he meets a variety of strange characters, many of whom depict mythical creatures from The Odyssey and distract him from reaching his son. While Ulysses staggers towards the orphanage, his son, a 'ward of the state,' waits anxiously for his arrival. This entire story is told to a bride in the company of her wedding guests who interweave but do not interact with characters in the central storyline. The technical aspects of this play are excellent. Director Rinde Eckert makes superb use of space by staging scenes in unlikely areas of the stage and allowing different scenes to unfold simultaneously in adjacent areas of the stage. He skillfully combines action in different parts of the stage, making the play visually interesting. The lighting enhances this quality, and Lighting Designer David Weiner must be commended for his originality. The one-dimensional characters Ulysses encounters range from humorous to violent to seductive and are played by a small, talented group of (unfortunately non-identified) actors who double up on roles. Generally, these supporting performances are strong. Particularly good was the performance of Ulysses' embittered girlfriend, who rants and raves on his inability to be a good role-model to his son and that of a lonely waitress who pours her heart out to Ulysses. A prostitute in a tattoo parlor intended to represent the underworld, and a crazy, violent, one-eyed librarian, meant to allude to the Cyclops, are also entertaining and are examples of the modern interpretation of an ancient story. However, despite good acting, some scenes are drawn out. Background dancing and clever positioning of the cast add to the visual appeal of the play and the blend of talking, singing and subtitles holds the audience's attention. The background music is varied and beautiful -- sometimes in contrast to the action of the play and other times in harmony with it. These successfully-employed techniques alone make the play worth seeing. Despite some brilliant effects, the play has several serious defects. The main characters undergo hardly any character development. This is disappointing as the encounters with the supporting characters provide much opportunity for Ulysses to gain insight and depth and for his character to develop and change appropriately. Also, despite the long and (supposedly) anxious wait for his father, the son does not vary his intensity or anxiety levels throughout the play. His role consists of typing at a computer, drawing graffiti on walls and occasionally changing his location on the stage. Aside from his patience and innocence, no other facets of his personality are presented. In addition to glaringly superficial characters, the plot is not cohesive. Consecutive scenes often appear unrelated and the overall result is disjointed. If you do decide to see this play, be aware that the ticket price buys you technical brilliance -- and not much else. It is doubtful that a visually arresting quality alone merits 90 minutes of an audience member's time. The American Repertory Theatre (ART) is located on Brattle Street, very close to the Harvard T-stop. Tickets are available for $12 with a valid student ID card if you call 617-547-8300 on the day of the show at 10am. (Regular prices are $34-$56 and $46-$68 on Friday and Saturday nights). Ticket prices include snacks before the show.


The Setonian
News

Vet School funds returned

The Dean of the School of Veterinary Medicine announced yesterday afternoon that Governor Mitt Romney has repealed his budget cuts of $3.6 million for the Vet School in the previous fiscal year. But Dean Philip Kosch indicated that there are still no guarantees on future funding from Massachusetts for the Vet School. A significant portion of the $3.6 million will go towards veterinary care for Massachusetts State police dog and horse units. Due to the state deficit, officials originally found it easier to pay the bill for police animals themselves, rather than pay Tufts, explained Jodi Charles, the deputy press secretary to Romney. The University had threatened legal action against Massachusetts for the cuts, saying that the $3.6 million included payments for services that had already been rendered. The Vet School is still on shaky ground financially despite the returned funding, though. "The job before us is to continue all of our efforts, collectively, to encourage legislators and the Governor's Office to appropriate continued support this year," Kosch said. Massachusetts also took away a $5,000 tuition break for Massachusetts residents. The tuition break was meant to encourage enrollment at Massachusetts' only vet school. There are only 28 vet schools in the entire country. It is unclear at this time if that tuition subsidy has been returned. The Vet School has held spots in admissions for Massachusetts residents to lessen the financial burden that the community feels, and it remains unclear at this point as to whether or not the spots will be continued to be held. 50 percent of Vet School students are residents of Massachusetts. The general sentiment felt by Vet School students is a concern for the future of the school and for the financial hurdles they will need to deal with in the coming years. Second-year student Rebecca Quinn is one of those students who is now facing a serious money shortfall. Quinn said that students will have to start taking out yet another loan, this time from the bank, meaning higher interest rates and more debt. A letter was sent to all Vet School students Tuesday by Associate Dean for Administration and Finance Joseph McManus urging them to write to Governor Mitt Romney, the Massachusetts House Speaker and Senate President requesting continued funding of the Vet School by Massachusetts. ] "It is very discouraging that Governor Romney... announced [those] cuts," said first-year vet student Melanie Bizier, who is planning to take part in the letter-writing campaign. "Part of my decision to attend Tufts was based on financial assistance, which the state of Massachusetts promised its residents," Bizier said. With state support comprising 13 percent of the veterinary school's budget, Tufts was less dependent on funding than other veterinary schools. State aid normally comprises between 26 and 36 percent of a veterinary's school operating budget. The threat of cuts is frustrating, but Tufts is not the only school to be affected by this the state's budget cuts, with a total of $41 million removed from Massachusetts schools' budgets this year. First year student Jonathan Yardley praised the Vet School administration for their support. The administration "realizes that vet medicine is an underpaid profession," Yardley said. "The starting salary is about $40,000, which is equivalent to about one year of Tufts tuition. We're not here for the money." But money is not even the heart of the issue, according to Quinn. "It's that our communities and the animals we have dedicated our lives to, [that] will pay for price for Romney's budget cut," said Quinn said. "After all, what is one more loan for people already in debt $180,000?" Some students, like Yardley, also see the underlying problem being the current presidential administration, as George W. Bush has cut state education funding. "It's not entirely Romney's fault," said Yardley. "But it's a big financial decision to cut education, and not a good one in my opinion."


