David Byrne walking to the tip of a stage with a six-string and fashioning a world of the utmost rhythm and beauty is one of the most perfect sights. His band, Talking Heads, steadily crafted one of the most organically listenable catalogs in American music history.
“I chose the trad lifestyle because I believe that women have drifted far from our roots,” Estee Williams, a Tiktok creator and self-described “tradwife,” recently stated. Taken from the name “traditional wives,” “tradwives” are the latest Western aesthetic involving a subculture of women who believe in advocating for ‘traditional values.’
Since the institution of the Academy Award for Best International Feature Film, only three Indian movies have ever received nominations. The first, “Mother India” (1957), is a classic, interweaving political commentary with a narrative of a determined farmer. The film follows a rural woman named Radha and her struggle to nurture her family, village and land. The piece uses her resilience as a marked metaphor for an Indian nation in the aftermath of independence.
With the Oscars coming up this weekend, the pressure is on to find out who will take home the gold this year. Will box office juggernauts “Barbie” and “Oppenheimer” emerge victorious, or are we underestimating critical favorites like “Poor Things,” “The Holdovers” and “Killers of the Flower Moon?” Read on to see the Daily’s predictions in all 23 categories ahead of the 96th Academy Awards on Sunday.
This weekend, Tufts’ Department of Theatre, Dance, and Performance Studies opened their spring production of “Twelfth Night.” The 2018 musical adaptation of the Shakespearean classic, with music by Shaina Taub, is a tale of love, mistaken identity and grief.
Amidst a backdrop of gothic production design, fisheye lenses and vibrant color grades, Director Yorgos Lanthimos boldly poses the question: What if Frankenstein’s monster was a manic pixie dream girl?
Tufts Department of Theatre, Dance, and Performance Studies’ production of “Twelfth Night” opens Friday in Balch Arena Theater. The production is not your typical Shakespeare, though. “Twelfth Night” is a musical adaptation of Shakespeare’s original romantic comedy and ...
There’s a satisfying exhale one makes when they experience something that differs from the artistically cliché. With musical cinema, the accepted, and rather trite, notion of what such a film should look like has developed and transformed immensely in the 21st century. Nowadays, there is an infinite ...
One year away from its 50th anniversary, the longest-running genre fest in the U.S. put on a display of aliens, artistry and amusement. The 49th Boston Science Fiction Film Festival, which ran from Feb. 14–25 at the Somerville Theater, featured a hybrid of in-person and online events, including screenings, panels and parties.
Disclaimer: This article contains spoilers for “Tomorrow, and Tomorrow, and Tomorrow” (2022). Welcome back to “The Bookmark,” your go-to column for book reviews! Last week, I featured the famous science-fiction masterpiece “Dune” (1965). This week, we’ll be returning to contemporary ...
As Tufts’ artist-in-residence, professor of the practice and activist Dee-1 has poignantly noted, the promotion of violence in hip-hop is overwhelmingly common. According to Billboard, at the end of 2023, at least four of the five top rap artists incorporated violent lyrics in their discography. Recently ...
“Becoming a Man,” now playing in its world premiere at the American Repertory Theater in Cambridge, is a deeply personal coming-out story written by P. Carl, based on his 2020 memoir of the same name. Chronicling Carl’s experience embracing his identity as a transgender man, “Becoming a Man” asks the question: “When we change, can the people we love come with us?” The play’s non-linear narrative gives audiences a glimpse into Carl’s life both pre- and post-transition, as he struggles to preserve his relationship with his wife, Lynette, and find his place in the world.
My journey with substitutions began when I was a senior in high school. I was planning to visit one of my dearest friends in college and decided to bring her a batch of dairy-free chocolate chip cookies, made with coconut oil. Then one of my closest friends in college didn’t eat eggs, so the chocolate chip cookie recipe evolved to include a flax egg.
It’s Friday night, and you find yourself at a party in a dimly lit basement with countless bodies pressed together. The temperature rises so much that it becomes unbearable to stay in the room until you hear the word “DAMNNNNNNN” start to play over the speakers. Everyone starts to jump around and push each other as the Lil Uzi Vert song “Just Wanna Rock” continues to echo. One or two people emerge from the crowd and start dancing in the circle, incorporating the iconic “buh buh buh” into their moves as the whole room cheers. Vert’s song is an example of Jersey club music, a fast-growing genre that combines EDM and hip-hop. Jersey club remixes have taken social media by storm, particularly on TikTok, where they have become a viral sensation.
“Every day, 14 to 15 million Indians go to the movies. India produces between 1,500 and 2,000 films a year — more than any country in the world.” The first section of Fatima Bhutto’s book, “New Kings of the World: Dispatches from Bollywood, Dizi, and K-Pop” (2019), dives right into an astute analysis of Bollywood, one of its three subjects. The fact that the Hindi film industry brought in a whopping $1.3 billion in 2023 only affirms the global scope and influence Bhutto examines in her book.
Taylor Swift is one of the most iconic pop stars of the past 15 years. With a career spanning 10 original albums and four re-recorded albums, it is difficult to imagine a more successful musical artist. According to a Forbes article, 53% of the U.S. population are Swift fans and 44% of avid fans self-identify as “Swifties.”
American reality television in the 2000s was infamous. Strange concepts abounded, such as“My Strange Addiction” (2010–15), where subjects would confess to anything from eating half a roll of toilet paper a day to being in love with a car and “Bridalplasty” (2010–11), where brides competed in challenges to win a wedding and desired plastic surgeries.
In the bustling world of poetry, where emotions cascade like rivers and words dance like leaves in the wind, every poet has a unique journey to share. The Daily recently sat down with Tufts alumna Leticia Priebe Rocha (A’20), a talented poet whose debut chapbook, “In Lieu of Heartbreak, This is Like,” explores themes of love, hurt and resilience.
“Walking Backwards” is an original play written and directed by Tufts sophomore Rowan Cunningham. The two-act show ran as a staged reading in Paige Hall on Feb. 15 and 16 and tells the story of found family, growth and all that comes with being a queer and transgender person moving through life. (Note: Cunningham read as Rose for the performance of this review).
“Drive-Away Dolls”, directed by Ethan Coen, is reminiscent of many classic Coen brothers movies. But, in many ways, it’s something new for the filmmaker. A departure from Coen’s catalog of Westerns and crime comedies, “Drive Away Dolls” is a crime flick, a road trip comedy and a sexploitation film rolled into one. Coen co-produced the film with his wife Tricia Cooke, who wrote the film with him in the early 2000s — it sat in development for nearly 20 years before making it to the big screen. Raunchy, zippy and unabashedly queer, “Drive Away Dolls” doesn’t have a lot to say, but it’s an undeniably entertaining comedy that will have you eager to go along for the ride.
