Public Cinemy No. 1: The rise of the biopic and the death of the A-lister
By Sacha Waters | April 2“Bohemian Rhapsody.” “Blonde.” “Oppenheimer.” “The Iron Claw.” “Rocketman.” “Maestro.” “Elvis.” “Priscilla.” “Napoleon.” “Ferrari.” “Nyad.” All are films that came out in the last six years, and all are films that denote Hollywood’s staggering obsession with biopics. Biopics have always been a staple in American cinema, but their explosion in recent years is a Band-Aid over the fatal wounds dealt to Hollywood by streaming.
















