Arts

Arts

Taylor Swift reclaims her narrative with 'Red (Taylor's Version)'

By Emily Thompson | November 19

Almost a full decade after the original, Taylor Swift has reclaimed ownership of her music with the release of "Red (Taylor’s Version)" (2021). The album, which contains rerecordings of the songs from the 2012 album and six new “from the vault” songs, broke the record for the most-streamed album in a day by a female artist in Spotify history, previously held by Swift’s "Folklore" (2020).

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Music

Is Summer Walker 'Still Over It'? She really is.

By Jack Clohisy | November 19

Thought Summer Walker was over it and moved on? Nope. She's quite literally still over it. It has been two years since the release of her critically acclaimed debut LP "Over It" (2019). Since then, Walker has been crafting her next album entangled in the same themes as her prior work. "Still Over It" (2021), Walker's follow up, was released on Nov. 5, and it's clear that some relationships continue to prove tumultuous. In this newest work, Walker dives into herself to identify the emotions she's experienced throughout her pregnancy and introduction to motherhood.

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Columns

For the Culture: Is art ever really 'new'?

By Paul Osmond | November 19

I have been very inspired recently. I suspect this has to do with the arrival of fall, my favorite season. I wondered whether others shared this inspiration, and I soon discovered this was not necessarily the case. Hardly any of my friends felt as inspired as I was, and I began to wonder where inspiration comes from — is it something that occurs naturally or something that must be brought forth?

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Arts

Netflix's raunchiest series returns: 'Big Mouth' drops Season 5

By Maeve Hagerty | November 18

In a unique marriage of honesty and the outrageous, “Big Mouth” (2017–) has returned. The hit adult cartoon dropped its fifth season to Netflix on Nov. 5, and it is quite possibly one of its best. A show that has followed the story of the horny, pubescent students of Bridgeton Middle School seems to have recovered its footing this season after a rocky fourth season. The coming-of-age style of the series became popular for its raunchy humor and ability to tackle many of the issues faced by preteens as they go through puberty, mental health struggles and social and familial conflicts. This particular season is as uncomfortable and weird as the rest, sometimes taking jokes and shock value moments too far, but it also demonstrates what is so special about the show.

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Column

Dreaming of Sandman: Dream tests our power

By Sadie Leite | November 18

And the dead heads sing. Why? Because power, kings and gods have complications.

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Music

Silk Sonic transcends genres, generations on debut album 'An Evening With Silk Sonic'

By Maeve Hagerty | November 17

There are certain feelings that cannot be put into words. That feeling which is a combination of joy, good vibes and a solid bass line, and which is best encapsulated by “An Evening With Silk Sonic” (2021), is one of them. Released on Nov. 12, the album is the synthesis of creative genius. Pop culture icon Bruno Mars and the masterful Anderson .Paak are Silk Sonic, and their shared project “An Evening With Silk Sonic” is the perfect blend of ‘70s soul and disco topped off by a large dose of modern charisma. With the legendary Bootsy Collins narrating the album throughout, the album is an ode to the music and style of the ‘70s, but “An Evening With Silk Sonic” is entirely unique to Mars and Paak. Highlighting Paak’s effortless rapping and Mars’ signature vocal style, the album isn’t just an imitation of ‘70s music — it’s a reflection on its influence on modern music.

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Arts

'The Eternals': Is it one of Marvel's best or one of its worst?

By Isabelle Kaminsky | November 17

Marvel’s Phase Four has introduced countless new elements to its Cinematic Universe. What was once simply a world of superheroes, now includes a multitude of creatures, planets and timelines. We received a new Captain America, met the Time Variance Authority and the Multiverse and now the Eternals.

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Columns

Brands who deserve your dollars: Asportuguesas

By Colette Smith | November 17

This week’s column is dedicated to my love for those shoes that are ugly enough that they are cool. Think Birkenstocks, dad sneakers and now, the new addition to the list: Asportuguesas shoes. Asportuguesas started their shoe design process with the explicit intention to create sustainable footwear. They achieve this by using sustainable materials and a small, manual production process. 

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Arts

Snail Mail's 'Valentine' captures the anguish of lost love

By Henry Chandonnet | November 16

By now the “break-up album” is a genre in itself. These albums have been smash successes, namely because they contextualize the human need to grieve lost relationships. Still, this form of album can often become overplayed, using the same musical tropes or lyrical structures to comment on the same idea. It’s when an artist brings a new sound to the traditional form, and reinvents the ideals of the genre, that one truly takes interest. That’s all true of Snail Mail’s most recent project, “Valentine.”Snail Mail combines the traditional breakup trope with a new indie-rock sound, making the sound engaging and innovative. 