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The demise of floppy disks?

Until now, floppy disks were able to hold their own against the onslaught of digital-age, higher quality, and more advanced technologies being unveiled. Despite their relatively small 1.44 megabyte capacity, floppies remained constant, standard hardware for over 18 years. But even long-standing technologies eventually reach obsolescence, tossed into the pass?© box in the attic next to eight-tracks and typewriters. Dell Computer Corporation has announced its intentions to toss the floppy disk into that box in the attic. In an end-of-an-era decision, Dell has announced that starting in April, floppy disk drives will no longer be standard in its desktop computers, and offered only as an option. Dell spokesman Lionel Menchaca said that the decision was made after focus group research with its customers. "When we would ask the question to people 'do you need a floppy?' the answer to that question would be yes," Menchaca said. "But when we asked them how long it had been since they used it, they would say six months, a year. Many couldn't remember the last time they used the floppy drive." At the dawn of the computer age, it was easy to fit computer programs onto a couple of floppies due to their sizes. First introduced at 5.25 inches, the floppy disk became a household name after Sony Corporation presented a 3.5 inch diskette in 1980. The 3.5 inch diskette went on to become the most widely-trusted and used method of transferring computer information. But as the digital age advanced and brought forth insatiable cravings for DVD burners, MP3 players, and even tinier storage spaces for countless photos and e-mail records, the floppy disk's degree of efficiency has become more and more inadequate. How will Dell's decision to forgo standard installation of floppy disk drives affect the methods University students use to save information -- and their college-student budgets? Because Tufts OnLine supported systems are available through Dell Computers, the company is popular throughout the school. Therefore, both incoming students and current students updating their computer systems will most likely be purchasing computers sans a standard floppy drive. Even those students who use other brands of computers, however, will be affected by the Dell decision, which has the potential to spur other companies to abandon floppy disk drives in a similar manner. Freshman engineering student Ilan Behm has no qualms with the imminent demise of the floppy disk. "The CD killed the record players in the 80s and now it's going to kill the floppy disks too," he said. "Get over it, it's 2003!" Kathleen Cummings, a director in the Tufts Computing and Communications Services council, says college students "should be aware of a new technology that provides more storage than the floppy and costs about the same." "It is a 16MB USB memory key [$20]. It looks like a small key chain. You simply plug it into your desktop/laptop and download the files," she said. In fact, despite being both lighter and smaller, the USB Memory Key has the ability to store more information than ten or more standard 3.5 inch floppy disks. The Memory Key can be ordered and used in place of a floppy drive on the Dell Inspiron 4150 and 8200 models, but it will also work on any computer that has a USB port. This means that the USB keys can be used between students' PCs and laptops (and computers in Eaton Computer Lab) so long as the computers have the same operating system. The USB key has already surpassed floppy disks in some students' preferences. "I never use floppy drives," freshman Ed Kalarfarski said. "Most of what [I] save, such as video files, does not fit on floppies." As many students share Kalafarski's viewpoint, a large proportion of the student body will not be dramatically affected by the floppy drive's downward spiral in the face of newer, cheaper, and more efficient technologies. When working at Eaton, most students use CDs to transfer information. Other students send the necessary information and documents through their own e-mail accounts, allowing them to access that data from Eaton's computers. Only those students who still rely on floppy disks will be affected if Eaton's current computers are eventually fully replaced with updated computers lacking floppy drives. Come April, Dell customers will still have the option of purchasing their computer with a floppy drive. Those that prefer this older method of saving and transferring information typically do so because the floppy disk is essentially universally accepted in many computers. As far as compact discs go, many CD-ROMs will not read certain kinds of CDs, but most hard drives are able to read floppy disks. The price for the optional floppy drive has not yet been reached, but students such as Kalafarski aren't worried: "I barely know anyone who doesn't just burn CDs," Kalafarski said.


