Rebecca Goldberg | Abroadway
November 19There's something about being on a TV set that incites disillusionment. Up close, sets are two-dimensional, three-walled artifices that are too colorful and sterile to be lived in. When you're standing on set with four cameras, two boom mikes and 15 crew members staring you in the face, the whole enterprise suddenly seems less like magic and more like a sham.

