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Arts

Top Ten | Bands We'd Rather See At Spring Fling

    After the announcement that OK Go will be rocking Spring Fling, some of us here at the Daily Arts Department couldn't help but let out a slight sigh of disappointment. While a treadmill dance-off would bring Spring Fling to a whole new level, we couldn't help but put together a list of a few other possibilities that would have made this Spring Fling the best ever.  10. The Fray: Oh wait, NO. No sane person has ever wanted to hear The Fray, because their songs all sound exactly the same: crappy. 9. Blue Man Group: It's three bald, blue men, and odds are the audience will be pelted with toilet paper and Twinkies. It would make one hell of a mosh pit. 8. Ricky Martin/Jewel: After breaking it down with "Livin' La Vida Loca" (1999), Martin might just throw on a wig and become his alter ego — that's right, Jewel — and follow up that Latin pop with the calming "Stay Here Forever" (2010). Spring Fling could have two concerts for the price of one. 7. Gwar: Most people haven't even heard of these guys, but you should have. They dress up in monster costumes, do freaky stunts on stage and mumble lyrics in a devilish voice. If you don't believe us (which most of the Arts department didn't at first), go to their Web site and see for yourself. 6. Yellowcard: Though these punk rockers are on hiatus (why do you torment us so, Yellowcard?) they could totally rock Pro Row as if it were "Ocean Avenue" (2003) ... with their blonde, dyed haircuts, nasally voices and emo themes. Lame. 5. Michael Bublé: This doughy, Canadian tenor would class up Spring Fling.  C'mon, he spells his name with a freaking accent aigu. 4. Marky Mark and the Funky Bunch: All we want is for Mark Wahlberg to give up the whole acting gig and go back to his hip-hop days as Marky Mark. Having him rap shirtless on stage with his chiseled abs would definitely bring "Good Vibrations" (1991) to Spring Fling. 3. Zombie Michael Jackson Doing "Thriller" (1983): He was the biggest pop star on the planet while he was alive; just imagine how HUGE he'd be UNDEAD! No performance of "Thriller"would ever be as literally drop-dead amazing. 2. The Sound of a Babbling Brook: No, that's not the band name. And no, you haven't heard of them even if it was. Welcome to the new, super-hip age of music: the pure noise of nature. Brown University's Spring Fling has nothing on us. 1. Miley Cyrus/The Jonas Brothers (3D): Words cannot describe how happy we'd be if our Spring Fling became a "Party in the USA" (2009). Nobody can class up a joint quite like Miley with her kicks (not stilettos) and American flag backdrops. She may be the pinnacle of contemporary music. As for the Jonas Brothers, they did a 3D movie, and they'd be a fantastic continuation of our Disney-infused bash.



The Setonian
Arts

Jamie Oliver's Food Revolution' takes on mission to decrease American obesity

Jamie Oliver has come to America. He is here to create a food revolution, instilling habits and a love of healthy eating in a nation where one-third of adults are obese. He is delving into the supposed unhealthiest community in America — Huntington, West Virginia — to spur a desire for lifestyle change. Against him stand stubborn community members, school lunch officials and local radio hosts, as well as a love of processed foods and a stigma of veggies.


The Setonian
Arts

What's Up This Weekend

 Want to make your weekend artsy? Check out these events! Nasturtiums at the Gardner Museum: On Saturday, The Isabella Stewart Gardner Museum begins its annual display of nasturtiums (vines of bright, orange flowers), which are hung in the Museum's spectacular courtyard from the windows of the third floor. These flowers were Gardner's favorite, and have been displayed in the museum every April since 1904 to celebrate her birthday. The display will be complemented by special dishes featuring edible nasturtiums available in the museum's cafe. (Saturday, April 3 through mid-April at The Isabella Stewart Gardner Museum. 280 The Fenway) Drive-By Truckers at House of Blues: Tonight, Southern rockers Drive-By Truckers bring their unique brand of country to Boston. The band is touring in support of their recently released 8th studio album, "The Big To-Do" (2010). (Friday, April 2 at 8 p.m. at the House of Blues, Boston. 15 Lansdowne St. Tickets from $23.) World Pillow Fight Day: Who doesn't love a good pillow fight? Banditos Misteriosos presents the 2nd annual Pillow Fight Day in Boston this Saturday at 3 p.m.. Last year, 16 cities worldwide participated in this crazy event and Boston had the third largest Pillow Fight in the world. Grab a pillow and some friends so this year's Boston Pillow Fight can be even bigger and better! (Saturday, April 3 at 3 p.m. Place TBA on the Banditos Web site http://misteriosos.org on Friday, April 2 at 11:55 p.m.) Opus: A talented violinist disappears the night before a string quartet's biggest performance. Written by Michael Hollinger, the play delves into complex relationships and secrets among the musicians when a new member is introduced to the group. Jim Petosa directs this production, which intertwines music and drama. (Friday, April 2 at 8 p.m., Saturday, April 3 at 8 p.m. and through April 17 at the Arsenal Center for the Arts. Mosesian Theater, 321 Arsenal St. in Watertown. Tickets from $35 and half-price student discounts are available.) "Crouching Tiger, Hidden Dragon (2000):" Before a screening of Ang Lee's landmark martial arts epic, Boston University physics professor Andrew Cohen will give a talk exploring how the film uses and breaks the laws of physics. (Monday, April 5 at 7 p.m. at the Coolidge Corner Theatre. 290 Harvard St. in Brookline. Tickets are $9.75.)