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ExCollege event addresses controversial campus issues

The future of the Naked Quad Run, the need for community-building at Tufts, and the proposed ban on smoking in dormitories were among the sensitive issues discussed by about 90 students and faculty members at the Experimental College's 13th annual "Opening Up the Classroom" event Wednesday night. This year's theme, "Is the Light on the Hill Bright Enough? Seeking Community at Tufts," aimed to address the issues brought up by the Task Force on the Undergraduate Experience's recently-released interim reports. The event drew a diverse student population, including undergraduates and graduates, and focused on ways to unify the Tufts community. Tufts' strong academic community coexists alongside a weak social community at Tufts, according to senior David Reinhard of the ExCollege Board. Several students at the forum cited the Naked Quad Run as an important Tufts tradition and the sole event that draws nearly everyone on campus. Still, many participants were supportive of President Larry Bacow's response to this year's run and pointed out the problems associated with excessive alcohol consumption. Some students worried that Tufts could put too much of an emphasis on building community, however. The desire to foster a completely unified community on campus can conflict with the desire to increase diversity, another of Tufts' objectives, sophomore Eitan Hersh said. Most forum-goers agreed on the need for enhanced common space on campus, though. Suggestions included the construction of a large all-purpose room with removable seating and additional offices for campus groups. Other attendees mentioned a computer center and a centralized mail system, elements included in the as-yet-unrealized Phase III of the Mayer Campus Center, in order to draw greater crowds to the nexus of upper and lower campus. Students and faculty also debated the pros and cons of establishing a college system at Tufts, another of the Task Force's recommendations. Students expressed an appreciation as long as they were not bound to the living spaces encompassed by their college. Mixed feelings prevailed about the creation of other all-freshmen dorms like the current Tilton Hall, however. Some called the environment at all-freshmen dorms "toxic," though others fondly remembered freshmen bonding. It is likely that as a compromise, the University will expand first-year living situations similar to Tilton, though they will never become obligatory, according to Dean of Students Bruce Reitman. Forum-goers also addressed the issues of extra-curricular life, the depth of on-campus faculty involvement, and the comparison of Tufts' sense of community to that at other universities. Facilitators passed out general questions related to life at Tufts, permitting attendees to explore the definitions of community at a relaxed pace. Discussion is a valuable way to enhance the continued transformation and changing experiences that are vital to individual students' growth, according to Dean of Admissions David Cuttino. Wednesday night's discussion and suggestions put forward by faculty and students will likely be influential when the Task Force makes its presentation to Bacow in mid-May.


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Sentimental meet for men's track

For many on the men's track team, this weekend marks the end of another indoor track season, as well as the ends of careers for the senior members of the team. It is fitting then that the ECAC's, the final meet before the NCAA's, is at home in the Gancher Center. Four seniors will represent the Jumbos today and Saturday. Again, fittingly, three of the seniors are tri-captains Adam Sharp, Greg Devine and Bryan Pitko, who are joined by classmate Jake Berman. The group leads a strong group onto the track to compete against approximately 50 teams. "It's one of those meets where there is no way to scope things out," coach Connie Putnam said. "We have no room to move people into strategic positions." The strength of the Jumbos' lineup tips towards the track events, with just three of 18 athletes competing on the field. Putnam believes, however, that while there are not enough field competitors to score an even balance of points, the team will still excel, given the running contingent's depth. Sentiments and emotions will be running high too, considering the meet's symbolism. "I suppose it's something I have to think about every year, but it's not something I want to think about," Putnam said. "Every May, I have to go through graduation, which is like a funeral. But as a coach, I try to avoid these emotional aspects too much during the season, because it drains on the team and by the end they wouldn't have it in them." Putnam's thoughts were echoed by the captains. Sharp (whose best time is 2:34.40) will compete in the 1000 meter run, making an all-out assault on Paul Murray's 1982 school record (2:29.32). "I'm trying not think about [the emotional] part of it," Sharp said. "I'm going to go for the record, and try to run it really level. I tried once earlier in the season but went out too hard at the start and didn't have enough left in the end." Sharp will lead off the distance medley relay (DMR) with the 1200, and likely will run the 4x800 as well. Putnam has put together the fastest possible DMR team to join Sharp. Devine or sophomore Ray Carre will run the second leg, the 400. Freshman Shawn Hansberry, also running the 500 dash (1:06.20) and 4x400, will run the 800 leg, while sophomore Aaron Kaye will anchor with the 1600. Kaye will also try to break the four-minute barrier in the 1500 (4:01.50). Devine (school record 7.56 seconds) and Pitko (7.65) continue to challenge one another for the school record in the 55 hurdles. The pair is headed to Indiana for the NCAA's next weekend. Devine is not overly concerned with the sentimental side of the meet. "I'd be a liar to say that I wasn't thinking about it," he said. "But that's not the most important thing. We'll be out there to run fast, out there to run hard and hopefully qualify some extra guys [for the NCAA's]. To break the record, that's a goal every week, because it shows improvement. But it's not the main focus; it can also be distracting." Sophomore Nate Thompson (7.92) joins Devine and Pitko in the hurdles, while attempting to qualify for NCAA's in the long jump (6.95 meters). In other events, five Jumbos will compete in the 3000, including sophomore Michael Don (8:41.80), junior Jon Rosen (8:54.90) and freshmen Michael Cummings (8:53.40), Kyle Doran (8:55.70) and Matt Lacey (8:56.00). Sophomore Nate Brigham (15:02.60) and junior Peter Bromka (15.25.90) run the 5000, while Berman joins Sharp, Lacey and Kaye in the 4x800 (7:53.90). The 4x400 team (3:20.50) of Devine, Carre, Hansberry and freshman Pat Mahoney has a chance to break the 1995 school record of 3:18.26. Carre (49.37), alongside Mahoney (50.24), will run the 400 dash as well. Junior Adrian Clarke (4.15 meters) and freshman Seth LaPierre (4.45) will contend in the pole vault, joining Thompson as the only other field competitors. The meet is full of little emotional motivations, according to Putnam. But another important factor has been the support shown for the team throughout the season. "Our campus supports us very well, and it's a big thing to have such a big meet here," Putnam said. "It's a great chance to see some great Tufts athletes compete." And, with several Jumbos competing at home for the final time today and tomorrow, it is also the last chance.