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Arts

'Y: The Last Man' adaptation doesn’t do its cast justice

By Carl Svahn | November 16

Stop me if you’ve heard this before. A devastating plague has wiped out most of the Earth’s population, and the key to our survival lies in the hands of an unlikely and ill-equipped group of survivors. Now, make that plague one that kills everything with a Y chromosome and make the group consist of the last cisgender human man on earth, his pet monkey (also male), his insecure yet lethal bodyguard and the rogue lesbian geneticist who might be able to save humanity’s future. Now that’s an idea. This is the set up for Brian K. Vaughan and Pia Guerra’s seminal indie comic, "Y: The Last Man" (2002–08), and while the long-awaited TV adaptation keeps this engrossing premise, it adds elements that turn one of the best post-apocalyptic stories of the last two decades into a miserable snooze fest of a show.

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Columns

On Demand: Not a lot of luggage but a lot to unpack in 'The Wilds'

By Raga Chilakamarri | November 16

Like most people, I’ve daydreamed about my likelihood of surviving in apocalyptic or suddenly traumatic situations like "The Hunger Games" (2008–10), zombie attacks or being marooned on an island. While I lack any evolutionary faith in myself to successfully perform DIY outdoors survival, as a member of Tufts Wilderness Orientation, I’m sure I could finagle my way around a tarp, if given the proper rope, stakes and moral support.  

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Arts

Kristen Stewart exceeds high expectations in Diana biopic 'Spencer'

By Emmy Wenstrup | November 12

Kristen Stewart and her latest subject, Princess Diana, are so much more than mere cultural icons. 

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Arts

Mac Miller's ‘Faces’ rerelease is a time capsule for listeners

By Ellie Lester | November 12

Content warning: This article describes struggles with mental health, addiction and death at a young age.

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Arts

For the Culture: Dyed hair shows art of self-expression

By Paul Osmond | November 12

So, I just dyed my hair for the fourth time, and in the process, I began to think about how many musicians have dyed hair. Now, as a Black man with locs, I immediately think of rapper Lil Uzi Vert, who is known for his colorful hair. But there are other musicians with all types of hair textures who dye their hair just as frequently — Billie Eilish is known for her green roots and black ends, Bad Bunny has particularly fascinating hairstyles with an often-bleached widows-peak and I think I remember seeing Katy Perry with blue hair a few years ago. So colored hair is nothing new in music, but it also extends far beyond the industry.  

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Arts

Despite recycled horror tropes, 'Last Night in Soho' keeps audience in suspense

By Henry Chandonnet | November 10

The genre of horror has experienced tremendous change over the last several years, whether it be with social commentary horrors like “Get Out” (2017) or campy horror comedies like “Jennifer’s Body” (2009). Still, maybe there’s something to say for classic forms of horror, be it ghastly jump-scares or extreme psychological manipulation. These are certainly elements found in“Last Night in Soho” (2021). Though the film does nothing truly new or outside-the-box, it's an all-around enjoyable time. In using the prototypical tropes of a psychological thriller, “Last Night in Soho” grabs the viewer and doesn’t let them go. In a horror movie, that’s all one can ask for. 

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Arts

Scott Cooper's 'Antlers' lacks intention and depth

By Miranda Feinberg | November 10

Content warning: This article mentions familial abuse.

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Columns

Brands who deserve your dollars: Elvis & Kresse

By Colette Smith | November 10

HEADLINES: ​​Brands who deserve your dollars: Elvis & Kresse

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Arts

The 'Human Target' #1 hits a beautiful, noir-tipped bullseye

By Carl Svahn | November 9

You’ve probably never heard of Christopher Chance, the Human Target. Don’t worry though, it just means he’s good at his job. As a private detective who poses as his vulnerable clients to find their enemies, Chance is felt through the DC universe more in his actions than his persona.He’s a quiet, unrecognized, soulful man from DC’s detective-focused past who most readers could never pinpoint next to the major players like Superman or Batman. In short, he’s the perfect next target for a Tom King 12-issue miniseries, and with the help of artist Greg Smallwood, "Human Target" #1 hits dead center.

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Arts

Elton John features voices spanning generations and genres in ‘The Lockdown Sessions’

By Adeline Grimmett | November 9

Elton John’s newest album, “The Lockdown Sessions,” is a series of collaborations with artists both of recent fame and longtime careers. Released on Oct. 22, the album comes in the midst of his delayed Farewell Yellow Brick Road Tour and following his release of “Jewel Box” (2020). The songs are catchy and don’t stick to one genre, but bring new light to John’s continuous talent.

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Arts

'What We Do in the Shadows' hits new emotional depths in season 3

By Fiona Collins | November 8

A mockumentary-style sitcom focusing on the day-to-day life of four vampire roommates is bound to be rife with comedic potential, but in its most recent season, which ended on Oct. 28, “What We Do in the Shadows” (2019–) strikes an unexpected balance between nonsensical shenanigans and tender ponderings on the meaning of life.

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