In the last column, we explored how Hokusai’s “The Great Wave” incorporated Western techniques and came to symbolize artistic exchange between East and West. In this article, we will examine how the print evolved into a global phenomenon, becoming the foremost cultural motif of Japan and East Asia.
Many of those who settled into the red-cushioned seats at their go-to movie theaters in 2022, armed with buttered popcorn or slushies, would have been met with an ad for the U.S. Air Force between movie trailers for upcoming blockbusters. In came the droning of a fighter jet and a cinematic shot of it swooping around mountaintops and through arid plains spotted with cacti. The advertisement barely shows any faces under the helmets, possibly to encourage viewers to imagine themselves in the cockpit. The command to “aim high” lingers on the screen at the end of the ad, followed by the URL of the Air Force website.
There have been many eras in the world of television. In the 2000s, weekly releases reigned supreme. On specific weeknights, shows would air their new episodes live. These weren’t just any shows; the most popular series often adhered to this schedule — think “Lost,” “The Big Bang Theory” and “Gilmore Girls.” Amid real-life pressures from school and work, these new episodes were a constant every week — something to look forward to.
Sometime in the spring of 2025, Ray Feinleib found himself in a tough situation. Needing only one more course to complete a bachelor’s degree in film and media studies at Tufts in the twilight of his academic career, Feinleib had chosen to take “Advanced Documentary.” Yet, on the weekend before spring break, with the class’ final project’s due date set for the first week back, he found himself with nothing.
Before singing her fifth song, “Be Like the Water,” given it was a week before Halloween, Indigo De Souza recounted a recent visit to a haunted house. She realized that the good thing about a haunted house is that you can always just close your eyes; the ghosts and demons aren’t allowed to touch you, and if you stand real still, you won’t touch them either. So, in the haunted house, she stood very still and closed her eyes. This song is about that, she said, slightly unsure about how much sense the story made.
In May, The New York Times ran a story about a young influencer with Stage 4 cancer who’d become the fixation of a Reddit ‘snark’ community. The subreddit’s members didn’t believe she was sick. They combed through her Instagram posts and created timelines tracking her hospital visits and medical details. They called it research. When the Times confirmed her diagnosis with her doctor and reached out to Reddit for a comment on its inaction, the platform banned the forum. By then, though, its members had already produced something that looked unsettlingly like journalism.
The most unfortunate thing about “Springsteen: Deliver Me From Nowhere” is that the film, fundamentally, does everything right. The plot is trackable, director Scott Cooper doesn’t make any jaw-dropping choices and stars Jeremy Allen White and Jeremy Strong turn in strong performances as the titular rock star and his manager, respectively. What results is a product that is thoroughly predictable, unimaginative and set firmly in simplicity.
For pastry chefs Richard Akers-Barrows and Maura Kilpatrick, baking is about imagination.
The Boston Symphony Orchestra is where your next live music adventure can come to life, and it is only about a 40-minute trip from Tufts to Symphony Hall. Many of us are not very familiar with the classical music scene because it is not typically presented as an activity worth attending, but I would advise you to give it a chance.
Printmaking dates back to the Tang Dynasty in China, where it was primarily used for Buddhist texts and illustrations. It then spread widely throughout Asia, notably reaching Japan in the seventh century. Traditionally, Japanese printmakers used mokuhanga, a woodblock printing technique — “moku” meaning wood and “hanga” meaning print. In mokuhanga, a traditional bamboo hand tool called a baren is used to press the ink onto the paper.
It’s fitting that the last lyric of Bad Bunny’s record-breaking 2025 album “DeBÍ TiRAR MáS FOToS” is “¡Viva!” — or in English, “Long live!” It’s the resounding final exclamation of “LA MuDANZA,” a track that begins as an intimate ballad — a retelling of the tender love story from global superstar Benito Antonio Martínez Ocasio of his parents — and then, in a heartbeat, erupts into a raucous, full-throated anthem. Piano, bass, congas, bongos and horns collide, igniting a sound that, as with the 16 tracks before it, channels the soul of Puerto Rico and its people.
Almost exactly 50 years ago, Bob Dylan embarked on the first leg of his now-famous Rolling Thunder Revue tour. What commenced was perhaps the most thrilling live collection of songs Dylan would ever produce. The autumn leg of this tour, spanning the northeastern United States and Canada, became forever immortalized through the live album released in 2002, which featured 22 performances from the first leg of the tour. The album serves as a testament to Dylan’s decades-long commitment to reinventing himself and his material and stands alone as a pinnacle of both Dylan’s career and rock music at large.
The Roberts Studio Theatre feels like an underground rock club. The stage is set minimally, with panels of graffiti, black boxes, a piano and other musical instruments lit by hazy, colorful lights. The audience is still murmuring when the three characters that make up the cast of “Lizard Boy” casually walk onstage to tune their various instruments. It’s as if a concert is about to start, rather than a musical. The opening display is very intentionally alternative. “Lizard Boy” is a story about an outsider, and the show itself is situated on the boundaries between sci-fi and myth, and between the quirky and the cliché.
In the 2024 presidential debate between former President Joe Biden and President Donald Trump, it became clear that political discourse in America had fully merged with internet culture. Within minutes of the debate’s broadcast, TikTok and X were flooded with short clips. Biden’s frail voice and empty-eyed stare sparked jokes about him needing “a cough drop,” an energy drink or even Adderall, with one user quipping, “They accidentally injected Biden with ketamine instead of adrenaline.” Memes compared his expressions to a dog caught misbehaving or someone seeing ghosts.
Sitting in a mildly cramped, dimly lit room, I, along with several other guests from the Medford area, waited with bated breath for School of the Museum of Fine Arts alum Bianca Broxton’s performance. A hush quickly spread throughout the room as Broxton entered dressed in a floor-length gown, white stockings, a white veil covering her face and a white headwrap on her head.
Despite his choice of title, Bryan Washington certainly isn’t palavering in his third standalone novel. The book delivers 336 pages of routine moments conveyed with great momentum. From Jamaica through Houston and Toronto, all the way to Tokyo, “Palaver” gently leads readers through moments that may seem inconsequential individually, but ultimately comprise all the life-altering decisions and important relationships that define us.
No matter where you fall on the ideological spectrum or how you feel about politics, I think we can all agree on one thing: this is certainly not “The Good Place.”
Yoga, as defined by Merriam-Webster, is “a system of physical postures, breathing techniques, and sometimes meditation derived from Yoga but often practiced independently especially in Western cultures to promote physical and emotional well-being.”
The Arnold Arboretum at Harvard University spans 281 acres with a collection of more than 16,000 plants. Rodney Eason, director of horticulture and landscape at the arboretum, can recognize these plants by sight and tell their stories by heart.
Lately, country music has felt somewhat inescapable. Songs from Morgan Wallen’s new album hold multiple spots on the Billboard Hot 100 while echoes of a country twang have made their way into Sabrina Carpenter’s recent music. Country’s spreading influence is visible in Beyoncé’s Texan homecoming, Noah Kahan’s seemingly overnight fame or the success of Shaboozey’s hit “A Bar Song (Tipsy).” In a 2023 study on popular U.S. radio content, songs falling into the genre of country composed 41% (second highest to the grouped category of rock, alternative and indie) of music on the radio. That’s a percentage even higher than pop.
