Eat the men: The politics of feminine violence and rage in fiction
By Max Lerner | February 26“I stabbed at his heart and struck the sweet spot between his ribs.” So reads a line from the opening chapter of Chelsea G. Summers’s “A Certain Hunger,” where food critic Dorothy Daniels recounts a life that has lately revolved around seducing, killing and eating men. Though gruesome, this novel is a quintessential work in the genre of femgore — a subgenre of body-horror fiction typically written by and about young women with female protagonists carrying out brutal, vicious crimes against the men in their lives. In recent years, its popularity has significantly increased — a trend irrevocably tied to the absolute battlefield of modern gender politics.


