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Arts

Despite predictable humor, 'Hot Tub Time Machine' not entirely awful

With a title like "Hot Tub Time Machine," one would expect that this is a film that does not take itself too seriously. Thankfully, that assertion is mostly correct, and instead of a terrible comedy that tries to make a point, the audience gets a mediocre comedy that gathers mild laughs from dumb jokes. All things considered, the film exceeds some low expectations.


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Arts

8th annual Independent Film Festival of Boston announces lineup

Last week, the Independent Film Festival of Boston announced its official lineup for its 8th festival, happening April 21-28. Though our pre-break predictions and hopes were only slightly fulfilled ("Winter's Bone," 2010 is the only film that will actually be screening off of our previous list), the lineup still has some incredibly exciting picks that we can't wait to get in there and cover.



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Arts

Zach Drucker and Chris Poldoian | Bad Samaritans

This past weekend, the film "Hot Tub Time Machine" was released. Reviews were mixed, and the cast wasn't particularly marketable. Yet everyone we knew had heard of the movie. The reason: the title. It was so obvious, yet so ridiculous. Like a song by Ke$ha, we loved to hate on it for its superficiality, but we couldn't seem to get it out of our heads.


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Arts

Olyphant kills with charm in 'Justified'

Though Western films were a staple of cinema 50 years ago, modern takes on the genre have struggled to keep afloat. Some neo−Western films and television shows have garnered critical acclaim — "No Country for Old Men" (2007) and HBO's "Deadwood (2004−2006), to name two — yet the golden age of Western films has long since ridden into the sunset.


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Arts

Lady Day at Emerson's Bar & Grill' depicts Billie Holiday's life

It's a jazz club all right, with dim lighting and a couple of tiny tables intimately placed in front of the stage. A man hits a few keys on the piano, and then there's the calming sound of Woodrow Johnson's song "I Wonder Where Our Love Has Gone" — sung Billie Holiday−style. In the Lyric Stage Company of Boston's production of "Lady Day at Emerson's Bar & Grill" by Lanie Robertson, there's nothing else left to do but lean back, absorb the music and enjoy the ride.


The Setonian
Arts

Diverse ensemble propels 'FlashForward'

What would happen if everyone simultaneously saw two minutes of their lives six months in the future? Would everyone revel in their wisdom, lash out irrationally with their knowledge or simply be utterly confused at what they saw? Well, ABC's "FlashForward" explores the repercussions of knowing what looms in the future.


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Arts

She & Him's 'Volume Two' shows off duo's cutesy country/pop sound

Anyone who watches movies knows that Zooey Deschanel has filled the quirky, cute role for quite a few years — the runaway sister in "Almost Famous" (2000), the childlike girl who works in a toy store in "Elf" (2003) and a blue−eyed heartbreaker in last year's surprise indie blockbuster "(500) Days of Summer." Less well−known by name, but an indie staple all the same, M. Ward has released solo albums and has guested for artists ranging from Bright Eyes to Norah Jones. Forming an unlikely pair in the musical duo She & Him, Deschanel and Ward have put out what sounds like a variety of vintage country/pop songs.


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Arts

Uninspired thriller 'Repo Men' disappoints

In the future, there will be no more waiting lists for kidney transplants, or any kind of organs for that matter. Instead, doctors will be able to sell people mechanical organs produced on a sterilized assembly line and branded with a barcode, ready to replace a failed body part like a new set of tires on a car. This is the world of "Repo Men," the newest installment in the dystopic sci−fi thriller genre. But in the land of synthetic livers and manufactured muscles, health care is not universal.