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Pope and Anti-Pope' pokes fun at the Great Schism

There are many reasons the pope is good material for a play, but the only one that counts is his funny hat. Of course, he does not know his hat is funny. That would kill the joke. Yet writer/director and Tufts alumnus Jeremy Goldstein has not only two Pope Hats in his new play, Pope and Anti Pope, but he also has seven different actors playing the Pope. Well, Popes. That's part of the problem and the gimmick of the play: In 1378, the Italian cardinals returned the papacy to the city of Rome after 100 years of papal residence in France. The French, not to take a challenge lightly, went ahead and elected their own pope, beginning the Great Schism, a time when two (and occasionally three) popes lived in Europe and frequently excommunicated each other. Goldstein has taken this bizarre chunk of history and twisted the knife a bit more. The French Pope is actually Emperor Caligula (Richard Arum, a strong local talent), the ancient and sick Roman tyrant who is still very much alive and insane. The play starts with a war of words: "Dear Urban," Caligula dictates, "It may interest you to note that the pope resides in Avignon and his name is Caligula. I am Caligula. I reside in Avignon. Thus, I am the pope." No one is more surprised to hear this than the anti-Pope, Urban (Tufts alum Jeremy Wang Iverson). "There's definitely a thought in the back of my head that gee, people might be offended by this," says Goldstein, "We take pretty hefty liberties with history, and the four-letter Anglo-Saxons abound, but I'd be very surprised if anyone who watches from beginning to end finds the moral to be anything less than uplifting." He stops. "Well, maybe uplifting is too strong. How about nice? It's a nice ending." The play has a feeling of casual absurdism, as the Pope(s) kill and poison their way to wearing the funny hat. The cast includes Alumni Chris Walters and Senior Evan Weinberg as a father-and-son team working for Pope Urban, Jonathan May as Caligula's very nervous attendant and Alum T.J. Derham as yet another not-quite-dead-but-still-insane figure of history. Goldstein's play weaves anachronistic fact and fiction to deliver some great one-liners. Much is made of characters looking at their wrists for the time, only to learn that the watch hasn't been invented yet. When someone asks Caligula how he can be a thousand years old and still kicking, his response ranks somewhere in the history of one-liners. Also, the play has a nice twist at the end, a sort of Pope face-off over who gets to finally wear the funny hat. The play is followed by another piece, a shorter and more serious scene called The Confession of Emmanuel. Chris Walters shines as a troubled young Jewish man who has come to give confession to a Catholic priest (Richard Arum again) to spite his mother. Initially funny but quietly moving, the piece is different in tone but similar in content. Both pieces ask questions and poke fun at religious conventions that, according to Goldstein, no longer seem to apply in today's world. "My own religious background isn't that ambiguous," says Goldstein. "I'm Jewish, I'm not some weird kind of hyphenate thing. I just happened to go to Catholic High School, so that's affected how I look at things. It's colored a lot of what I'm interested in." "The idea has been with me for a while -- when I first learned about the Great Schism, when I heard that at one point there were two popes, even three, that excommunicated each other, I knew -- just KNEW I had to do something with that." Yet for all the real issues it addresses, the play goes back to the simple and funny idea of grown men killing each other over the right to wear the hat. And every character gets to wear the hat... even if the confirmation is followed directly by a knife in the back.


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Biology dept. receives research grant

