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The Tufts Daily
Where you read it first | Thursday, September 18, 2025

Max Lerner


Max Lerner is an Opinion Staff Writer, Opinion Editor and Executive Newsletter Editor for the Daily. Max is a sophomore studying English, and can be reached at max.lerner@tufts.edu.

Joan
Viewpoint

Stop publishing authors’ works posthumously

On April 22, Knopf Publishing Company released “Notes to John,” a posthumous collection of journal entries Joan Didion wrote after sessions with her psychiatrist.The 224-page work marks the first release of new content by the writer since her 2011 memoir, “Blue Nights.”

Love TD mag cover photo
News

Looking for Love?

Bowen’s Gate, a local landmark of love, looms large over Packard Avenue. Legend has it that if you kiss someone under the arch, you’ll marry them. Think of how many hearts have been forever joined right where you rush through to class. These days, instead of stepping under Bowen’s Gate, you’d have better luck stepping into the world of dating apps. Since their founding in the early 2010s, dating apps like Hinge and Tinder have swept the scene, seeming to replace any other way to meet partners. For some, the deluge of profiles leads to lasting matches; for many others, it begets fatigue, disillusionment and, ultimately, deletion. Tinder’s signature flame stamps many of our phones, but is the app only leaving us worn out?

College Experience Graphic
Viewpoint

It gets better: Making the most of your college experience

It’s nowhere near revolutionary to say that moving to college is a major adjustment. We are thrown into an entirely new world. For the first time in most of our lives, it is completely up to us to decide how we spend our time, who we surround ourselves with and what we make of ourselves. To put it simply: It’s a lot, especially in tandem with difficult classes and our uncertain futures ahead.  

Judith
Viewpoint

Eat the men: The politics of feminine violence and rage in fiction

“I stabbed at his heart and struck the sweet spot between his ribs.” So reads a line from the opening chapter of Chelsea G. Summers’s “A Certain Hunger,” where food critic Dorothy Daniels recounts a life that has lately revolved around seducing, killing and eating men. Though gruesome, this novel is a quintessential work in the genre of femgore — a subgenre of body-horror fiction typically written by and about young women with female protagonists carrying out brutal, vicious crimes against the men in their lives. In recent years, its popularity has significantly increased — a trend irrevocably tied to the absolute battlefield of modern gender politics.

Landscape: The Parc Monceau (1876) by Claude Monet, high resolution famous painting. Original from The MET. Digitally enhanced by rawpixel.
Viewpoint

Say goodbye, good riddance to uniform art movements

Last semester, I visited the Isabella Stewart Gardner Museum — now my favorite art museum — for the first time. Built by Gardner and her husband to display their vast art collection in a dignified and evocative manner, the museum is a masterclass in artistic harmony. Walking through the Gothic Room, I was struck by how seamlessly the different forms and aesthetics connected, creating a strong sense of continuity. Stepping out of the museum and back into the modern world, I couldn’t help but wonder if there were any such uniform art movements in the modern era.

New year's
Viewpoint

‘New year, new me:’ Are New Year’s resolutions more toxic than constructive?

“Auld Lang Syne,” we sing as we clink champagne flutes and bid each other a happy new year; “Old Long Since” — when translated — suggests one final recognition of and reflection upon the year past. And yet, even before the cheers die down and the clock strikes 12:01 a.m., we turn our attention to the year ahead and make our New Year’s resolutions, pledging to change ourselves for the better.

AI in the Humanities Graphic.jpg
Viewpoint

The intersection of AI and the downfall of long-form literature

Although it seems to be the argumentative equivalent of spilling a glass of water into the Pacific with the goal of flooding Sydney, I’m voicing my concern for the humanities in the ever-expanding face of artificial intelligence. The arguments against AI’s encroachment in academic settings, though prolific, have done nothing to mitigate it. A similar source of adversity facing English departments in particular, is the growing inability of college students to read long-form literature. Note my usage of the word in ability; students are not expressing boredom or a lack of time in response to being assigned novels, but rather a complete inability to read them.

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