The Setonian
Arts

White Stripes' live album all theatrics

What happens when a two−member band pushes garage rock to the very limits of listener tolerance? What happens when that very same band decides to tour, of all places, every single province and territory of Canada? The result is The White Stripes' new live album and accompanying documentary film, "Under Great White Northern Lights," based on the band's 2007 tour.


The Setonian
Arts

Actor's Shakespeare Project's 'Othello' has vibrant immediacy

Nestled in a small theater space, there is a play that seems to burst with vibrant, exuberant energy. The Actor's Shakespeare Project's refreshing production of "Othello" is performed as if it weren't written in Elizabethan England, but as though it were a new play, with an unabashed force that carries its audiences through the five acts with ease.



The Setonian
Arts

The Bounty Hunter' fails to track down charm

It seems reasonable to expect a romantic comedy to provide either romance or comedy, and preferably both at the same time. But director Andy Tennant's jaundiced and charmless "The Bounty Hunter" is a paragon of rom−com, minus both the "rom" and the "com" — and the resulting picture is not pretty.



The Setonian
Arts

Adding Machine' explores expressionism through theater

The first line of "Adding Machine: A Musical" asserts, "In numbers, all truth can be revealed." While the play does more to alter the audience's perception of how the world works than to actually answer any questions of truth, SpeakEasy Stage Company's production of this contemporary musical offers an exploration of expressionist drama as well as a reevaluation of the American dream.


The Setonian
Arts

Looking ahead to the Boston Independent Film Festival in April

For those who don't know, Somerville has hosted the Boston Independent Film Festival (IFFBoston) for the past seven years, and on April 21, the eighth festival will begin. Just last week, Adam Roffman, program director of IFFBoston, announced that "The Extra Man" would open the festival this year right in Davis Square at the Somerville Theatre. Last year the Daily got to see many of last year's indie hits — like "(500) Days of Summer" and "The Brothers Bloom" — months before they came out in theaters. Looking at major festival hits coming out of Sundance and South by Southwest (SXSW) has us anticipating what the lineup for this year's IFFBoston will be when it's finally announced in the coming weeks. Though we can't know for sure that these films will make it to Boston early for the festival, we've got our fingers crossed for these select few: "Winter's Bone:" Coming off winning the Grand Jury Prize for dramatic film at Sundance in January, this film looks to be one of those small, sleeper hits (like last year's "Precious," which won the same award) that can go the distance through awards season. A young girl, Ree Dolly (Jennifer Lawrence), goes searching for her bail-jumping father after he puts up his family's house as collateral in Ozark Mountain territory. Part detective story, part white-trash survival tale, "Winter's Bone" would be one of the films to see at the festival should it make it into the lineup (and word on the street is that it will). "Blue Valentine:" Michelle Williams and Ryan Gosling star as a couple who fall in love and then fall apart, as Williams turns into a nagging, chubby wife and Gosling a lazy loser of a husband. The film opened to rave reviews at Sundance, despite the fact that it walked away empty-handed in terms of awards. Plus, these two actors together should provide for a tension-filled story about the perils of young love. "Hesher:" Here's to hoping we get a Joseph Gordon-Levitt film two years in a row. Here, instead of playing a lovesick puppy dog, Gordon-Levitt is a loafing hippie with long hair and tattoos — quite a stretch for this normally clean-shaven pretty boy. The critics were divided about the actual merit of the film, but there are a select few who passionately asserted that this film was the one to see at Sundance. "Restrepo:" Another award winner at Sundance — this time the Grand Jury Prize for documentary — this film follows one platoon in Afghanistan for a year. While documentaries are often ignored by the movie-going crowd, IFFBoston often features many amazing nonfiction films (sometimes better than its dramatic offerings). This year's Sundance came out with a few stand-out documentaries, including "Catfish," a film about Facebook stalking, and "Waiting for Superman," an in-depth look at America's public education system — any of which would be welcome at IFFBoston. "Micmacs à Tire-Larigot:"  Independent film festivals are some of the only places where American viewers can see foreign films. This new film from Jean-Pierre Jeunet (best know for directing "Le fabuleux destin d'Amélie Poulain" (2001), aka "Amélie") has been making the rounds and received highly favorable reviews at this past week's SXSW festival. We at the Daily think the more foreign films, the better (just look at last semester's Best of the Decade list).