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The Setonian
Arts

Meek's Cutoff' a powerful picture with strong directing, ambitious story and precise acting

"Meek's Cutoff," Kelly Reichardt's articulate new film, is technically a Western, though it is nothing like the ones people are accustomed to seeing. The film has little in common with the cowboy pictures John Wayne and Clint Eastwood used to star in. Instead, it is actually more like Reichardt's last film, "Wendy and Lucy" (2006), in that it is a fascinating, minimalist character study of wondering and desperate individuals.


The Setonian
Arts

Source Code' begins promisingly but loses steam

All right, there's officially a conspiracy. Big−name studios are ensnaring talented, indie−minded directors and using them to churn out shoddy films. First came the catastrophic blunder of "X−Men Origins: Wolverine" (2009), then last year's critical misfire "The Tourist" and now this. OK, in all fairness, "Source Code" isn't actually shoddy. But as a disappointing follow−up from Duncan Jones, the man who brought us "Moon" (2009), it can't help but be a heartbreaker for his fans, in spite of its relative decency.


The Setonian
Arts

Contemporary spin put on 'Arabian Nights'

A gaggle of students clothed in bright, silky garments huddled together onstage, clasping hands and hopping up and down on bare feet. The energy was palpable. Director Luke Jorgensen seemed swept up in the buzz of excitement, too, as he called out to the cast of Mary Zimmerman's "Arabian Nights," "This is a giant theme party, and you're about to rock the audience's world. They don't even know what they're getting into."


The Setonian
Arts

Madeline Hall | The Tasteful and the Tasteless

With the graduation of our current horde of all−knowing seniors fast approaching, it only feels right to warn the enlightened class of some impending challenges of navigating the next great hot mess: the working world. Lamentations of the unemployed quickly turn into lamentations of the over−employed. Those who work too hard, too long and for jobs that deprive them of a soul often find themselves doing things they would otherwise not do had their sanity been preserved.


The Setonian
Arts

happythankyoumoreplease' looks at questions of love from a fresh angle

"happythankyoumoreplease" tries to answer the age−old question, "How do you find love and happiness in this world?" The film sidesteps cliches by addressing these ideas in a non−sensationalist, nonurgent way, allowing the actors to blossom under the wing of writer, star and first−time director Josh Radnor.


The Setonian
Arts

Workaholics' has some work to do

Movie and TV comedies seem to be moving away from slapstick humor and more toward the offensive and crude. Some newer comedies have been able to pull it off. "Get Him to the Greek" (2010) and "The Hangover" (2009) are two of the best examples of comedies that truly have no borders, but have their audiences laughing uproariously throughout the entire movie.



The Setonian
Arts

Latest 'Sweet Valley' banal, but still a guilty pleasure

Was your most profound moment of disillusionment when you learned that Spotty wasn't really living on your uncle's farm in upstate New York? Or maybe when you found a pack of Camels in your mother's coat pocket, though she swears she's never touched a cigarette? For me, it was reading Francine Pascal's "Sweet Valley Confidential" and discovering that the woman who created a series that forms a major building block of my identity is a complete moron and that I was possibly also a complete moron for avidly devouring these books as a kid.


The Setonian
Arts

Arthurian legend comes to life (again) in Starz's 'Camelot'

It would be demeaning to refer to "Camelot" as mere television. Airing on Starz, it is only available by paid subscription to the premium cable channel. That being said, this is a show worth buying. The cast is suburb, the costumes flawless, the set stunning and the story complex. Though it is by no means an original retelling of the traditional tale of King Arthur, it nevertheless provides a beautiful illustration to this well?known text.


The Setonian
Arts

Iceland: More than meets the eye

America's fascination with Iceland is a relatively new phenomenon. Beginning with the explosion of Björk and The Sugarcubes onto the international scene in the late 1980s, Iceland's rich musical culture has created an alluring image of the small island and its people. The country's unique artistic scene is a product of a different national outlook that, if espoused by other countries, could help build a stronger international music community.


The Setonian
Arts

Dance Preview | Sarabande readies to set fire to the stage tonight

"Oh my God, you guys, we look so good," freshman Ani Loshkajian said to her fellow Sarabande dancers. Loshkajian had just finished filming one of the dance group's pieces from their biannual show, entitled this semester "Set Fire to the Rain." She ran over to the rest of the girls, who were either still on stage or in small groups on the floor ready to start their pieces and began chatting excitedly.



The Setonian
Arts

TV Review | Dreary and methodical, 'The Killing' makes for killer TV

Crime and murder shows are a dime a dozen these days. "CSI," "Law & Order," "Criminal Minds," their multiple spin-offs — it's safe to say that you could turn on your TV at any moment and find a team of detectives investigating the latest whodunit and trying to bring a killer to justice.


The Setonian
Arts

Mitchell Geller | Makes it Rain

Sure, many rappers grew up poor in urban centers and experienced violence and hard times, but as Chris Rock put it in "No Sex in the Champagne Room" (1999), "There's no way the ODB committed all those crimes."


The Setonian
Arts

Top Ten | Ways Entertainment Board should use the leftover comedy show funds

Michael Ian Black last semester canceled his Tufts appearance at the last minute, allowing Entertainment Board to schedule an even better comedy show this semester. They booked Nick Swardson, but it was recently announced that his show has been canceled as well. The board has pledged to save the funds at this point for an event in the fall. The Daily Arts Department came up with the top 10 ways they should instead spend the money.


The Setonian
Arts

'Flowers and Festivals' showcases Japanese woodblock prints

During the Edo period in Japan (1615-1857), woodblock printing was a common and popular art form. The Japanese took the Buddhist idea of ukiyo, or "the floating world," and interpreted the notion of the transient nature of the physical world as a reason to enjoy and appreciate fleeting material joys. From there came a trend of paintings and woodblock prints revering this tangible realm, called ukiyo-e, depicting scenes of nature and the everyday world.


The Setonian
Arts

Mildred Pierce' brings noir back to television

There just aren't many noir films being made today. Sure, Quentin Tarantino borrows heavily from the genre and some films incorporate an occasional throwback reference, but overall, the heavy−handed dialogue of smooth talking Humphrey Bogart−like characters, the harsh lighting and the mysterious, often gruesome, plotlines have been replaced by the more contemporary trends of understated acting, 3−D gimmicks and whatever you'd like to call the phenomenon that is Michael Bay.



The Setonian
Arts

Tamarind House offers quality Thai cuisine

Thai food has long been something of a little brother to Chinese food — it's the other Asian cuisine that you don't think about when you browse through the takeout options saved on your phone. A meal at Tamarind House, however, is enough to put a serious dent in that stereotype and make you think again before you order General Tso's chicken for the umpteenth time.


The Setonian
Arts

Win Win' tells slightly flawed but heartwarming story

When you're pinned to the ground, you have to do whatever you can to get back in control. The wrestling−enthusiast characters at the heart of the new dramedy "Win Win" take drastic measures in order to survive — sometimes with tragic consequences.


The Setonian
Arts

Body of Proof' a tired take on forensics drama

Anyone looking to shatter their mind into irretrievable pieces should check out ABC's new drama "Body of Proof." It's not that the show is particularly ill−constructed or poorly acted — in fact, it's all quite carefully planned out. Writer and creator Chris Murphey has strung together every predictable plot possible to produce a nightmarish deja vu.