The biology department has received a federal research grant which will allow thirty students to work with professors during the next three summers. The grant from the National Science Foundation will provide stipends for ten students for each of the next three summers, with the possibility for renewal. Dean of Arts and Sciences Susan Ernst made the announcement about the grant at the Arts, Sciences, and Engineering faculty meeting last week. Tufts was awarded the grant after submitting a proposal last September to the National Science Foundation to host a summer research programs, which are commonly referred to as REUs. The selected students will work from May 26 to Aug. 1 on a collaborative, interdisciplinary project. This summer's program will be "Integrative Approaches to Studying the Ecology of New England Organisms." In addition to research, professors will lead weekly discussions, seminars, field trips, and a symposium. Professor Colin Orians, director of this year's REU said that given the "department's commitment to mentoring undergraduates in research, it made sense for us to submit a proposal." Orians proposal, which was co-written with Professor Sara Lewis was one of the 20 percent of applying projects that were awarded money this year. "The hard part is making your program unique compared to all the other proposed programs," Orians said. "We decided to focus on mentoring students in collaborative research, and to focus all the projects on the ecology of New England organisms." Professor Orians himself will lead three collaborative programs entitled: "Ecology of Invasive Plants: Effects of herbivores on success;" "Tree Ecophysiology : Plant Responses to Environmental Heterogeneity;" and "Social Insect Ecology: Chemistry of Queen Recognition." Five additional programs will be offered by other members of the biology department on topics from wasp behavior to avian ecology. Tufts administrators have expressed their enthusiasm at the school's selection for the REU. Dean Ernst spotlighted the REU at a recent staff meeting, which was part of a new initiative to acknowledge faculty accomplishments. In addition to the support, officials have arranged for free on-campus housing in addition to the $320 weekly stipend provided by the grant. "Clearly the current administration is committed to getting students more involved in research," Orians said. The biology department is currently advertising the positions on its website and through flyers around campus. Applications are due Mar. 14, and the winning candidates will be informed on Mar. 28. Orians has encouraged students to apply, noting the program's many benefits. "I would not be surprised if many students get so excited about research that they decide to pursue careers in research," he said.


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Club tragedies prompt more intensive safety inspections

Local fire departments are making club inspections more thorough after the recent fire at The Station in Warwick, Rhode Island, and the stampeding deaths at E2 in Chicago. Boston and surrounding towns and cities are increasing the number of inspections, and enforcing a ban on pyrotechnics for all businesses with liquor and entertainment licenses. According to Somerville Deputy Fire Chief Thomas Graney, inspectors were sent out the day after the tragic fire in Warwick. The fire claimed 98 lives when the band's pyrotechnics set the non-fire retardant sound insulation ablaze. "Right after the initial report from Rhode Island, we were inspecting some of the high occupancy places," Graney said. Boston officials assembled temporary teams in order to have inspections begin immediately. Within a week's time, the inspection teams had surveyed 21 high-occupancy buildings with both liquor and entertainment licenses. Nothing "of immediate concern" was found, according to Graney. One of the first clubs inspected was Johnny D's in Davis Square, a restaurant that often features live music. Johnny D's Manager Sean Sturgis said that the inspections did not pose any problems. "They check your exits, make sure you have exit lights, nothing in front of the exits. If you have any materials, you have to show receipts to make sure they're fire retardant," Sturgis said. "We stay within our limits." A permanent task force will eventually replace the inspection teams. The taskforce will have a member from the Inspectional Services Department (ISD), from the Board of Health, the Fire Prevention Bureau, and a member from the Licensing Committee. "We'll have access to all the [documents] pertaining to occupancies that have liquor licenses and entertainment licenses," Graney said. The new taskforce will inspect clubs at random, including while patrons are present. "Our plan is to go where we think there could be the most problem with occupancy," Graney said. As most current inspections are done during the daytime, the taskforce will give inspectors a chance to see how fire prevention is practiced while a club is in operation. If they find the club unacceptable, it would be immediately shutdown. Pyrotechnics, such as those used at The Station in Rhode Island, have been permanently banned from Boston clubs and in surrounding areas. "We're not permitted to license anyone to have open flames or smoke machines," Graney said. At Johnny D's the new law had no effect because pyrotechnics were never allowed, according to Sturgis. "We don't have anything, no special effects -- none of that. The owners don't go for that," he said. These rules include anything that blocks vision, and extra lighting. "In hindsight, it's great," Sturgis said. The taskforce will also perform random occupancy checks to make sure a club is not overcrowded by "dumping" all the patrons. "They'd move everybody out and then re-check them in," Graney said. Sturgis said this would not cause a problem as long as clubs are careful to make sure they know how many people leave before more are let in. "We have a ticket count -- we know how many tickets go out so we know how many people go in," he said. Graney says a building's age will contribute to the need for inspections. The Somerville Theatre will be inspected before business hours during next week. "Because of the building's age and occupancy load, we just want to make sure about the exits," Graney said. There will be a fire exit drill that consists of shutting off the power to the theater and making sure all emergency systems are working and exit doors open freely. "We want to make sure that everyone that goes to any place to be entertained is going to be safe," Graney said.


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Internship fair popular with students

