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Bella Jin


Contributing Features Writer

Bella Jin is a contributing writer for the features section of the Daily. Bella is a first-year at the SMFA and can be reached at Isabella.Jin@tufts.edu

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Features

FTR: Tisch Library Exhibitions

Sitting next to the lush greens of President’s Lawn is Tisch Library, a building we all know and love that serves as a center of academic learning and scholastic research at Tufts. Students utilize the library for a wide range of purposes, which include creating in the Digital Design Studio, meeting group members in Tower Cafe and finishing a last-minute homework assignment in one of the reading rooms. 

SMFA
Features

Fifth-year students at Tufts balance freedom and limitations

There’s much splendor surrounding graduation: the glitz and glamor of the senior gala, the intimate community bonding at the baccalaureate and, of course, the proud walk across the stage to receive one’s hard-earned diploma. Fifth-year students at Tufts have the opportunity to attend most of these events alongside their classmates. Unlike their peers, however, they also carry the knowledge that they will return to campus next year, while most of their friends enter a new stage of life.

Hokusai’s ‘The Great Wave’ is pictured.
Columns

Evanescence and the Beautiful Foolishness of Things: Hokusai’s ‘The Great Wave’

For centuries, the East and West have existed as what seem to be distinct entities — so different in culture and ideology that the art they produced reflected those stark differences. While Western art focused extensively on perspective and individual expressionism, East Asian art maintained its historical lineage of searching for “essence” in life and depicting the philosophical ideas of Buddhism and Daoism. However, as suited to the adventurous spirit of the great explorers, cultural exchange between the two was an inevitable historical product that brought excitement and revolution. 

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Arts

The people’s artist: Qi Baishi

Situated among the Boston MFA’s proud Asian collection is a dimly lit exhibition hall whose inconspicuous presence belies the crowds of visitors frequenting its displays. To protect the fragility of the Xuan paper and silk scrolls, as well as to ensure the ink doesn’t fade, each work is spotlighted under a single warm light. However, these soft beige and brown illuminations do not dull the vibrancy of Qi’s colors nor detract from the eccentricity of his brushstrokes.

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