Soul folk artist Abraham Alexander will be performing in Boston in the Red Room at Cafe 939 on Saturday. His tour kicked off on Oct. 15 in support of his debut album “SEA/SONS” (2023), which released on April 14 to critical acclaim and reflects back on his life experiences that led him to today.
An initial glimpse into “Five Nights at Freddy’s” (2023) doesn’t look positive: A Blumhouse-produced adaptation of a 2014 indie video game, the film has been stuck in various stages of production for eight years. Under the surface, however, “Five Nights at Freddy’s” gives new viewers and longtime game series fans a truly unusual experience. Not fully divorced from the game’s extensive and mysterious lore nor fully attached to it, “Five Nights at Freddy’s” attempts to make the in-between work. As far as whether it works — well, that all depends on how willing viewers are to follow its wild shifts in tone through the end.
Editor’s note: This article was written before SAG-AFTRA and studios reached a tentative agreement to end the actors strike. SAG-AFTRA and studios met again on Monday to negotiate on contracts regarding actor residual payments and the use of AI to recreate actor likeness in future productions. As always, the biggest point of discussion has been the studios’ desire to use AI. Big studios proposed their “last, best and final offer” to reuse AI scans of deceased actors without needing to ask for the consent of the actors guild or the deceased actors’ estates. The studios also proposed to pay a one-time fee to secure AI scans of living actors who make more than the minimum earnings in the guild; however, SAG demands that studios compensate these actors for every use of their likenesses.
In the American school system, it is easy to notice the emphasis placed on ‘traditional’ subjects: math, English, science, history and language. Of course, there’s a decent number of people that will continue to study these fields throughout their lives and careers, but what about those that are passionate about art or music? Does public education often disregard these paths, and is there more value to arts education than federal funding currently supports?
Greater Boston recently welcomed a new performance space to its theatre scene: Arrow Street Arts in Cambridge, on the outskirts of Harvard Square. The venue was previously home to Oberon, a popular stage for fringe and experimental performances, owned by the American Repertory Theater. Since Oberon closed its doors in the winter of 2021, 2 Arrow St. has been vacant — that is, until Cambridge theatre company Moonbox Productions took up residence in the theatre this year. Their first production was an ambitious reimagining of Stephen Sondheim’s “Sweeney Todd: The Demon Barber of Fleet Street” (1979) directed by Ryan Mardesich.
When we take a step back and look at how cinema depicted sprawling urban metropolises in the 1970s through the 1990s, we can uncover significant traits. For one, films started to look into the setting as much less of a backdrop and more of a character in itself. Films like Spike Lee’s “Do the Right Thing” (1989) and John Carpenter’s “Escape from New York” (1981) are prominent examples from this era featuring New York City. These movies transcended their genres as they shaped the city around them into storytelling devices in bold new ways. More esoteric showings of this same style are incorporated in almost every work by B-Movie icon Abel Ferrara. “Ms .45” (1981), “King of New York” (1990) and — arguably his magnum opus — “Bad Lieutenant” (1992) are prime examples of how big cities and their cinematic facades can be reshaped like Play-Doh to fashion some of the most crafty narrative concertos.
“9 to 5” (1980). “High Hopes” (2018). “Y.M.C.A.” (1978). What do these songs have in common?They’ve all been used as campaign songs in recent U.S. presidential races. While the music a candidate chooses to play as they walk onstage for a campaign event may seem like a trivial detail, it can play a major role in defining the tone of their campaign.
“I’m here with my friends at the graveyard.” One of my favorite books growing up wasNeil Gaiman’s “The Graveyard Book” (2008). It’s about a boy named Nobody Owens who is raised by ghosts in a graveyard after his entire family is murdered.
“Marie Antoinette” (2012), written by David Adjmi, is a theatrical retelling of the life and death of the infamous queen who led France up until its revolution. The Tufts Department of Theater, Dance, and Performance Studies’ production follows Marie’s life as her reputation becomes ruined and the French citizens turn on the royal family.
On Oct. 4, The Hollywood Reporter released its “50 Best TV Shows of the 21st Century (So Far).” THR restricted the list to English-language shows that aired episodes after Dec. 31, 1999. Some of the shows on this list are pleasant surprises, like “Avatar: The Last Airbender” ...
With over 500,000 works of art throughout the Museum of Fine Arts, navigating the galleries can be overwhelming. Luckily, the MFA is divided into several collections, making the viewing experience more digestible. The MFA has 13 collection areas in total. They are as follows: Art of Africa ...
One fun fact about myself: I love to write. Maybe that’s not a surprise considering this is an article for my weekly column — but it’s true. Novels, short stories, articles — I love to write them all. And recently, I have started to fall in love with writing for film, partially because of this column and partially because of my screenwriting class.
The Boston Asian American Film Festival celebrated its 15th anniversary this year, screening its program from Oct. 12–22, which showcased shorts, documentaries and narratives, closing with a preview of director Lulu Wang’s upcoming series, “Expats” (2023–), starring Nicole Kidman. The Daily spoke with Susan Chinsen, director of BAAFF, to get a greater understanding of the festival and what it hopes to achieve.
In “Killers of the Flower Moon” (2023), we are pulled back into the dark, twisted underbelly of the American workforce with a story that links gracefully with the previous works of the director. Featuring another examination of crime and raucous character confrontations, the film is nothing short of a monumental staple in the already stacked career of one of the true great American directors.
My cooking origin story begins with the first phase of the COVID-19 lockdown, between March and June of 2020. As a high school senior, I was (very validly) going through a bout of self-isolation. I barely left my room during those first few months of the pandemic. What was I doing with my time? Watching cooking videos: primarily Bon Bon Appétit’s YouTube content.
On Oct. 6, comedian Joe Pera released his first standup special on YouTube. He opened it with the following words: “How ‘bout this door?” He then turned to gesture at the massive black door looming behind his substantially smaller body. “Something pretty big could come through this door.” Pera just smiled warmly and stayed pointing at the door awhile. The absurd investment was never mentioned again for the rest of the special. There is not an inkling of explanation for it.
“The Fall of the House of Usher” brings together “Succession” (2018-23) and “Final Destination” (2000) with witty dialogue, gripping cinematography and a killer soundtrack.
In 1888, famed painter John Singer Sargent (1856–1925) hosted his first solo exhibition at the St. Botolph Club in Boston, where he displayed some of what would later be deemed his most iconic works. Throughout his life, he would continue to return to Boston, painting portraits of Boston’s wealthiest patrons and his closest friends, including Isabella Stewart Gardner.
There’s an unsaid notion that seems to exist both inside and outside the queer community: queer people cannot be people of faith. But as of late, I’ve seen two pieces of mainstream media challenge this assertion.
“My sister, Petra, one time picked up a stone from a river at summer camp, then discovered it was a snapping turtle and threw it at my face.”