The current ultra-competitive job market seems to have encouraged many of the students who flocked to Jackson Gym yesterday for the Tufts Career Services Internship Fair. Although the Fair has traditionally been well attended, the country's economic troubles may have motivated a broader range of students to seek out summer internships. One sign of increased demand for internships was the attendance of a greater number of underclassmen, Director of Career Services Jean Papalia said. "Students seem to be looking for internships earlier and earlier. We have seen many sophomores and first year students this year," she said. Career Services has seen an overall increase in interest for summer internships from underclassmen this year. The majority of students applying for internships and attending internship workshops this year have been sophomores, and freshmen have been the second largest group, said Marie McCool, assistant director of Career Services. These students are likely interested in gaining experience early on, Papalia noted. "In a tight job market, you really need to be as competitive as you can be and that means getting experience before you graduate," she said. Since the current job market may make it more difficult for upperclassmen to secure permanent positions after graduation, many seniors and graduate students were also in attendance. But company representatives said that an internship is by no means a guarantee for full time employment within the company. "I honestly don't think [the companies here] are hiring," one graduate student in electrical engineering said. Still, almost all of the companies at the Internship Fair acknowledged that "it certainly helps to have a foot in the door," one representative from Washington Group International said. Having a contact person inside the company to provide networking opportunities is also helpful, the representative said. Completing an internship may also leave a student with "a better chance of a repeat internship," in addition to establishing a relationship with the company, a Pfizer representative said. But Tufts students will be competing with large applicant pools for many positions, the Pfizer representative said. "[Pfizer] receives hundreds of resumes and will select only ten to 12 students for summer internships," she said. Senior Eric Wahl, who was recruiting for summer teaching internships through Summer Bridge Cambridge, echoed this warning. "There is incredible competition," he said. The Summer Bridge positions "are virtually unpaid and there are still probably 300 applications for about 25 positions." Students are willing to work for so little because they are desperately seeking experience before looking for full-time jobs next year, he said. Students had mixed reactions to the number and type of offerings at the fair. Some students were enthusiastic about simply getting their names out to companies that offer internships. "I came here with ten resumes and I have one left," sophomore mechanical engineering student Rosie Osser said. But other students found the Internship Fair to be "limited in the amount of its resources" that related to certain interests, junior Daniel Espinal said. Espinal is majoring in International Relations and would have preferred options related to his projected career in investment banking. "I can't speak badly of the Career Services department, though," Espinal said. "They have been helpful in setting up an interview for me. Career Services helps students find internships with workshops that show students how to find available opportunities, according to Papalia. "We get them online and show them websites where they can find internships, or we help them develop their own [through Tufts]," she said. Although they did not have concrete numbers, Papalia and McCool estimated that 80 percent of students do internships with many students doing multiple internships. Though many students, particularly underclassmen, feel they do not have enough real world experience for an internship, they should still apply since students are welcomed in all stages of their academic career, company representatives said. Companies seemed to be most focused on students' motivation. "You don't have to have a lot of experience," Pfizer's spokeswoman said. "We are willing to teach because it is an internship, but the student has to have a good attitude." The Fair featured nearly 30 companies, ranging from engineering firms, to non-profit organizations, to magazine and radio networks.


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Violence is not the answer

Brian Roiter's Viewpoint ("Love your enemies") shares a point with some of history's greatest humans. Jesus, Martin Luther King, Gandhi, Mother Teresa, people who inspire us with their virtue, changed the world with their love. These are people who loved those who it is hardest to love, who poured out their lives to help the less fortunate, who stood up against social injustice and hypocrisy with love, integrity, and respect and changed the world. If we can agree that love is the answer, (sorry if that sounds clich?©, it's still true) why do we crave violence? Why is it so "awesome?" I went to see Punch Drunk Love last week, shown in Barnum. (I might spoil some of it, so feel free to skip ahead if you haven't seen it). Adam Sandler's character is pushed around by everyone. A troop of white trash stalks him and steals hundreds of dollars from him. He seemed content to submit until they hurt his new love. Now he becomes a dynamic warrior, and kicks the crap out of his four attackers with one blow to each. Real Ultimate Power, totally sweet. I personally think that violence is not glorious, it's messy and ugly. Yet, why did I feel so good when Adam Sandler kicked their asses? I don't know if my answer is accurate, but bear with my thought process. I was walking down the streets of Somerville when I encountered a herd of wild townies. They were taunting some Tufts women, and as I passed them they said, "Let's not pick on this fag," and shoved me, (I apologize for using their slang). I felt angry, and somewhere in me I wanted to turn around and obliterate them, humiliate them. I caught myself quickly. Wait, don't I believe that love is the answer? Don't I strive to lead a life of peace and forgiveness? I agree with Brian whole heartedly when he says forgiveness and love are radical, and hatred is petty. But why did I want to kick the crap out of them? It was my desire to have power. To be able to show them they did not have the power, I did. I also think they walk around in a crowd pushing smaller men, and taunting women because they enjoyed the power and satisfaction from the domination of others. What if they ran into a larger herd of townies, would they engage in some senseless violence to prove superiority? They have something to prove, and somewhere inside I feel the same way. Somewhere inside us we believe that if push came to shove we could destroy everything, neutralize every foe. Our anger would make us invincible. This is the reason we fought in middle school. I feel that the same inclination explains idealizations of "action" heroes. Why do we love Bruce Lee? Because he could beat up every person on the Earth and he destroys the wicked. We feel empowered by his total superiority, and it somehow reinforces our belief in our ability to destroy all foes, the "wicked" by our judgment. The desire to dominate others, physically, mentally, or even musically, is all part of our love of power. Something in us wants to be great, the biggest and most powerful. Fortunately this is impossible. We are small and weak. Freud believed that God was a projection of our father image into the heavens. Could it be that our need to praise the highest power has projected the God idea into our fathers? Do we also project this into the heroes like Bruce Lee? Do we see ourselves as God? It's as if we have an ingrained predisposition to worshiping something Almighty. It's very dangerous when we begin to see ourselves as invincible, and yet it is somehow pleasurable. In the Bible it's the original sin, the desire to become like God. So is violence always self-indulgent and evil? Is it always to be looked down upon? That seems to be to extreme, since violence is often seen as a good thing, so often displayed as virtuous in our media and ideologies. We like that Adam Sandler kicks the crap out of those jerks, because we believe that they deserved it, they certainly deserve some punishment. The trouble is we believe that we deserve to disperse this justice with the violence of our own hands, proving our power. We do not. This is again self deification, the assumption of power that is not ours. There is justice in this world. Crimes deserve punishment -- this seems to be central to our understanding of right and wrong. Power, of course is needed to carry out justice, whether it be shared democratic power or a monarch. Power is not evil unto itself. Somehow it is inevitable, a part of life. The true question is what the true authority is. Who delegates justice? Who has that right? Kings? Bush? The masses? Perhaps God, but certainly not myself. Yet I find myself entitled to judge, and in minor ways punish, or subtly dominate others to whom I deceive myself into believing I'm superior to. It is all part of a subconscious struggle for power, to prove that I am great. What takes true character is to understand our place in the world. This does not mean we are incapable of great things, but we should be careful not to believe that gives us any special rights. Was it right for Sandler's character to beat his attackers up? I would argue that it was not. Justice cannot be found through revenge, and there is no justice without mercy, though it can, and sometimes must, include violence. The battle is to not assume this role, thinking we have some right to vengeance, some right to God's throne. We will continue to usurp power for ourselves until we understand who it rightfully belongs to. Even then we will fight letting it go, but I assure you, it belongs in more qualified hands than yours, mine, any human's, or even humanity's. Understandably, many of you will disagree with that last point. I challenge you to think about it though, about the nature of power, justice, along with our selfish inability to comprehend justice. True justice is perfectly humble and loving, and none of us can claim to be that. I still hope we will continue to strive to live out love and compassion, seeking peace and justice, and perhaps their origin. Nathan Proctor is a sophomore who has yet to declare a major.


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Women's fencing team finishes second behind Div. I Temple at NIWFA tournament

The Tufts Women Fencing team wanted to make a fine showing in its last team meet of the year. After the meet concluded, the Jumbos realized they had done more than that, taking home second place overall at the NIWFA tournament at Stevens Tech. Additionally Tufts was named Div. III fencing champions, while also winning the team and individual sabre awards. Having put together a strong second place showing at the New England Championships the weekend before, the team once again rose to the occasion, topping one team after the next at the NIWFA tournament. The only team they failed to defeat was Temple University, a Div. I program which gives out fencing scholarships. Tufts, on the whole, put together an extremely solid performance, but there were some fencers in particular that put on a show. Highlighting the weekend was senior Kasara Williams, a sabrist, who fought against the odds to take first place in the tournament. Among the foes she faced was last year's fourth place national finisher. Despite being the clear underdog going into that match, Williams maintained her confidence and fenced the match of her life in the upset. "It was one of those beautiful moments that all athletes who work hard, dream about," coach Jason Sachs said. Although Williams took the spotlight with her incredible performance, she deferred much of the team's success to other fencers like freshman Katherine Zouein. "She is our secret weapon, none of the teams know that she is nationally ranked in the US Fencing Association so she always comes as a surprise to them," Williams said. "We are very happy to have her on the team." Zouein finished the sabre competition in third place, combining with Williams and senior Mika Mutoh, who finished eighth, to place first place overall in the sabre division. In the two other events, Tufts also had success. Freshman Sasha Brodski finished third in the individual epee, while junior teammate Talia Alexander finished 15th. Sophomore Zinger Yang showed the strongest performance in the foil for the Jumbos with a sixth place finish overall. Temple University posed the most problems for Tufts during the tournament, as it wrapped up two first place and one second place finish. Its standing as a Div. I school, however, allows it to more easily recruit strong fencers. "Temple is a very strong team packed with a great first string and a very good second string," senior Christina Zahara said. "It was good to fence them." For many, this tournament represented the final meet of the season. Coming off of last year's rebuilding season, Tufts' season was not expected to be anything special. But the team came out swinging and was able to finish with an 8-3 record in league along with consecutive second place finishes in postseason tournaments. While much of the success and progress of the team is credited to the fencers, the team knows that Sachs has played a vital role throughout the season. "His connections within the local fencing scene gives us access to outside fencing clubs, where we get the chance to fence very skilled fencers," senior Frances Harper said. "His relationships with fellow fencers give us an invaluable volunteer assistant coaching staff." "His greatest asset is his ability to coach people through their bouts," Williams said. "He is always there to remind you to work hard for every touch and yells tips between actions. He has definitely helped me stay focused during a bout and has been instrumental in helping me win." While most of the team's season is now over, nine fencers from Tufts are gearing up for the upcoming regional tournament at New York University this Sunday. Winners from that tournament move on to nationals later in the spring.


The Setonian
News

Finch vs. Kournikova

A great battle has begun, the likes of which we may never see again. A new force has arisen, while a Goliath has come tumbling to the ground. It's unthinkable, really. Forget USA over Russia, Jets over Colts, Pats over Rams, Chaminade over Virginia, even Hoosiers; an upset of this magnitude has never even been dreamt of before. This is huger than huge. It's gargantuan. It's humungous. It's downright shocking. Anna Kournikova is no longer the hottest female athlete in the world. I know, I know. It hurts a little bit every time you hear it, but it's true. Jennie Finch has taken over. I've been in utter shock since I read the news, and I wouldn't believe it if I hadn't seen it with my own two eyes. On ESPN.com's Page 2, over 62 percent of the more than 188,000 people who voted said that Jennie Finch is hotter than Kournikova. 62 percent! That's not even close! Poor Anna only pulled in a measly 37.5 percent. Where did this girl come from? This is like all of a sudden realizing there's someone better at golf than Tiger Woods who we just hadn't really noticed. How did something like this happen? Up until now, Kournikova had been the undisputed champ. There wasn't even anybody in her league who could compete with her. It just wouldn't have been fair. In fact, ESPN's contest was originally to decide who was the hottest athlete besides Anna. They just figured she'd run away with it. Little did they know... Since I heard the news, I've been trying to figure out how we, the ever-observant public, could have possibly made such a stupefying oversight. After hours of thinking got me absolutely nowhere (imagine that), I started to toss the subject around for debate. Some people have ruthlessly defended Kournikova, while others seem to have embraced the new Jennie Finch era. The ever-wise Jon Stanewick suggested that the only reason why people would even think of voting for Finch is that they're just plain sick of Anna Kournikova. Now, that idea might have some merit. And the only reason I say that is because no sooner had Jon explained his theory than the following discourse occurred: Me: That's stupid. Nobody could get sick of Anna Kournikova. (Door opens, enter Munch [friend]) Stanewick: Munch, who's hotter, Anna Kournikova or Jennie Finch? Munch: Jennie Finch. I'm sick of Anna Kournikova. Stanewick: HA! So I was wrong about that one. It isn't the first time. But I still don't really buy it. I just can't believe that over 117,000 people are sick of Anna Kournikova. It just doesn't make sense. But if people aren't sick of her, then why did they vote for Jennie Finch? Well I have an idea. Call me simple minded, call me crazy, call me whatever you want, but Jennie Finch really is hotter than Anna Kournikova. And this goes beyond the physical. She's hotter on every conceivable level of hot. Let's compare vitals, shall we? (Note: It's pretty hard to compare physical attractiveness in writing, so we'll stick to athletic achievements, accounts of personality, what have you.) While pitching at Arizona, Jennie Finch won an NCAA record 60 consecutive games, during which time she had a 0.45 ERA. Her freshman year she went 24-8, her sophomore year she went 29-2, her junior year she went 32-0 (noticing a pattern here?) and her senior year she was 34-6. She was named the nation's best player two years in a row, she is an All-American several times over, and she led her team to the Women's College World Series in 2002. She also is a career .301 hitter with 50 homeruns -- not bad for a pitcher, eh? Her fastball has been clocked between 60 and 70 mph, which means that it reaches the plate faster than anything that Roger Clemens or Curt Schilling or Pedro Martinez can throw. When she visited one of the Seattle Mariners' workouts as a correspondent for This Week in Baseball, she threw one pitch to Jay Buhner before he stepped out because he was "scared." (Did you ever think that you ever hear Jay Buhner say he was scared? Am I the only one who finds this astonishing? Should I stop talking now?) Mike Cameron at least managed to foul away two balls before Finch struck him out. If that isn't hot, I'm not sure what is. She says that she has never cursed, even once in her life, and, by every account that I could find anywhere, Jennie Finch is just about the nicest person you'll meet. Ever. Now for Anna: At the time of this writing, Kournikova is ranked 67th in the world, behind such awe inspiring names as Yoon Jeong Cho, Katarina Srebotnik, and Marie-Gaianeh Mikaelian. She has never, in her storied career, won a singles title, although she does have two Grand Slam titles in doubles. (Her world ranking in doubles is actually a respectable 22.) And personality? According to some people who have met her, Anna's disposition ranks somewhere between a rabid mongoose and a one-eyed Rotweiler named Spike. She apparently married Sergei Federov, but had to keep it a secret because her image depended on her being single. Basically, she's a real peach. But heck, we all know that personality and athletic ability aren't everything. And, as I mentioned before, it's hard to compare physical attractiveness with words. So what I want to do is to conduct a Tufts poll. I want you, my loyal reader, to tell me who you think is hotter, but more importantly, why you feel the way you do. Email your opinions to ethan.austin@tufts.edu, and next week I will share your feelings with the rest of the world, and hopefully we can put this debate to rest.